Revelation 6:1–8

Revelation 6:1 · Darby

And I saw when the Lamb opened one of the seven seals, and I heard one of the four living creatures saying, as a voice of thunder, Come [and see].

Chapters 4 and 5 have shown a throne in heaven, a sealed book, and the only One found worthy to open it. Now the Lamb breaks the first seal. Two questions follow. Why does the Lamb start the world's judgments? And who does the thundering "Come" call?

The Lamb Who Opens

The One who bought His people at the cross is the One who now sets judgment moving.

The scene now changes from heaven to earth, and we see the Lamb in His power and in His wrath, carrying out judgment. He had redeemed His saints by blood; now He redeems the inheritance by power. It is the Lamb who opens the seals, and judgment at once takes its course (Rev. 6:1).

Modernised from Hamilton SmithOriginal wording

Notice what He does and does not do. He breaks the seal; He does not ride out.

The hour may be near when the Lamb will open the seals, and the judgments break out one after another on the earth, like the plagues on guilty Egypt. They are providential judgments — famines, wars, diseases, and death. They fall on this world as the seals are opened in order. But notice that the Lamb does not carry out these judgments in person. He opens the seals, and the judgments follow.

Modernised from The Bible TreasuryOriginal wording

A Voice of Thunder, Not a Whisper

The sound that accompanies the first seal marks a change in how God is speaking to the world.

Through this long gospel day He has been the expression of the grace of God. Now He is in the very centre of the throne, the One who unfolds the judgments. His voice is like thunder, not now the soft sweet whisper of mercy. The four living creatures command the judgments to start. The unfolding of these seals simply shows us the exact order of the providential judgments that will take place after the Church is removed.

Modernised from C StanleyOriginal wording

Who Is Being Called

Older translations add "and see" to the cry. The best manuscripts do not, and this changes who is being addressed.

Should we have here, and after the other three horses, the words "and see"? They seem to be missing from the best text in all these passages. In every case the sentence ought to be simply "Come." The difference comes to this. "Come and see" would be spoken to John. But according to the better manuscripts, the living creature says "Come" to the rider on the horse. That clearly makes a considerable difference.

Modernised from William KellyOriginal wording

The shorter reading also fits the volume of the voice.

If we keep the words, they make it a call to John to "come and see." But why speak to John in a voice of thunder? If we drop them, the "Come" becomes a summons to the human instrument used in these punishments on earth.

Modernised from Walter ScottOriginal wording

Heaven Acts First, Earth Follows

The order matters. Something happens at the throne, and only then does anything happen below.

The important point to notice is that the white horse comes out on earth because the Lamb opens the seal in heaven. The rider might be acting from his own will alone, but here we see the source of his activity. He might know nothing of it, yet he is still the instrument of the divine will.

Modernised from Edward DennettOriginal wording

In troubled times, that order steadies the heart.

As Christians we have the mind of Christ, that is, the power to discern. So we look behind the bare course of events and trace it all to the unseen source, God Himself. The living creatures, who carry out the will of the throne, call one after another on the human instruments of vengeance to do the task God has given them. They cannot move in judgment until the throne summons them. What strength this gives the heart in days of evil!

Modernised from Walter ScottOriginal wording

The Living Creatures and God's Government

The living creatures stand for God's attributes as shown in creation, and that marks these judgments as His government of the earth.

The living creatures are emblems of the attributes of God as shown in creation, and they are seen in heaven beside the throne — a throne from which judgment is carried out. If that is so, we are clearly standing on the ground of "the providential course of God's dealings." They are dealings in judgment, remember, by which He is about to make good His character in government on the earth… These complete the providential plagues spoken of in Scripture. Then direct judgments follow. These are what we may call preparatory measures.

Modernised from Edward DennettOriginal wording

Summary

- Worthy — the Lamb redeemed His people by blood. He is the One fit to open the book and redeem the inheritance by power.

