And I saw when the Lamb opened one of the seven seals, and I heard one of the four living creatures saying, as a voice of thunder, Come [and see].
Chapters 4 and 5 have shown a throne in heaven, a sealed book, and the only One found worthy to open it. Now the Lamb breaks the first seal. Two questions follow. Why does the Lamb start the world's judgments? And who does the thundering "Come" call?
The One who bought His people at the cross is the One who now sets judgment moving.
The scene now changes from heaven to earth, and we see the Lamb in His power and in His wrath, carrying out judgment. He had redeemed His saints by blood; now He redeems the inheritance by power. It is the Lamb who opens the seals, and judgment at once takes its course (Rev. 6:1).
Notice what He does and does not do. He breaks the seal; He does not ride out.
The hour may be near when the Lamb will open the seals, and the judgments break out one after another on the earth, like the plagues on guilty Egypt. They are providential judgments — famines, wars, diseases, and death. They fall on this world as the seals are opened in order. But notice that the Lamb does not carry out these judgments in person. He opens the seals, and the judgments follow.
The sound that accompanies the first seal marks a change in how God is speaking to the world.
Through this long gospel day He has been the expression of the grace of God. Now He is in the very centre of the throne, the One who unfolds the judgments. His voice is like thunder, not now the soft sweet whisper of mercy. The four living creatures command the judgments to start. The unfolding of these seals simply shows us the exact order of the providential judgments that will take place after the Church is removed.
Older translations add "and see" to the cry. The best manuscripts do not, and this changes who is being addressed.
Should we have here, and after the other three horses, the words "and see"? They seem to be missing from the best text in all these passages. In every case the sentence ought to be simply "Come." The difference comes to this. "Come and see" would be spoken to John. But according to the better manuscripts, the living creature says "Come" to the rider on the horse. That clearly makes a considerable difference.
The shorter reading also fits the volume of the voice.
If we keep the words, they make it a call to John to "come and see." But why speak to John in a voice of thunder? If we drop them, the "Come" becomes a summons to the human instrument used in these punishments on earth.
The order matters. Something happens at the throne, and only then does anything happen below.
The important point to notice is that the white horse comes out on earth because the Lamb opens the seal in heaven. The rider might be acting from his own will alone, but here we see the source of his activity. He might know nothing of it, yet he is still the instrument of the divine will.
In troubled times, that order steadies the heart.
As Christians we have the mind of Christ, that is, the power to discern. So we look behind the bare course of events and trace it all to the unseen source, God Himself. The living creatures, who carry out the will of the throne, call one after another on the human instruments of vengeance to do the task God has given them. They cannot move in judgment until the throne summons them. What strength this gives the heart in days of evil!
The living creatures stand for God's attributes as shown in creation, and that marks these judgments as His government of the earth.
The living creatures are emblems of the attributes of God as shown in creation, and they are seen in heaven beside the throne — a throne from which judgment is carried out. If that is so, we are clearly standing on the ground of "the providential course of God's dealings." They are dealings in judgment, remember, by which He is about to make good His character in government on the earth… These complete the providential plagues spoken of in Scripture. Then direct judgments follow. These are what we may call preparatory measures.
- Worthy — the Lamb redeemed His people by blood. He is the One fit to open the book and redeem the inheritance by power.
- Opened — every event below begins with an act above. The Lamb breaks the seal in heaven before a hoof moves on earth.
- Thunder — the voice that whispered mercy all through the gospel day now speaks in thunder. Judgment begins.
- Summoned — on the better manuscript reading, "Come" is not an invitation to John. It is an order to the agent of judgment, who cannot move until the throne calls him.
- Steadied — men act from their own ambition and may never know it, yet they serve the divine will. Nothing breaks loose early. That is strength for the heart in evil days.
And I saw and behold, a white horse, and he that sat upon it having a bow; and a crown was given to him, and he went forth conquering and that he might conquer.
The first seal breaks, and the first scene on earth is a march of triumph, not a war of blood. Who is this crowned archer, and what does it mean that a Lamb in heaven set him moving?
The rider does not appear on his own initiative. He rides because the Lamb breaks a seal in heaven.
The important point to notice is that the coming forth of the white horse on earth is the result of the Lamb opening the seal in heaven. The rider might be acting entirely from his own will, but here we are allowed to see the source of his activity. He might be completely unaware of it, but he is no less the instrument of the divine will. Lust of conquest might be his only motive, just as it was with Nebuchadnezzar long ago. Only God in His infinite wisdom knows how to make the wrath of man praise Him as He accomplishes His purposes.
Many read the first seal as Christ Himself, or as the spread of the gospel. Commentators here answer that a symbol proves nothing by itself.
No doubt Christ later comes from heaven on a white horse (Revelation 19:11). But a white horse only symbolises victorious power. Like the lion, the throne, the crown, and other emblems, Scripture uses it without regard to the moral character of the one it is connected with. Christ is called a lion, and so is the devil. God has a throne, and so has Satan. Christ has many crowns, and so has the dragon. The mere figure of a lion, a throne, or a crown proves nothing about the nature of the one spoken of. This must be learned from the context.
There is also the plain matter of who does what. The Lamb opens the seals, so He can hardly be the rider a seal calls out.
On the face of it, what could be stranger than to picture Him this way? He is the very One who, as the Lamb, opens the seals one by one. And when the sixth seal clearly points to Him, He still keeps the name of the Lamb!
Each part of the vision carries meaning.
The white horse speaks of the easy, bloodless conquests he makes. The bow speaks of the distant targets he reaches. The crown speaks of the success he attains.
Notice the wording: the crown was given. The man does not start out as a king, and he seizes the crown himself.
God has used others in past ages to carry out His judgments on earth, and He uses this mighty conqueror in the same way. The man is not a monarch when he first appears. He gets his crown by his energy, his strategy, or his victories. God ordains the authorities that exist. So although this successful warrior may even seize his crown, it is still given to him. No one and nothing can withstand his seemingly irresistible power, as he marches on through victory to victory.
His crown is not the royal diadem. It is the victor's wreath, and his conquest matches it.
This is clearly a mighty subduing power at work in the earth. It is not only successful but increasingly so. It wins not in man's ordinary way of overcoming, by the sword, but by a quieter yet more powerful influence. The vision shows him with a crown given to him. It is not the many diadems of power and glory that Jesus will wear when He is revealed from heaven. It is a wreath, a garland, such as men award to one another, like the conqueror's wreath at the public games.
Some keep the identification broad, refusing to name the man.
People have applied this to a great variety of things and persons — the triumphs of the gospel, Christ's coming again, Antichrist, and who knows what. But we may safely gather from the first seal that God, in judgment, employs a conqueror who is to carry everything before him. This is the notable event among men, the first thing to happen on earth after Christ comes and takes His glorified people to heaven.
Others press further and connect him with the coming Roman prince of prophecy.
There seems little reason to doubt that the seventh head of the beast is before us here… Remember that "the prince who is to come" is decisively a Roman prince. He is the one who will start that seven-year covenant with "the many" of Israel, the covenant that marks out for us the last of the seventy weeks in Daniel's prophecy.
Others see the rider as a deceiver imitating Christ. H. H. Snell reads him as a mighty deceiving and subduing power that copies Christ. Satan always tries to deceive men by imitating God, so his counterfeit rides a white horse too.
