Song of Solomon 6:13–8:4

Song of Solomon 6:13

Return, return, O Shulamite; Return, return, that we may look upon thee. -- What would ye look upon in the Shulamite? -- As it were the dance of two camps.

Chapter six closes with a chorus of onlookers begging the bride to come back, so they can look at her. Two questions run through the verse: why is she called "Shulamite," and what is the dance of two armies?

A new name

The name they use for her comes straight from the king's own name.

The Hebrew word translated here as Shulamite is the feminine form of the name Solomon. It means peaceful. Israel not only welcomes the Lord but also becomes the earthly bride. "For your Maker is your husband, the LORD of hosts is His name; and the Holy One of Israel is your Redeemer, the God of the whole earth He is called" (Isaiah 54:5).

The Christian's Friend

The shared name marks a relationship settled after a long break.

They call her by a new name, "Return, return, O Shulamite," which is the feminine form of Solomon. This is significant. Union is accomplished. The long broken relationships are re-established. Grace has done a perfect work in her. Blessed be the name of the Lord! He can now make Himself fully known to her, and she truly reflects the beams of His glory.

Andrew Miller

Why they call her back

The daughters of Jerusalem are the ones calling out. Their reason has more to do with the Bridegroom than with her.

The scene opens with the daughters of Jerusalem calling on the bride to return. They had already heard from her lips the glowing description of the Bridegroom, which awakened desires after Him in their own hearts. Then, it seems, she left them to join her Beloved in the garden of spices, and now they plead with her to return. Possibly the secret of their plea is the desire to learn more of the Bridegroom — and who is better fitted to bear witness of the Bridegroom than the bride? For now they recognise she is in relation with the King. For the first time they speak of her as the Shulamite.

Hamilton Smith

Her own low estimate of herself

In her own eyes there is nothing in her worth looking at. Heaven's response is very different.

She may be a wonder to herself, she may take a place unworthy of any notice (v. 13), but the Lord and angels rejoice over her. As we know from the Gospels, the ninety-nine righteous ones can be left for the one lost son. The angels in heaven rejoice. The house makes merry. The friends of the beloved celebrate over the returned Shulamite. She is like Jacob when he returned: Mahanaim, the hosts of God, salute them both.

J. G. Bellett

The dance of two camps

The last line may be read as "the dance of two camps." It points back to a day in Jacob's life when God's angels met him.

The text may be translated, "As it were the dance of Mahanaim." The reference is probably to the day when Jacob left Mesopotamia for the promised land. He travelled with his wives, his children, his servants and all his goods. On the way "the angels of God met him; and when Jacob saw them he said, This is God's camp! So he called the name of that place Mahanaim" (that is, two hosts or camps). There the host of heaven and the host of earth met. Here the Bridegroom and the bride have met in the garden of the King. The daughters say, in picture language, "We would see the effect of this meeting." How good when others can see the effect of our having been "with Jesus."

Hamilton Smith

Two armies, or one healed nation

Commentators differ here. Some read the two armies as the old and new natures at war inside a believer. Others reject that and see a divided nation made whole.

Some have thought that the company of two armies seen in the bride represents the old life and the new at constant war with each other in the Christian. We think this a mistake. Here it does not appear to refer to conflict at all, but rather to peace, unity, and glory. Does it not express the reunion of the long-divided house of Jacob under the Prince of Peace? Judah and Israel are no longer two nations warring with each other, but are joined in one. This union opens the way to the millennium — the reign of peace. The twelve tribes are restored, the nations are brought under their rule, and all is peace.

Andrew Miller

The question turned on us

The chorus asks what is worth seeing in her. That question does not stay in the poem.

"Why should you look upon the Shulammite?" Let us not forget that the world has its eyes on us. What do they see in us? Do they see us working in that unity and joy before the Lord, which is the fruit of peace?

The Christian's Friend

Summary

- Restored. The verse comes after a long break in the relationship. Grace has done a perfect work, and the union is restored.

- Renamed. "Shulamite" is Solomon's own name in feminine form. It means peaceful, and the shared name shows the union is complete.

- Displayed. The onlookers call her back for a reason. The restored bride is the best witness to the Bridegroom they now want to know.

- Reunited. The two camps recall Mahanaim, where God's host met Jacob's. They picture Judah and Israel joined again in peace, not in conflict.

- Watched. The world still looks on to see what is in her. What it should see is unity and joy, the fruit of peace.

Song of Solomon 7:1

How beautiful are thy footsteps in sandals, O prince's daughter! The roundings of thy thighs are like jewels, The work of the hands of an artist.

Song of Solomon 7 opens with a fresh description of the bride. This time it starts at her sandalled feet and moves up, and it gives her a title she has never carried before. Who is speaking here, and what does that royal title mean?

Who Is Looking, and From Where

Earlier descriptions in the Song start at the head. This one starts at the ground. Miller is not sure who is speaking, but he explains the change of order.

It is hard to say whether the daughters of Jerusalem or the Bridegroom speak the first five verses of this chapter to the bride... In chapter 4, when He speaks of her qualities, He begins with the head. In chapter 5, when the bride gives a full portrait of her Beloved, she also begins with the head. But here it is different: the description begins with the feet and ends with the head. Here she seems to be seen from earth's point of view, as if her walk first drew the daughters of Jerusalem.

Andrew Miller

Hamilton Smith names the daughters of Jerusalem as the speakers. He also shows what they praise: not her words, but her way of life.

The daughters of Jerusalem thus celebrate the beauty of the bride. In the past her words gave bright witness to the King. Now she herself is a witness to all the beauty the King had put on her. It is the witness of life rather than lips, of ways rather than words. She had been with the Beloved in the garden of spices and she comes forth from His presence with the beauty of the King upon her. They greet her as the daughter of the Prince. The stamp of royalty is on her, and the grace and majesty of the King's presence goes with her as she walks.

Hamilton Smith

The New Title

The verse calls her "O noble daughter" — older translations read "O prince's daughter." Miller takes the title as public proof of her link to the King.

The King's bride is looked over closely again, and given a new title: "O prince's daughter." Her connection with royalty is now acknowledged. The King has brought her into the closest relationship with Himself. Everyone can see it... When He comes and takes the throne of His father David, everything in Israel changes.

Andrew Miller

Another writer applies the title to every believer, and asks about the company we keep.

She is addressed as a prince's daughter, a child of royal birth. So are we children of the great King. Think for a moment what dignity is yours and mine, dear fellow believer, as the child of the great King of the universe. Should we ever be downcast, or be ashamed of our royal birth? Or choose for our closest friends and companions the children of the realms of darkness? Surely we should always be careful that our walk is in keeping with our royal birth.

The Evangelical Christian's Handbook

Why He Starts at the Feet

She had described her Beloved starting at His head. His answer starts at her feet, and one writer explains why.

Her heart knew Him by the glory of the head. He begins with her at the lowest point instead: "How beautiful are your feet in sandals, O noble daughter!" This is grace — grace whose first care is the part of us that touches a defiling world. Service is sweet to love. He thinks first of our feet, and at last His eye rests on our lips.

The Christian's Friend

The Sandals

The sandals carry a lesson of their own. It starts with what they are made of.

Consider your shoes a moment. They are made of leather, the skin of some animal that had to die so that you might have shoes. We are poor sinners who could not stand before God at all on our own merits. This reminds us at once that Christ has made us acceptable to Him. We stand before God clothed in all the merits of Christ's sacrificial death for us... Wearing these shoes — brought near to God through the death of Christ — how beautiful our footsteps should be!

The Evangelical Christian's Handbook

Jewels Made by Another's Hands

The verse credits her beauty to a master craftsman. Smith points to the maker, and to what she is by nature.

She has been in the hands of "a master workman" and she wears the jewels his hands had made. The beauty of the King is upon her... By nature "from the sole of the foot even to the head there is no soundness in it, but wounds and bruises and festering sores"; but seen as spiritual and heavenly in origin — as a prince's daughter — we are all beautiful from the sole of the foot to the head.

Hamilton Smith

Summary

- Presence — she comes out of the King's company, and the glory she carries is His, not her own.

- Gift — the title "prince's daughter" is given, not earned. The King names her royal before He praises anything about her.

- Grace at the feet — His eye starts at the lowest point, where we touch a defiling world, and works upward.

- Shoes — a covering made through a death, so that those who could not stand before God now walk before Him accepted.

- Walk — the jewels are a master craftsman's work, not hers. The one fitting answer is a walk that matches the birth.

Song of Solomon 7:2

Thy navel is a round goblet, [which] wanteth not mixed wine; Thy belly a heap of wheat, set about with lilies;

The praise of the King's bride moves from her feet upward. At her body it pauses over two pictures: a bowl of wine and a heap of wheat ringed with lilies. Three questions follow: who is speaking, what do the pictures stand for, and whose beauty is on display?

