Let him kiss me with the kisses of his mouth; For thy love is better than wine.
The Song opens with the bride's voice, not the king's, and she asks for the closest sign of love from someone she never names. Two questions follow: who is speaking, and why does she measure love against wine?
Commentators read the book as a prophetic picture. In it the bride stands for Jerusalem and the faithful of Israel, longing for their Messiah.
J. N. DarbyIt begins with a recognition of the blessedness of Messiah's love. His name, because of the graces in Him, is like ointment poured out. The uncorrupted ones love Him — those, I suppose, who have guarded themselves from idolatry and corruption.
Writers also apply her words to any believer today.
She says "him" without explaining who. That silence is not vagueness — it is the mark of a heart with only one object.
William KellyInstead of saying, "Let Messiah kiss me," she says what is more fitting, more becoming. There was only one object. As she was His object, so He was her Object, for this is the point; and she does not need to say who. And indeed is not this its beauty? "Let him." It could not be mistaken. There might be ever so many in the world, but there was only One. And that was the One whom she had so offended — whom she had refused and rejected and despised.
She asks for no gift and no favour. Scripture gives the kiss three meanings, and all three stand behind her words.
Andrew MillerIn holy Scripture a kiss is the token of reconciliation, the pledge of peace, and the expression of affection... And the father kissed the prodigal son while he was still in his rags. Would such displays of love be too much to ask, or to expect, once he was clean from all his defilement and wearing the best robe? Certainly not! Is it too much, then, for the bride in the Song — for the believer in Jesus — to desire such an expression of the Lord's love? We are sure she desired it, not because she had any doubt that it was there, but because she delighted to see it shown. Love can only be satisfied with love.
She has spoken about Him. Now she speaks to Him, and gives her reason.
Andrew MillerThe love of Jesus is now preferred to all the joys of earth. Wine is the symbol of the natural delights of men — the joys and luxuries of earth. But what are all these now, even in their most charming form, to the soul that is delighting in the love of Jesus? They have lost their charm for the eye and the heart, and now they would be a weariness and a burden heavy to carry. Jesus Himself is the soul's delight. "Though you have not seen him, you love him. Though you do not now see him, you believe in him and rejoice with joy that is inexpressible and filled with glory." (1 Peter 1:8)
She is not comparing love in the abstract. She is comparing love as she feels it — which is why she asks for more of what she already has.
Edward DennettShe speaks not so much of the love itself, but of the enjoyment of the love. This is what is "better than wine." Every renewed heart will agree. The love of Christ is always beyond all our thoughts, infinite and unspeakable. Yet it is only as we enjoy it that we enter into it or appreciate it at all... Another thing is equally true. The more we taste of the love of Christ, the more we desire it. Every experience of it produces a deeper longing for a larger measure. So if the bride had not already known something of the Bridegroom's affection, she would never have spoken this passionate desire.
She says "me," not "us." One writer finds the secret of Paul's endurance in that one word.
Hamilton SmithTrace the devoted life of the Apostle Paul — the persecutions he suffered, the perils he faced, the hardships he endured — and ask what the hidden secret of that life was. We hear him answer, "the life I now live in the flesh I live by faith in the Son of God, who loved me and gave Himself for me" (Galatians 2:20). Here was the hidden spring of his life: a heart kept in the assurance and enjoyment of Christ's individual love. There are other loves in this world, but His love alone can satisfy the heart — "Let Him kiss me." For satisfaction of heart His love must be consciously known. This is what the kiss means — "Let Him kiss me." But further, His love must be known as an individual and personal love, "Let Him kiss me."
- Object — She never names Him, and does not need to. Where there is only one Beloved, "him" cannot be mistaken for anyone else.
- Token — The kiss is reconciliation, peace, and affection at once. She does not doubt the love; she wants to see it shown.
- Comparison — Wine stands for the best joys earth can pour out. Set beside His love, they lose their taste.
- Enjoyment — What is "better than wine" is love enjoyed, not just love owned. Every taste makes the appetite grow.
- Personal — "Kiss me." His love must be known as mine, not just ours. That assurance, not effort, is the spring of a devoted life.
Thine ointments savour sweetly; Thy name is an ointment poured forth Therefore do the virgins love thee.
The bride moves from His love to His name. The picture she reaches for is perfume — a scent no one can hide once the jar is open. The ESV calls them "anointing oils"; the writers quoted here use the older wording "good ointments." Two questions follow. What are these ointments? And why does a name carry a scent that draws love?
The bride does not describe one title. She gathers everything He is into the word "name," and finds she cannot say enough.
Andrew MillerTo her heart it is full of fragrance. All His names, titles, attributes, and relationships are sweet to her taste. His name is Himself. It expresses His nature, His excellence, and His graces. She cannot find words for the riches of His goodness, so she says, "Your name is oil poured out."
One writer contrasts a name announced long before with a name lived out among us.
Hamilton SmithWhile the perfume stayed in the alabaster jar, its fragrance was shut in. Once poured out, "the house was filled with the fragrance of the perfume." Prophets, priests, and kings had foretold the coming of Christ and the names He would bear. But in their day the fragrance of His name stayed shut in the jar. Then Christ became man and lived among us, full of grace and truth. Now His name was truly poured out. The name of Jesus stood revealed as the perfect expression of meekness, gentleness, patience, endurance, holiness, and love. Other names may disgust people because of the cruelty and wickedness of those who bear them. This name is fragrant with every grace.
The fragrance is the record of a life. You catch it close up, not by report.
The Christian's FriendThe "good ointments" stand for the fragrance of His excellent perfections — seen in His life, in His acts of tenderness and grace, in His words, and in His walk of complete dependence and obedience before God as He passed through this world… Report and testimony can impress us deeply, even at a distance, as they impressed the Queen of Sheba. But only when, like her, we hear and see for ourselves are we lost in adoration before the fragrance of the good ointments.
Ointment also heals. One writer turns that to our own hurts:
VariousOintments speak of fragrant grace. "Your anointing oils." Oh, how many and varied are the graces that abound in Him, each having its special charm and all fragrant. Ointments were not only used for perfumes but also for healing. (See Isaiah 1:6.) There is not a heartache nor a wound that His ointments cannot soothe and heal.
Before anyone on earth enjoyed this sweetness, it rose to God.
The Christian's FriendThe sweet fragrance of the life of Christ, as we may gather from Leviticus 2, was first and foremost for God. The priests might eat of the fine flour, mixed with oil, that made up the grain offering… but all its frankincense was to be burned on the altar, an offering made by fire, a sweet fragrance to the Lord… If there had not been a single soul on the face of the earth to delight in the fragrance of the good ointments of Christ, His life would still not have been in vain. It brought glory to God and filled His heart with infinite joy… And the more Christ was tested — and He was tested in every possible way, even by the holy fire of the altar itself — the more richly His sweet fragrance flowed out to gratify the heart of His God.
Commentators differ on who the virgins are. Some read them as separated ones within Israel in a time of widespread corruption:
William Kelly"Therefore virgins love you." Who does she mean by "the virgins"? Those who stayed clean from the corruptions of that day. This Song assumes the heart of the godly in Israel. They will be the true Israel, the true bride, when the day comes for this to be made good — a day of widespread corruption and turning away from God.
Another writer takes it as a matter of character, and traces the love back to its source:
Hamilton SmithIt is only the virgins — the pure in heart — who value His name and appreciate His love… They love because of His love. "We love because He first loved us."
The fragrance does not stop with the bride. It spreads through people who keep His company.
The Christian's FriendEvery trait, every perfection He showed in His walk through this world may be reproduced in those who are His… The more we are with Him and taken up with Him, the more we will be transformed into His likeness, and the more surely the fragrance of His good ointments will spread… The sweet fragrance of the name of Christ will flow from our walk as well as from our words.
- Fragrance — The "good ointments" are the perfections of His life. Look at His acts of tenderness, His words, and His obedient walk before God.
- Poured — Sealed perfume gives no scent. Prophets kept His name in the jar; His coming among us broke it open.
- Godward — The sweetness reached God first. Testing only made it flow more freely, and our enjoyment of it is a share in His joy.
- Drawn — A name released is a name loved. Those kept clear of corruption are attracted, and they love only because He loved first.
- Carried — The same fragrance is meant to spread through those who keep His company, in walk as much as in speech.
Draw me, we will run after thee! -- The king hath brought me into his chambers -- We will be glad and rejoice in thee, We will remember thy love more than wine. They love thee uprightly.
The song moves in three quick steps: a prayer, a promise, and a place — "draw me," "let us run," and the King's own rooms. Who moves first in love, and why does one voice ask while a company answers? The writers below quote an older translation, which reads "Draw me, we will run after you" and "we will remember your love more than wine."
The bride is no stranger to the Bridegroom, yet she asks Him to draw her nearer:
Andrew MillerI read the heart of the loving bride in these words: "Draw me, we will run after you." Her desire to be near the Person of the Lord is so great that she feels something like distance — near and dear though she is. So her heart breathes out, "Draw me" — oh, draw me nearer, closer, my Lord, to you! There is growth in grace compared with verse 2 — a growing understanding of Him... The most blessed communion with the Lord goes perfectly with the most earnest longing to be nearer Him.
The order matters. She does not generate the love she offers; she returns it.
Hamilton SmithHis love is precious and His name is excellent. This creates not only the longing to be sure of His love, but also the desire for His company... She is loved into loving and drawn into running. And, so drawn, the Bridegroom leads her into the secret place of His presence — the chambers of the King. In due time the bride will worship the King at His table, and a little later she will rest with infinite delight in His banqueting house. But first she must be a learner in the chambers of the King. In that secret place she forgets herself, rejoices in the Bridegroom, and remembers His love. There the King is loved with a pure love — they love Him uprightly.
The same principle shows up in the race to the empty tomb, where John outran Peter:
F. B. HoleHe who is most drawn by the love of Christ, runs the fastest. It was a case of, "Draw me, we will run after You."
Running is not enough by itself; the last two words decide everything.
Andrew Miller"We will run," but note the last two words — "after you." Not after our own ideas, or even after the best of men on earth, but "after you." As the beautiful sixteenth Psalm says, "I have set the LORD always before me." Not sometimes, but "always." What a path ours on earth would be if this were so! It would be separate from everything that is not Christ. And when we pray "draw me," we should be ready to add, like the bride and her companions, "we will run after you."
The danger is running after something else:
The Song of SolomonThe world is running after many things today. All too often Christians run after this or that instead of Christ. No wonder their joy runs low and their light burns dim, and you see them restless and uneasy in soul.
The prayer is singular, the answer plural. That shift is a picture of how affection for Christ spreads.
F. A. HughesWeaned from everything else, attracted to Himself, we speak among our brothers and sisters of Him and His glories alone. How precious to influence others in this way, so that they run with answering affection after our precious Lord!
The asking gives way to a report, and one source explains every part of it.