- Heaven first. The Lamb opens the seal above before the horse rides below. The order shows where the real initiative lies.
- Given, not grasped. The crown comes to a man who fights for it, yet the verse says it was given. Human ambition serves a purpose it never intended.
- Victory, not virtue. White here means winning, not holiness. Read every emblem from its setting, or the devil's lion becomes Christ's.
- A wreath, not a diadem. His is the games-winner's garland; the many diadems belong to Another, later.
- The beginning, not the end. This conquest is the first thing to happen on earth after Christ takes His people up, not the gospel's triumph and not the Lord's return.
And when it opened the second seal, I heard the second living creature saying, Come [and see].
The Lamb opens the second seal, and a second voice from the throne calls out. Who speaks, whom does the voice call, and why does a call to violence come from beside God's throne?
The riders in these seals are human forces on earth. One writer says they have no independence at all.
The horses of different colours in the first four seals stand for the human agencies used to carry out these judgments on earth. These judgments are providential in character. But as Christians we have the mind of Christ, that is, the power to discern. So we look behind the course of events and trace everything back to the unseen source, God Himself. The living creatures act for the throne. One after another they call on the human instruments of vengeance to carry out the task God appointed them. They cannot move in judgment until the throne summons them to do so. What strength this is to the heart in days of evil!
Older English versions read "Come and see." That would make the words an invitation to John. The better manuscripts read simply "Come," and that changes the sense.
It is plain enough that we should not have the words "and see" here, or after the other three horses. They are missing in the best text in all these passages. In every case the sentence should only be "Come." Here is the difference. "Come and see" would be a call to John. But in the better manuscripts the living creature says "Come" to the rider on the horse. That makes all the difference in the world.
Another writer supports this from the thunder that goes with the call:
It is hardly likely that a call to the Apostle would be accompanied with thunder. The word "Come" would be a call to the horses and riders, and with this, thunder would be quite fitting.
The second living creature is the ox. One writer sees a deliberate fit between that figure and the disaster it calls out.
When the second seal is removed, we have the call of the second living being, that is, of the ox. In answer to this call, another horse comes out, red, the colour of blood. This is not the career of a conqueror. It is a general taking away of peace — everyone's hand, as it were, against his brother. So, civil war in all its dreadful reality... This is the fitting answer to the call of the second living creature. The ox is the type of the labourer, the one who meets man's need. It pictures the service that binds all people together.
Another writer applies the same symbol to Christ Himself:
How wonderfully our Lord bowed Himself to the yoke to serve the will of God and man's need!... It is this creature that calls out the second rider, on a red horse, who takes peace from the earth. Where people refuse the peaceable service of our Lord, war and bloodshed must follow. He would have prevented them.
One writer notices how little this rider is actually given.
He receives no definite commission, only liberty and authority to take peace from the earth, so that men kill one another. This liberty and authority — the great sword — lets him do the very thing fallen man is more than ready to do when left to himself.
Some read the horsemen as pictures of the gospel spreading through the world. One writer rejects that reading outright.
The world, not the church, is the object of the judgment set out by the four horses. How absurd to look for the gospel in the white horse or any other! A war-horse of any colour never pictures spiritual work, though it is a fitting figure for aggressive power in good or evil.
One writer matches the seals with the Lord's own outline of the last days.
It has been generally recognised that these first four judgments match those the Lord speaks of as "the beginning of the birth pains." He told His disciples about the future judgments coming on the earth in prophecy. He speaks first of "wars and rumours of wars." Then comes warfare among their own — "nation will rise against nation, and kingdom against kingdom." Next the Lord foretells famines, and last of all pestilence.
- Opened — the Lamb breaks the seal in heaven before anything stirs on earth. The sequence starts with Him, not with world events.
- Called — the better text reads "Come." It is a call to the rider, not an invitation for John to look on.
- Commissioned — the agents of judgment cannot move until the throne calls them. That is a comfort in evil days.
- Contrasted — the ox stands for service that binds people together. Refuse that service, and slaughter takes its place.
- Confirmed — the seals match the Lord's list of wars, famine and pestilence, the beginning of the birth pains. They are not the gospel spreading.
And another, a red horse, went forth; and to him that sat upon it, to him it was given to take peace from the earth, and that they should slay one another; and there was given to him a great sword.
The second seal opens, and what follows is not conquest but slaughter: peace leaves the earth and men turn on each other. Two questions press — who is this rider, and where does his power come from?
The rider does not seize his power. God gives it to him. Walter Scott notes how the verse repeats the word "him":
The rider is unnamed. It is the day of the Lord's vengeance on the guilty scene. That is why the pronoun "him" is repeated. It stresses that the direct agent of judgment is a man appointed by God for that purpose — "to him it was given." Whatever motives or political ambitions may drive this coming man of blood, he is God's scourge for the time being.
The first rider won with little bloodshed. This one wins too, but he leaves a different scene behind him:
The one who sits on him is not the proud, prosperous victor whom people quietly submit to. He is one who, if he wins, waves his standard over heaps of the slain. So he has a blood-red horse — the symbol of power connected with frightful carnage. The result of the first seal may have been peace and fairly bloodless changes. Under the second seal, all is blood.
The first rider carried a bow. This rider carries a sword, and its size matters:
The Second Seal presents to us a red horse and a great sword given to its rider. Red is the colour of blood, and it speaks of immense slaughter. The great sword, in contrast to the bow, symbolises close conflict. It emphasises the thought of great bloodshed. Note, it is not only a sword, but a great sword.
Notice what the rider is not told to do. No one orders him to kill. He only gets room, and men do the rest:
He receives no definite commission. He receives only liberty and authority to take peace from the earth, and that they should kill one another. That liberty and authority — the great sword — is simply to do what fallen man is most ready and inclined to do when left to himself. Who can look back at the first scenes of man's history, after God shut him out of Eden, and not sigh at this likeness of fallen Adam stamped on our race of Cain?
The judgment here is God stepping back. He lifts the restraint, and man supplies the violence out of his own heart. Walter Scott points out who does the killing here:
He has a divine mandate "to take peace from the earth," and "that they should slay one another." Wherever he goes he stirs up the angry passions of men. It is not "nation against nation" here, but that "they should slay one another." The wild passions of men are let loose, and a time of mutual slaughter follows.
The seals run in sequence, and this one grows out of the last. The unopposed victor of the first seal does not deliver the world he promised:
With the opening of the second seal, John sees that a red horse comes forth and peace is taken from the earth. This surely shows what comes of the victorious career of the rider on the first horse. The nations rise in general revolt, fighting among themselves and shedding blood. The result is that peace is taken from the earth.
Samuel Ridout links this rider to the second of the living creatures:
The lion is the symbol of royalty; the ox is the symbol of labour. This patient animal devotes its great strength to the service of man, working willingly for his good. How wonderfully our Lord bowed Himself to the yoke, to serve the will of God and man's need!… It is this creature that calls out the second rider, on a red horse, who takes peace from the earth. Where men refuse the peaceable service of our Lord, there must be war and bloodshed, which He would have prevented.
(The ESV calls the horse "bright red" and says the rider was "permitted" to take peace. The commentators quote an older wording: "red," and "to him it was given.")