Who is speaking

The chapter opens without naming the speaker, and commentators differ. One writer leaves the question open, and points to the order of the description as the clue.

It is not easy to say whether the first five verses of this chapter are addressed to the bride by the daughters of Jerusalem, or by the Bridegroom. In chapter 4 He begins with the head. And in chapter 5, where the bride gives a full-length portrait of her Beloved, she also begins with the head. But here it is different: the description begins with the feet and ends with the head. She appears to be looked at here from earth's point of view, as if the daughters of Jerusalem were first attracted by her walk.

Andrew Miller

Another writer names the speakers, and shows why they begin at her feet.

The daughters of Jerusalem describe the bride in language similar to that used by the Bridegroom. He views her from above, so He begins with her eyes. The daughters view her from earth, so they speak first of her footsteps and end with the hair of her head. By nature, "from the sole of the foot even to the head there is no soundness in it, but wounds and bruises and festering sores." Yet seen as of spiritual and heavenly origin — as a prince's daughter — we are all fair from the sole of the foot to the head.

Hamilton Smith

What the goblet, the wheat and the lilies mean

Scripture's own use of these images explains them here. The part of the body named is where the Bible locates the deepest feelings. What fills it is drink and bread.

The part of the body spoken of here is where the bowels are located. In Scripture this expresses deep and tender affection, compassion and pity (see Genesis 43:30; Jeremiah 31:20; Philippians 1:8; 1 John 3:17). "Wine, which cheers God and man" (Judges 9:13) is often used as the symbol of joy, and a goblet that does not lack mixed wine would signify an unfailing source of joy. Wheat would speak of essential food, and a heap of wheat of an abundance of this food; but Christ is that food which sustains the soul. He is the grain of wheat that fell into the ground and died (John 12:24). He is also the Bread of Life (John 6:32-35, 48-51). The lilies speak of purity and lowly fragrant grace.

Various Authors

A fence that invites

The lilies form a border, and a border usually keeps people out. This one does the opposite, and the picture widens to a whole land under a good King.

"A round goblet which does not lack wine … a heap of wheat set about with lilies" denote an abundance of what cheers and sustains. And yet grace and humility surround them. A fence of lilies forbids no one to come and share in the King's generosity. It invites them, in the words of wisdom: "Come, eat of my bread and drink of the wine that I have mixed." Such will be the fullness and character of earthly blessing under the peaceful reign of the true King Solomon. What an idea these beautiful and significant symbols give of millennial blessing! An overflowing abundance with true lowliness of mind.

Andrew Miller

Blessing that flows outward

The fullness is not stored up for the bride alone. Applied to Israel restored, these images become a ministry to the whole earth.

What a joy it will be to the Lord to behold Israel as the peaceful Shulamite (see 6:13), the bride of the great King, at the head of the nations! She will be a constant source of joy to the whole earth, as she, moved with deep compassion, lowly and pure as the lilies, ministers Christ abundantly to all nations.

Various Authors

Beauty borrowed from the King

The bride's beauty is not her own. Those watching her see what she has received.

Formerly her words had borne bright witness to the King, but now she herself is a witness to all the comeliness the King had put upon her. It is the witness of life rather than lips, of ways rather than words. She had been with the Beloved in the garden of spices, and she comes out from His presence with the beauty of the King upon her.

Hamilton Smith

Summary

- Source — nothing here is her own. She comes from the King's presence wearing His beauty. By nature there was no soundness in her, from sole to head.

- Fullness — the goblet that never lacks mixed wine speaks of unfailing joy. The heap of wheat speaks of food in abundance, and that food is Christ, the grain of wheat that fell into the ground and died.

- Fence — the lilies stand for purity and lowly grace. This border shuts no one out. It invites all to share the King's generosity.

- Reach — she stands at the head of the nations. From there she is a constant source of joy to the whole earth, ministering Christ to all.

- Witness — what the onlookers praise is a life, not a speech: beauty seen in ways rather than words.

Song of Solomon 7:3

Thy two breasts are like two fawns, twins of a gazelle;

Song of Solomon 7 praises the bride from her feet upward, and verse 3 stops at an image taken from a mother's body and a pair of young deer. Who is speaking here, and what does that picture teach about mature love, unity, and the power to feed others?

The bride viewed from the ground up

The direction of the praise is itself a clue. In earlier chapters it starts at the head. Here it starts at the feet, and even the speaker is uncertain.

It is hard to say whether the daughters of Jerusalem or the Bridegroom speak the first five verses of this chapter to the bride... In chapter 4, when He speaks of her qualities, He begins with the head... But here it is different: the description begins with the feet and ends with the head. Here she appears as earth sees her, as if the daughters of Jerusalem were first drawn by her walk... The portrait here is not so much her own faultless beauty, which the Bridegroom admires and loves to dwell on, as the setting and marks of royalty... But we must keep in mind that the bride stands for great glory and blessing for all Israel.

Andrew Miller

Beauty that was put on her

Whatever onlookers admire in her, none of it started with her.

Once her words had been a bright witness to the King. Now she herself is a witness to all the loveliness the King had put on her. It is the witness of life rather than lips, of ways rather than words. She had been with her Beloved in the garden of spices, and she comes out from His presence with the beauty of the King on her. She is greeted as the daughter of the Prince.

Hamilton Smith

Maturity that can feed others

The picture comes from a mother's body, and so does its meaning. Affection that has grown up can feed others.

The breasts speak of maturity and especially of the mother's capacity to nourish and cherish her babies. So her affections have grown mature and Christ-like, and she can now cherish and nourish the young, feeding them with the pure milk of the Word.

The Song of Solomon

The comparison to a deer, and to a young one, carries its own weight.

The breasts stand for the affections. Proverbs 5:19 uses the same picture of the deer to show what is pleasant. The word "young" adds what is fresh. Christ sees in His people a love that is pleasant and that will never grow old.

Hamilton Smith

Twins — a people of one heart

The two are not just a pair — they match. Applied to Israel's future, that likeness matters.

The twin deer may point to the unity, harmony, and strong family likeness that will then mark the people of the land. Speaking of their blessing under the new covenant in a future day, the word says, "I will sprinkle clean water on you, and you shall be clean from all your uncleannesses, and from all your idols I will cleanse you. And I will give you a new heart, and a new spirit I will put within you... And I will put my Spirit within you, and cause you to walk in my statutes."

Andrew Miller

Why so little Christ in our conversation

The same picture tests ordinary Christian company. The answer given is uncomfortable.

When believers meet, their life together should bring joy and give a chance to minister Christ to one another, for their comfort and building up... For this our hearts must be filled with Christ and constrained by His love, for out of the abundance of the heart the mouth speaks. Why is Christ so little spoken of by believers when they are together? The answer is simple: they have given Him such a little place in their own heart's affections. Their breasts are not like young deer; they have not developed love and affections in Christ. Only as we feed on Christ do we find Him the source of life and strength to our souls. Then we can speak of Him to others as a living reality to our hearts and a constant source of joy and strength.

The Song of Solomon

Summary

- Received — her beauty is not her own. The King put it on her while she was with Him.

- Ripened — her affections have grown up: pleasant, fresh, a love that never grows old.

- Matched — twins speak of unity, harmony and family likeness in a people God gives one new heart.

- Poured out — grown love feeds others. It cherishes the young and gives them the pure milk of the Word.

- Tested — when believers hardly speak of Christ, the problem is not knowledge. He has too small a place in their hearts.

Song of Solomon 7:4

Thy neck is as a tower of ivory; Thine eyes, [like] the pools in Heshbon, By the gate of Bath-rabbim; Thy nose like the tower of Lebanon, Which looketh toward Damascus;

Who speaks, and from where

The description runs upward from the feet, and one writer takes that direction as a clue to who is speaking:

It is hard to say who speaks the first five verses of this chapter to the bride — the daughters of Jerusalem, or the Bridegroom... In Song 4, when speaking of her qualities, He begins with the head. And in Song 5, where the bride gives a full-length portrait of her Beloved, she also begins with the head. But here it is different: the description begins with the feet and ends with the head. Here the view of her seems to come from earth, as if her walk first attracted the daughters of Jerusalem.

Andrew Miller

Commentators differ here. William Kelly reads the whole passage as the Bridegroom's own words. But the same clue — the direction of the description — is read by another writer as the difference between heaven's view and earth's:

The daughters of Jerusalem describe the bride in language similar to that used by the Bridegroom, only, viewing her from above, he begins his description with her eyes, whereas the daughters, viewing her from earth, speak first of her footsteps and end with the hair of her head.

Hamilton Smith

Beauty that was given, not owned

Whoever is speaking, the bride did not put this beauty on herself:

Formerly her words had borne bright witness to the King, but now she herself is a witness to all the comeliness the King had put upon her. It is the witness of life rather than lips, of ways rather than words. She had been with the Beloved in the garden of spices and she comes forth from His presence with the beauty of the King upon her.