Andrew MillerNow we have the result, the happy fruit, of the drawing and the running. The prayer expressed conscious weakness and dependence, combined with holy diligence. They have run well and reached the goal, and now they are crowned with joy and gladness. But never forget, my soul: it is grace that draws, grace that runs, and grace that crowns. It all flows from the shoreless ocean of the Saviour's love. "We will remember your love more than wine." Now she uses the word "remember" — she knew His love before. But she is enjoying it with increased interest. Like air, she is surrounded by it; she is in it.
Commentators read the title first in relation to Israel.
Andrew MillerWhy should Christ be called "the King" here? It is prophetic of His relationship with Israel after their restoration. As to His right or title, He is always that. Is He ever called the King of the church? Not in Scripture. He is a King and worthy of all homage. But Scripture speaks of Him as Head of His body, the church, and as King of the Jews.
That first sense does not shut out a personal reading:
The Song of SolomonIn its first application it is a prophecy of Christ, the Messiah of Israel, winning to Himself the heart of the faithful remnant in Israel... The Lord's love to Israel, His earthly bride, is only a shadow or reflection of His deeper love to His heavenly bride. Once we realize this, we find immense profit in applying these beautiful figures to ourselves.
- Grace draws. The running never starts on its own — she is loved into loving and drawn into running.
- Grace directs. The prayer is only honest if the promise follows: not after our own ideas, but "after you."
- Grace spreads. One heart asks, a company answers; affection for Christ shared with others makes them run too.
- Grace crowns. The chambers are the fruit of the drawing and the running; those who run reach the goal and joy crowns them.
- Grace keeps. Inside, love already known is now remembered and enjoyed — she is surrounded by it like air.
I am black, but comely, daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon.
The King has just brought the bride into His chambers. The first thing she says to anyone else is a description of herself: two opposite things in one breath. Older translations read "black, but comely" where the ESV has "very dark, but lovely." How can one person say both at once, and why does this confession come right after the joy?
The order matters. She sees herself truly only after being with Him.
Hamilton SmithIn the presence of the Bridegroom, the bride can only rejoice in Him and His love. But as a result of being in the King's chambers, she gets a true estimate of herself, so before others she owns her true condition… If we learn what we are in the presence of Him who is the King, we also learn what His grace has made us. So while we own that we are black, we can also add, "but lovely," like the beautiful curtains of Solomon's temple.
Two pieces of cloth carry the verse: a desert tent and a temple curtain.
Grace & TruthThe tents of Kedar were made of coarse black goat's hair. Seen in all their dingy blackness under the bright rays of the desert sun, they are a fit picture of what we are by nature — full of sin. The beautiful curtains were made for the temple of fine twined linen, with blue and purple and gold woven through. They are the symbol first of all of what Christ is in the perfection and beauty of His Person. But they also picture the believer as God sees him in Christ, clothed with all the beauty and perfection of His Person and work.
Those black tents belonged to a desert people. What the Lord's eyes see settles the matter.
Andrew MillerThe sons of Ishmael, it is said, use the rough, shaggy skins of their black goats to cover their tents, and to a traveller's eye they look intensely black in the desert under a bright sun. Even a burning lamp, as someone has said, shows nothing but its black wick when it is placed in the rays of the sun. But what a happy thought: if the sense of how unlovely we are still troubles us, it no longer troubles the blessed Lord. He has removed it all, and for ever, from His own eyes. And faith's eye sees with Him. The judgment of God and the judgment of faith are always the same.
The next verse explains the darkness, and names the women she is speaking to.
Arno Clemens GaebeleinShe confesses she is black. This does not mean at all, as some have taken it, that she was Ethiopian. It means sunburnt, as she says herself: "Do not gaze at me because I am dark, because the sun has looked upon me." She passed through the scorching heat of affliction and sorrow, yet she is lovely (Ezekiel 16:10); through His mercy and kindness she is not forsaken. The daughters of Jerusalem she is speaking to are women of the nation who do not yet share her knowledge of the Beloved, the Messiah.
Commentators differ on what the blackness means. Sin may not be the whole of it.
William KellySo she was "black, but lovely." But I do not doubt that the blackness refers to something else as well. It is not only the blackness of failure, of shortcoming, of sin, but the blackness of suffering. And the Lord will feel it too… So she owns that whether it was her own fault, or the cruel persecution she had endured in the just chastening of her faults, such was her condition: black, but, by grace, she was lovely.
Later in the book, the Bridegroom describes the same person in the opposite way.
C. H. MackintoshThere the Bridegroom looks at the bride and tells her, "You are altogether beautiful, my love; there is no flaw in you" (Song of Solomon 4:7). Speaking of herself, she can only say, "I am very dark" (Song of Solomon 1:5-6)… So vast is the difference between what we are in ourselves and what we are in Christ — between our settled standing and the state we may actually be in.
In one of Jesus' parables, a son comes home in rags and his father clothes him.
Grace & TruthThe repentant son in Luke 15 had nothing to do with making the best robe or putting it on himself. He had only rags, and he told his father so honestly… But what a disgrace it would be to his father if, once the father had put that beautiful robe on him, the son went about mourning over his rags, or saying he was not well dressed. True, he would feel how unworthy he was of it all, but that would make him love the father all the more.
- Communion first. She learns what she is only after being in the King's chambers. Nearness to Him, not looking inward, gives honest self-knowledge.
- Confession honest. "Black" means sunburnt, not born dark. Commentators trace it to her own failure and to the heat of affliction she has endured.
- Covering complete. Kedar's black goat-hair tents picture what we are by nature. The temple's fine curtains picture Christ's beauty — and the believer as God sees him in Christ.
- Comfort settled. What is unlovely in us no longer troubles the Lord. He has removed it from His own eyes, and faith agrees with His judgment.
- Conduct changed. Like the son in the best robe, we are not to keep mourning the rags, but to love the One who clothed us.
Look not upon me, because I am black; Because the sun hath looked upon me. My mother's children were angry with me They made me keeper of the vineyards; Mine own vineyard have I not kept.
The bride has just spoken of the King and His chambers. Now she turns to what she is in herself. How can a woman the King loves admit that she is scorched, used, and unfaithful to her own charge?
Her darkness came from the sun, not from birth. Scripture uses that colour for what suffering does to a person.
Andrew MillerScripture generally uses the word "black" to express affliction, sorrow, and persecution. "My skin," as Job says, "turns black and falls from me, and my bones burn with heat" (Job 30:30). This is especially true of disobedient Israel. But here the confession is sweetly joined with faith in Christ, and so it becomes the true expression of every believer. "I am very dark, but lovely." Black as sin in myself — whiter than snow in Christ.
Commentators differ on how much of the blackness is guilt and how much is grief. One reading holds both together, and lets her leave the question open:
William KellyShe owns that whether it was her own fault, or whether it was the cruel persecution she had endured in the just chastening of her faults, such was her condition — black, but, by grace, she was comely.
The Bridegroom's view of her and her own view do not match. Both are true.
C. H. MackintoshIn this book the Bridegroom looks at the bride and says to her, "You are altogether beautiful, my love; there is no flaw in you." Speaking of herself, she can only say, "I am very dark." In John 13 the Lord Jesus looks at His disciples and calls them completely clean. Yet within a few hours one of them would curse and swear that he did not know Him. So vast is the difference between what we are in ourselves and what we are in Christ — between our standing and our possible state.
She does not want eyes on her. That instinct tests how much time we have spent with the King.
Hamilton SmithIn the light of Christ's perfection we have discovered our own blackness. So we realise that we are no pattern for others. Think of our many failures under fiery trials. Think how much we have slaved in the world's vineyards, and how much we have neglected our own things. Are we not forced to say with the bride, "Do not gaze at me"? And yet how often our words and ways betray the vanity of our hearts, which in practice says, "Gaze at me." The effort to attract attention to ourselves shows how little we have been in the chambers of the King.
The hardest detail in the verse is who put her to work. Not strangers — her own mother's sons.
Echoes of GraceShe speaks of herself as burnt black by the hot rays of the sun. Her oppressors forced her into hard labour in their vineyards. They made her serve their interests, and she had no time left to look after her own things. Her own mother's children, that is, her own brothers, were her oppressors. They were the very people from whom you would expect affection and kindness. So she learned a sad fact: the world runs on its selfish interests. It will brush aside even natural affection to reach its own ends.
Israel had a commission toward the nations. At the end of the verse she carries other people's fruit while her own ground goes untended.
Arno Clemens GaebeleinGod had called Israel to be "the keeper of the vineyards" — that is, the keeper of the nations, to be a blessing to them. But she failed. She did not even keep her own vineyard. It is her confession to the One she now knows and longs for.
Commentators apply the same words to Christian workers. They can spend themselves on others and keep nothing back for their own souls:
William KellyIt is good for the most gifted not to be always giving out. It is also good for the simplest believers not to be always only taking in. An evangelist, for instance, might get so taken up with winning other people's souls that he forgets he has a soul of his own — a soul that must praise and remember the Lord. "They made me keeper of the vineyards, but my own vineyard I have not kept." It is good for the heart of any man, whatever his gift, to have a little quiet time for Christ. Those quiet times should not be too far apart.
- Scorched. Her darkness is sunburn — the mark of affliction, not the colour she was born with.
- Yet lovely. The same person is dark in her own eyes and flawless in His. Standing in Christ is not the same thing as present state.
- Betrayed. The hands that drove her out were her own brothers'. Self-interest pushes aside even family love.
- Emptied. Working other people's vineyards cost her her own. That was Israel's failure, and it is the danger of every servant who never stops giving out.
- Not forsaken. Her scorching was real, but so is His mercy: through His mercy and kindness she is not forsaken, and in Christ she is "whiter than snow."
Tell me, thou whom my soul loveth, Where thou feedest [thy flock], Where thou makest it to rest at noon; For why should I be as one veiled Beside the flocks of thy companions?
Up to now the bride has talked about herself — dark, sun-scorched, set to keep vineyards that were not her own. Here she stops and speaks straight to the one she loves, asking where to find Him.
Her opening words mark a change. She has stopped looking at herself.
Andrew MillerA blessed change has now taken place in what occupies the bride. The Bridegroom fills her eye and her heart. Self is dropped! What a mercy! It is neither black self, nor lovely self, now. Being taken up with self always ends unhappily. Endless perplexities and sorrows flow from the eye looking within, instead of looking away from self and up to Christ.
One writer hears the bride as Israel, turned back to the Messiah in a day still to come. Even her love is not something she works up.
William Kelly"Tell me, O you whom my soul loves." She does love the Messiah, and the Spirit of God puts this language into her lips, and she will take it up in that day... It is not her doing. It is her believing. It is not her assumption; it is His grace that gives her these most comforting words... She had wandered long among the nations. She had gone after idols... Now her heart was for Him alone.
She could have put her question to the men who tended the flocks. She goes higher.
Andrew MillerShe wants refreshment and nourishment directly from Himself. "Tell me… where you feed your flock?" She does not go to the shepherds of Israel, who cared more for the fleece than the flock. She goes to the chief Shepherd Himself. She had been brought to Him as King; now she appeals to Him as Shepherd. Like David of old, He is the Shepherd-King.