- Given — Nothing here starts with the rider. He does not seize his power; God appoints him and hands it over: "to him it was given."
- Red — The colour is the message. The first rider won without much blood. This one leaves heaps of slain behind it. Its weapon is a great sword for close fighting, not a bow for distance.
- Removed — The judgment is the withdrawal of peace. God does not command the killing; He lifts the restraint, and fallen man does what he has been ready to do since Cain.
- Refused — The ox, symbol of Christ's patient service, calls this rider forth. Where His peaceable service is turned down, war fills the space He would have spared us.
- Result — Conquest cannot deliver peace. The triumph of the first rider ends in mutual slaughter — not nation against nation, but men killing one another.
And when it opened the third seal, I heard the third living creature saying, Come [and see]. And I saw and behold, a black horse, and he that sat upon it having a balance in his hand.
Three seals in, the rider now carries not a bow or a sword but a scale, and the sound that follows is a voice pricing bread. What does a black horse with scales stand for? And why does that same voice guard the oil and the wine?
The horse's colour tells the story before any price is named. One writer explains what it signals:
The third horse is black, the colour of mourning. The colour tells us that sorrows of a special kind must follow next — caused now not by bloodshed, but by scarcity... A denarius was the daily wage. It was hardly enough for one man's daily food. The choenix of wheat seems to have been a bare minimum, since it was the ration given to a slave... God is laying His hand upon the world.
The scales mean food handed out by weight. One writer ties the image to an older siege:
The "pair of scales" in the rider's hand recalls Ezekiel's prophecy about the siege of Jerusalem by Nebuchadnezzar's army: "I will break the supply of bread in Jerusalem, and they shall eat bread by weight and with anxiety..." (Ezek. 4:16.) It is an image that points straight to scarcity. The prices also show how extraordinarily dear the commonest necessities had become. They run at about eight times the rate current at that time.
The prices in the next verse make the picture concrete. One writer works the cost out in wages:
Here we have the "high cost of living" pushed to the limit. A "measure" (choenix) was about a quart, and counted as one person's ration for a day. A "penny," as we know from the parable of the labourers (Matt. 20), was a day's wage... So we reach this appalling conclusion. In these coming days of unmatched scarcity, a working man's whole day's earnings will buy just enough food for himself — or for one other person besides himself, if he will eat the coarser food (barley). But what is to become of his family, his children, or others who depend on him?
The famine does not fall evenly. One writer marks the dividing line:
The Third Seal gives us the black horse and the pair of scales in his hand. This speaks of what usually follows a bloody war: famine. Notice the necessities of the poor — wheat and barley — at impossible prices. Meanwhile the luxuries of the rich — the oil and the wine — go untouched.
None of this looks supernatural from the ground:
The opening of the first four seals is directly connected with the four living creatures, who are not mentioned in the last three seals. The living creatures seem to stand for God's governmental dealings in providential ways. So however terrible the judgments under the first four seals, nothing in them will show a direct, miraculous intervention by God. They will not be unlike events that have happened many times in the history of the world. They may, though, surpass in intensity anything that has yet taken place.
It is the third living creature, the one with a human face, that summons this rider. One writer draws a moral link between that face and hunger:
The face of a man suggests intelligence, sympathy and all that is truly human... Our Lord fed the poor. Because of His rejection, the third creature calls forth the third rider, who stands for famine (Rev. 6:5-6). In the Gospel of Luke we have the parable of the great supper and the Father's feast for the son who comes home. Where these are refused, a famine must come — not only for the individual, but for the world which has rejected Him.
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- Colour — Black is the shade of mourning. The horse announces the coming sorrow before any price is named: scarcity, not bloodshed.
- Scales — Balances mean bread handed out by weight. It is Ezekiel's old siege picture: food measured out because there is not enough.
- Price — A day's full wage buys one person's daily ration; a man can feed himself, but not his children.
- Line — The famine falls unequally. The poor man's wheat and barley are out of reach. The rich man's oil and wine go untouched.
- Restraint — These blows come through providence, not yet open miracle. The world has known such times before. God's hand is on it inside what still looks like ordinary history.
And I heard as a voice in the midst of the four living creatures saying, A choenix of wheat for a denarius, and three choenixes of barley for a denarius and do not injure the oil and the wine.
The third seal opens on a black horse, and its rider holds a pair of scales. A voice then prices a day's bread at a day's wage. How bad is this famine? And why does the voice spare the oil and the wine when grain goes out by weight?
Each horse in this series carries its own meaning.
The white horse is the symbol of power in victory. The red horse stands for power in bloodshed. The black horse points to power that brings in a time of grief and mourning. Here, as in Zechariah 6:2, the black horse follows the red. "Our skin was black," says the weeping prophet, "like an oven because of the terrible famine" (see Lam. 5:10; Jer. 4:28; Jude 13, etc., for the symbolic force of this colour).
The scales are not a sign of fair trading. They recall a siege, where food was so short that people weighed out every scrap.
The scales in the rider's hand recall what Ezekiel said about the siege of Jerusalem by Nebuchadnezzar's army: "I will break the staff of bread in Jerusalem: and they shall eat bread by weight, and with care; and they shall drink water by measure, and with astonishment." (Ezek. 4:16.) It is a picture that strongly suggests scarcity. The prices given also show how dear the commonest necessities of life had become. They work out at about eight times the going rate of the time.
A modern reader hears "penny" and thinks of something small. The original figures say the opposite. A choenix is the quart of wheat the verse names.
In our country a penny suggests something of no great value. But in those times and places, a choenix of wheat for a denarius was very dear. Not long before, a man could buy seven or eight choenixes for that money. A denarius was the daily wage, and it was barely enough for one man's daily food. The choenix of wheat seems to have been a minimum, since it was the ration given to a slave.
The prices also tell us who ate what, and who could not earn at all.
Barley was generally eaten by slaves and the poor, being much cheaper than wheat and of a coarser kind. Here a denarius buys only one measure of wheat — just barely enough, and no more, to keep a person alive. But what about the many aged people, women and children who cannot work? If a denarius can only buy the food one person needs, what about the crowds who cannot work through weakness or other disability?
Commentators differ over the sparing of the oil and the wine. Some see God holding the famine back.
But while there is widespread desolation and want, God thinks of the needs of His creatures, and limits the effects of the famine by sparing the oil and the wine.
Others reject that reading and ask who really goes hungry.
People could not live on oil and wine. Wheat and barley are essentials. People saw oil and wine as luxuries, found only on the tables of the rich (Prov. 21:17; Jer. 31:12; Ps. 104:15). So the punishment under this Seal falls mainly on the working classes. The rich and the ruling classes are clearly left out. But they will not escape. Under the sixth Seal (vv. 12-17) judgment falls on all alike, from the ruler down to the slave.
The living creatures announce the famine. But the voice has a deeper source.
But the living creatures are not themselves the source of this providential chastisement. They are closely connected with the throne (Rev. 4:6), but God is the One who sits on it, and always will be. The one who sees the vision hears a voice from the very centre, from the throne of the Eternal, announcing a famine. God Himself is the source of these early, providential judgments on people on earth.
One writer sees a further lesson behind an ordinary famine.