Hamilton Smith

The neck: a tower of ivory

A stiff neck was Israel's old character. This picture reverses it, and the material of the tower matters too:

In the past, Israel has been a stiff-necked people. They refused to bow their neck under the yoke of the Lord, but stubbornly chose their own way. What a contrast redeemed Israel will be in the coming age. Her neck will be as a tower of ivory — purity and holiness will characterise her... Ivory is the great tusk of the elephant, and men get it only at the cost of the animal's suffering and even death. The elephant dies so that man may have the ivory. So the neck of ivory would speak of holiness and righteousness — the fruit of Christ's sufferings unto death for us.

The Christian's Friend

The eyes: pools in Heshbon

Still water can do what churning water cannot — it reflects the sky:

The pools always have their face turned upward and so reflect the heavens that are above them. The quiet pools of water would convey the idea of peace and quietness... The believer should be in contrast to the wicked as a quiet, still pool reflecting in its depths the serenity of heaven above. The root meaning of the Hebrew word Heshbon is intelligence. The secret of true peace and true intelligence is to have the eyes turned upward... Bath-rabbim means "daughter of abundance." Whoever keeps his eyes always turned upward to Christ will be rich in peace and spiritual understanding.

The Christian's Friend

The nose: the tower of Lebanon

The bride's nose stands out, and one writer contrasts it with a priest who was kept from serving:

The "tower" (watchtower) would speak of vigilance. It "looked toward Damascus." Damascus was the city where Israel's enemy, the Syrians, lived. The Christian should stay alert for those spiritual enemies who invade the land of our possession.

C. Knapp

For the nation, the same tower means the end of a long history of invasion:

"A tower of Lebanon, which looks toward Damascus" suggests the idea of strength, security, supremacy. The Jews were once persecuted as a people scattered over the earth, and often invaded as a nation, above all by the Syrians. Now they can look out on Syria, and on all the surrounding nations, in tower-like strength.

Andrew Miller

What bends the neck

A neck that bows is a will that yields. What makes a will bow?

Force cannot produce true whole-hearted obedience. A person may obey outwardly out of fear, but the heart is never in it. Only the sense of Christ's great love in giving His life a ransom for us will produce whole-hearted obedience.

The Christian's Friend

Summary

- Given beauty. Her beauty is what the King put on her — showing in her ways before it sounds in her words.

- Neck — surrender. Ivory, won at the cost of a life, turns a stiff neck into a tower: holiness as the fruit of Christ's death.

- Eyes — upward. Still pools reflect the sky; a heart not churning takes in peace and understanding from above.

- Nose — discernment. A watchtower facing Damascus: alert to the enemies who invade the land.

- Love, not force. Each feature is the work of love received; only that love produces obedience the heart is truly in.

Song of Solomon 7:5

Thy head upon thee is like Carmel, And the locks of thy head like purple; The king is fettered by [thy] ringlets!

The description of the bride has moved up from her feet, and it ends here at her head. She wears a crown of fruitfulness, her hair is like royal purple, and a king is held captive. Two questions follow. What do Carmel and purple stand for? And how can a king be captive to the one He praises?

Who is speaking, and why the praise runs upward

The praise here begins at the feet and moves up. One writer asks who is speaking, and what that order shows.

It is hard to say who speaks the first five verses of this chapter to the bride — the daughters of Jerusalem, or the Bridegroom... Here it is different: the description begins with the feet and ends with the head. In this passage she seems to be viewed from earth's point of view... Besides, the portrait given here is not so much her own faultless beauty, which the Bridegroom admires and loves to dwell on, as the setting and associations of royalty. Or perhaps it is national glory more than personal beauty. But we must keep in mind as we go along that the bride stands for great glory and blessing for all Israel.

Andrew Miller

So commentators differ on the speaker.

Carmel: a crown of fruitfulness

Carmel was a byword for abundance. One writer, working from an older translation, takes the phrase as an ornament worn on the head.

"Carmel," in scripture, is the type of fruitfulness. It was famous for its vineyards, gardens, and rich pasture. The words "your head upon you" seem to point to an ornament on the head, not to the head itself. They may refer to a crown, or a wreath of laurels, showing "the excellency of Carmel" and picturing the land's fruitfulness — national abundance. Israel is crowned with goodness.

Andrew Miller

The same writer then weighs that earthly blessing against another kind:

They are blessed with every earthly blessing in Emmanuel's land. That will be glorious, and glorious it shall be. Yet it is only the contrast, drawn by God Himself, to the church's blessings, even while she travels through this world as a pilgrim.

Andrew Miller

Knowledge that bears fruit

The head is where we think. So a crown named "fruitful field" raises a question about what we do with what we know.

Carmel means "fruitful field." The head is the seat of intelligence and knowledge. A person may hold a great store of knowledge, but what good is it if it bears no fruit in our lives? ... All divine knowledge is meant to reach the heart and conscience, and so bear fruit in the life. Spiritual light that is not put into practice will only harden the heart and deaden the conscience.

The Emmaus Correspondence Course

Purple hair: royalty worn in submission

Purple is the colour of a throne. Here it belongs to hair, and hair carries its own meaning.

Hair is the adornment of the head and the symbol of submission, and purple is the royal colour... But what will mark her above all when she uses royal power at the head of the nations? In a word, whole-hearted submission to the will of the Lord. She will not use her royal power to enforce a will of her own, but only to carry out the will of God... This submission to His will delights the heart of Christ. It holds Him captive, so to speak: "The king is fettered by your ringlets."

The Emmaus Correspondence Course

That closing line comes from an older translation. The ESV reads, "a king is held captive in the tresses."

The King held — by beauty He Himself gave

The last line is the strangest: a king held captive. One writer points to what holds Him.

"Purple" is the emblem of royalty. The eye rises from the beautiful shoes to the bridal crown and finds everything perfect. The fair spouse of the king is faultless... The king is overcome by her attractions. He is bound, as it were, by her beauty — beauty which He has put on her... He cannot leave His royal bride. Wondrous love! Wondrous grace!

Andrew Miller

Another writer shows how she came by that beauty, and how it now speaks for her without words:

In the past her words had given bright witness to the King. Now she herself is a witness to all the beauty the King had put on her. It is the witness of life rather than lips, of ways rather than words. She had been with her Beloved in the garden of spices, and she comes out from His presence with the beauty of the King upon her. The stamp of royalty is on her, and the grace and majesty of the King's presence surround her wherever she goes.

Hamilton Smith

Summary

- Given. Every feature praised here is beauty the King first put on her. He is bound by beauty "which He has put on her."

- Fruitful. Carmel crowns the head with abundance. But knowledge that never reaches the life hardens the heart instead of feeding it.

- Submitted. Royal purple worn as hair pictures power held under God's will, not used to press one's own.

- Displayed. Time in His presence shows: "the witness of life rather than lips, of ways rather than words."

- Held. The King will not leave. He is held by the very submission and grace He gave her.

Song of Solomon 7:6

How fair and how pleasant art thou, [my] love, in delights!

Chapter 7 describes the bride at length. Then one voice breaks in and cries out over the whole person. Who is speaking? And how could anyone hear such words said about them?

The Bridegroom's own voice

The verses before this one describe the bride part by part. This line carries a different weight.

"How fair and how pleasant you are, O love, for delights!" This, we have no doubt, is the Bridegroom's voice. We sense more depth of feeling and interest in this verse than in the previous five. Others may admire her, but He delights in her. His patient grace has formed in her a moral likeness to Himself. This He now sees and delights in. The more fully Christ sees His own likeness in us, the more He will delight in us.

Andrew Miller

These writers quote an older translation, which says "fair" where the ESV says "beautiful."

Admiration and delight

The verse sets two words side by side: beautiful and pleasant. One commentator draws a line between them. Onlookers can praise beauty from a distance. The King does more.

The daughters of Jerusalem can look on the bride as someone to admire. But the King does not only admire. He makes the bride His own and finds in her a source of personal delight. As they look at her, the daughters exclaim, "How beautiful!" The King says "How fair!" — and He adds, "How pleasant you are, O love, for delights." … The world will admire and praise, but He will delight in His earthly bride.

Hamilton Smith

Where the beauty came from

Wolston puts the reader's own objection into words, and then answers it.

Here it is the love that takes pleasure in its object. He is rejoicing over His bride, and He speaks of her beauty and her loveliness. But how can He find in us anything that can delight Him? He does find that which is the joy and rejoicing of His heart, though not because of what we are in ourselves. It is all the result of what He Himself has invested us with.

W. T. P. Wolston

So where does that beauty come from? One writer rules out self-improvement.