One writer turns her first question round: is the Lord Himself fed by our company?
The Christian's FriendThe heart desires to know the place where Christ finds what satisfies Him — where He feeds. Where does He find this, if not in the company of the saints today? On earth He said He had "food to eat that you do not know about."... Can I, can you, be content that He finds no refreshment in our company?
Noon is the hardest hour of the day. One writer takes the picture straight into our troubles.
The Christian's FriendNoon is the time of day when the sun is highest. And for us it is the same. When the trial is bitterest, when the way is hedged in, when the desert is a trackless waste of sand with no shadow to shelter us — HE causes "His flock to lie down at noon." As we read also in chapter 2: "With great delight I sat in his shadow." And when do you want a shadow? When the sun is high in the sky.
Another writer saw this proved at a deathbed.
A. J. PollockI knew a Christian who was dying. One would have thought he could not stand any greater pressure and further weakening. But the fiercer the rays, the more beautiful was the rest he enjoyed. There is no possible combination of circumstances in which this rest may not be known.
She asks about feeding before she asks about rest. The order matters.
VariousA hungry sheep will not rest, but will run about trying to find something to meet its hunger. If we are not feeding in the green pastures of God's Word, our souls will not find rest... It is important to begin the morning by feeding on the Word of God, under the eye of the Good Shepherd. Then we have peace and rest in our souls through the trying moments of the day.
Commentators differ on the closing line. One writer links her veil to being wrongly suspected.
Andrew MillerThe thought that others suspect her of insincerity troubles her greatly. The word "veiled" seems to carry the idea of being suspected. Who the "companions" are, it may be hard to say. Perhaps they are under-shepherds, who could not understand or meet her case as the Princely Shepherd Himself could. He knew her heart... Some walk with the Lord outside all the rules laid down by men. Many who claim to be shepherds of God's sheep understand little of such a path.
Another writer names what she has lost.
VariousIt is the language of a quickened soul who at heart loves the Lord but is out of touch with Him... She had lost this personal nearness to the Good Shepherd Himself. Yet the soul cannot rest without it.
- Turn — the verse begins where recovery always begins: the eye comes off self and goes up to Him.
- Ask — she takes her question past the under-shepherds to the chief Shepherd, who knows her heart.
- Feed — she asks first where He feeds, because a hungry sheep never lies down; the Word under His eye comes before rest.
- Rest — noon is the fiercest hour, and that is where He lays His flock down. The hotter the rays, the sweeter the shade.
- Stay — the alternative is wandering by other flocks, and what is lost there is nearness to Him.
If thou know not, thou fairest among women, Go thy way forth by the footsteps of the flock, And feed thy kids beside the shepherds' booths.
The bride has asked her Beloved where He feeds His flock at noon, afraid of wandering among strangers. His answer tells her what she is to Him and where to walk — yet He says nothing to praise the question itself.
The song has run this far without the Bridegroom speaking. When He finally does, He begins not with instruction but with an estimate of her.
Andrew MillerJust as the loved one was suffering in her soul from the mean suspicions of others, the Beloved appears for her comfort. This is the first time we hear the Bridegroom's voice. But oh! what grace flows out to her! What words drop from His lips! "O you fairest among women," is the first utterance of His heart. Enough, surely, to sweeten the most bitter soul.
She had said she was dark, and others had spoken against her. His verdict overrules both.
Hamilton SmithHere for the first time we hear the Bridegroom's voice. He addresses the bride as the "fairest among women." She may be black in her own sight, and hated and persecuted by others too, but in His sight she is the "fairest among women." Nothing will alter Christ's estimate of His people. Neither the failure of the saints, nor the slander of the world, will alter His appreciation of His own. He ever views them in all the value of His own work, and according to the counsels of His grace.
He answers what she asked, but praises nothing about the asking. His love settles on her person; her ways are a separate matter.
Andrew MillerThe Bridegroom's answer comes at once and clearly, but nothing more. He gives no word of approval to the questions… He delights in her person, and assures her of His delight in the strongest terms. "O you fairest among women." His love never changes. Yet there are many things said and done by her that He cannot approve of. In his person the believer is perfect in Christ, and in His sight. He is justified from all things. But in practice he is full of failure.
That small conditional word carries a quiet reproach. He had already made His path known; the fault was in her not reading it.
Andrew MillerIs there not something in that little word "if" which hints that He expected her to know the pathway of His flock? As if the Lord had said — Surely you know. My mind on all these questions, as the Shepherd of Israel, lies plainly before you. Why not read, my love, and understand? He cannot scold, yet His love is faithful. As He said to Philip, "Have I been with you so long, and you still do not know me, Philip?" How gently He leads! How kindly, even the rebukes of His love!
The command starts with a departure. In this book the shepherd never feeds where the crowds are.
Emmaus Correspondence School"Go your way forth." The shepherd never feeds his flock in the cities. In the Song of Solomon the city is a picture of the world that man has built up to satisfy his own lusts and pleasures, with no regard for God. Are you saved and still going along with the world in its pursuit of lust and pleasure without God? Then you may be sure you are moving in a different world from the one where the Good Shepherd feeds His flock. Your soul will starve.
She is not told to invent a path. Others walked it first, and the tents nearby belong to guides God raised up.
William KellyWhat mattered now was to be found following the ways of the word of God: "go your way forth by the footsteps of the flock." Those who had walked the path before were the sheep of Jehovah. "And feed your young goats beside the shepherds' tents." Hold fast the testimony of the word of God — what God had given in His own word. The shepherds are those whom God had raised up to guide His flock here below. In short, He tells her to hold fast to His word before she knows His heart is turned towards her — before she has proof of His love for her.
The last clause turns a seeker into a shepherd. She asked where she could eat; He hands her responsibility for the little ones.
Hamilton SmithLet her feed the lambs beside the shepherd's tents, and in feeding others she will herself be fed. What is this but a foreshadowing of that last scene in John's Gospel? There the Lord speaks His touching words to a disciple who had fallen away and been restored: "Follow me," and "Feed my lambs." We find rest and food for our souls by following Christ and feeding His lambs.
- Grace speaks first. Before any direction comes a word of value. He calls her the most beautiful among women while she still calls herself dark.
- Grace is not approval. His delight in her person never changes. His silence about her ways shows there is still much He cannot commend.
- Grace corrects gently. The word "if" hints she should already have known. It wounds nothing; writers hear the same tone in His question to Philip.
- Grace points outward. The path starts by going out. The city stands for the world, and the flock feeds outside it.
- Grace ends in service. Follow the footsteps others left, and feed the young beside the tents. Feed them, and you are fed.
I compare thee, my love, To a steed in Pharaoh's chariots.
The Bridegroom's first words about the bride are a surprise. He compares her to a horse harnessed to one of Pharaoh's chariots. Two questions follow: why Egypt, and what He sees in a chariot horse that He calls beautiful.
Up to this point the exchange has been questions and answers. Here that stops:
Andrew MillerNow He speaks about her entirely. He drops the subject of the questions; His address is direct and personal. And how full and free are the expressions of His admiring love.
Why does that matter to us?
The Emmaus Correspondence SchoolIt is the Lord speaking here. As He looks at His beloved one, He describes what He sees in her that delights His heart. It is a privilege to know His thought about us, and especially, if we love Him, to know what He delights most to see in us.
Why Egypt? The picture carries the memory of her rescue:
Andrew MillerThere is divine wisdom, and instruction for the soul, in the choice of His first comparison. Here He reminds the bride of the true Solomon of Egypt. He redeemed her out of it with an outstretched arm. He reminds her of Pharaoh too, out of whose iron grasp He rescued her. The truth of God is a circle. The love that delivered us out of Egypt is the love that brings us into Canaan, with all its mercies along the way. It is one perfect unbroken circle of grace and truth.
What does He admire in a chariot horse? One writer gives two answers, the second deeper than the first:
The Emmaus Correspondence SchoolThere is no doubt a reference here to energy devoted to the master's service, and to walking and pulling together in harmony. But there is another thought of still deeper meaning. The wild ass likes his own wild ways. He likes to run about at will and refuses to be bridled or tamed, or to submit himself to another's will. Is not this a striking picture of what the unregenerate heart is? But a steed in Pharaoh's chariots has been broken. It has learned to give up its own inclinations. It yields to the pull of the rein in its master's hand, and so spends its energy in its master's service. This driver of Pharaoh's chariot can be taken as a picture of the Holy Spirit. What the Lord delights to see in His own is that they give the reins of their lives over into the hands of His Spirit, to be subject to His guidance in all things.
That yielding shows in how His own live with one another:
The Emmaus Correspondence School...walking and working in peace and harmony with others who are likewise yielded to Him. Let each of us ask, Is that what the Lord sees in me? How it must grieve the Lord's heart to see His own so often in strife and discord. They spend their energy on selfish pursuits and go on in their own ways. They miss by far His chosen plan for their lives. No wonder their testimony is so weak, and their lives have so little fruit to His glory.
This is not a weak animal:
Andrew MillerThe chariot horse wears splendid harness. It may stand for strength, graceful build, swiftness, royalty and willingness in service. As soon as the charioteer has taken his seat, his horses are ready to move off. They grow impatient at delay. The lifting of a hoof, the movement of every muscle, tells him plainly: if he is ready, they are quite ready. And then, for all their power, how they answer the slightest touch of the guiding rein.
A royal chariot horse wears its master's ornaments:
Hamilton SmithLike a horse in Pharaoh's chariot, adorned with all the trappings of royalty, so the bride was lovely in His sight. Her beauty was the beauty He had put upon her. The Lord can say the same through Ezekiel: "I adorned you with ornaments and put bracelets on your wrists and a chain on your neck" (Ezek. 16:11).
The gift comes before the praise:
Andrew MillerHow often the human mind clothes the object of its admiration with attractions, and then loves and worships its own image. Not so the divine mind: there, everything is real. The Lord clothes the bride of His heart with His own attractions, and then admires her. He loved her — adored be His name — before there was anything about her to admire. Having adorned her with His own excellence, there is now nothing to offend His eye or grieve His heart.
- Rescued — the first picture points her back to Egypt, and to the Pharaoh whose iron grasp He rescued her from.
- Addressed — the questions stop and He speaks straight to her. Knowing what He delights to see in us is a privilege.
- Broken — the wild ass will not be bridled; the trained steed has given up its own inclinations and answers the rein, a picture of the Holy Spirit's guidance.
- Harnessed — strength, swiftness and readiness are not lost under the rein. They are spent in the Master's service, and pull with others in harmony, not in strife.
- Adorned — He clothes her with His own attractions, then admires her. He loved her before there was anything in her to admire.
Thy cheeks are comely with bead-rows, Thy neck with ornamental chains.
The King has been describing the woman He loves. Now He drops the questions and comparisons and speaks straight to her, about her cheeks, her neck, and the jewels on them. Two questions follow. Where did her beauty come from, and what do the jewels stand for?