- Opened — every event below begins with an act above. The Lamb breaks the seal in heaven before a hoof moves on earth.

- Thunder — the voice that whispered mercy all through the gospel day now speaks in thunder. Judgment begins.

- Summoned — on the better manuscript reading, "Come" is not an invitation to John. It is an order to the agent of judgment, who cannot move until the throne calls him.

- Steadied — men act from their own ambition and may never know it, yet they serve the divine will. Nothing breaks loose early. That is strength for the heart in evil days.

Revelation 6:2 · Darby

And I saw and behold, a white horse, and he that sat upon it having a bow; and a crown was given to him, and he went forth conquering and that he might conquer.

The first seal breaks, and the first scene on earth is a march of triumph, not a war of blood. Who is this crowned archer, and what does it mean that a Lamb in heaven set him moving?

The Lamb Opens, the Earth Answers

The rider does not appear on his own initiative. He rides because the Lamb breaks a seal in heaven.

The important point to notice is that the coming forth of the white horse on earth is the result of the Lamb opening the seal in heaven. The rider might be acting entirely from his own will, but here we are allowed to see the source of his activity. He might be completely unaware of it, but he is no less the instrument of the divine will. Lust of conquest might be his only motive, just as it was with Nebuchadnezzar long ago. Only God in His infinite wisdom knows how to make the wrath of man praise Him as He accomplishes His purposes.

Modernised from Edward DennettOriginal wording

Not Christ on the White Horse

Many read the first seal as Christ Himself, or as the spread of the gospel. Commentators here answer that a symbol proves nothing by itself.

No doubt Christ later comes from heaven on a white horse (Revelation 19:11). But a white horse only symbolises victorious power. Like the lion, the throne, the crown, and other emblems, Scripture uses it without regard to the moral character of the one it is connected with. Christ is called a lion, and so is the devil. God has a throne, and so has Satan. Christ has many crowns, and so has the dragon. The mere figure of a lion, a throne, or a crown proves nothing about the nature of the one spoken of. This must be learned from the context.

Modernised from T. B. BainesOriginal wording

There is also the plain matter of who does what. The Lamb opens the seals, so He can hardly be the rider a seal calls out.

On the face of it, what could be stranger than to picture Him this way? He is the very One who, as the Lamb, opens the seals one by one. And when the sixth seal clearly points to Him, He still keeps the name of the Lamb!

Modernised from William KellyOriginal wording

Horse, Bow and Crown

Each part of the vision carries meaning.

The white horse speaks of the easy, bloodless conquests he makes. The bow speaks of the distant targets he reaches. The crown speaks of the success he attains.

Modernised from A. J. PollockOriginal wording

Notice the wording: the crown was given. The man does not start out as a king, and he seizes the crown himself.

God has used others in past ages to carry out His judgments on earth, and He uses this mighty conqueror in the same way. The man is not a monarch when he first appears. He gets his crown by his energy, his strategy, or his victories. God ordains the authorities that exist. So although this successful warrior may even seize his crown, it is still given to him. No one and nothing can withstand his seemingly irresistible power, as he marches on through victory to victory.

Modernised from The Christian's FriendOriginal wording

A Wreath, Not a Diadem

His crown is not the royal diadem. It is the victor's wreath, and his conquest matches it.

This is clearly a mighty subduing power at work in the earth. It is not only successful but increasingly so. It wins not in man's ordinary way of overcoming, by the sword, but by a quieter yet more powerful influence. The vision shows him with a crown given to him. It is not the many diadems of power and glory that Jesus will wear when He is revealed from heaven. It is a wreath, a garland, such as men award to one another, like the conqueror's wreath at the public games.

Modernised from H. H. SnellOriginal wording

Identifying the Rider

Some keep the identification broad, refusing to name the man.

People have applied this to a great variety of things and persons — the triumphs of the gospel, Christ's coming again, Antichrist, and who knows what. But we may safely gather from the first seal that God, in judgment, employs a conqueror who is to carry everything before him. This is the notable event among men, the first thing to happen on earth after Christ comes and takes His glorified people to heaven.