What satisfaction it will be for His own heart to see that beauty! It is the result of His sacrifice on the cross and of His own work of grace in her heart by His Spirit. She had yielded herself fully to Him so that He might mould and fashion her after His own heart. That is the only way anyone gains spiritual beauty. Self-improvement and self-effort can never produce spiritual grace and beauty. It comes only by the power of the Spirit of God, as we yield to His power working in us.

Early Christian Heritage

Delight rises with likeness

Miller presses the point with everyday examples, then turns the question on the reader.

A strictly upright man can find no delight in someone crooked in his ways. An honest man can find no pleasure in one who is dishonest. … So the blessed Lord can find His delight only in what resembles His own moral perfections. O my soul, what a needed, practical lesson you may learn from this! In what way, let me ask, and in what measure, is your moral likeness to Christ?

Andrew Miller

Not postponed to the day of glory

It would be easy to file this verse away as something Christ will say only once every flaw is gone. Wolston insists the timing is what makes it remarkable.

That day of glory and great joy will come. But what we find here is more wonderful than what that day will show. Here we learn that even now He finds in the Church what delights His heart. We are still treading the sand of the desert, on our way to the glory that awaits the bride and Bridegroom. … Do we believe it, beloved, that we are a joy to Him?

W. T. P. Wolston

An echo in the prophets

This cry is not confined to the Song. Bellett hears the same voice in the prophets.

This is the Bridegroom rejoicing over the bride, as Isaiah had anticipated long before this day of Zephaniah (see Isa. 62:5). It is as if the Lord were stepping into the place that the joyful song of the King of Israel gives Him.

J. G. Bellett

Summary

- Whose voice — The cry is the Bridegroom's. Others may admire her; He delights in her.

- Beautiful and pleasant — Onlookers gaze and praise. The King makes her His own and enjoys her. That is the gap between admiration and delight.

- Delight's source — His delight does not rest on what we are in ourselves. It rests on what He has invested us with: the fruit of His cross and the work of His Spirit.

- Delight's measure — He delights in His own likeness. So the honest question is how much of it He can see in us. Self-effort never produces it.

- Delight's timing — This is not held back for the day of glory. Even now, mid-journey, He finds in His own a joy to His heart.

Song of Solomon 7:7

This thy stature is like to a palm-tree, And thy breasts to grape clusters.

In this chapter the King praises His bride. He compares her whole frame to a palm tree hung with its clusters of fruit. Two questions follow. What does a palm picture? And why does He speak of fruit that others can only look at?

Upright under pressure

One writer names what the palm and its clusters stand for, then applies the picture to a nation long held down.

We may take the "palm tree" and the "clusters" as the emblems of victory and maturity — of uprightness and fruitfulness. Look at its natural form. Its stem is slim but graceful, straight and tall — the very type of uprightness. "They are upright as the palm tree." Press it down, or tie it down for a time, and it still refuses to grow crooked. It soon recovers its upright form. This is a wonderful illustration of the long pressure that has been on the Jews, and of the way they will yet lift up their heads.

Andrew Miller

What the clusters are

Older English Bibles read "clusters of grapes" here. One writer explains where those two extra words came from.

"This your stature is like a palm tree, and your breasts like clusters of grapes" — or "like its clusters," as the Revised Version has it, that is, the clusters of the palm tree. The words "of grapes" are printed in italics in the Authorized Version, which shows that the translators added them. The clusters here are more than likely clusters of dates. The fruit of the date palm grows in clusters at the top of the tree.

The Song of Solomon

The secret behind the sweetness

Where the date palm grows carries a lesson about victory and defeat.

So many Christians are eating the bitter fruit of defeat... It may be they have never learned the real secret of victory. The date palm is not only the symbol of victory but also reveals its secret. The date palm will only flourish near the water of an oasis in the desert. There it has constant sunshine and a supply of water that never fails. This is the twofold secret of victory. We must always stay in the sunshine of the Lord's presence. We must keep drinking the water of His Word, so that we have victory in our lives.

The Song of Solomon

Palm branches and the feast

The palm carries a settled meaning across Scripture, tied to a festival of joy and to a scene in heaven.

We also have frequent reference in Scripture to the branches of the palm tree as the emblem of victory. They were the sign of the feast of tabernacles to the Jews, a time of great rejoicing in Israel... The countless multitude which John saw in vision, before the throne and before the Lamb, were "clothed with white robes, and palms in their hands."

Andrew Miller

Tall as the palm, weak as the vine

Both images in the verse are held together — height and dependence describe the same person.

The fair spouse of the king has now reached her moral maturity. Blessed truth! Grace has triumphed! She is perfect in His sight — the delight of His heart — the reflection of Himself... She waves her palm of victory — her joy is full. Lifted up and upright as the palm, with its rich crown, and living waters welling up and flowing out from its roots. Lowly, weak and dependent, like the feeble vine, yet clinging to the Mighty One and bearing much fruit to His glory... "For when I am weak, then am I strong."

Andrew Miller

Admired by many, enjoyed by One

The onlookers in this book praise her; the King does something they cannot do.

The daughters of Jerusalem can look at the bride as someone to admire. But the King does more than admire. He makes the bride His own, and finds in her a source of personal delight... Seeing her in all her beauty, He compares her to the graceful, tall palm. Seeing her as an object of delight, He compares her to its clusters. The King takes and enjoys the delights that others only gaze at and admire... The world will admire and praise, but He will delight in His earthly bride.

Hamilton Smith

Stature that keeps growing

The verse speaks of stature. One writer names the only measure a Christian should accept.

The Lord is working in His grace through the various gifts He has given to His church. His aim is that we all "attain to the unity of the faith and of the knowledge of the Son of God, to mature manhood, to the measure of the stature of the fullness of Christ" (Ephesians 4:13). There is no limit to the Christian's growth, and no measure lower than "the fullness of the stature of Christ."

The Song of Solomon

Summary

- Root — the palm only lives where water never fails and the sun never stops. Stay in the Lord's presence, keep drinking His Word: that is the stated secret of victory over defeat.

- Rise — the palm bends under pressure but refuses to grow crooked. It pictures uprightness recovered, and a people who will yet lift up their heads.

- Ripen — the clusters are the palm's own fruit, most likely dates, not grapes. They crown the top of the tree, yet they are never beyond the Lord's reach.

- Reach — this growth has no ceiling short of "the measure of the stature of the fullness of Christ."

- Rejoice — the palm is the emblem of victory, waved at the feast and held before the throne. Best of all, the crowd only admires the bride; the King makes her His own and delights in her.

Song of Solomon 7:8

I said, I will go up to the palm-tree, I will take hold of the boughs thereof; And thy breasts shall indeed be like clusters of the vine, And the fragrance of thy nose like apples,

The words here belong to the Bridegroom, who pauses in the middle of describing His bride to climb the palm tree and gather its fruit. What does the palm stand for, and what does He come to gather?

(Note: where the ESV has "lay hold of its fruit," older translations read "take hold of the boughs thereof." The writers below follow that wording.)

Who Is Speaking

Almost the whole of this chapter is the voice of the Bridegroom, not the bride. One commentator marks the shift, and reads the passage as the King's satisfaction in one He had every reason to reject:

It is the expression of His delight in the bride. What a change grace works in the Jew who once despised Christ! Everything He counts good and fragrant comes from Him, whether now or in that day.

William Kelly

The Palm Tree

The palm was chosen for what it is like. Its shape and habits both say something, and one detail about its fruit explains why He climbs:

The "palm tree" and the "clusters of grapes" can stand for victory and maturity — for uprightness and fruitfulness… Its stem is slim but graceful, upright and tall. It is the picture of uprightness. "They are upright as the palm tree." Though pressed, or tied down for a time, it refuses to grow crooked. It soon straightens up again… Some kinds grow very tall. Then the fruit is hard to reach, since the stem has no branches. This may be what the next verse refers to. The fruits of the Spirit are never beyond the Lord's reach. He gathers and values the fruits of grace in His people.

Andrew Miller

Climbing to Gather

Anyone who has watched a date harvest recognises the action described. It takes effort, and it is done for the sake of what grows out of sight at the top:

The Lord pauses in His description to speak of gathering the sweet fruit of victory from the palm tree for His own joy. Date palms have no branches, only a crown of palm leaves around the top. The dates grow in clusters in the centre of this crown of leaves. To gather the fruit you must climb the bare trunk. Then you take hold of the boughs with one hand to hold yourself, and you gather the dates with the other. That is the picture here. You are His date palm, dear fellow believer. Can He gather from you the sweet fruit of victory that He so much desires?

The Song of Solomon

Enjoyed, Not Only Admired

Others in the Song look at the bride and praise her. The King does something they cannot do:

The daughters of Jerusalem can look at the bride as someone to admire. The King does more than admire. The bride is His, and He finds in her a source of personal delight… Seeing her in all her beauty, He likens her to the graceful and tall palm; seeing her as an object of delight, He likens her to "clusters of grapes."… The King takes and enjoys the delights that others only gaze at and admire.