The praise here is not general. One writer notes the shift in how the King speaks once the earlier exchange is over.
Andrew MillerNow He speaks of her entirely. The subject of the questions is dropped; His address is direct and personal. And how full and free are the expressions of His admiring love. "I have compared you, my love … your cheeks are lovely … your neck with chains."
Human admiration often dresses up its object in imagined qualities. What the King admires here is real, because He supplied it.
Andrew MillerHow often the human mind gives attractions to the object of its admiration, and then loves and worships its own image. Not so the divine mind: there, all is real. The Lord clothes the bride of His heart with His own attractions, and then admires her. He loved her — praised be His name — before there was anything about her to admire. This is divine. "God shows His love for us in that while we were still sinners, Christ died for us." He has adorned her with His own excellencies, so there is now nothing to offend His eye or grieve His heart. … In admiring His bride, though she is still in the wilderness, He is true to Himself, for she is perfect in His own perfectness. Rebekah was enriched and adorned with the jewels of Isaac, long before she reached his mother's tent.
The ornaments recall a scene in Ezekiel, where God describes decking out the city He had chosen. Writers point out that Christ does not keep His pleasure to Himself — He says it out loud.
Hamilton SmithSo the bride was lovely in His sight, with the beauty He had put upon her; as the Lord can say through Ezekiel, "I adorned you with ornaments and put bracelets on your wrists and a chain on your neck" (Ezek. 16:11). Does not Christ delight to unfold His thoughts of love toward His own?
Jewels are worn, not grown. One writer takes them as a picture of what the Spirit produces in a believer.
The Song of SolomonJewels speak to us of a beauty that is not ours naturally, but which has been given to us. So they are fitting symbols of Christian graces. These graces show in the believer's life as the fruit of the Spirit's work in the heart. They do not come from ourselves naturally. The power of the Spirit of God produces them. When we really surrender ourselves to Christ and hand the reins of our lives over to His Spirit, our lives will take on a truly Christian character.
A gold chain was more than decoration. It marked a person out, and two men in Scripture show what it meant.
Andrew MillerA chain of gold, as we know, is the sign of promotion, high favour and dignity, as in the case of Joseph and Daniel… He has been admiring His bride — her "rows of jewels", her "chains of gold".
The older translation quoted above says "rows of jewels" and "chains of gold". The ESV says "ornaments" and "strings of jewels".
What she wears in this verse is not the last word. One writer draws the line between the two stages in a single sentence.
Hamilton SmithHere Christ puts His graces upon His spouse; in heaven He will put His glory upon her.
Commentators read the Song on two levels — as a description of Christ's love for His own now, and as a picture of a coming day for the Jewish nation. One exposition works through the personal application first and then adds the prophetic one.
The Song of SolomonBut the time will come when Jerusalem, repentant and rejoicing in the Lord's forgiveness, will again be exalted at the head of the nations. What a joy that will be to His heart! What a triumph for His grace, when He crowns Jerusalem again with royal glory — the fruit of His redemption and of the work of His Spirit in the heart.
- Love first. He loved her before there was anything in her to admire — the affection came before the beauty, not after it.
- Given, not grown. The jewels picture graces we do not grow ourselves. They are the fruit of the Spirit's work in a life given over to Him.
- Worn where seen. Cheeks and neck are on show. What He works inside becomes visible in Christian character.
- Honour attached. A gold chain marked promotion and dignity, as with Joseph and Daniel. His gift carries public honour.
- Glory to follow. Now He puts His graces on His own. In heaven He puts His glory on them. Writers add that the same grace will one day crown a repentant Jerusalem.
We will make thee bead-rows of gold With studs of silver.
Commentary for this verse has not been generated yet.
While the king is at his table, My spikenard sendeth forth its fragrance.
The bride answers the King's praise with one line about fragrance, and the writers below hear worship in it. They quote older wording — the king "at his table," her perfume "spikenard" — and press one question: what draws that fragrance out?
The scene is not service or battle but rest. One writer contrasts it with the other ways Christ meets His own:
Hamilton SmithWhile the King sits at His table, the worship of her heart rises like a sweet fragrance. The King at His table gives us a lovely picture of Christ among His own. This is not Christ with His robe tucked up for lowly service, washing feet dirtied by sin. It is not Christ as the Captain of the Lord's army, leading His own in the fight against the powers of evil. It is not Christ with tears of divine compassion, comforting a grieving heart. It is Christ at rest, finding joy and delight among His own.
The same writer marks worship off from learning and from comfort:
Hamilton SmithTo learn at His feet is good, but learning is not worship. To be comforted by His tears of sympathy is sweet, but comfort is not worship. In learning, I am conscious of my ignorance, in comfort, I am thinking of my sorrow. But when we spread a feast for Christ — when the King sits at His table — it is no time for teaching or comfort. There we leave our sorrows, our ignorance and our daily cares behind. At His supper, He alone fills the mind and holds the heart.
Several writers read this line alongside Mary, the woman who poured costly ointment on Jesus. One gives both a caution and the connection:
Leslie M. GrantThis book speaks in pictures, so we must read it with godly care and sober judgment. This verse has its precious counterpart in Mary of Bethany anointing the Lord Jesus with her costly ointment of spikenard. That ointment is the symbol of fragrant worship, and it delights the nostrils of God.
Another writer asks where her ointment came from, and what happened when she poured it out:
James McBroomHow did she fill her box of precious ointment? Ah! was it not when she sat at Jesus' feet and heard His word? … caught up in love for the One she adored, she pours the precious ointment on His feet. Truly, she could say, "While the King sits at His table, my spikenard sends out its fragrance," and "the house was filled with the fragrance of the perfume."
The perfume is not natural charm improved. One writer points to the honey God kept out of Israel's sacrifices:
Andrew MillerThere is an infinite difference between the attractions of nature and the grace of the Spirit… God forbade honey, the sweetness of nature, in the sacrifices… Its pleasant qualities are valuable for the family, for friends, and for the world at large. But they are quite unfit for God's altar or the King's table. The Holy One of Israel rejects both the sweetness and the sourness of nature alike.
That does not leave the worshipper empty-handed. The same writer insists there is something to bring, and says whose it is:
Andrew MillerIt is a mistake to suppose that we have nothing to present to the King while He sits at His table. True, what we give Him is already His own. But that makes it all the sweeter for both… If the Bridegroom has His "good ointments," the bride has her "spikenard" — yet it is all grace. The table is His — the ointment and spikenard, too, are His.
Fragrance at the table depends on what happened before anyone sat down:
J. N. DarbyWe must not expect a box of spikenard to be ready in our hands just because we have come to the Lord's Table on the first day of the week. Mary's box of spikenard cost her something; it was very costly. So it will cost us something to have a box of spikenard to pour out on Him. It will cost watchfulness, prayerfulness and self-denial during the week, to keep near the Lord and walk with Him. Otherwise, on the Lord's Day there will be no spikenard to give Him — no worship in us.
One writer holds together what this song looks ahead to and what it means for readers now:
James McBroomThe "Song of Songs" is a song of love. It has in view a future day, when our blessed Lord will come out in the character of Solomon. Yet we may apply it to ourselves today, because we also know Him as the lover of our souls.
- Presence — The King at rest among His own, not serving or fighting or drying tears, is what calls the fragrance out.
- Filling — She fills the box at His feet, listening to His word; worship overflows from a heart already full of Christ.
- Fragrance — Learning is not worship. Comfort is not worship. Worship is the heart taken up with Him alone.
- Cost — Spikenard is costly. Watchfulness and self-denial through the week decide whether we have any to pour.
- Grace — Nothing from nature reaches the King's table. Yet the bride is not empty-handed: the ointment she gives Him was always His.
A bundle of myrrh is my beloved unto me; He shall pass the night between my breasts.
The bride names what her beloved is to her: a small bag of perfume worn against the heart. Two things need explaining: what myrrh stood for, and why the night is in view.
Myrrh is not manufactured. Where it comes from is why writers read it as a picture of Christ.
VariousMyrrh is a kind of resin gathered from a plant that grows in the East. It was used as a perfume and also as a medicine. It is the life sap that oozes out through the wounds made in the bark of the plant. It is, therefore, a reminder of Christ, who in love for us, was wounded for our transgressions and shed His blood.
The same spice appears at the cross and at the burial.
An Outline of Sound WordsThe suffering love of the Lord Jesus, which the myrrh speaks of, will be fragrant to all around Him in His kingdom. In the day of His glory none will be allowed to forget that He was once the Man of Sorrows in this world. Myrrh was mixed with the wine offered to the Lord on the cross (Mark 15:23). Joseph of Arimathea and Nicodemus used myrrh and aloes to prepare the holy body of Jesus for His burial.
The bride does not say she looks at her beloved. She carries Him. That is why the picture is myrrh and not a flower.
Hamilton SmithThe myrrh speaks of Christ, but not Christ as an object before our gaze — Christ dwelling in the heart by faith. Myrrh does not attract by its beauty, like the flower. It is a resin precious because of its sweet odour. The myrrh, too, is wrapped in a bundle; it is unseen but its fragrance is enjoyed. Such was the beloved to the bride, and such is Christ to the believer when dwelling in his heart by faith.
Commentators read the verse on two levels. The night comes from an older translation, which ends the verse, "He shall pass the night between my breasts."
VariousThis verse no doubt has its direct application to the remnant of Israel during the dark night of the great tribulation. That is the time when "darkness shall cover the earth, and thick darkness the peoples" (see Isaiah 60:2). But it has also a beautiful application to believers now.
For believers now, the night began when the world cast Christ out. He is not merely gone — He is unwanted.
VariousHis beloved one gives Him the most intimate place in her affection, while the world goes on in the darkness of night… But the world cast Him out, and He has returned to His place on high. So the world is left in darkness… Christ's absence marks the time we are living in, and the sad part is that He is not wanted.
Perfume worn in the bosom does not stay private. It marks the wearer, and it lasts after she has gone.
Andrew MillerA bundle, or little bag, of myrrh, carried in the bosom, scents the garments. It spreads its fragrance all around — at home or abroad, at work or resting, in the sanctuary or the social circle… And even after the person has left, the sweet odour remains, as a testimony to the value of what lay nearest her heart… Over the memorials of His dying love He has written in wonderful grace, "Do this in remembrance of me." He has not asked us to do some great thing for Him, or to lay some costly sacrifice on His altar. No; simply to be occupied with Himself as earth's rejected Christ during His absence, and to give Him a place in our hearts.
This rules out one popular method of becoming like Christ, and puts another in its place.
VariousWe cannot copy Christ; we cannot imitate Him in our own strength. As long as we look at Christ only as a model we strive to imitate, we will never succeed. But as we think on His sufferings for us, our hearts are drawn to Him and we embrace Him in our affections. He loved us and gave Himself for us. As we give Him the full place in our hearts, it will give a sweet fragrance of Christ in all our ways.
The verse follows the table and the spikenard of verse 12. That order is not accidental, and it explains why service can run dry.