Modernised from William KellyOriginal wording

Others press further and connect him with the coming Roman prince of prophecy.

There seems little reason to doubt that the seventh head of the beast is before us here… Remember that "the prince who is to come" is decisively a Roman prince. He is the one who will start that seven-year covenant with "the many" of Israel, the covenant that marks out for us the last of the seventy weeks in Daniel's prophecy.

Modernised from Frederick W. GrantOriginal wording

Others see the rider as a deceiver imitating Christ. H. H. Snell reads him as a mighty deceiving and subduing power that copies Christ. Satan always tries to deceive men by imitating God, so his counterfeit rides a white horse too.

Summary

- Heaven first. The Lamb opens the seal above before the horse rides below. The order shows where the real initiative lies.

- Given, not grasped. The crown comes to a man who fights for it, yet the verse says it was given. Human ambition serves a purpose it never intended.

- Victory, not virtue. White here means winning, not holiness. Read every emblem from its setting, or the devil's lion becomes Christ's.

- A wreath, not a diadem. His is the games-winner's garland; the many diadems belong to Another, later.

- The beginning, not the end. This conquest is the first thing to happen on earth after Christ takes His people up, not the gospel's triumph and not the Lord's return.

Revelation 6:3 · Darby

And when it opened the second seal, I heard the second living creature saying, Come [and see].

The Lamb opens the second seal, and a second voice from the throne calls out. Who speaks, whom does the voice call, and why does a call to violence come from beside God's throne?

The order comes from heaven, not from earth

The riders in these seals are human forces on earth. One writer says they have no independence at all.

The horses of different colours in the first four seals stand for the human agencies used to carry out these judgments on earth. These judgments are providential in character. But as Christians we have the mind of Christ, that is, the power to discern. So we look behind the course of events and trace everything back to the unseen source, God Himself. The living creatures act for the throne. One after another they call on the human instruments of vengeance to carry out the task God appointed them. They cannot move in judgment until the throne summons them to do so. What strength this is to the heart in days of evil!

Modernised from Walter ScottOriginal wording

Who is called

Older English versions read "Come and see." That would make the words an invitation to John. The better manuscripts read simply "Come," and that changes the sense.

It is plain enough that we should not have the words "and see" here, or after the other three horses. They are missing in the best text in all these passages. In every case the sentence should only be "Come." Here is the difference. "Come and see" would be a call to John. But in the better manuscripts the living creature says "Come" to the rider on the horse. That makes all the difference in the world.

Modernised from William KellyOriginal wording

Another writer supports this from the thunder that goes with the call:

It is hardly likely that a call to the Apostle would be accompanied with thunder. The word "Come" would be a call to the horses and riders, and with this, thunder would be quite fitting.

Modernised from Hamilton SmithOriginal wording

The second living creature and what it stands for

The second living creature is the ox. One writer sees a deliberate fit between that figure and the disaster it calls out.

When the second seal is removed, we have the call of the second living being, that is, of the ox. In answer to this call, another horse comes out, red, the colour of blood. This is not the career of a conqueror. It is a general taking away of peace — everyone's hand, as it were, against his brother. So, civil war in all its dreadful reality... This is the fitting answer to the call of the second living creature. The ox is the type of the labourer, the one who meets man's need. It pictures the service that binds all people together.

Modernised from F. W. GrantOriginal wording

Another writer applies the same symbol to Christ Himself:

How wonderfully our Lord bowed Himself to the yoke to serve the will of God and man's need!... It is this creature that calls out the second rider, on a red horse, who takes peace from the earth. Where people refuse the peaceable service of our Lord, war and bloodshed must follow. He would have prevented them.

Modernised from Samuel RidoutOriginal wording

What the rider is given

One writer notices how little this rider is actually given.