Hamilton Smith

Clusters of the Vine

The second half of the verse changes the picture. A vine is nothing like a palm, and it teaches the opposite lesson:

Here we have the clusters of grapes. The vine stands in sharp contrast to the tall and stately palm. The vine has no power in itself to lift itself off the ground unless it has a strong support outside itself to cling to. This is true of us too. We always find ourselves trailing in the dust. We have no power to stand upright like the palm tree, except as we in our weakness cling to Christ and depend on Him to hold us up. Only vines that cling to a support bear fruit. Is this not the real secret of much of our weakness and fruitlessness?

The Song of Solomon

Breath Like Apples

The last picture in the verse is breath, and breath gives away what a person has been eating:

In chapter 2, verse 3, the Song likens Christ to the apple tree. If we are feeding on apples — on the good things Christ has for us — it will give us a sweet fragrance of Christ. Many know defeat instead of victory for one great reason: they are eating garlic and onions instead of apples. They feed on newspapers, worldly books, novels, picture shows and the like. They do not feed on Christ and the good things He has prepared for us in His Word.

The Song of Solomon

Summary

- Grown — the palm pictures uprightness, maturity and victory. Pressed down for a time, it refuses to grow crooked and straightens again.

- Reached — the fruit sits high on a branchless trunk, yet the fruits of the Spirit are never out of the Lord's reach.

- Gathered — He climbs for the fruit. The sweet fruit of victory in a believer is what He wants for His own joy.

- Held — the vine's clusters teach the other half: no power to stand or bear fruit unless we cling to Christ in our weakness.

- Breathed — feed on Christ and the fragrance shows; feed on the world and that shows too.

Song of Solomon 7:9

And the roof of thy mouth like the best wine, ... That goeth down smoothly for my beloved, And stealeth over the lips of them that are asleep.

Song of Solomon 7:9 closes the King's long praise of the one He loves. Two voices meet in this single verse: He likens her mouth to the best wine, and she takes the words up and turns them back to Him.

The Bridegroom at rest in His bride

One writer sees the Bridegroom at rest here, satisfied in the bride — and reads her as Israel restored.

From Song 7:9 it seems that the Bridegroom now rests in the charms of His bride. His heart is at rest. Wonderful truth! He sees in her the fruit of the anguish of His soul and is satisfied. The desires of His love are answered. What love! What grace! What blessing! Happy bride! Happy Israel! Perfectly and for ever restored; the Lord your God rests in you. He is revived, refreshed, and cheered by "the best wine," which you have prepared for your Beloved.

Andrew Miller

Where the voice changes

One speaker carries the whole chapter until this verse. Partway through, the ESV hands the words to the bride, and commentators mark the same break.

As in the last chapter from verse 4, the Bridegroom is again the speaker here — except from the latter part of verse 9 to the end.

William Kelly

The exact place of the break is a matter of translation, and one writer points to a version that fixes it at a particular phrase.

A French version, well known to some of our readers, gives a striking meaning to this verse by dividing it after the words, "the best wine," and making the rest the language of the Shulamite.

The Christian's Friend

The best wine is "for my beloved"

The bride's first words name someone else. One writer draws out what that tells us about communion.

He had just said that the scent of her mouth was like the best wine. Wine is the symbol of the joy of communion. The best of all joys is the joy of communion with the Lord, and she had been drinking freely of that best wine. But communion always has two sides, for there must be two for communion. The Lord has His own part and joy as well as we, when we are in communion with Him. We usually think only of our feelings and our own joy. She is thinking of Him instead. So when He mentions the best wine, she says at once, "for my beloved."

Various

Sleeping lips made to speak

The older translation these writers use ends the verse, "causing the lips of those that are asleep to speak." The ESV reads "gliding over lips and teeth," so the comments below follow the older wording. One writer sets the bride's speech here against a failure earlier in the Song.

The bride hears the Bridegroom expressing His delight in her, and she cannot stay silent. If the Bridegroom likens the joy He has found in her to the best wine, she at once adds, "That goes down smoothly for my Beloved." Once she had slept on her bed. She was overcome with laziness and could not answer the voice of her Beloved. But all the beauty His love has put upon her has awakened her affections and called out her delight in Him. The best wine has caused the lips of the once sleeping bride to speak.

Hamilton Smith

One writer explains why the verse links wine with both sleep and speech.

When someone has been drinking a good deal of wine, it makes him sleepy and talkative. It is the same in spiritual things. Communion gives rest, of which sleep is a picture, and it makes the lips speak of Christ. For out of the abundance of the heart the mouth speaks.

Various

The secret of speaking about Christ

Another writer sets out what has to come first, and what second.

This is the secret of all ability to testify of Christ. First, knowing Him. Second, a heart filled with Himself — with the sense of His love, His grace, and His perfection. This is the best wine "that goes down sweetly, causing the lips of those that are asleep to speak."

Edward Dennett

Why our lips say so little

Commentators differ on what the wine pictures. One calls it the joy of communion itself. Another calls it the joy that rises in the bride when she senses His delight in her. Either way, the end of it is worship.

The "best wine" here stands for the joy born from the sense of the Lord's delight in His bride. When the soul knows this joy, it wakes up and is moved to speak, in answer to such love beyond words. This is the secret of all praise and adoration. When thinking on His love fills the heart, it must overflow in worship.

The Christian's Friend

Turn that round and you get a diagnosis for silent, unsettled believers.

The hearts of the Lord's people are so often stirred up or troubled, and their lips speak so little of Him. The chief reason is that they are not drinking enough of this "best wine" of communion with Him.

Various

Summary

- His delight first. The verse begins with the Bridegroom satisfied — He "sees in her the fruit of the anguish of His soul and is satisfied."

- The wine. "Wine is the symbol of the joy of communion," and the best of all joys is communion with the Lord.

- Shared, not hoarded. The bride's added words, "for my beloved," show that communion "has two sides" — He has His own joy in it as well as we.

- Awakened. This wine "has caused the lips of the once sleeping bride to speak"; the same joy is "the secret of all ability to testify of Christ."

- The test. Little speech about Him usually means too little drinking of this best wine.

Song of Solomon 7:10

I am my beloved's, And his desire is toward me.

Three times in this Song the bride says where she stands with the one she loves. This is the last of the three, and it raises a question: why does she now leave out the half that said her beloved was hers?

The third and highest note

Earlier in the book she had said, "My beloved is mine, and I am his" (Song 2:16), and later, "I am my beloved's, and my beloved is mine" (Song 6:3). Commentators read these three sayings as a rising scale. At each step self takes a smaller place.

We may begin, and often do, like the bride in the Song. In her new-found joy she sang, "My Beloved is mine, and I am His." But if we grow in the knowledge of the Lord, we will soon change our song, as she did. Then we will rejoice with a greater joy to sing, "I am my Beloved's, and His desire is towards me." The first is a half truth, in which self is given a prominent place. The last is the whole truth, in which Christ is all.

J. T. Mawson

The missing clause is not a loss. It has become too obvious to need saying.

Now she arrives at a settled sense of love — the possession of His love. There is no need to say "He is mine." He has made it perfectly plain, by all these expressions of His affection and by all the beauty that He finds in me.

William Kelly

What produced the change

Just before this, the Bridegroom spends nine verses telling her how He sees her. Her words are not her own reasoning. She is repeating what she has just heard.

She tells others what the Bridegroom is in her sight, but He tells the bride what she is in His sight. In secret He pours into her ear all the delight that she is to Him. He would have her know, not only how beautiful she is in His sight, but how precious she is to His heart.

Hamilton Smith

What "His desire" means

The desire in this line is His own. Older translations read "toward me" instead of "for me." It rests on her even though He knows exactly what she is.

What a happy state — to be able to say, "He knows me thoroughly. He knows what I am in myself, and what I am in Him. Yet even so, He not only loves me; He delights in me." There is nothing beyond this.

Andrew Miller

The one line holds two things together: whose she is, and how He feels about her.

This is knowing that we belong to Christ, and that His affections rest on us. It is knowing that we are the objects of His own affections and delight. This is the deepest and most perfect joy.

J. N. Darby

Only grace can reach this note

This line is the top of the Song. Yet the one who says it has stopped thinking about herself.

This, we may truly say, is the highest note in the Song of Songs. And yet, we may as truly say, it is the lowest. Now the soul is done with itself, and entirely occupied with Christ. His desire is toward me — He delights in me. So the soul loses sight of itself. Grace has done its perfect work, and the soul is established in grace. So long as a soul is under law, it never reaches this place of confidence, rest, peace, and joy. It never strikes so high a note.

Andrew Miller

The prophetic setting

Several commentators read the Song as the story of a faithful part of Israel coming to know their Messiah. On that reading, this verse shows how far grace has carried a people who once refused Him.