Andrew MillerIf the chariot-horse suggests the thought of willing service, and the "spikenard" is the symbol of divine worship, may not the "bundle of myrrh" be the emblem of a daily and hourly testimony for Christ? And what could be more natural, as a result of deep and solid communion with the Lord? All our services will become uninteresting and powerless if personal communion is neglected.
- Wounded. Myrrh is sap that escapes through cuts in the bark. The picture starts with injury, and points to the One wounded for us.
- Wrapped. The bundle is unseen; its worth is smelled, not admired. This is Christ dwelling in the heart, not merely Christ observed.
- Worn. Its place is next to the heart, the closest place there is. It stays there all night — the time of His absence, when the world does not want Him.
- Wafted. What is carried in the bosom scents everything the wearer touches, and lingers after they leave. Christlikeness comes by affection, not by imitation.
- Waiting. The night ends. The suffering love the myrrh speaks of will be fragrant to everyone in His kingdom. No one will forget He was the Man of Sorrows.
My beloved is unto me a cluster of henna-flowers In the vineyards of Engedi.
In the verse before, the bride called her beloved a bundle of myrrh, held close all night. Now she reaches for a second picture — a flowering cluster from the vineyards of Engedi, held out where the eye can see it.
Older translations call this cluster "camphire." Andrew Miller compares the two objects, and points out where each one is kept:
Andrew MillerThe bundle of myrrh is hidden from the eye in the breast, but the cluster of camphire is an object for the eye, and carried openly in the hand. Myrrh is the living juice of the tree, which flows in drops through broken parts of the bark, something like blood from the veins, or tears from the eye.
The second image is beauty, and beauty asks to be looked at:
Hamilton SmithBut further, the bride likens the Bridegroom to the beauty of a cluster of henna-flowers in the vineyards of Engedi. She would delight in her beloved in the secret of her affections, but she would also enjoy him as the object of her enraptured gaze. So too we need Christ not only dwelling in the heart by faith, but also as the attractive Object of our souls. Then, gazing on Him with unveiled face, we may behold the glory of the Lord and be changed into the same image, from glory to glory.
Myrrh comes from a tree that has been cut. The henna cluster comes from a tree in flower. The same writer reads that difference as death giving way to life:
Andrew MillerHow different are the thoughts stirred by a tree in full blossom, and by one that is wounded and bruised, with its life-juice flowing from its veins! The one is the symbol of death, the other the power of life. The tender bud that finds its way through the hard bark of winter is always a striking picture of resurrection. The blossoms and the fruit show the power of life, and the rich blessings that come to man.
Others make the same connection more briefly, and mark it as one reading among several:
Plumstead ConferenceIn the vineyard of Engedi there is the henna. There are at least twelve different elements of fragrance in Scripture, and henna is understood by some to be an emblem of the resurrection of Christ.
Together the two images hold the cross and the glory. Andrew Miller turns them into a habit of thought for ordinary days:
Andrew MillerWherever you walk — field or garden, valley or mountain — or in your usual round of daily duty, every second thought may be of the "well-beloved" absent One. The bleeding myrrh and the blooming camphire may well recall the cross and the glory to your mind. They may lead you to think of Him "who was delivered up for our trespasses and raised for our justification."
Engedi was a real place, and it had a double reputation:
Andrew MillerThe vineyards of Engedi, we are told, were famous for their rich fruits and expensive spices. These places are famous, too, as a hiding place for David and his men when Saul was persecuting them. The fruitful valleys below and the strongholds in the mountains around gave shelter, food, and refreshment to God's anointed king, and to those who had cast in their lot with him.
Commentators differ on the exact plant. One of them sets out what the picture points forward to:
VariousVerse 13 speaks of the place Christ should have in the affections of His own during this present time of night, because He who came as the light of the world was rejected and has returned on high. In verse 14 we get Christ presented in His coming glory, displayed in Israel before a wondering world. No one is sure which plant the Hebrew word translated "camphire" means here. Some have translated it "henna-flower" — a sweet, showy, fragrant flower that grows in the vineyards of Palestine. If so, it would be a beautiful picture of Christ in His coming reign over Israel. He would no longer be hidden from the eyes of the world. All the display of His glory and beauty would be seen in Israel.
The bride speaks before any wedding has taken place:
William KellyIt is only a question of her affection. Nothing here would seem unsuitable if it were simply a matter of a real, settled relationship. But the relationship is not yet settled. It has not yet come. What we have is the expression of her perfect delight in one who loves her.
- Hidden — the myrrh of verse 13 is Christ kept in the secret of the affections, fragrant but unseen.
- Seen — the cluster is Christ carried in the open, the Object the eye rests on, and gazing changes the one who gazes.
- Risen — the tree in blossom speaks of life after death, so myrrh and blossom together recall the cross and the glory.
- Sheltered — Engedi fed and hid God's anointed king, and those who cast in their lot with him.
- Displayed — what the bride sees now in private, the whole world will see in the day of His reign.
Behold, thou art fair, my love; Behold, thou art fair thine eyes are doves.
The bride has called herself dark; now the Bridegroom answers, and His first word about her is beauty. Two questions follow: how can a woman who calls herself dark hear twice that she is beautiful, and what does He mean by eyes like doves?
The King does not answer her with flattery. He replaces her view of herself with His own. The writers quoted here use an older translation: it says "fair" where the ESV says "beautiful," and "you have doves' eyes" where the ESV says "your eyes are doves."
Hamilton SmithThe bride's perfume has sent out its fragrance, expressing her delight in the Bridegroom; now he expresses his delight in the bride. She had said, "I am black," but the Bridegroom says, "Behold, you are fair." Christ always views His people in the light of His purpose and on the ground of His work. That is why He can say of each one, "You are fair." So the Apostle John can write, "as He is so also are we in this world."
One writer puts the obvious objection as a question, then answers it.
Andrew MillerWhat is it, some will ask, that can make one defiled and deformed by sin so "fair" to the eye of Jesus? Where, when, how, can it be found? What would all the riches, honours, and glories of this world be, compared with hearing such words from such lips! ... Know then that when a soul is drawn to Jesus, He receives it. He places it in the light of God's presence, in the full value of His finished work, and in the matchless beauty of His adorable Person.
The same writer points to a scene that shows how it happens.
Andrew MillerIn the third chapter of Zechariah we see Joshua standing before the Lord. This chapter is the account, I believe, of how the bride of the King is so "fair" in His sight... Joshua is clothed in filthy garments. Satan is there to resist him. He always seeks to hinder the blessing of souls. But the Lord shelters the defenceless one... The filthy garments are taken away; his sins are all forgiven. There is not a rag left for Satan to lay hold on.
Notice the form of His words.
William KellyNotice now how this expression of love to Him draws out an answer from the Lord!... It is not "I love you," but, "Behold, you are fair, my love." It is what the eye of love sees in her, though perhaps no other eye in the world sees it. ... What a different thing it would be from any other mouth than His!
One writer traces the beauty to its source, then reads the repeated "behold" and the dove.
The Assembly WritersAll this beauty is the fruit of His work of grace in her heart, drawing out her affections to Himself. The repetition shows the ardour of His enraptured heart as He gazes on His bride, now made perfect through His grace. "You have doves' eyes." The dove is the symbol of faithful love, of purity, holiness, and peace. When a dove is separated from her mate, she rests alone and mourns until she sees him again. So she is a fitting emblem of devotion and attachment to Christ. The pigeon and the turtle dove belong to the same family. This was the only bird that could be offered on the altar, as a type of Christ in His love and purity and devotion to God's glory. The Spirit also descended on Christ like a dove (Matt. 3:16).
One writer finds modesty in the picture.
William KellyDoves' eyes are the expression, of course, of the modesty of her who was to be His bride.
The praise is not general. It describes a way of looking.
Andrew MillerWhen the eye of the Christian is single, chaste, and always fixed on Christ, then these words fit: "You have doves' eyes."
There is a pattern in the Song: who speaks, and to whom.
William KellyNotice that the bride speaks a great deal about the Beloved to others, while He speaks more about her to herself. This fits her need of reassurance exactly... for He is above all need of the creature, and by His love He creates love. She needs to know that He loves her; and on this He dwells most fully.
Who is the bride? Andrew Miller takes the song as spoken of Israel in prophecy, and says the same great principle holds now, in a deeper sense, for the church.
- Her word: She called herself dark. He does not argue. He answers, "you are beautiful," and says it twice.
- His ground: He sees His people by His purpose and His finished work, not by what they are in themselves.
- His picture: God takes Joshua's filthy clothes away and forgives his sins, leaving Satan not a rag to grab.
- His words: He does not say "I love you" but "you are beautiful" — what His eye of love sees when no other eye does.
- Her eyes: The dove mourns when its mate is gone. A single, pure eye fixed on Christ is what He praises.
Behold, thou art fair, my beloved, yea, pleasant; Also our bed is green.
The bride has just heard the King call her beautiful, and here she gives Him back His own word. Her reply moves from what He is to where they rest — and one small pronoun in it changes everything.
The commentators below use an older translation. It reads "fair" and "pleasant" where the ESV reads "beautiful" and "truly delightful." It also reads "bed" for "couch."
She does not praise herself in return. She takes the exact word He used and turns it back on Him. One writer draws out what that echo says about all of Christ's people.
Hamilton SmithThe Bridegroom had said, "Behold, you are fair, my love." With great delight the bride at once responds, "Behold, you are fair, my beloved." Her beauty is the counterpart of His. Is Christ fair? So are His people.
The whole exchange happens before the King has arrived. Another commentator points out that the words themselves are God's provision, so that her affection for Him is met with the assurance of His affection for her.
William KellyHe has not come yet. But God provides the word, so that she may know. Her heart takes up these words and expresses its affection to the Messiah. Just as truly, God gives her to know that such is His affection towards her.
She uses two words, not one, and they are not saying the same thing twice. The second word answers a question the first leaves open.
Andrew MillerHe is not only fair to the eye, but pleasant to the heart. Many are fair that are not pleasant, and many are pleasant that are not fair, but Christ is both. Oh! what combinations, what perfections, what harmonies are found in Jesus! Here, and here alone, the heart can find rest — quiet, perfect rest.
The couch she mentions is not a private bedroom but the place of reclining beside the King. Its colour carries the point.
Hamilton SmithThe bed refers to the couch on which the King and the bride recline at the King's table, and gives the thought of rest. When Christ takes His place among His own, a green spot appears in this barren world. In His presence there is rest.
Another writer looks at the colour itself. Green is a mixture, and the two colours behind it both carry meaning.
The Song of SolomonGreen is the most restful colour in nature. It is a compound colour made by mixing blue and yellow together. Blue is the heavenly colour. Golden yellow is the symbol of what is divine and pure, with nothing mixed in.
One writer links the green couch to the green pastures where a shepherd rests his flock — and points out where those pastures are never found.