He receives no definite commission, only liberty and authority to take peace from the earth, so that men kill one another. This liberty and authority — the great sword — lets him do the very thing fallen man is more than ready to do when left to himself.

Modernised from The Bible TreasuryOriginal wording

Not the gospel going out

Some read the horsemen as pictures of the gospel spreading through the world. One writer rejects that reading outright.

The world, not the church, is the object of the judgment set out by the four horses. How absurd to look for the gospel in the white horse or any other! A war-horse of any colour never pictures spiritual work, though it is a fitting figure for aggressive power in good or evil.

Modernised from William KellyOriginal wording

Where this falls in time

One writer matches the seals with the Lord's own outline of the last days.

It has been generally recognised that these first four judgments match those the Lord speaks of as "the beginning of the birth pains." He told His disciples about the future judgments coming on the earth in prophecy. He speaks first of "wars and rumours of wars." Then comes warfare among their own — "nation will rise against nation, and kingdom against kingdom." Next the Lord foretells famines, and last of all pestilence.

Modernised from Hamilton SmithOriginal wording

Summary

- Opened — the Lamb breaks the seal in heaven before anything stirs on earth. The sequence starts with Him, not with world events.

- Called — the better text reads "Come." It is a call to the rider, not an invitation for John to look on.

- Commissioned — the agents of judgment cannot move until the throne calls them. That is a comfort in evil days.

- Contrasted — the ox stands for service that binds people together. Refuse that service, and slaughter takes its place.

- Confirmed — the seals match the Lord's list of wars, famine and pestilence, the beginning of the birth pains. They are not the gospel spreading.

Revelation 6:4 · Darby

And another, a red horse, went forth; and to him that sat upon it, to him it was given to take peace from the earth, and that they should slay one another; and there was given to him a great sword.

The second seal opens, and what follows is not conquest but slaughter: peace leaves the earth and men turn on each other. Two questions press — who is this rider, and where does his power come from?

Permission Granted from Heaven

The rider does not seize his power. God gives it to him. Walter Scott notes how the verse repeats the word "him":

The rider is unnamed. It is the day of the Lord's vengeance on the guilty scene. That is why the pronoun "him" is repeated. It stresses that the direct agent of judgment is a man appointed by God for that purpose — "to him it was given." Whatever motives or political ambitions may drive this coming man of blood, he is God's scourge for the time being.

Modernised from Walter ScottOriginal wording

Red — the Colour of Carnage

The first rider won with little bloodshed. This one wins too, but he leaves a different scene behind him:

The one who sits on him is not the proud, prosperous victor whom people quietly submit to. He is one who, if he wins, waves his standard over heaps of the slain. So he has a blood-red horse — the symbol of power connected with frightful carnage. The result of the first seal may have been peace and fairly bloodless changes. Under the second seal, all is blood.

Modernised from William KellyOriginal wording

The Great Sword

The first rider carried a bow. This rider carries a sword, and its size matters:

The Second Seal presents to us a red horse and a great sword given to its rider. Red is the colour of blood, and it speaks of immense slaughter. The great sword, in contrast to the bow, symbolises close conflict. It emphasises the thought of great bloodshed. Note, it is not only a sword, but a great sword.

Modernised from A. J. PollockOriginal wording

"Slay One Another"

Notice what the rider is not told to do. No one orders him to kill. He only gets room, and men do the rest:

He receives no definite commission. He receives only liberty and authority to take peace from the earth, and that they should kill one another. That liberty and authority — the great sword — is simply to do what fallen man is most ready and inclined to do when left to himself. Who can look back at the first scenes of man's history, after God shut him out of Eden, and not sigh at this likeness of fallen Adam stamped on our race of Cain?

Modernised from The Bible TreasuryOriginal wording

The judgment here is God stepping back. He lifts the restraint, and man supplies the violence out of his own heart. Walter Scott points out who does the killing here:

He has a divine mandate "to take peace from the earth," and "that they should slay one another." Wherever he goes he stirs up the angry passions of men. It is not "nation against nation" here, but that "they should slay one another." The wild passions of men are let loose, and a time of mutual slaughter follows.