So an ordinary famine is meant here. Yet, as already said, there is a further link. The natural is everywhere a picture of the spiritual, and it depends on the spiritual as the lesser depends on the greater. So our everyday mercies are ours through Christ alone. Take away the one, the other goes. A natural famine is the fitting result of rejecting spiritual food. With the substance goes the shadow also.
- Colour — Black is the colour of mourning, and it follows the red horse of bloodshed. War has run its course, and hunger is what it leaves behind.
- Balance — The scales mean bread handed out by weight, as in Ezekiel's siege prophecy. Food counted grain by grain is famine, not trade.
- Price — A denarius was a day's wage; a choenix was a slave's ration. So a full day's work buys one person's survival, and nothing for those who cannot work.
- Limit — The oil and wine are untouched. Commentators differ: is this God holding the famine back, or the rich escaping what crushes the poor? Either way, the sixth seal spares no one.
- Throne — The voice comes from the centre, where God sits. This hunger is not blind economics but His hand — and behind lost bread stands rejected spiritual food.
And when it opened the fourth seal, I heard [the voice of] the fourth living creature saying, Come [and see].
Commentary for this verse has not been generated yet.
And I saw and behold, a pale horse, and he that sat upon it, his name [was] Death, and hades followed with him; and authority was given to him over the fourth of the earth to slay with sword, and with hunger, and with death, and by the beasts of the earth.
Revelation 6:8 closes the first four seals, and it is the darkest: a horse the colour of a corpse, a rider named Death, and Hades coming with him. The verse raises three questions at once — who are Death and Hades, why are four different plagues named together, and why is the damage capped at a quarter of the earth?
The horse's colour matches the name of its rider.
The fourth seal was a pale, ghastly horse — the colour of death. So the name of its rider is Death, and Hades followed with him. To make the point plainer still, we are told that he was given authority over a fourth of the earth, to kill with sword, with hunger, with death (pestilence, perhaps), and by the wild animals of the earth.
Death and Hades are not the same, and each keeps something different.
The four seals deal with living men, so death, which carries them off, stands out most. Hades appears only as the one who receives those death has cut off — he acts as death's hearse, and that is why he is given no horse of his own. Hades does not follow after death; he comes with him. The two are keepers, one of men's bodies, the other of their souls. At the close of the thousand years' reign they give up their prisoners, and are themselves destroyed: they are pictured as persons and thrown into the lake of fire (Rev. 20:14). Hades means the state that follows at once after death, the state between death and resurrection, and resurrection brings it to an end. Death and Hades are here used in relation to the ungodly only. The word Hades just means "the unseen," so the English word "Hell" is not a fair equivalent for it.
Each earlier seal carried one instrument. Here four come at once, and one word in the list needs unpacking.
Each of the earlier seals names one instrument of judgment. Here there are four — the same four the Lord threatened guilty Jerusalem with long ago. The only difference is that here the "beasts" are named last, and "death," third in the list, should be read as "pestilence." The sword of the second seal and the hunger of the third come back under the fourth seal, joined by two more.
Another writer names the four from Ezekiel and shows what each one does to a land.
Death is given power over "a fourth of the earth," and comes down on it with God's four disastrous acts of judgment — "sword, famine, wild beasts, and pestilence" (Ezekiel 14:21). The sword ruins whole lands. The survivors are left with wasted fields and supplies, and die of hunger and plague. Wild animals leave their dens and prowl over the ruined country.
The three seals before this one lead here step by step.
This is the natural outcome of what has gone before. Man's pride (the white horse) wants to conquer. That offends the pride of others, and so it leads to bloodshed (the red horse). Bloodshed leads just as surely to famine (the black horse), and the pale look of death from famine, pestilence and the like (the pale horse) follows close behind.
Death rides, but Death does not decide.
We are reminded again that these judgments — their order, their character, how long they last, how severe they are — all come from the throne of God. "Authority," we read, "was given to him," not to "them." Whether the text reads "him" or "them" is disputed, but the internal evidence decides it.
One writer reads the limit as mercy at work.
Here mercy seems to step in with a tighter limit: he is given authority over a fourth of the earth... So this is the natural end of the first series of seals — a complete end, except for the limit God's mercy sets. After all, the rainbow of promise stands over these clouds of terrible judgment.
The same restraint is read as the Lord holding back what He could send in full.
In the limitations of the woes of the seal period, we see a mark of the lingering mercy of our Lord over this world, who is not willing that any should perish.
Conquest, war, hunger and plague have happened in every century, so people will explain these away.
So man would explain these things away, and the wise are caught in their own cleverness. But we know in advance, from God's word, that a time of conquest is coming — then bloody warfare, then famine, and last of all the pouring out of God's severe plagues. The heavenly saints must be set in rest and peace in the presence of God, and the church safely sheltered, before these judgments begin.
- Colour. The horse is the shade of a corpse, and its rider's name matches it: Death, with Hades at his side.
- Custody. Death holds the body, Hades the soul. Both are temporary jailers. One day they give up their prisoners and go into the lake of fire themselves.
- Four. Sword, hunger, pestilence and wild beasts — Ezekiel's four judgments, let loose together, each one growing out of the seal before it.
- Limit. Authority is given, and only over a fourth of the earth. The cap on the damage is mercy at work inside judgment.
- Warning. These blows look like ordinary history, so people will explain them away. God's word announced them in advance, and His people are sheltered before they begin.
And when it opened the fifth seal, I saw underneath the altar the souls of them that had been slain for the word of God, and for the testimony which they held;
The fifth seal breaks the pattern of the four riders. No horseman rides out over the earth. Instead John sees the dead — people killed for holding to God's word — beneath an altar in heaven. Who are they, why does the vision call them "souls," and what does it mean that they are under an altar?
The first four seals sent riders across the earth. This one turns the reader's eyes upward instead.
The Fifth Seal differs from what came before it and what follows: all its action stays in heaven. The Lamb on the throne in heaven opened the seal, and John was there too. But in this one he sees no horses going out to earth, and none of the scenes on earth found in the sixth and seventh. His vision here is entirely of heaven.
The altar in view is the altar for burnt offerings. Their place beneath it says how God regards their deaths.
The "souls under the altar" (the altar of burnt offering) plainly speak of them as a sacrifice given to God. The blood of such sacrifices was poured out at the base of the altar. In the life-blood, the soul — which is also the life — is said to be poured out. So Isaiah 53 says of Christ that He "poured out His soul to death." Here we have at once the implication that God accepts this offering of His people.
John does not see risen people, and he does not see them still alive on earth. The wording is deliberate.
Their souls appear in vision "underneath the altar." On the altar would express the whole burnt offering being offered. But underneath it — where the blood of the sin offering was poured out (Lev. 4:7) — signifies that the sacrifice is complete. The martyrdom of the saints was not taking place. The scene was over… The martyrs are not seen here in life, nor as risen, but in the separate state, "the souls of them that had been slain."
That wording also settles something about death itself:
Clearly their bodies were beheaded, for men cannot kill the soul. Their souls survived: they cried out with a loud voice, and they were told to wait for God's time to judge their enemies.