Andrew MillerThe green pastures and the still waters of God's abundant grace have long been familiar to us as symbols of the rest and refreshment of the sheep of Christ under His shepherd care. But the shepherd never pitches his tent inside the city walls. He rests His flock outside, in the open country. "The city," in this book, pictures the world; the country pictures heavenly places.
She does not say your couch or my couch. One commentator finds in that one small word the proof of real fellowship, not admiration from a distance.
Andrew MillerBut there is one word in these closing sentences which shows full, conscious, happy fellowship with the one she loves. I mean that little word "our": "our bed is green … our house," "our rafters." It is like the precious little "us," "we," and "with," in the Epistle to the Ephesians. Oh! happy union — blessed unity, "our, us, we, with." Eternal oneness with Christ! One in life, one in righteousness, one in acceptance, one in peace, one in rest, one in joy, one in heavenly, eternal glory!
Praised to her face, she says nothing about herself — not even a modest denial. One writer calls that silence true humility.
Andrew MillerThe bride does not speak of herself. She hears the words of His admiring love, but says nothing about herself. She does not even say that she is unworthy of such love. However deep her feelings, she passes over self. This is true humility. We may speak of bad self and unworthy self while the heart is full of pride. True humility does not speak of self at all, either good or bad.
- Love spoken. He calls her beautiful first. God supplies the very words that make her sure of His love.
- Love echoed. She hands His word straight back to Him. Her beauty is the counterpart of His: what Christ is, His people become.
- Love enjoyed. He is fair to the eye and pleasant to the heart. Many are one without the other. In Christ alone the heart finds quiet, perfect rest.
- Love shared. The couch is green — rest in a barren world, outside the city. And it is our couch: "us," "we," "with."
- Love that silences self. Praised, she says nothing about herself, good or bad; that is what true humility sounds like.
The beams of our houses are cedars, Our rafters are cypresses.
The bride answers her beloved by describing the home they share. Commentators read her words in two ways: a royal house built to last, or a shelter of living trees.
Beams and rafters are what a tent does not have. The bride is pointing to something permanent.
William KellyHer answer is, "Behold, you are fair, my beloved, yes, pleasant; also our bed is green. The beams of our house are cedar, and our rafters of fir." That is, it is not some mere tent which might be taken down. She looks for a settled habitation when the King comes and owns her as His own. She looks for all to be in that established relationship which shall be for the glory of God here below. And so it will be.
A note on wording first: where the ESV says pine, older translations say fir, and the writers quoted here keep the older word. So why cedar and fir?
The Christian's FriendThe bed in a house of cedar and fir speaks of rest in a place of incorruptibility and royal glory. The cedar and fir are the symbol of royal glory. David and Solomon both made houses of cedar. They also resist rot, so are the emblem of that which is incorruptible and enduring.
One writer takes that durability as a picture of Christ Himself, and of why the world passes Him by.
Scripture QuarterlyThe cedar is marked by remarkable durability, glorious height, refreshing shade and lovely excellence, and these qualities picture Christ. The cedar wood has a fine grain and a fragrant smell. It resists decay so well that people have found cedar beams, little changed, in the ruins of temples in Asia between 2000 and 3000 years old. This shows in some measure the abiding character of the Lord Jesus Christ. "You remain." Corroding time has no effect on Him... Botanists tell us that cedar wood keeps so well because of its bitter taste, which worms and other destructive organisms do not relish. In the same way, the world does not relish Christ. The world cannot appreciate His value; it cannot taste that He is good.
Each part of the frame has its own job. One holds the building up. The other holds the roof over your head.
Hamilton SmithIn His presence, too, we shall find security and shelter. "The beams of our house are cedar, and our rafters fir." The "beams" support the building and make it secure, the rafters support the roof and make it a place of shelter. In the presence of the King we have security and shelter.
Commentators differ on whether this is a building at all. One writer traces the bride's day scene by scene, and in that setting the cedar and fir are living trees, not cut timber.
Andrew MillerIn the morning of the day she says, "The King has brought me into His chambers." A little later the scene changes. She is with Him in the fields, where He feeds and rests His flock at noon. Further on in the day, she says, "Our bed is green. The beams of our house are cedar, and our rafters of fir." Here the picture seems to be people reclining on the soft grass, under the refreshing shade of the interlacing boughs of the fir and cedar trees... The love of the Bridegroom, unfolded and shown to her, is the secret of all her joy and the source of all her delights.
Whichever picture is right, the same small word runs through both halves of the verse. Nothing here belongs to her alone.
Andrew MillerBut there is one word in these closing sentences that shows full, conscious, happy fellowship with the "well-beloved." I mean that little word "our": "our bed is green … our house," "our rafters." It is like the precious little "us," "we," and "with," in the Letter to the Ephesians. Oh! happy union — blessed unity, "our, us, we, with." Eternal oneness with Christ! One in life, one in righteousness, one in acceptance, one in peace, one in rest, one in joy, one in heavenly, eternal glory!
- Frame — Beams and rafters mean a house, not a tent. The bride looks past anything temporary to a settled home, when the King comes and owns her as His own.
- Timber — Kings built with cedar and fir, and both woods resist rot. The frame stands for royal glory that does not decay.
- Function — The beams make the house secure. The rafters make it a shelter. We find both in the presence of the King.
- Shade — Read the cedar and fir as living trees, and the verse pictures rest in their shade. The Bridegroom's love is the source of every delight.
- "Our" — One pronoun turns all of it into shared property: one in life, one in acceptance, one in rest, one in glory.
I am a narcissus of Sharon, A lily of the valleys.
The chapter opens with one short line: a flower named, a valley named. Everything turns on whose voice it is. Read one way, it is Christ describing Himself. Read another way, it is the bride telling Him what His grace has made her.
Many writers have taken these words as the Bridegroom's own. The next verse points the other way.
Andrew MillerMany good and learned men have thought that in the first verse we have the voice of the Bridegroom, not of the bride. And many, sadly, have written a great deal, yet were taken up with the flowers more than with the persons. But surely in the second verse the Bridegroom owns the speaker of the first verse as His loved one. He says, "As the lily among thorns, so is my love among the daughters." All agree that this is the voice of the Beloved.
Commentators differ. Others hear Christ describing Himself:
J. A. TrenchThe rose in its beauty, the lily in all its hidden perfectness — it is Jesus. The moment those who know Him have Him set before their souls, their hearts go out to Him. What draws them is the thought of all that He has been and is to them.
Translators differ over the flower named here. Some read "rose," others "narcissus" — and older versions say "the rose" where the ESV has "a rose."
William Kelly"I am the rose" — or narcissus, most probably — not exactly the rose... The rose is above all the flower of beauty and fragrance. I do not think that is exactly the language she would use. If He had called her so, I could understand it. But the narcissus is nothing like the rose. So one can understand that she does not pretend to be more than she was. She takes a humble place. It is not in some conspicuous place as yet. She is going to be in the place of glory by and by.
Earlier in the Song she called herself dark as the tents of Kedar. Grace has since taught her to speak of herself in a very different way.
Andrew MillerOnly a little while ago the bride was confessing, "I am black… black as the tents of Kedar." Now, through grace, she can say — and say truthfully, without doubting — "I am the rose of Sharon, and the lily of the valleys." She is the very crown and ornament of Sharon, the very beauty and sweetness of the valleys. She is not boasting to others about what she is. She is speaking to Him directly, happily conscious of her own place in His heart.
Some hear such language and feel it claims too much.
Andrew MillerMany say, when they hear such truth, "Oh, I am not worthy of such a place." Quite true, if you speak of your own worthiness. But what place do you think you are worthy of? A lesser one? Is that humility? No, friend, it is pride of heart. We are worthy of no place at all in His presence. So any place there must be pure, sovereign grace.
He answers her in the next verse, and His picture shows where such beauty comes from.
VariousThis shows us beyond question that the lily is His loved one. Compared with the unsaved around her, she is like a lily among thorns. What a contrast between a lily and thorns! But it is all the work of His grace, which has taken poor thorny sinners and turned them into sweet lilies of the valley.
She names where she grows, and the place matters as much as the flower.
Andrew MillerNotice carefully, my soul, that she says, "I am the lily of the valleys" — not of the cities. In the quiet valley she finds her native soil and breathes her native air. There she blooms, for the eye of her Beloved, and gives out her fragrance for His refreshment... It was in the city that she lost the joys of His presence; and there the watchmen insulted her and stripped off her veil. Those were her wandering, backsliding moments.
Both plants belong to one season, and that timing carries the hope of the verse.
J. T. MawsonThe lily of the valleys grew in lowly places, out of sight, and the one who valued it had to seek it out. But these were spring flowers, and the fragrant hope of spring was in them. As they bloomed in the valleys they told of a time when the summer's glory would crown the hills. They pictured the beginnings of love. But they also pointed forward to the marriage day, when love would come to its fullness.
- Grace speaks. The one who called herself black now names herself a flower, sure of her place in His heart.
- Grace humbles. A field narcissus and a hidden lily are modest flowers; she claims no more than she is, and glory is still ahead.
- Grace transforms. His answer places a lily among thorns — the difference is His work, not her merit.
- Grace hides. She blooms out of sight in the valley, for His eye. The city is where she lost the joy of His presence.
- Grace ripens. These are spring flowers, and spring promises summer: the marriage day, when love reaches its fullness.
As the lily among thorns, So is my love among the daughters.
The bride has just called herself a modest flower, and the King now answers her. He agrees, but He adds one word — "thorns," which the ESV renders "brambles" — and that word changes everything.
Readers have long argued over who is speaking in these opening lines. One writer settles it from verse 2:
Andrew MillerMany good and learned men have thought that in the first verse we have the voice of the Bridegroom, not of the bride. But surely in the second verse the Bridegroom owns the speaker in the first verse to be His loved one. Everyone agrees that this second verse is the voice of the Beloved. In the first verse, we have no doubt, the bride is the speaker. In the joy of communion she is acknowledging what He in His grace has made her. All her beauty in His sight, and the affections of her heart for Himself, are His own creation.
He does more than agree. He takes her own words and makes more of them than she did:
J. T. MawsonBut hear the answer that this great lover gives to his chosen bride. He takes up her own words, but he adds to them. He adorns them and makes them glow with his love. He uses them as the opportunity to show her the great proof of his great love for her. So he increases her confidence in him, and enlarges her affection for him.
The thorns are not scenery. They are what the lily has to grow among — and they are also what the Bridegroom Himself had to pass through:
Hamilton SmithShe is the lily. But in the valley where the lily grows there are thorns, and they serve as a background to bring out the beauty of the lily. In the dark valley of this world there are those who have none of the beauty of Christ upon them. They are thorns for the burning, thorns that would only wound Him. But there are also His own, those in whom Christ can delight, the excellent of the earth, lilies among the thorns. They are Christ's sanctified ones, and He has put His beauty upon them. Their dreary surroundings show off their excellences all the more. To have His lily, Christ had to descend into the valley of the thorns; yes, He must wear the thorns to win His bride.