Modernised from Walter ScottOriginal wording

Where Conquest Leads

The seals run in sequence, and this one grows out of the last. The unopposed victor of the first seal does not deliver the world he promised:

With the opening of the second seal, John sees that a red horse comes forth and peace is taken from the earth. This surely shows what comes of the victorious career of the rider on the first horse. The nations rise in general revolt, fighting among themselves and shedding blood. The result is that peace is taken from the earth.

Modernised from Hamilton SmithOriginal wording

The Ox Calls Him Out

Samuel Ridout links this rider to the second of the living creatures:

The lion is the symbol of royalty; the ox is the symbol of labour. This patient animal devotes its great strength to the service of man, working willingly for his good. How wonderfully our Lord bowed Himself to the yoke, to serve the will of God and man's need!… It is this creature that calls out the second rider, on a red horse, who takes peace from the earth. Where men refuse the peaceable service of our Lord, there must be war and bloodshed, which He would have prevented.

Modernised from Samuel RidoutOriginal wording

(The ESV calls the horse "bright red" and says the rider was "permitted" to take peace. The commentators quote an older wording: "red," and "to him it was given.")

Summary

- Given — Nothing here starts with the rider. He does not seize his power; God appoints him and hands it over: "to him it was given."

- Red — The colour is the message. The first rider won without much blood. This one leaves heaps of slain behind it. Its weapon is a great sword for close fighting, not a bow for distance.

- Removed — The judgment is the withdrawal of peace. God does not command the killing; He lifts the restraint, and fallen man does what he has been ready to do since Cain.

- Refused — The ox, symbol of Christ's patient service, calls this rider forth. Where His peaceable service is turned down, war fills the space He would have spared us.

- Result — Conquest cannot deliver peace. The triumph of the first rider ends in mutual slaughter — not nation against nation, but men killing one another.

Revelation 6:5 · Darby

And when it opened the third seal, I heard the third living creature saying, Come [and see]. And I saw and behold, a black horse, and he that sat upon it having a balance in his hand.

Three seals in, the rider now carries not a bow or a sword but a scale, and the sound that follows is a voice pricing bread. What does a black horse with scales stand for? And why does that same voice guard the oil and the wine?

The colour of mourning

The horse's colour tells the story before any price is named. One writer explains what it signals:

The third horse is black, the colour of mourning. The colour tells us that sorrows of a special kind must follow next — caused now not by bloodshed, but by scarcity... A denarius was the daily wage. It was hardly enough for one man's daily food. The choenix of wheat seems to have been a bare minimum, since it was the ration given to a slave... God is laying His hand upon the world.

Modernised from William KellyOriginal wording

Bread by weight

The scales mean food handed out by weight. One writer ties the image to an older siege:

The "pair of scales" in the rider's hand recalls Ezekiel's prophecy about the siege of Jerusalem by Nebuchadnezzar's army: "I will break the supply of bread in Jerusalem, and they shall eat bread by weight and with anxiety..." (Ezek. 4:16.) It is an image that points straight to scarcity. The prices also show how extraordinarily dear the commonest necessities had become. They run at about eight times the rate current at that time.

Modernised from T. B. BainesOriginal wording

A full day's work for one day's bread

The prices in the next verse make the picture concrete. One writer works the cost out in wages:

Here we have the "high cost of living" pushed to the limit. A "measure" (choenix) was about a quart, and counted as one person's ration for a day. A "penny," as we know from the parable of the labourers (Matt. 20), was a day's wage... So we reach this appalling conclusion. In these coming days of unmatched scarcity, a working man's whole day's earnings will buy just enough food for himself — or for one other person besides himself, if he will eat the coarser food (barley). But what is to become of his family, his children, or others who depend on him?