The verse names two reasons: the word of God, and the testimony they held. One writer explains why that message draws such hatred:
Here the true and real reason for their martyrdom is named, "slain for the word of God, and for the testimony which they held." The word of God, faithfully declared with its sharp claims on a person's conscience, always stirs up the hostility of the world. Those who set it out most faithfully in life and public testimony must seal that witness with their blood… "The testimony which they held" is not to the grace of God as it is now, but to the righteous claims of God in setting up His kingdom on earth… The sacrificial word "slain" fits the special character of these witnesses, who are probably Jewish.
Commentators differ over who these sufferers are. Many take them to be Christians. One writer answers from the character of their prayer:
Many people think that those in question are Christians. But if we look more closely at the passage, we may learn that this again confirms that the church has already been removed to heaven. Is their prayer or desire in keeping with the grace of the gospel?… Take Stephen's prayer, following our blessed Lord, the pattern of all that is perfect. On the other hand we have similar language elsewhere: but where? In the Psalms and the Prophets.
Their cry gets an answer: a white robe, and a wait.
Their cry, "How long," shows that they know there is a limit to the persecution of God's people… Others are still to follow before the time of judgment is over. So they are told to wait a while longer, until the martyrdom of their brothers is complete. The white robes witness to their practical righteousness and so to God's approval. They witnessed for God as the Holy and the True, and men opposed and killed them, but God approved them and will avenge their blood.
- Seen — the fifth seal shows no rider and no disaster on earth. The whole scene is in heaven.
- Sacrificed — "under the altar" marks their lives as an offering God accepts, and the sacrifice as finished.
- Surviving — "souls" is exact: men killed their bodies, not them. They cry out, they are heard, and they are not yet risen.
- Silenced — they died for the word of God and the testimony they held. Faithful witness is what the world will not tolerate.
- Still waiting — the answer to "how long" is a white robe of approval now, and a wait until their brothers' martyrdom is complete.
and they cried with a loud voice, saying, How long, O sovereign Ruler, holy and true, dost thou not judge and avenge our blood on them that dwell upon the earth?
Commentary for this verse has not been generated yet.
And there was given to them, to each one a white robe; and it was said to them that they should rest yet a little while, until both their fellow-bondmen and their brethren, who were about to be killed as they, should be fulfilled.
Under the fifth seal, martyrs cry out for justice. This verse is God's answer — but not the answer they asked for. He gives them two things: a robe, and a word about waiting. Both raise the same question. Why does judgment on their killers wait at all?
Does the white robe mean these martyrs have already been raised? One writer says no, and explains what it does mean.
Their being under the altar means simply that they had offered their bodies to God as sacrifices for the truth. The white robes are the witness of their righteousness — God's declared approval of them; but the time for their being avenged was not yet. I do not think that giving white robes is resurrection. The first resurrection is sovereign grace. It gives us the same place with Christ — "forever with the Lord." It follows on His work, and on His being our righteousness, which is the same for all of us. White robes given in this way are the recognition of the righteousness (righteousnesses) of the saints. So they are seen in Revelation 19:8, at His appearing. "They will walk with me in white, for they are worthy."
The robe is not handed to the group as a crowd. Each sufferer receives one.
God hears the cry for vengeance, but delays the answer. In the meantime the Lord gives a token of special approval. He singles out each one of the martyred band for honour and vindication. "Then they were each given a white robe."
God tells them to rest, but they stay where the vision found them. Their state is set against that of the elders, who are already raised.
White robes are given them as tokens of Christ's approval. But they are still left as souls under the altar; not raised like the elders, who are already perfected by the redemption of their bodies. There are other martyrs yet to die, and they must remain until these also have suffered.
The robe is not a throne either. Their reign is still ahead of them.
God has vindicated them, though they do not take their place on thrones until Revelation 20. Spirits without bodies are never said to sit there. When they enter the blessedness meant for them above, we do not read of glorified spirits, but of bodies. They will reign with Christ.
The delay is not indifference. Kelly gives two reasons for it. God has more witnesses still to gather, and evil must first run its full course.
Another class of martyrs must yet be made up… No account of the killing of these saints appears here: we must look for it in other and later parts of the book. Meanwhile the earlier sufferers enjoy the result of righteousness, and God owns them. But they must wait. A new and distinct band of martyred brothers has still to be filled up, and these are to suffer right up to the close. Then retribution will come. Wickedness must reach its height and do its worst before the hour of full divine judgment. Another and final outburst of persecution must come first. But notice here too: not one of them is offered the hope that the Lord will take them away without passing through death.
The "fellow servants" and "brothers" are not the same group as those already killed.
The time of vengeance was measured by "a little while." Another company would swell the ranks of the noble army of martyrs. Here they are called "fellow servants" and "brothers." These verses point to two separate companies of martyred saints. The earlier company was killed under the fifth seal. The later company is killed at a following period, here called "a little while." The cry from "under the altar" can have no full answer until this second group of the martyred band is complete.
The short rest has an end. It comes when the last of these witnesses has suffered and the company is complete.
Here we have the complete company of God's faithful witnesses. They lived in the time between the coming of Christ for the church and His appearing. They did not count their lives dear to them, but sealed their testimony with their blood. They are now seen to have the blessed reward of a part in the first resurrection. The witnesses of our chapter belong to this company. Meanwhile God gives them white robes as a token of His approval and recognition of their faithfulness.
- Approved — the white robe is God's declared approval of their righteousness — His public verdict on them.
- Personal — each one receives a robe. No sufferer is lost in the crowd.
- Unfinished — the robe is not resurrection. They are still souls under the altar, and their thrones come later.
- Delayed — vengeance waits. A second company must still be killed, and wickedness must reach its height.
- Completed — when the last martyr falls, the whole company shares in the first resurrection and reigns. Then the cry from under the altar is answered.
And I saw when it opened the sixth seal, and there was a great earthquake; and the sun became black as hair sackcloth, and the whole moon became as blood,
With the sixth seal, creation itself looks like it is falling apart. Two questions press on any reader. Is this a literal collapse of the universe? And has the day of God's wrath arrived?
The seal before this one ended in a cry to God. What follows is not silence:
The next seal shows that God was not indifferent in the meantime. The sixth seal may be seen as something like an immediate result of that earlier cry. When it opens, a vast upheaval follows — a thorough shaking of everything above and below, set out in symbols, as in the previous seals.
The earlier seals brought war, famine and death. One writer sees the earthquake as where those things end:
The Sixth Seal is the logical outcome of the previous seals. War, bloodshed, famine, pestilence, fearful conditions of life, lead to great political upheaval. The great earthquake speaks of a mighty convulsion of ordered society. Anarchy will sweep all before it.
Older translations read "sackcloth of hair." The cloth was real, and so was its use:
This cloth of goats' hair was used for tents. It was probably also what we call sackcloth: "The sun became black as sackcloth of hair" (Revelation 6:12). People wore it when they mourned, and when they humbled their souls in repentance.
Other passages fix what the sun stands for:
The sun symbolizes the supreme governing authority (Genesis 37:9; Revelation 12:1). "Black as hair sackcloth" points to the darkening power of Satan. It shows the supreme authority of earth, on which everyone depended, in total collapse. The darkening of the heavenly bodies is a dreadful disaster in the physical world, and that is what makes the figure fit here.