A traveller's observation about this flower turns the picture into something personal:
J. T. MawsonDr. Thompson, in his book The Land and the Book, says of this lily: "Our flower likes the valleys best, but it grows on the mountains too. It grows among thorns, and I have sadly torn my hands getting it out of them." Suppose we can say, "I am the lily of the valleys." Suppose we know that we are this to Christ. His answer is, "Yes, but the lily among the thorns." He would have us remember that it cost Him something to secure us for Himself. How torn He was in getting us out of the tangled thorns in which we grew! He showed His hands and His side to His disciples when He came to them in resurrection.
The lily has no history of its own to boast about. It used to be part of the thicket:
The Bible TreasuryHear what the Bridegroom says of the earthly bride: "As the lily among thorns" — the gorgeous lily growing in the thorn thickets of Palestine — "so is my love among the daughters." We are taught about the thorn: how it came in, and what its end will be. We were all thorns once. We can take these words for ourselves and say that His grace has transformed us into the lily. Clothed in Christ, the believing soul has that fragrance and beauty before Him. God is the One who does this; it is not the result of their scheming and toil.
Why does He leave a delicate flower in such a place? The answer is not rescue from the setting, but purpose in it:
VariousPerhaps you say, "If I were only in different surroundings! My surroundings are so difficult." Well, that is just what we get here: a lily among thorns. Why does Christ leave His lily among the sharp thorns? That certainly is no suitable place for a delicate lily, you say. But He leaves it there because that is just where He wants it to be. There it sheds its sweet fragrance all around, in gentle grace and spotless purity.
The same scene has a future for Israel in it:
J. N. DarbyThe bride takes her place, and the bridegroom owns only her. She is the lily, the rest thorns. Jerusalem and Israel are restored under the Messiah, delight in Him, and are sheltered under Him.
- Thorn — every lily was once part of the thicket; the change is His grace, not our effort.
- Torn — He came down into the valley of thorns and wore them Himself to lift the lily out.
- Owned — He takes her modest words about herself, confirms them, and enlarges them with His love.
- Placed — the thorns are a dark background that shows off the beauty He gave her. He leaves her there on purpose.
- Fragrant — He does not call her out of hard surroundings. He calls her to shed that fragrance right where she is.
As the apple-tree among the trees of the wood, So is my beloved among the sons In his shadow have I rapture and sit down; And his fruit is sweet to my taste.
The words belong to the bride, and they are her answer to the King who has just praised her. She looks over a whole forest of trees and picks out one. Everything that follows turns on that choice. Shade, fruit, rest and sweetness all come from one Person.
One writer identifies both the speaker and the tree:
J. N. DarbyThe first six verses (leaving out the second) of Canticles 2 seem to me to be the voice of the bride. Notice here that Christ is the apple-tree. In theory she understands her relationship, and speaks mainly of herself; but there is real affection.
The tree may not be the orchard apple at all. One writer names it as the finest of them all:
William Kelly"As the apple tree" — or citron tree, rather, the finest of all these trees, which the apple tree might not be.
The point of the comparison is not size or grandeur but usefulness:
Hamilton SmithThe King sees excellence in the bride above all the daughters of women. The bride, in return, sees in her beloved the only one among the sons of men in whom she can find rest, and shade, and fruit. So she compares him to the citron tree with its thick shade and rich golden fruit. Many trees of the wood may look grander to the eye of man. In the same way, men value their fellow men above the despised and lowly Jesus. Other trees of the forest may give shelter but yield no fruit. Some may yield fruit but give no shade. This tree alone meets every need. Christ is the true citron tree. Christ is the tree of life. As He passed through this world, to man's eye He was only a root out of dry ground, with no form or beauty. But to the believer that lowly Man is the only one among the sons of men who can give shelter, refreshment and rest in this dry and weary world.
Sitting in his shadow is the posture of someone who has stopped striving. One writer connects it to the moment a troubled conscience finds a settled answer:
H H SnellThe Christian not only knows that Christ crucified is the way of salvation, but he makes use of it. He comes to Him, he enters in, he sits down in peace, because God provides rest for his sin-burdened conscience. The awakened soul has proved that human remedies are not enough. In the cross of the Son of God he finds everything to remove his guilt, quiet his fears, and fill him with the brightest hope.
Many look for that rest and never find it. One writer says why:
William J HockingBut many fail to find this blessed shadow. They search in vain. Day after day they plod on, weary and in pain. They are crushed under the burden of their daily cares. "Seek and you will find," said our Lord. But these fail to find rest because they seek a place, and not a Person. Christ Himself is "the apple-tree." At His feet there is both rest and rapture.
Take the verse phrase by phrase. Each part adds something:
Emmaus Correspondence SchoolNote, there are five things here. "I sat down" — there you have rest. "Under His shadow" — here is shelter. "With great delight" — this is true joy. "And His fruit" — see how it refreshes and nourishes the soul. "Was sweet to my taste" — not only food to nourish but sweet to the taste, bringing delight as we partake of it.
This writer follows an older translation, which reads: "I sat down under his shadow with great delight, and his fruit was sweet to my taste."
She does not bring anything to the tree; she receives. One writer draws out what that removes:
The Christian's Friend"His fruit," she adds, "is sweet to my taste." Yes, "His fruit," for she receives from Him; she is not occupied with herself. There is no working under law to make herself fit. The very fact of being where she is — under His shadow — implies her fitness. How could there be "great delight" otherwise? That would be impossible. There would be fear and distrust, and none of that "perfect love" which casts out fear.
Shade and fruit meet a need. One writer points past need altogether:
Hamilton SmithGreat as these blessings are, they carry in them a measure of relief. Beyond the blessings that bring relief there are others that carry richer, deeper experiences. No thought of relief can enter these — only the infinite enjoyment of His fulness.
- Choice — Out of a whole forest she picks one tree; the beloved is Christ, valued above every rival the world offers.
- Sufficiency — Some trees give shade but no fruit. Others give fruit but no shade. This one meets every need.
- Rest — Sitting down is the end of striving. Those who never find rest are looking for a place instead of a Person.
- Receiving — The fruit is His, not hers. Being under His shadow is itself the qualification. She works up no effort to earn it.
- More — Shade and fruit relieve need. Beyond relief lies the enjoyment of His fulness, where no thought of relief can enter.
He hath brought me to the house of wine, And his banner over me is love.
Her Beloved has just given her shade and fruit; now He brings her further in, to a table spread and a flag lifted over her head. The verse raises three questions: who does the bringing, what is this house, and why is a war flag flying over a feast?
Commentators read the bride in more than one way. One writer sets out the strictest reading, then opens the door wider.
Hamilton SmithIn the Song of Songs the bride pictures the faithful few left in Israel, God's earthly people. Even in the middle of all their sorrows God will speak to their hearts and awaken their love. But that strict reading does not stop us applying the Song to the church — the heavenly bride — or to the individual believer. For in God's dealing with all His people there are principles in common.
Another writer sets the feast in three times: Israel's coming kingdom, the church's eternity, and the believer's life now — pictured by the son who came home.
VariousIt is the millennial feast for Israel (see Isa. 25:6-8), and for the church, it is the eternal feast with Him on high... But leave the future aside. There is also a very practical and real sense in which this is true of the believer now. Like the prodigal, he has returned to his Father's house, and his Father has seated him at the feast spread there (Luke 15). A feast that begins on earth but never ends.
The bride does not show herself in. One writer stops at the two words that carry the whole verse.
The Christian's FriendLet faith spread her golden wings and soar upward, rejoicing in those precious words, "He brought me." He Himself is the doer of it... He would lead us to His house of wine, the wine of joy and gladness. His own heart would open, and He would rejoice over us with singing.
One thing gives a guest the right to sit at that table. It is not his own record; it is the blood.
J. A. TrenchWrapped in the spotless robe of God's righteousness, I take my place as no unwelcome guest at the banqueting table of love. The arms of love, from which nothing can ever separate me, enclose me in their embrace. The kiss of reconciliation and peace is on my brow; and the blood gives me my title to it all.
The verse before gave shade and fruit — help for a weary traveller. The banqueting house, or "house of wine" as older translations read it, gives something with no element of relief in it at all.
Hamilton SmithBut great as these blessings are, they carry a measure of relief in them. Beyond the blessings that bring relief there are others with richer, deeper experiences in them. No thought of relief can enter these — only the infinite enjoyment of His fullness. Experiences which answer to the house of wine and the banner of love.
A banner is a war flag. An army raises it after winning a battle, so one writer asks what victory this flag marks.
Hamilton SmithThe poor clay kings of this world wade to their thrones through the blood of millions of their fellow men. His victory is not like theirs. This mighty Conqueror wins His victory by shedding His own blood, by Himself becoming the Victim. And having gained His victory He unfurls His banner, and His banner is love. Love made Him the willing victim... no nails made by man could hold the Christ of God on the cross. Love held Him there — love that many waters could not quench and floods could not drown.
A flag also stands for everything the king behind it can do. That is why the guests at this table can eat in peace.
VariousThe banner, or flag, stands for all the power of the king or nation it represents. All authority in heaven and on earth has been given to Him (Matt. 28:18). How blessed to be under His banner of love, a banner that speaks of all His mighty power unfurled over us. No power on earth or in hell beneath can trouble us there... No fears to alarm, no dread of the enemy coming in to disturb.
The feast does not remove hardship from the path. It changes what you look at while you walk it.
J. A. TrenchYour trials and difficulties are from the hand of a Father, who deals with you in love, as with His child. He is drawing you nearer to Himself. You must nestle all the closer to the side of Jesus... Have things turned out otherwise than you had looked or hoped for? Still, "His banner over you is love."... What a thought to rest on! What a pillow on which to sleep or die!
- Source. The love did not begin with us: "nothing was needed to turn the heart of God to us... His love is like the ring that was put on the hand of the prodigal, it has neither beginning nor end" (Andrew Miller).
- Cost. He won the victory by shedding His own blood, by becoming the Victim Himself — then He unfurled the banner of love.
- Gift. "He brought me" — the bringing is His work, and the blood, not our walk, gives the title to sit down.
- Depth. Shade and fruit meet need; the house of wine goes past relief into the enjoyment of His fullness.
- Cover. One flag covers the feast and the fight: all His power, spread over us in love, at the table and on the rough road alike.
Sustain ye me with raisin-cakes, Refresh me with apples; For I am sick of love.
The bride sits at the King's table under His banner of love, and the joy proves too much for her. Her cry is strange at first: she asks for more of the very thing that has overwhelmed her.
To a modern ear, "sick with love" sounds like disgust. The sense here runs the other way. One writer explains the phrase, the food on the table, and what happens when the feasting stops:
Elberfeld CommentarySometimes we say, I am sick of it, meaning that we don't want anything more to do with it. But here the meaning is just the opposite. She feasts under His banner of love on the good things He has prepared for her. Her heart overflows. Her love for Him burns with such an eager flame that she is sick with love. Only one thing can hold her up now, and sustain, refresh and comfort her: the flagons of wine, or raisin cakes, and the apples from His banqueting table. Remember that He Himself is the apple tree (see v. 3). Then we can understand that the apples are the sweet fruits of His love for us. The wine, or raisin, is the symbol of fellowship and the joy that flows from it... When someone truly loves Him, a break in his communion with Him makes him sick and miserable. So does failing to feast on the good things His love has provided for us.