Compare verse 10 with Song 2:16 and Song 6:3. You can see the fruit of the godly remnant's growth in the knowledge of Messiah's love. They, as ourselves, as all that are genuine, must begin with "My Beloved is mine, and I am His." It is the true order of grace. He looked on the bride and chose to become hers, as she is His. Now at last she wakes up to the infinite love that she once refused, blindly and proudly, to her own ruin. Now she knows that He is the King, that He loves her in spite of everything, that He is hers and she is His.

William Kelly

What follows it

The verse does not end in quiet contentment. In the next line she is the one asking Him to come out into the fields with her.

The work is done; she understands and accepts association now. "I am my Beloved's, and His desire is toward me." No longer "He is mine." All is on His side, and self is forgotten. No longer does He have to say, "Rise up, My fair one, come away;" she invites Him. "Come, my Beloved, let us go forth into the field."

The Christian's Friend

Summary

- Three stages. "My beloved is mine" (2:16), then "I am my beloved's" (6:3), then this. She learns the same love three times over, and self grows smaller at each step.

- His word first. She speaks like this only after He tells her what she is to Him. Her confidence is an echo of His words, not a conclusion she reached alone.

- Desire, not just love. Her heart rests in this: He knows her thoroughly, and He still delights in her.

- Grace, not law. A soul measuring itself by law never reaches this note; only grace brings anyone here.

- Then she moves. He no longer has to call her out — she calls Him, and goes with Him into the fields.

Song of Solomon 7:11

-- Come, my beloved, let us go forth into the fields; Let us lodge in the villages.

Commentary for this verse has not been generated yet.

Song of Solomon 7:12

We will go up early to the vineyards, We will see if the vine hath budded, [If] the blossom is opening, And the pomegranates are in bloom There will I give thee my loves.

The bride invites her beloved to leave the city with her and look over the vineyards at first light. Two things stand out. She plans nothing on her own. And the place she chooses to give her love is out in the field where the fruit grows.

Rest Comes Before Work

She has just said that she belongs to Him and that His desire is toward her. One writer shows what that assurance frees her to do:

Now her heart is fully at rest in the knowledge that she is his and that his desire is toward her. She is no longer thinking of herself and of her love for him, however much or little it is. She thinks only of him, and of one great fact: He has chosen her to be His very own and has set His heart's affection upon her. She is the object of his unchanging love. Here the heart finds rest. Freed now from thoughts of herself, she becomes deeply interested in the state of his vineyard.

The Song of Solomon

Nothing Without Him

She says let us, not I will go. The same writer applies that difference to our own service:

There are many who are very zealous and active in their work for the Lord who are entirely too self-reliant. We would be glad to see even more zeal. But the need is not so much that one works for the Lord as that one works with the Lord — to be a co-worker with Him. It is His work, not ours; He works and we are to work with Him. We must leave all the planning and direction in His hand, for the work is His, not ours… While we are busy with work for the Lord, we tend to do most of the planning and to keep a record of what we do. We also often become discouraged, because the work does not bear the fruit we expected. But when we work with the Lord we leave the results with Him whose work it is.

The Song of Solomon

Her energy is real, but it never runs ahead of Him:

She is intensely interested and full of energy. However, she would not venture to go without him, she would not go forth in her own strength. She knows that if her efforts are to bear fruit she must have him with her.

The Song of Solomon

One Mind With Him

Andrew Miller hears a new note in her voice:

The bride now addresses the Bridegroom, in the full communion and happy enjoyment of His love. Notice the change in the tone and character of her address. It is far beyond anything we have heard from her before. She speaks only of the things she knows please Him. There is oneness of mind and heart. Her faith has reached the measure of His thoughts and affections toward her… This is the true ground of communion. In Christ, the believer has it fully and perfectly displayed now. His communion should have the same character — oneness of mind and heart with Christ.

Andrew Miller

Hamilton Smith notices that she now echoes his own words back to him:

In the past he had said to her, "Come away," and she was slow to respond. Now she takes up his word and says, "Come, my Beloved." She says, "Let us go out," "Let us lodge," "Let us go out early," and "Let us see." Never again would she be parted from him. Wherever they go, wherever they dwell, whatever they do, whatever they see, it must be together. And she says, "I will give you my loves." In times past other things may have drawn her affections away. But now they are wholly for the King.

Hamilton Smith

Loves, Not Love

The ESV has "my love" here; older translations read "my loves". Miller weighs that plural:

Yes, that after all is the only true way of giving Him our love. How can we show it otherwise? Note it does not simply say love but loves. It is to be ever repeating itself, a continual activity. That is what brings real results as the next verse shows.

The Song of Solomon

Miller reads the plural as overflow, and draws a rule from it:

Her heart is overflowing. There is now, so to speak, an excess of love. So she uses the plural "loves." Exceeding, abundant, excellent love. Our love can never be too fervent, or too abundant, when Christ is the object.

Andrew Miller

Fields Beyond the City

The vineyards lie outside the walls. Writers also read the scene on a wider scale — the bride as Israel with her Messiah, and blessing spreading outward:

The fields and the villages are outside the city. Jerusalem and the cities of Judah form the earthly centre of Messiah's glory, and will no doubt be filled with it first. From that centre it will spread out to the right hand and to the left, until the whole earth is full of His glory. And the special sweetness of this truth is that the Jews share this wide-spreading glory with their Messiah. They visit and survey, in happy fellowship, the wide and varied fields of millennial glory.

Andrew Miller

William Kelly names what must happen first:

In due time Israel's mission will follow, renewed and humble, with heart going out for the blessing of others… But this cannot happen until the unfaithful one owns her sins and receives the beloved, saying with a true heart, "Blessed is He who comes in the name of the Lord."

William Kelly

Summary

- Rest first — she knows she is His and that He wants her. That frees her from herself and turns her eyes to His vineyard.

- Together always — her four "let us" phrases say she will not go, stay, set out or look without Him.

- With, not for — the need is not more zeal but partnership: His work, His planning, His results.

- Loves, plural — a heart overflowing; toward Christ, love can never be too much.

- Outward — the fields lie beyond the city walls. Blessing spreads from that centre until the whole earth is full of His glory.

Song of Solomon 7:13

The mandrakes yield fragrance; And at our gates are all choice fruits, new and old I have laid them up for thee, my beloved.

Chapter seven closes with the bride speaking, and every line points away from herself. The scent in the air and the fruit stored at the door all belong to Him. Two questions sit in the verse. What is this fruit? And why did she store it up instead of using it?

The Fruit Is Affection

Commentators read the stored-up harvest as the state of a heart, not a crop of food: feelings that never existed before, and that she could not give to anyone else.

The happy bride now finds that her heart holds an abundance of precious fruits for the Son of David — such as love, gratitude, praise, and devotion. Indeed, every kind of precious fruit, new and old. There is much depth and beauty in the closing words of her speech, "which I have laid up for you, O my beloved." A completely new kind of feeling has awakened in her soul for the Lord Himself. Such as she has never had, and never could have for anyone else. Her heart, so long desolate and barren, is now filled and fruitful with her own Messiah's love. He has created affections that belong to Him alone. These affections lay stored up, as it were, all through her wanderings, kept for the Lord alone.

Andrew Miller

Kept Back For One Person

The storing is deliberate. She keeps nothing back for herself, and the repeated words "for you, O my beloved" tell us why she worked at all.

There is not only some fruit, but all kinds of fruit. Notice also the motive that drove her activity. It shows in these words: "for you, O my beloved" — "which I have laid up for you, O my beloved." It was all for Him. There was no thought of self-interest. Her whole thought was on Him, that He might have as much as possible. This sustained her. It kept urging her on through the long and often tiring hours of work that must always come before the harvest.

Various Authors

Fruit That God Accepts

Not everything called fruit is fruit. One writer applies the test to our own service.

We may win a great name among others for zeal, energy and devotion. We may work hard in every branch of the work. We may come across as great travellers, great preachers, earnest workers in the vineyard, great philanthropists and moral reformers. We may spend a huge fortune on every great Christian cause — and all the while not produce a single cluster of fruit that pleases the Father's heart… God cannot count anything as fruit unless it comes directly from abiding in Christ.

C. H. Mackintosh

Working With Him, Not Just For Him

The fruit is all for Him. One writer draws out what that means for our own work.

What is needed is not so much that one works for the Lord as that one works with the Lord — to be a fellow worker with Him. It is His work, not ours; He works and we are to work with Him. We must leave all the planning and direction in His hand, because it is His work, not ours… When we are busy with work for the Lord, we tend to do most of the planning ourselves. We keep a record of what we do. And we often become discouraged, because the work does not bear the fruit we expected. But when we work with the Lord we leave the results with Him whose work it is.