Modernised from Cristopher KnappOriginal wording

A famine that spares the rich

The famine does not fall evenly. One writer marks the dividing line:

The Third Seal gives us the black horse and the pair of scales in his hand. This speaks of what usually follows a bloody war: famine. Notice the necessities of the poor — wheat and barley — at impossible prices. Meanwhile the luxuries of the rich — the oil and the wine — go untouched.

Modernised from A. J. PollockOriginal wording

Providence, not yet open judgment

None of this looks supernatural from the ground:

The opening of the first four seals is directly connected with the four living creatures, who are not mentioned in the last three seals. The living creatures seem to stand for God's governmental dealings in providential ways. So however terrible the judgments under the first four seals, nothing in them will show a direct, miraculous intervention by God. They will not be unlike events that have happened many times in the history of the world. They may, though, surpass in intensity anything that has yet taken place.

Modernised from Hamilton SmithOriginal wording

Why the man-faced creature calls for famine

It is the third living creature, the one with a human face, that summons this rider. One writer draws a moral link between that face and hunger:

The face of a man suggests intelligence, sympathy and all that is truly human... Our Lord fed the poor. Because of His rejection, the third creature calls forth the third rider, who stands for famine (Rev. 6:5-6). In the Gospel of Luke we have the parable of the great supper and the Father's feast for the son who comes home. Where these are refused, a famine must come — not only for the individual, but for the world which has rejected Him.

after_note: DELETE

Samuel Ridout

Summary

- Colour — Black is the shade of mourning. The horse announces the coming sorrow before any price is named: scarcity, not bloodshed.

- Scales — Balances mean bread handed out by weight. It is Ezekiel's old siege picture: food measured out because there is not enough.

- Price — A day's full wage buys one person's daily ration; a man can feed himself, but not his children.

- Line — The famine falls unequally. The poor man's wheat and barley are out of reach. The rich man's oil and wine go untouched.

- Restraint — These blows come through providence, not yet open miracle. The world has known such times before. God's hand is on it inside what still looks like ordinary history.

Revelation 6:6 · Darby

And I heard as a voice in the midst of the four living creatures saying, A choenix of wheat for a denarius, and three choenixes of barley for a denarius and do not injure the oil and the wine.

The third seal opens on a black horse, and its rider holds a pair of scales. A voice then prices a day's bread at a day's wage. How bad is this famine? And why does the voice spare the oil and the wine when grain goes out by weight?

The Colour of the Horse

Each horse in this series carries its own meaning.

The white horse is the symbol of power in victory. The red horse stands for power in bloodshed. The black horse points to power that brings in a time of grief and mourning. Here, as in Zechariah 6:2, the black horse follows the red. "Our skin was black," says the weeping prophet, "like an oven because of the terrible famine" (see Lam. 5:10; Jer. 4:28; Jude 13, etc., for the symbolic force of this colour).

Modernised from Walter ScottOriginal wording

Bread Weighed Out

The scales are not a sign of fair trading. They recall a siege, where food was so short that people weighed out every scrap.

The scales in the rider's hand recall what Ezekiel said about the siege of Jerusalem by Nebuchadnezzar's army: "I will break the staff of bread in Jerusalem: and they shall eat bread by weight, and with care; and they shall drink water by measure, and with astonishment." (Ezek. 4:16.) It is a picture that strongly suggests scarcity. The prices given also show how dear the commonest necessities of life had become. They work out at about eight times the going rate of the time.

Modernised from T. B. BainesOriginal wording

What the Price Meant

A modern reader hears "penny" and thinks of something small. The original figures say the opposite. A choenix is the quart of wheat the verse names.

In our country a penny suggests something of no great value. But in those times and places, a choenix of wheat for a denarius was very dear. Not long before, a man could buy seven or eight choenixes for that money. A denarius was the daily wage, and it was barely enough for one man's daily food. The choenix of wheat seems to have been a minimum, since it was the ration given to a slave.

Modernised from William KellyOriginal wording

The prices also tell us who ate what, and who could not earn at all.