Her cry for support admits she has reached her limit. One writer says some gifts of God are larger than the person receiving them:
Hamilton SmithThe ecstasy of the house of wine is more than the Bride can sustain. There are spiritual experiences too deep for these weak vessels of clay. Was it not like this for the Apostle when he was caught up into the third heaven? He heard unspeakable words, not possible to utter. Such experiences may seldom be the common lot of the Christian life. But at times the Lord gives His people such an overwhelming sense of His love that we have to cry out. A dying saint once used words like these: "Lord, hold Your hand; it is enough, Your servant is a clay vessel and can hold no more."
An old verse puts the paradox in a line: "The love, the love that I speak of works wonders in the soul; for when I'm whole it makes me sick, when sick it makes me whole." (Andrew Miller)
She asks for the same food that laid her low to revive her. That is not a contradiction, because this food works unlike any other:
Andrew MillerFeeding on Christ never satiates the soul. While it satisfies to the full, it whets the appetite. And the Lord's delight is to give more abundantly. "Open your mouth wide, and I will fill it." He alone can satisfy the desires of the heart and of the mind.
Her cry does not go unanswered: "This is the answer to the bride's call for sustaining power. The banner of love is over her, and the arms of love are around her." (Hamilton Smith)
If only His love can hold her up, then losing touch with Him costs something real. The warning here is about ordinary busy days, not rare heights:
Elberfeld CommentaryNothing can make up for lack of fellowship with the Lord and daily feeding upon Him and His Word. It is the only thing that can sustain us in our daily life for Him, and keep our souls refreshed. In the hurry and flurry of our daily lives, we must always be on our guard lest we lose contact with Him. It is so easy to let the busy activities of the day crowd out our communion with Him.
One writer warns that this height of enjoyment does not last: "this state of high spiritual enjoyment is only occasional. As a rule, we do not reach it in a moment. We cannot turn all at once from enjoying earthly things to enjoying heavenly things like this." (Andrew Miller)
These are the bride's words. One writer names the two lovers of the song, and says her past makes the reunion sweeter:
William KellyClearly the Song of Songs reveals the mutual affection between the Messiah and the Israel of God as no other book does. And this will taste sweeter to the people of God when the Holy Spirit brings them to judge their once wandering affections... But her restoration to the Messiah will be all the deeper when she discovers His faithful love, despite her shameless unfaithfulness to such a lover.
- Love feasts. She is at His table, under His banner, eating fruit from the apple tree — and that tree is Christ Himself.
- Love overwhelms. "Sick with love" is not distaste but overflow; the clay vessel cannot hold what He pours in.
- Love cries. She asks for more of what floored her. Feeding on Christ satisfies, and still sharpens the appetite.
- Love answers. He answers her call for sustaining power — the banner of love above her, the arms of love around her.
- Love keeps. Daily fellowship is the one thing that sustains. Let the day's rush crowd it out, and nothing makes up for it.
His left hand is under my head, And his right hand doth embrace me.
The bride has just cried out for something to hold her up. This verse is the answer she receives, and commentators ask two things of it: whose voice is speaking, and what the two hands mean.
One writer reads the opening of the chapter as the bride's own voice:
J. N. DarbyThe first six verses (leaving out the second) of Song of Solomon 2 seem to me to be the voice of the bride. Others have understood them differently, but I think they are wrong. In theory she grasps her relationship, and speaks mostly of herself; but there is real affection.
She speaks this way while He is still absent:
William KellyYet these words do not mean that He had come. It is simply the love and grace He had shown her. It is her sense of His love to her even now, though she still longed for everything to be as His word had said.
She had called out for strength to hold her up. Here is what she receives:
Hamilton SmithThis is the answer to the bride's call for sustaining power. The banner of love is over her, and the arms of love are around her. She has attained the longing of her heart expressed in the opening of the canticle. She has reached the assurance and enjoyment of the Bridegroom's love. How happy when the saint finds every longing of the renewed nature satisfied by the love of Christ.
The left hand and the right are not the same gift twice. One writer works out the difference from where each hand sits and what each hand does:
The Emmanuel Christian HomeWhat a blessed place of rest and peace, drawn so close to Him in His tender embrace. "His left hand is under my head." The heart is on the left side. The left hand is the hand nearest His heart. She pillows her weary head in His left hand. The tender, loving touch of that hand — the hand pierced for her — soothes her... And then, "His right hand embraces me." The right hand is the hand we do things with. It is the symbol of power. "Your right hand, O LORD, glorious in power, your right hand, O LORD, shatters the enemy" (Ex. 15:6)... He throws His mighty right arm around her, to hold her up and draw her closer to Himself. And what protection! With His powerful arm around her, no enemy can trouble her, no harm can reach her.
Faith holds Him now, but He is not here in person. One commentator marks that difference, then turns it into longing:
Andrew MillerTo faith, blessed be His name, He is ever present. "His left hand is under my head, and his right hand embraces me." This is faith. It can lean upon His bosom. It can rest in His embrace at night, and go out with Him in the morning to the vineyards... Still, personally, He is not here. He is in heaven, we are on earth. Do you know these distinctions well, my soul? And say, is it not while resting by faith in Him that your heart longs most for His coming? Then He will take you up to be with Himself in glory.
Notice what the bride talks about. Every good thing she names belongs to Him:
Andrew MillerThe banner of His love over her, the everlasting arms underneath her, she rests in His eternal embrace. She delights in what He is. So she speaks of His shadow, His fruit, His banquet, His banner, His left hand, His right hand. It is all, it is only, Christ. When the soul is occupied with Him like this, He of all others is the most careful that it should not be disturbed.
One writer is honest about this rest. Most of us know it better as a wish than as a fact:
The Emmanuel Christian HomeThis is real rest. Our head rests on His loving hand, the hand pierced for us. His mighty right hand embraces us, draws us close to Himself, and shields us from all alarm. Is not this the real desire of every born-again soul? But sadly we must admit that it is often, as here, more the desire of our hearts than the actual experience of our lives. How may it become more of a reality in our life?... "Who is that coming up from the wilderness, leaning on her beloved?" That is the secret — leaning on the Beloved, leaning hard, leaning all the time.
- Asked — She called for strength to hold her up. This verse is the answer: love's banner over her, love's arms around her.
- Held — The left hand is nearest His heart and gives rest; the right hand is the hand of power and gives protection. Tenderness underneath, strength around.
- His — Shadow, fruit, banquet, banner, left hand, right hand: every good thing she names belongs to Him, not to her.
- Faith — The embrace is real now, though He is in heaven and we are on earth. Resting in it sharpens the longing for His return.
- Leaning — Commentators admit this is more often our desire than our experience. The way in is to keep leaning on Him — hard, and all the time.
I charge you, daughters of Jerusalem, By the gazelles, or by the hinds of the field, That ye stir not up, nor awake [my] love, till he please.
The verse closes a scene of deep rest. The bride rests in her Beloved's arms, and a solemn charge tells the daughters of Jerusalem not to disturb her. Why swear by gazelles and does, who exactly is asleep, and what does it mean that love must not be woken "until it pleases"?
The bride has just reached what she longed for. The charge protects an enjoyment, not an effort.
Hamilton SmithShe has reached the assurance and enjoyment of the Bridegroom's love. How happy when the saint finds every longing of the renewed nature satisfied by the love of Christ.
Whoever tastes that love guards it.
Hamilton SmithThe slightest movement would disturb the timid and sensitive roe or hind of the field. With the banner of love over her, and the arms of love around her, the bride dreads the slightest intrusion that would mar the enjoyment of love. And the believer who enjoys the love of Christ may well dread any intrusion that would break or spoil that close love between him and his Saviour.
Older versions read "till he please." The Hebrew leaves the gender open, so the setting has to show who is asleep.
The Believer's MagazineThe Hebrew reads, "till it pleases." So the context must decide who is speaking, and whether He or she is sleeping. "Behold, he who keeps Israel will neither slumber nor sleep" (Ps. 121:4). So it is certainly not the Lord who is asleep here, but His beloved one, sleeping peacefully in His embrace. He holds her lovingly in His arms, and He watches that nothing disturbs her rest.
The oath names two animals for what they are like. They startle at almost nothing, and that is the point.
Andrew MillerShe delights in what He is… It is all, it is only, Christ. When the soul is occupied with Him in this way, He of all others is the most careful that it should not be disturbed. The roes and the hinds are the most easily startled creatures in the field. And their sense of hearing is so acute, that a far distant sound of danger will alarm them. We should all be just as sensitive to the faintest approach of anything that would interfere with our walk and communion with the Lord.
The threats named are not dramatic ones. They are the ordinary traffic of the mind. Andrew Miller names the wandering thought, the self-flattering fancy, and the unjust doubt — things that come to quench the flame of holy love in the soul.
The charge not to "stir up" love has a second edge. Affection for the Lord is not something we can manufacture by pressure on ourselves.
Leslie M. GrantLove must be a spontaneous thing, or it is not love at all… The roe, or gazelle, is the very picture of timid sensitivity. The hind climbs surefooted to heights above the common level, and tells the same story of avoiding danger. We cannot produce love in our own hearts by stirring them up. This will fail, for our hearts are no fountain of love at all. We must look elsewhere: "we love because He first loved us." Receiving the love of God is the only source of love toward God or toward others.
This charge is not a stray line. Its returns give the Song its shape.
William KellyThis charge appears several times in the song. I think it is the perfect answer to those who suppose the song is just many little songs put together with no order. Not so. There is perfect order, and not only continuity but progress. This charge is given three times… She is waiting for the relationship to be settled.
Each return of the charge marks a stage in His coming.
Andrew MillerEach time this charge sounds, the coming of the Lord follows at once. In chapter 2:7, it is the revelation of Himself. "The voice of my beloved! Behold, he comes." It is Himself, personally, that is here thought of. In Cant. 3:5, it is the Messiah coming in royal procession… In chapter 8:4, the bride leaves the wilderness united to Him.
Commentators differ on who the daughters of Jerusalem are. One reading takes them as the cities of Judah, close to the bride but not the bride herself (Andrew Miller). Another takes them as the whole nation (Morrish Bible Dictionary).
- Rest received. The Bridegroom's love answers every longing of the heart — banner over her, arms around her.
- Rest guarded. Because the sleeper is the bride and not the Lord, He is the one keeping watch that nothing wakes her.
- Rest defended. Gazelles and does startle at a distant sound. Be that alert to whatever would break communion: a wandering thought, self-flattery, an unjust doubt.
- Rest not forced. Love we stir up by our own effort is not love. It rises only in answer to His love.
- Rest fulfilled. Every time this charge sounds, the Beloved's coming follows. First His voice, then His crowning, then the bride leaning on Him out of the wilderness.