The moon carries the same picture one level down. Older wording reads "the whole moon" where the ESV has "the full moon":
The "whole moon" pictures all authority that comes straight from the supreme power and depends on it. In the physical world the moon is a secondary body, and it stands for borrowed authority in the moral world. It is also the chosen picture of Israel, depending on Christ the Sun of Righteousness… "Became as blood." This points to the moral death and falling away of every lesser authority. "Blood" is a universal figure of death.
The strongest argument against a literal reading is what such a reading would leave behind:
This is worth noting. If heaven itself were really rolled up like a scroll, and every mountain and island really moved out of its place, no place would be left to hide in. So to take it as anything other than a symbolic picture would contradict itself… It is a complete overturning of authority, high and low, an unequalled upheaval of every class of people. It overturns the foundations of power and authority for the world, and fills men's minds with the fear that the day of judgment has come.
Commentators differ here. Some read the vision as symbol only. Others allow real physical upheaval as well. L. M. Grant writes that "while there will no doubt be physical disturbances such as a great earthquake and the sun, the moon and the stars affected, yet the spiritual significance of these things is of far greater importance."
The people under this seal are sure the end has come. They are wrong about the timing, and their hearts stay the same:
There is no repentance, no cry for mercy, merely a terror of vengeance… But their horror is premature. The judgments preceding the great day of wrath have begun; but not the day itself. God will let man go on a little longer in his sin, to show that this fear does not change his heart. With him, as with Pharaoh, each judgment that passes only makes his heart harder.
- Cause — The seal answers the cry that came before it. God is not indifferent, and the shaking is His reply.
- Collapse — The earthquake finishes what war, famine and death began. Ordered society breaks apart into anarchy.
- Crown — The blackened sun pictures the world's highest authority put out. The moon like blood shows every borrowed authority dying with it.
- Caution — The picture is symbolic. People could not hide in mountains that had already moved. Commentators differ on how much real disturbance comes with it.
- Consequence — People read the signs as wrath, and they are right. They read them as the end, and they are wrong. Terror is not repentance.
and the stars of heaven fell upon the earth, as a fig tree, shaken by a great wind, casts its unseasonable figs.
Stars drop from the sky like unripe figs in a gale. Is this a forecast about the night sky, or a picture of something else falling?
John saw the sky come apart, but the writers press readers not to picture literal falling stars. One commentator tests the picture by taking it literally, and finds that the timing will not work:
There can be no real question that the description is figurative. If we took it literally, we would clearly be at the end of the Millennium itself, since the first heaven does not pass away until then, and that is what is pictured here... In people's minds the day of the Lamb's wrath has already come. But we will find that much comes in between before it really arrives, near as it may be.
William Kelly gets to the same place by another route. What John saw were signs, and their meaning still has to be worked out.
This is only how it appeared to John in the vision. We are not to suppose that heaven and earth will be physically thrown into chaos when this prediction comes true. He saw all this before his eyes as signs, and we have to consider what they mean.
Commentators differ on how far the symbols rule out literal events. One writer expects real upheaval, and still puts the weight elsewhere:
There will no doubt be physical disturbances, such as a great earthquake and the sun, the moon and the stars affected. Yet the spiritual meaning of these things is far more important.
Each light in the sky answers to a rank of power:
The sun, that is, supreme authority, becomes black. The moon, that is, subordinate authority, becomes like blood. The stars of heaven, the lower authorities, fall. Heaven itself departs too, that is, the whole scene of government. The complete overthrow of all earthly authority takes place.
Walter Scott presses the detail of which figs fall:
All the lesser authorities — individual rulers, both civil and religious — morally fell from their high position. They gave up God and their relationship with Him. The unripe, out-of-season figs are the ones hidden under the leaves that never ripen, and a strong wind throws them off in winter. When the wintry winds of God's wrath sweep across the scene, those who were never truly His will openly turn away from Him. However high their position, they will drop every outward connection with Him.
If stars belong to the sky, a star on the ground has changed its level. One writer asks who these stars are:
The stars of heaven stand for those who claim to have spiritual light. Their falling to the earth in great numbers points to a widespread falling away — a giving up of any claim to heaven, and a drop to the level of earthly-mindedness. Having no stability, the wind of hard circumstances shakes them easily.
Why a fig tree and not any tree? One writer sees a target in the choice:
The fig tree is so often a symbol of the Jew. So the reference to it may show that this upheaval will affect that people in particular, and so prepare the way for the acceptance of antichrist.
Strip out every rank of authority, and this is what is left:
The whole structure of civil and governmental power on earth breaks up. Disorder rules everywhere. It is not simply the collapse of this or that government. It is the total overthrow of all governing authority, both the highest and the ranks under it... What an awful scene to think about! A world without a magistrate! Without even the appearance of rightful power! Without government! Without any authority to restrain!
One writer sets the scene against the present moment:
In Revelation 6:13 we read of those coming events, when the very stars of heaven will fall to earth... We need to remind ourselves that "now is the day of salvation."
- Signs, not sky. John saw a vision. Read the falling stars as physical fact and the timing collapses. They are signs, and we have to work out what they mean.
- Stars are rulers. Sun, moon and stars picture supreme, subordinate and lower authority. Falling stars are the lesser powers losing their place.
- Unripe fruit falls. The figs blown off never ripened under the leaves. They stand for people who held a high position but were never truly God's.
- Down means out. The fall is moral before it is political. People with no stability give up any claim to heaven and sink to the level of earthly-mindedness.
- A world with no magistrate. The end of the picture is not one toppled government. It is government itself gone. That is why the verse points to today, while it is still the day of salvation.
And the heaven was removed as a book rolled up, and every mountain and island were removed out of their places.
The sixth seal reaches its climax here. Is this the physical universe coming apart, or a picture of something else? The answer shapes how you read the whole chapter.
Earlier in the seal, authorities fell one by one. Here the structure they all stood in gives way. The writer below quotes an older translation, which says heaven where the ESV says sky.
"The heaven was removed as a book rolled up." The political, civil, and religious systems, the constitution, bonds, and framework of society, will disappear as completely as a rolled-up scroll becomes unreadable. The physical removal of the heaven (Rev. 21:1) and of the heavens (2 Peter 3:10) is one of the most staggering events the Word of God records. That does not mean the dwelling place of God, of saints, and of angels, of course. But the entire ending of all governmental order — the moral heaven — is one of the most dreadful events still to come. We have had the ruin of all greater and lesser authorities, but here the whole system in which they were placed itself collapses.
Stated more briefly, the picture is of authority losing not just its holders but its seat.
Heaven rolled as a scroll is the whole seat and place of authority overturned; and so of mountains and islands — the stable seats of authority overturned, and what was ordered, and rose above the vague mass of peoples, removed.
The reason for not taking the words woodenly comes from the passage itself. The terrified men of the following verses run to the mountains for cover — which makes no sense if the mountains have literally ceased to exist.
If heaven were literally removed as a scroll, and every mountain and island moved out of its place, there would be no place left to hide in. That much is obvious. So to take it as anything other than symbolic representation would be self-contradictory... The prophet did see these objects, heavenly and earthly, in utter confusion. But we must look for the meaning by the ordinary rules of interpretation. It is a complete revolution of authority high and low, an unmatched convulsion of all classes of mankind within its own sphere. Its effect is to overturn the foundations of power and authority for the world, and to fill men's minds with the fear that the day of judgment has come.