Barley was generally eaten by slaves and the poor, being much cheaper than wheat and of a coarser kind. Here a denarius buys only one measure of wheat — just barely enough, and no more, to keep a person alive. But what about the many aged people, women and children who cannot work? If a denarius can only buy the food one person needs, what about the crowds who cannot work through weakness or other disability?

Modernised from Walter ScottOriginal wording

Why the Oil and the Wine Are Spared

Commentators differ over the sparing of the oil and the wine. Some see God holding the famine back.

But while there is widespread desolation and want, God thinks of the needs of His creatures, and limits the effects of the famine by sparing the oil and the wine.

Modernised from Edward DennettOriginal wording

Others reject that reading and ask who really goes hungry.

People could not live on oil and wine. Wheat and barley are essentials. People saw oil and wine as luxuries, found only on the tables of the rich (Prov. 21:17; Jer. 31:12; Ps. 104:15). So the punishment under this Seal falls mainly on the working classes. The rich and the ruling classes are clearly left out. But they will not escape. Under the sixth Seal (vv. 12-17) judgment falls on all alike, from the ruler down to the slave.

Modernised from Walter ScottOriginal wording

The Voice from the Centre

The living creatures announce the famine. But the voice has a deeper source.

But the living creatures are not themselves the source of this providential chastisement. They are closely connected with the throne (Rev. 4:6), but God is the One who sits on it, and always will be. The one who sees the vision hears a voice from the very centre, from the throne of the Eternal, announcing a famine. God Himself is the source of these early, providential judgments on people on earth.

Modernised from Walter ScottOriginal wording

The Shadow and the Substance

One writer sees a further lesson behind an ordinary famine.

So an ordinary famine is meant here. Yet, as already said, there is a further link. The natural is everywhere a picture of the spiritual, and it depends on the spiritual as the lesser depends on the greater. So our everyday mercies are ours through Christ alone. Take away the one, the other goes. A natural famine is the fitting result of rejecting spiritual food. With the substance goes the shadow also.

Modernised from Frederick W GrantOriginal wording

Summary

- Colour — Black is the colour of mourning, and it follows the red horse of bloodshed. War has run its course, and hunger is what it leaves behind.

- Balance — The scales mean bread handed out by weight, as in Ezekiel's siege prophecy. Food counted grain by grain is famine, not trade.

- Price — A denarius was a day's wage; a choenix was a slave's ration. So a full day's work buys one person's survival, and nothing for those who cannot work.

- Limit — The oil and wine are untouched. Commentators differ: is this God holding the famine back, or the rich escaping what crushes the poor? Either way, the sixth seal spares no one.

- Throne — The voice comes from the centre, where God sits. This hunger is not blind economics but His hand — and behind lost bread stands rejected spiritual food.

Revelation 6:7 · Darby

And when it opened the fourth seal, I heard [the voice of] the fourth living creature saying, Come [and see].

Commentary for this verse has not been generated yet.

Revelation 6:8 · Darby

And I saw and behold, a pale horse, and he that sat upon it, his name [was] Death, and hades followed with him; and authority was given to him over the fourth of the earth to slay with sword, and with hunger, and with death, and by the beasts of the earth.

Revelation 6:8 closes the first four seals, and it is the darkest: a horse the colour of a corpse, a rider named Death, and Hades coming with him. The verse raises three questions at once — who are Death and Hades, why are four different plagues named together, and why is the damage capped at a quarter of the earth?

The Horse and Its Rider

The horse's colour matches the name of its rider.

The fourth seal was a pale, ghastly horse — the colour of death. So the name of its rider is Death, and Hades followed with him. To make the point plainer still, we are told that he was given authority over a fourth of the earth, to kill with sword, with hunger, with death (pestilence, perhaps), and by the wild animals of the earth.

Modernised from William KellyOriginal wording

Death and Hades

Death and Hades are not the same, and each keeps something different.