Various Authors

The Prophetic Scene

Commentators also read these closing verses as a picture of the future. Israel is restored and gathers fruit with her King.

In the last verses of chapter seven we have a prophecy of Israel as the bride of Christ on earth. She is busy with Him in His vineyard, which is the nations. There she gathers in much fruit for Him. It is a millennial scene.

Various Authors

One writer sees the blessing moving outward from Israel to the whole earth.

In due time Israel's mission will follow, renewed and humble, with her heart going out for the blessing of others. What joy for all families of the earth when the ancient promise to the fathers of the faithful comes true, word for word and in its full extent!

William Kelly

Summary

- Stored — the fruit is love, gratitude, praise and devotion, saved up over years for one Person.

- Created — He awakened these affections Himself. The fruit He receives is fruit He first produced.

- Tested — God counts as fruit only what comes from abiding in Christ. Effort and reputation yield none.

- Shared — she gathers the harvest with Him, not just for Him: His direction, His results, not ours.

- Spread — commentators see a coming day when a restored Israel works with her Messiah, and the blessing reaches all families of the earth.

Song of Solomon 8:1

Oh that thou wert as my brother, That sucked the breasts of my mother! Should I find thee without, I would kiss thee; And they would not despise me.

The bride's wish sounds strange at first: she wishes the man she loves were her brother. Commentators read this cry as the deepest desire of the whole book — closeness she can show in public without shame.

The Freedom of Family Love

Why a brother? One writer sets family love beside every other love, and shows what it alone allows.

Love, or desire towards another, takes different forms in the heart. There is the love of pity, the love of gratitude, and the love of admiration... But in addition to this, there is the love of kindred. It has its foundation in nature, and so it is called "natural affection." And this love of kindred has a glory all its own. It allows the deepest closeness. There is full ease in going out and coming in. No one thinks expressions of love intrusive; they are welcomed as right and fitting. The heart knows its right to indulge itself over its object, without check or shame... The love of kindred, the love of those who live in one house, whom nature or the hand of God has bound together, feels its right to please itself, and is not afraid of being rebuked. See, for instance, Song of Songs 8:1.

J. G. Bellett

Back to Where the Song Began

Chapter 8 does not carry the story forward. It circles back to the desire that started everything, echoing the opening line of the Song.

These verses clearly take us back, not forward, in the position and experience of the bride... here we are led back to the foundation of everything she has passed through to reach this point: the deep desire of her heart for unhindered, unrestrained communion with Messiah, the King. She desires the full liberty of kindred affection. "Oh that you were as my brother!" This answers to the beginning of the book: "Let him kiss me with the kisses of his mouth! For your love is better than wine."

Andrew Miller

Why She Fears Being Despised

Her fear of contempt is a clue. One writer reads it as a marker of where we are in the story.

Here the bride expresses the love that she had expressed from the first. Here again is a proof that the marriage had not yet taken place, because there would be nothing to be ashamed of when it did.

William Kelly

A Love That Wants Witnesses

Private devotion is not enough for her. She wants everyone to see it — and the same longing meets the same obstacle for anyone who loves Christ now.

The bride is not content with the secret expression of her love for the Bridegroom. She desires that all might know her love to the King. Oh that you were as my brother, she says, then indeed I could show my love in front of everyone, and nothing would be out of place... To express our love to Christ in a world that has rejected Him will call down the hatred of the world; but the time is coming when without hindrance we can publicly witness our love to Christ without being despised.

Hamilton Smith

The Prophetic Reading

Commentators read the bride as the faithful remnant of Israel — the believing part of the nation. Her wish is not left hanging.

Song of Songs 8:1 gives us a passage which may express the state of mind dealt with in the book... Still, the Spirit of God wants to assure the heart of the remnant of the Saviour's love. So the heart's expressed desire to have its Beloved does not stop until it has gained its object. The heart assures itself as the Spirit of prophecy works in it. For in fact Christ is for the remnant, and the remnant is for Him. The whole is based on this.

J. N. Darby

Where It Touches Us

The verse also speaks to believers now. One writer turns the bride's restraint into a question about our own daily life.

Her affections are aroused, her desire goes out to Him, but she holds back for fear she would be despised... She has not in the past walked as one who knew Him; her conduct has not shown that she was His. How often believers fail to show in their daily walk that they belong to Christ. It is a good thing when they come to see this. They have forfeited all right to expect others to believe they have a relationship with Him. They begin to realise how much they have lost by their neglect, and their desire for more intimate relationship with Him is deepened.

The Editor's Column on Canticles

Summary

- Desire. The verse brings back the Song's first longing: unhindered, unrestrained closeness to the One she loves.

- Kindred. She asks for the love of family, because that love alone allows open affection without check or shame.

- Restraint. Her fear of contempt shows the marriage has not yet taken place. Once it has, there is nothing to be ashamed of.

- Witness. Loving Christ openly in a world that rejected Him still draws hatred; a day is coming when it will draw none.

- Certainty. The longing is answered. Christ is for His people and His people are for Him, so the heart does not stop asking until it has its object.

Song of Solomon 8:2

I would lead thee, bring thee into my mother's house; Thou wouldest instruct me I would cause thee to drink of spiced wine, Of the juice of my pomegranate.

The bride wants to bring her Beloved home, into her mother's house, and there to learn and to pour Him her own best wine. Commentators read the wish as a longing for closeness that nothing can hinder, and they differ over one phrase: who does the teaching?

Where the Verse Stands in the Song

Chapter 8 circles back instead of moving the story on. At the end of chapter 7 the bride was already happy with her Beloved, yet here she speaks again as one still wishing.

These verses clearly take us back, not forward, in the bride's position and experience. At the close of chapter 7 we left her among the ripening scenes of the glory of the last days, happy in her Beloved's company. They were together… But here these verses take us back to the very foundation of everything she went through to reach this point. It is the deep desire of her heart for unhindered, unrestrained communion with Messiah, the King.

Andrew Miller

The House She Leads Him Into

Whose house is this? Read as prophecy, it is Jerusalem, where the faithful part of Israel welcomes Messiah; read for Christians today, it points to a life under grace instead of law.

She would bring Him into her mother's house. The remnant will receive Christ at Jerusalem. Our mother is Jerusalem above: "But the Jerusalem above is free, and she is our mother" (Gal. 4:26). Jerusalem above stands for that system of free grace. It is set against that system of law that Israel came under at Mount Sinai, which "bears children for slavery."

The Emmaus Course on Canticles

What kind of freedom does that grace give?

As born from above we are children of pure grace… This alone sets the heart free and gives true liberty: not liberty to sin or do as one pleases… but deliverance from sin's harsh yoke, so that we can walk free from its power.

The Emmaus Course on Canticles

Who Teaches Whom

Translations split here. Some make the mother the teacher; others read the line as the Bridegroom teaching her. One writer says the outcome is the same either way.

"Who would instruct me," or, as some translate it, "He would instruct me." But whether it is the mother (grace) or Christ who instructs, the results are the same. "For the grace of God has appeared, bringing salvation for all people, training us to renounce ungodliness and worldly passions, and to live self-controlled, upright, and godly lives in the present age" (Titus 2:11-12).

The Emmaus Course on Canticles

The Cup She Pours

What is spiced wine? One writer points to an older view that the word here means real wine, made stronger by what is mixed into it.

Lowth, in his Notes on Isaiah, gives it as his opinion that even Song 8:2 means wine, made intoxicating by the mixture of more powerful ingredients.

William Kelly

The pomegranate stands for something. What she pours out is what has grown in her own life.

Taught by His grace, she would serve His pleasure and rest in His love… The pomegranate is the symbol of the fruit of the Spirit. When someone is truly taught by grace, the fruit of the Spirit shows itself in the life. This is a spiced wine that gives joy to the Lord. But the works of the flesh, when seen in His redeemed ones, are a great grief to His heart.

The Emmaus Course on Canticles

The Cup He Already Drank

Before she could pour Him anything sweet, He had drunk something bitter for her.

Now she knows that He once drank the bitter cup of God's wrath for her sins. So she longs to present to Him a cup of choice wine, which her gratitude and devotedness have mixed for Him alone. Like the prodigal son coming home, her Beloved embraces her at once, and she rests in His arms.

Andrew Miller

Her Wish Answered

Her wish does not stay a wish. A few lines later she walks out in the open on His arm.

The previous song closed with the bride's desire to show her love for the Bridegroom before all the world, with no one despising her. In this song she gets her desire. She comes out of the wilderness leaning on the arm of her Beloved, and the daughters of Jerusalem ask, "Who is this?"… Her wilderness wanderings are behind her, and the glory shines before her.

Hamilton Smith

Summary

- Desire — The verse takes us back to the root of the whole book: her longing for communion with her Beloved that nothing holds back.

- House — She leads Him into her mother's house. For Israel that is Jerusalem welcoming Messiah; for believers now it is the Jerusalem above, where grace rules and not law.