Another writer gives two more reasons. One is a matter of timing. The other is an Old Testament passage that uses almost the same words.
There can be no real question that the description is figurative. If we took it literally, we would plainly be at the end of the thousand-year reign itself, for not until then does the first heaven pass away, as it is pictured here... Isaiah 34 is a prophecy of the destruction of Edom and the desolation that follows it. There we read, "All the host of heaven shall rot away, and the skies roll up like a scroll." ... The words in their setting show that we cannot take the breaking up of the heavens literally... On the other hand, the meaning as a symbol is not hard to grasp. Even in a physical sense, the heavens rule the earth. Scripture uses them in this way to picture earthly government.
The two nouns are not decoration. Each carries a settled meaning drawn from the prophets.
A mountain represents a system of settled power (Dan. 2:35; Jer. 51:25) — a long established, stable, and powerful government. The Jews saw islands as sources of wealth, as centres of trade and commerce (Isa. 23:2; Ezek. 27:3-15). This verse declares the removal of all that people count lasting and great, and of the sources of wealth and commerce too.
Another writer reads the islands differently, and adds a reason for the sky being rolled up at all.
Men have rejected heaven's rule. So the heaven departing as a rolled-up scroll means that God will leave them for a time exposed to the results of their own folly. It is as if He rolls up the scroll of His direct government. The mountains removed speak of the overthrow of the solid powers of government. The islands show neutral powers who will not be able to stay out of the general upheaval: they cannot keep their neutrality.
What makes the scene so grim is not the loss of one government but the loss of government.
It is not simply the collapse of this or that government. It is the total overthrow of all governing authority, both supreme and dependent... The coming crash will sweep into one catastrophe everything on earth that people think secure and strong. It will create a vast civil, social, and political chaos. What an awful scene to contemplate! A world without a magistrate! Without even the appearance of rightful power! Without government!
- Rejected — men refuse heaven's rule first. The rolled-up scroll is God's answer: He leaves them exposed to their own folly.
- Rolled up — the sky as a scroll pictures the whole framework of civil, political and religious order. It becomes as unreadable as a closed book.
- Removed — mountains stand for settled governments. Islands stand for wealth and trade, or for neutral powers with no place to stand apart.
- Read rightly — the language is symbolic. In the next verses men beg the mountains to hide them, which is impossible if the mountains are gone.
- Result — not one government falling, but government itself gone: a world with no rightful power left.
And the kings of the earth, and the great, and the chiliarchs, and the rich, and the strong, and every bondman and freeman, hid themselves in the caves and in the rocks of the mountains;
Under the sixth seal the sky darkens and the mountains shift. Everyone from thrones down to slaves runs for cover, which raises two questions: what is collapsing, and why does terror on this scale produce no repentance?
The imagery of quaking earth and falling stars points to the breakdown of rule itself.
The whole fabric of civil and governmental power on earth breaks up. Disorder reigns supreme. This is not just the collapse of one government or another. It is the total overthrow of all governing authority, both the highest and the ranks beneath it... A world without a magistrate! Without even the appearance of rightful power! Without government! With no power left to restrain evil!
The verse gives its own clue that these signs are pictures, not physics: the people are still hiding somewhere.
This is worth noting. If heaven were really rolled away like a scroll, and every mountain and island moved out of its place, there could be no place left to hide. To take it as anything other than a symbolic picture would contradict itself... It is a complete revolution of authority, high and low, an upheaval without parallel among all classes of people, within its own sphere.
The list is not random. Its shape shows who is caught. The word "chiliarchs" below is what ESV calls "generals."
The verse lists seven classes of people, and, as usual, these again fall into two groups of three and four. The first is made up of those who govern: "kings," the highest and most exalted; "the great," or princes; and "chiliarchs," the military commanders. The second group is the class that holds no office, given in pairs: "the rich" and "the powerful," "slave and free."
Rank, wealth, skill and strength all fail at once. The shelter they run to says the rest.
All of them together, great and small, sink to the same level: their hearts fail them for fear. They hide themselves, but not in the secret of God's presence (Ps. 31:19-20). They prefer the dens and rocks of the mountains, which stand for the human institutions people call solid and which have now been so shaken. Though they feel that this is God's judgment and the wrath of the Lamb, they do not repent. They think only of escaping the judgment by protection they have improvised themselves. Yet, little as they realise it, they are in effect inviting their own destruction.
Nothing in the text says God has appeared. The panic comes from inside.
They had been making themselves happy without God... God does not appear in the judgment; but man has a conscience. So, faced with this dreadful blow, all alike fear the wrath of God and of the Lamb... His warriors even tremble in the felt presence of a God whose very existence they had until now denied.
The cry that follows — that the great day has come — is reported speech. Who says it matters.
They say in their alarm that His great day has come. God does not say so. He reveals that this is the thought and language of their fear. Those are two very different things, and many readers, old and new, confuse them in their shortsightedness. For how could the seventh seal follow, if the sixth were really the end of man's day?
The panic proves to be a mood, not a change of heart. When the Lord appears, these same men take up arms against Him.
Their alarm and fear seem to have passed, and unbelief has taken their place in their hearts. They are in full league with the Man of Sin against Christ... Then men will be bold indeed in their hostility to the Lamb, instead of being overwhelmed with anguish and terror, as at the time of the sixth seal.
The instinct itself is as old as the garden of Eden.
Adam and Eve had disobeyed God's word. They were afraid, so they tried to hide from His presence among the trees of the garden. People will try to hide in the same useless way on a huge scale in the future.
The name they hide from is the gentlest name for Christ in this book.
There is something fearful in the thought of a world crying out for shelter "from the wrath of the Lamb." It is the wrath of the meek and lowly One, who "was wounded for our transgressions, and bruised for our iniquities." But it is a solemn truth. The same voice that now says, "Come to me," will one day say, "Depart from me, you cursed," if His tender invitations are refused. Now is the day of salvation. Then is the day of judgment. Every arrow of judgment will surely be barbed by the memory of grace refused.
- Shaken — the earthquake, dark sun and falling stars picture the collapse of all governing authority, not one nation's fall.
- Symbolic — if heaven were really rolled up and every mountain removed, no cave would be left to hide in. So read the scene as a vision with meaning.
- Levelled — the verse names seven ranks, three who govern and four who do not, and every one of them ends with the same failing heart.
- Mistaken — the cry that the great day has come is what terrified men say, not what God says. The seventh seal still lies ahead.
- Sheltered — they hide in shaken human institutions instead of in God. The wrath they flee is the Lamb's, and His invitation still stands today.
and they say to the mountains and to the rocks, Fall on us, and have us hidden from [the] face of him that sits upon the throne, and from the wrath of the Lamb;
The sixth seal shatters the whole social order. Every class of people reacts the same way: not a prayer for mercy, but a scramble to get out of sight. And they ask rocks to shield them from a throne — and from a Lamb.
Here Christ carries the title that pictures Him as the sacrificial victim. In this scene the roles switch.