The four seals deal with living men, so death, which carries them off, stands out most. Hades appears only as the one who receives those death has cut off — he acts as death's hearse, and that is why he is given no horse of his own. Hades does not follow after death; he comes with him. The two are keepers, one of men's bodies, the other of their souls. At the close of the thousand years' reign they give up their prisoners, and are themselves destroyed: they are pictured as persons and thrown into the lake of fire (Rev. 20:14). Hades means the state that follows at once after death, the state between death and resurrection, and resurrection brings it to an end. Death and Hades are here used in relation to the ungodly only. The word Hades just means "the unseen," so the English word "Hell" is not a fair equivalent for it.

Modernised from Walter ScottOriginal wording

Four Weapons, Not One

Each earlier seal carried one instrument. Here four come at once, and one word in the list needs unpacking.

Each of the earlier seals names one instrument of judgment. Here there are four — the same four the Lord threatened guilty Jerusalem with long ago. The only difference is that here the "beasts" are named last, and "death," third in the list, should be read as "pestilence." The sword of the second seal and the hunger of the third come back under the fourth seal, joined by two more.

Modernised from Walter ScottOriginal wording

Another writer names the four from Ezekiel and shows what each one does to a land.

Death is given power over "a fourth of the earth," and comes down on it with God's four disastrous acts of judgment — "sword, famine, wild beasts, and pestilence" (Ezekiel 14:21). The sword ruins whole lands. The survivors are left with wasted fields and supplies, and die of hunger and plague. Wild animals leave their dens and prowl over the ruined country.

Modernised from T. B. BainesOriginal wording

A Chain, Not Four Separate Disasters

The three seals before this one lead here step by step.

This is the natural outcome of what has gone before. Man's pride (the white horse) wants to conquer. That offends the pride of others, and so it leads to bloodshed (the red horse). Bloodshed leads just as surely to famine (the black horse), and the pale look of death from famine, pestilence and the like (the pale horse) follows close behind.

Modernised from L. M. GrantOriginal wording

Authority Given

Death rides, but Death does not decide.

We are reminded again that these judgments — their order, their character, how long they last, how severe they are — all come from the throne of God. "Authority," we read, "was given to him," not to "them." Whether the text reads "him" or "them" is disputed, but the internal evidence decides it.

Modernised from Walter ScottOriginal wording

Why Only a Fourth

One writer reads the limit as mercy at work.

Here mercy seems to step in with a tighter limit: he is given authority over a fourth of the earth... So this is the natural end of the first series of seals — a complete end, except for the limit God's mercy sets. After all, the rainbow of promise stands over these clouds of terrible judgment.

Modernised from F. W. GrantOriginal wording

The same restraint is read as the Lord holding back what He could send in full.

In the limitations of the woes of the seal period, we see a mark of the lingering mercy of our Lord over this world, who is not willing that any should perish.

Modernised from The Bible TreasuryOriginal wording

Ordinary-Looking Events, Announced in Advance

Conquest, war, hunger and plague have happened in every century, so people will explain these away.

So man would explain these things away, and the wise are caught in their own cleverness. But we know in advance, from God's word, that a time of conquest is coming — then bloody warfare, then famine, and last of all the pouring out of God's severe plagues. The heavenly saints must be set in rest and peace in the presence of God, and the church safely sheltered, before these judgments begin.

Modernised from William KellyOriginal wording

Summary

- Colour. The horse is the shade of a corpse, and its rider's name matches it: Death, with Hades at his side.

- Custody. Death holds the body, Hades the soul. Both are temporary jailers. One day they give up their prisoners and go into the lake of fire themselves.

- Four. Sword, hunger, pestilence and wild beasts — Ezekiel's four judgments, let loose together, each one growing out of the seal before it.

- Limit. Authority is given, and only over a fourth of the earth. The cap on the damage is mercy at work inside judgment.

- Warning. These blows look like ordinary history, so people will explain them away. God's word announced them in advance, and His people are sheltered before they begin.