- Teaching — Commentators differ on whether the mother or Christ teaches her. Either way, grace does the training.

- Cup — Her spiced wine is fruit grown in her own life. The fruit of the Spirit is what gives the Lord joy.

- Answer — He drank the bitter cup of wrath, and now He takes her cup of gratitude. He embraces her at once, and she walks out of the wilderness leaning on Him.

Song of Solomon 8:3

His left hand would be under my head, And his right hand embrace me.

The Song's last chapter repeats words heard earlier: one hand under the bride's head, the other arm around her. Writers read the line as both a longing and a rest already given — so how does such a desire become real experience?

Desire answered at once

The bride's desire here has two sides: to have Christ fully, and to give Him something back.

The deep desires of the spouse, as expressed here by the Spirit of prophecy, are at once and fully satisfied. She desires full possession of Christ, and to have the opportunity of causing Him to drink of the spiced wine of her pomegranates. Now she knows that once He drank the bitter cup of God's wrath for her sins. So she longs to present to Him a cup of choice wine, which her gratitude and devotedness have mixed for Him alone. Like the prodigal son coming home, she is embraced at once, and rests in the arms of her Beloved.

Andrew Miller

The two hands

The verse names two hands, and each one means something different.

"His left hand is under my head." The heart is on the left side. The left hand is the hand nearest His heart. She pillows her weary head in His left hand, soothed by the tender affectionate touch of that hand that was pierced for her. Again we say, what a blessed place of rest. And then, "His right hand embraces me." The right hand is the hand we do things with. It is the symbol of power. "Your right hand, O Lord, glorious in power, your right hand, O Lord, shatters the enemy" (Ex. 15:6). "My soul clings to you; your right hand upholds me" (Ps. 63:8). He throws His mighty right arm around her to hold her up and draw her closer to Himself. And what a protection this is! With His powerful arm around her, no enemy can trouble her, no harm can reach her.

The Song of Solomon

Desire, not yet experience

Older translations read the line as a wish ("should be"). One writer admits that for most believers it stays a wish, and points to the next verse for the cure.

This is real rest. Our head is pillowed on His loving hand, the hand pierced for us. His mighty right hand embraces us, draws us close to Himself and shields us from all alarm. Is not this the real desire of every born-again soul? But sadly we must confess that it is often, as here, more the desire of our hearts than the real experience in our lives. How can it become more of a reality? Verse 5 of the Song gives a clue. "Who is that coming up from the wilderness, leaning on her beloved?" Ah, that is the secret — leaning upon the Beloved, leaning hard, leaning all the time. This is indeed a wilderness scene. How often believers battle their circumstances in their own strength, leaning on their own wisdom! No wonder disappointment and grief result.

The Song of Solomon

The everlasting arms

The same arms appear elsewhere in Scripture. One writer ties our worry straight to losing sight of the Lord.

"The eternal God is your dwelling place, and underneath are the everlasting arms" (Deut. 33:27). "And lifting up his hands he blessed them" (Luke 24:50). "His left hand is under my head, and his right hand embraces me." His everlasting arms are underneath us, around us and over us. There we may rest in peace and quietness of soul, however the nations rage or the conditions around us change. Let us never forget this. If you are worried and fearful, it is because you are losing sight of the Lord; you are not trusting His everlasting arms.

The Song of Solomon

Rest no one may disturb

The charge that follows guards this rest. One writer notes the wording can be read two ways, and takes it of the bride.

"His left hand is under my head, and his right hand embraces me. I adjure you, O daughters of Jerusalem, that you not stir up or awaken love until it pleases." (Older translations read "until he pleases"; or, until she pleases. It seems that the bride is the one resting in her bridegroom's embrace, while He watches in love that nothing disturbs her.)

The Song of Solomon

Summary

- Longing. The words are first a desire — the bride's wish for what she does not yet hold.

- Answered. He meets that desire at once. Like the prodigal son coming home, she rests in the arms of her Beloved.

- Held. The left hand is nearest His heart and pierced for her, and it pillows her head. The right hand is the hand of power, and it holds and shields her.

- Leaning. For most believers this stays a wish, not an experience. The cure is to lean on Him hard and all the time, not on our own strength and wisdom.

- Undisturbed. His everlasting arms are underneath, around and over us. He Himself watches that nothing breaks that rest.

Song of Solomon 8:4

I charge you, daughters of Jerusalem, ... Why should ye stir up, why awake [my] love, till he please?

This charge to the daughters of Jerusalem sounds here for the third and last time. Two questions follow: who is the sleeper who must not be woken, and why does this appeal keep coming back?

A Repeated Charge, Not a Random Refrain

One writer treats the repetition as the answer to those who read the Song as a loose bundle of poems.

This charge occurs several times in the song. I think it is the perfect answer to those who suppose the song is just many little songs put together with no particular order. Not so. There is perfect order, and not only continuity but progress. You will find this charge three times: in chapter 2, in chapter 3, and again in the last chapter, chapter 8. So the order is clearly designed.

William Kelly

Each Charge Leads to a Coming

The three charges do not all work the same way. Each one leads to a coming, and the comings advance.

We looked at this charge in our meditations on Song 2:7. The same charge occurs in Song 8:4. Each time it appears, the coming of the Lord follows at once. In chapter 2:7 it is the revelation of Himself... In Song 3:5 it is the Messiah coming in royal procession, as the true Solomon, crowned King of Israel by the heart of the nation... In chapter 8:4 we see the bride leaving the wilderness united to Him. This is marked progress.

Andrew Miller

Who Is the Sleeper?

The ESV says love should not be stirred "until it pleases". Older wording reads "till he please", and commentators differ over who is meant. One traces the Hebrew and concludes it is the Bridegroom who rests.

Here, in chapters 3:5 and 8:4, the word is not the one used in verse 2 and elsewhere, but ha-havah (the love). If it were ray-ah (love, or companion), the word would have to be "she". But the feminine form of the verb depends on ahavah, so the sense must decide the question. I am disposed to think the English version right. The beloved One rests in His love.

J. N. Darby

Others read the same clause the opposite way, taking the sleeper to be the bride held safe in His arms.

Or it could read "until she pleases". It seems more likely that the spouse is the one resting in peace in her bridegroom's embrace, while He watches in love so that nothing disturbs her.

Assembly Writers

He Rests in His Love

The bride's wish is that nothing disturbs the One she loves. The same writer links that wish to what the Lord says about Jerusalem.

She draws attention to her desire that nothing should disturb Him — that He should rest in that love which He designed for her. It is a sweet and wonderful thought that the Lord means to rest in His love for Jerusalem... And about whom does He use that expression? Not about us, but about Jerusalem. You will find this clearly enough in Zephaniah 3.

William Kelly

The Rest He Wants Her to Keep

One writer reads chapter 8 as a summary of the whole book. In it, the charge voices the Beloved's own wish for her.

Chapter 8 stands by itself, and seems to me to sum up the principles of the whole book. ... The loved one shows her deep affection, and the Beloved wants her to rest in His love and enjoy it as long as she will, with nothing to disturb her.

J. N. Darby

Leaning — the Difference from Last Time

After the charge comes a picture of dependence. One writer sets it against an earlier journey through the same desert.

After a final charge to the daughters of Jerusalem, there is a fresh vision of the bride coming up out of the wilderness leaning upon her beloved. Long ago the people came up out of it too, and God showed wonders of goodness and power. But it was all in vain. They did not lean on Jehovah or His Christ, but on self and law. For sinful people — and that is what they were — self and law can only mean death and condemnation. Far different will it be when the generation to come emerges from it leaning upon the beloved.

William Kelly

Guarding What Is Easily Broken

One writer, on this charge earlier in the Song, points to the roes and hinds. They startle at the faintest sound, and he makes that the measure of our own watchfulness.

The roes and the hinds are the most easily startled creatures in the field. Their hearing is so sharp that a distant sound of danger will alarm them. We should all be that sensitive to the faintest approach of anything that would interfere with our walk and communion with the Lord. We should be just as alert to anything that would turn us aside from practical holiness and complete devotion to the Lord Jesus Christ.

Andrew Miller

Summary

- Rest He takes. The Lord means to rest in His love, and Zephaniah 3 shows Him saying that about Jerusalem.

- Rest He wants for her. Chapter 8 sums up the whole book. The Beloved wants her to enjoy His love undisturbed, as long as she will.

- Rest disputed. The Hebrew does not name the sleeper. Some read the Beloved resting in His love; others read the bride asleep in His embrace.

- Rest that moves. A coming follows each of the three charges. After this last one, the bride leaves the wilderness united to Him.

- Rest that leans. The old generation crossed the desert leaning on self and law, and gained nothing. The bride comes up out of it leaning on her Beloved. Guard that rest as alertly as a deer listens for danger.