In Revelation 6:12-17 it is not the walk, nor the work, nor the worship, but the wrath of the Lamb that we find... What? the wrath of the Lamb? Yes, a paradox, but an awful fact; a seeming contradiction, but a terrible truth! You who despise Him, tremble! The hand you nailed to the cross will hold the sceptre. The brow you tore with the crown of thorns will wear the crown of glory. The One who was led as a Lamb to the slaughter will sit as Judge on the throne.
Far from softening the judgment, the title is what makes it unbearable.
When John looks for the Lion of the tribe of Judah, he sees a "Lamb as though it had been slain." And when wrath is ready to fall on men, Scripture still calls it "the wrath of the Lamb." Indeed, that is what makes it so terrible. It is the wrath of love itself. It is the judgment of One with whom judgment is a "strange work." It is judgment so unsparing because love itself moves the arm and guides the blow. It is judgment for which there is no remedy... It is judgment that no prayer can turn aside.
The One they dread is the same One who broke the seals. Even the name chosen for Him works against the thought of wrath.
In the Book of Revelation we see that the One who sets all the judgments moving, by opening the seals, is the Lamb... I cannot imagine any wrath belonging to Christ as the Lamb — but that is what the princes and leaders of this world will say... Why, you can hardly imagine anything more simple and gentle than a little lamb! Yet the world-leaders dread His wrath, because they know nothing of His atoning sacrifice. In the first chapter of John the word is the ordinary one for lamb, amnos. But when we see Him on the throne in Revelation the word is arnion, a smaller form of the word — a "little Lamb"!
They fear two: the One on the throne and the Lamb. Yet God has not appeared. The cry rises from inside the men themselves.
God does not appear in the judgment. But man has a conscience. So when this terrible disaster comes, all alike are afraid of the wrath of God and of the Lamb. Where now is man's courage? Even man's warriors tremble as they feel the presence of a God whose very existence they had denied until now.
Fear moves them, but it does not change them. They want escape, not forgiveness.
There is no repentance and no cry for mercy. There is only terror of vengeance, and a frantic wish to escape. It shows in their call to the mountains and rocks to fall on them and hide them from the dreaded wrath... Man will be allowed to go on a little longer in his sin. This will show that fear does not change his heart. With him, as with Pharaoh, each judgment, once past, only makes his hardness worse.
But does their panic prove that the day of wrath has actually arrived?
Revelation 6:16-17 does not show that the day itself has come. It shows a terrible upheaval that produced this fear in men's minds. They said, "the great day of His wrath has come." The Spirit did not say it... These are words of human terror, not God's own words — except that God foretold that men's hearts would fail them for fear.
The same Lamb meets people in two ways. What a person does with Him now decides which.
This present age proclaims God in grace. He is pleading with men to be reconciled to Him. But those who refuse to know Him in this great salvation must come to know Him later in judgment. If a person despises the blood of the Lamb, he must face the wrath of the Lamb.
- Lamb. The One who opens the seals is the sacrificial Lamb. The hand once nailed to the cross will hold the sceptre. The One led to slaughter will sit as Judge.
- Love. What makes this wrath so terrible is that it is the wrath of love itself — unsparing because love guides the blow.
- Conscience. God does not appear in this scene. The cry rises because men have a conscience. Even those who denied His existence tremble.
- Hardening. Their terror brings no repentance and no plea for mercy, only a wish to escape. Like Pharaoh, each judgment leaves the heart harder.
- Now. This cry is human panic, not God's word that the day has come. Grace still calls today. But whoever despises the blood of the Lamb must face His wrath tomorrow.
because the great day of his wrath is come, and who is able to stand?
The sixth seal brings the whole structure of the world crashing down. Kings and slaves cry out together, and their cry ends in a question no one on the scene can answer: who can stand?
Falling stars and a blackened sun belong to the language of government, not astronomy. One writer reads the scene as the collapse of every order men lean on, and follows it through to their consciences:
With the opening of the sixth seal, the judgments will take a more terrible form... Earthquakes would picture the breaking up of all social, religious, and political order. The statements about the sun, moon, and stars would picture the complete overthrow of everyone who governs, from the highest to the lowest. The mountains and islands being removed out of their places set out the break-up of empires. These upheavals will look so terrible to men that they will be struck in conscience as they see the hand of God at work, and will fear that the great day of His wrath has come. But, having rejected the testimony of God's witnesses, they say, "Who will be able to stand?"
The panic runs the whole length of society, from thrones down to slave quarters. One writer shows what the terror uncovers in people who had denied God:
Every class of society, from the kings of the earth down to the poor slaves, is filled with abject terror. They had been making themselves happy without God. Like Belshazzar, they were feasting to their hearts' content with their wicked enjoyments. But even as they feasted, the whole framework of man's order, on which they had been resting in imagined security, is struck and shattered into ten thousand pieces. God does not appear in the judgment; but man has a conscience, and so they all fear the wrath of God and of the Lamb. Where now is man's courage? His warriors even tremble in the felt presence of a God whose very existence they had until then denied.
Who is speaking here changes the timing of everything that follows:
Men will see every established authority here below overturned. The effect will be that they think the day of the Lord has come... It is an error to confuse their saying so with God's declaration. It is not He but they who cry that the great day of the wrath has come. There is no excuse for so mistaken an interpretation. These frightened crowds exclaim it. But in fact the great day does not arrive until a long time afterwards, as Revelation itself proves.
Commentators differ on how far that day had already begun. One writer holds that the worst was still ahead, yet a door had already shut behind these people:
Though the climax of "the great day of His wrath" was not yet, they had entered on that day, for the day of God's grace in the gospel was closed. Men may stand in God's grace, but no one can stand before His wrath.
The verse says "their wrath" — the wrath of the One on the throne and of the Lamb together; some translations read "His wrath". One writer turns to the people who once condemned that Lamb:
What? The wrath of the Lamb? Yes, a paradox, but an awful fact; a seeming contradiction, but a terrible truth! You who despise Him, tremble! That hand which you nailed to the cross will hold the sceptre. That brow which you tore with the crown of thorns will wear the crown of glory. He who was led as a Lamb to the slaughter will sit as a Judge on the throne.
What follows this cry is not the end, but a pause filled with mercy:
After this, so far is the great day of His wrath from being come, that we find in the parenthesis of Revelation 7 God carrying out mighty works of saving mercy. The first is the sealing of 144,000 out of the tribes of Israel... Next the prophet sees a crowd of Gentiles that no one could number.
The chapter leaves their question hanging. One writer answers it:
When the great day of His wrath has come, who will be able to stand? Who? The great, the mighty, the noble of the earth? Who? The well-disposed, the upright, the moral? Only those who are redeemed "with the precious blood of Christ, like that of a lamb without blemish or spot."
- Collapse. The shaking is political. Earthquake, dark sun and falling stars picture every ruling power broken, from empires down to local rulers.
- Conscience. No judge appears in the sky. Men who had denied God's existence panic, because conscience tells them whose hand is shaking the world.
- Cry. The words are man's panic, not God's verdict. One writer holds the great day itself is still far off; another says the day of gospel grace had already closed.
- Lamb. The One they hide from is the Lamb they crucified; the hand they nailed will hold the sceptre.
- Stand. Rank, morality and courage give no footing. Only those redeemed by the blood of the Lamb can stand — and God is still saving people even then.