Come, let us sing aloud to Jehovah, let us shout for joy to the rock of our salvation;
The psalm opens with an invitation, not an order: "let us," not "you must." Two questions follow. Why does the call start with singing? And why does it name Him a rock?
The one who gives this call is already among the singers.
Psalm 95 invites from inside the company — "Come, let us sing." In the next psalm the word goes to those who are far off: Sing to Jehovah, and declare His glory among the nations.
That "us" matters when a whole company sings it.
In the assembly, singing is not just a private exercise between one soul and God. It is that and more, because no one stands alone in the worship of the assembly. Praise together is not a hundred songs sung by a hundred people at the same time. It is one song sung by a hundred believers as one, saying to the Lord the one thing on the hearts and minds of all.
The song has an object, and the name given to Him is a picture of stability. A rock is what nothing shifts.
Rock of salvation. A completely solid and unshakeable basis for salvation. Whatever aspect of salvation we think of, God is the rock of salvation. Some teach that we can be saved today and lost tomorrow. The salvation they teach is not based on a rock. With God's salvation we have absolute certainty — He is the rock of salvation.
The call to sing assumes something is already true of the singers.
Worship of God has been described as "the honour and adoration given to Him because of what He is in Himself, and what He is to those who give it." This assumes that the worshipper already has some relation with God, and that God sets the order of service or worship. God had redeemed the Israelites out of Egypt, so as a ransomed people they could come near to the place He appointed and worship in the order He gave.
The tone of the opening words matches this. What begins the psalm is not quiet reflection but a burst of gladness.
And here (95) have we not a shout of joy, as the Psalm commences: "O come, let us sing to Jehovah; let us make a joyful noise to the rock of our salvation."
Commentators read this call as a prophetic one, spoken to Israel. Those called are the children of the people who failed in the wilderness.
What we have in this Psalm is a prophetic exhortation. It is addressed to Israel as no longer under law, but under grace. They stand before God, and in front of one another, as the children of the fathers who provoked Him long ago in the wilderness. But their hearts have truly turned to the Lord. They are ready to enter the rest their fathers lost through unbelief.
The call to rejoice comes with a condition attached.
Psalm 95 calls the people of God, in the Spirit of prophecy that stirred the godly, to rejoice in Jehovah. He is no longer hidden but revealed in Christ, who brings in salvation, glory, and rest. Yet no blessing comes without hearing His voice.
The psalm opens with no complaint in it. The reason is what the singers are looking at.
Notice, up to that point, there is not a single jarring note. And why? Their eye and their heart are turned to the mighty God, their Saviour and their Creator, "the Rock of our salvation." As they think of Him and are taken up with Him, they can only urge one another to make a joyful noise. Where God is all in all, where Christ fills the heart, there is only room for praise. We would be a praising people as we go through the wilderness, if Christ Himself filled and held the heart. He sounded the keynote for them through Moses and Miriam at the Red Sea: "Sing to the LORD, for He has triumphed gloriously." They could have gone through the wilderness with a pilgrim song on their lips and pilgrim joy in their hearts.
- Rock first. The song rests on something before it makes a sound. God is a solid, unshakeable basis for salvation, and with Him we have absolute certainty.
- Redeemed first. Worship assumes a relationship — a ransomed people drew near, and only then could they sing.
- Together. "Let us" means one song sung with one accord, not a hundred private songs at the same time.
- Outward. The call starts among those who know Him. The next psalm sends it out to those far off.
- Listening. The joy is real, but no blessing comes without hearing His voice.
Let us come before his face with thanksgiving; let us shout aloud unto him with psalms.
Psalm 95 opens with a call to sing. This second verse tells the singers where to go and what to bring: into God's presence, with thanks and with music. Three questions sit behind that invitation. What does "thanksgiving" mean? Who is called? And why does joy come before the psalm's warning about hard hearts?
The verse asks for thanksgiving. In the original, that word says more than thanks.
The psalm opens by urging them to sing to Jehovah as the Rock of their salvation, and to answer with "confession" of what He is to them. The word for "thanksgiving" literally means "confession." For Jehovah their God is a great God, and a great King over everything that people would raise up as a god.
One translator renders the phrase "let us come before his face" (William Kelly). That the invitation exists at all says something about the character of the One being approached.
The psalmist invites them to "come into His presence with thanksgiving." He is not a God you cannot come near. He is One who is glad when His creature values His presence.
The second half of the verse names the instrument of the joy: psalms. That word had a settled meaning in Israel's worship, and it shifted when the church began to sing.
In the Old Testament this word appears only in connection with the Psalms of David and those in the Book of Psalms. David is called "the sweet psalmist of Israel." There is no doubt that the singers used the Psalms as they praised God with instruments. We read "sing psalms to him" and "make a joyful noise to him with psalms." In New Testament days, for a time at least, believers may have sung the Psalms of David, but there were also hymns and spiritual songs.
One writer reads the psalm as grace's last appeal to Israel, made before judgment falls.
Psalm 95 summons Israel to come with joyful songs and thanksgiving before Jehovah… Judgment has not yet come in with power. While it is still called today — for in that great tomorrow no evil and no rebellious person will be allowed — they are told not to harden their hearts. Their fathers hardened theirs long ago in the wilderness, and God swore that they would not enter His rest. But now, after everything, grace says Today, and invites them to come before His presence, to Him who is the rock of their salvation.
If the psalm is a call to get ready for someone's arrival, then verse 2 is part of the answer to a practical question: what does a welcome look like?
How are they, His people, to welcome Him? With singing, with confession (this is the literal translation of thanksgiving in verse 2), with worship and bowing low.
The praise comes first, and the psalm's warning comes later. One writer explains what makes that order possible.
Notice, up to that point, there is not a single jarring note. And why? Their eyes and hearts turn toward the mighty God, their Saviour and their Creator, "the Rock of our salvation." As they think of Him and are taken up with Him, they can only urge one another to make a joyful noise. Where God is all in all, where Christ is before the soul and fills the heart, there is only room for praise. We would be a praising people as we go through the wilderness, if Christ Himself filled and occupied the heart.
Thanksgiving has a starting point and a destination.
Thanksgiving is very closely connected with worship, if it is not the very essence of it. Thanksgiving is the result of blessings received, whether in God's daily care for us or in redemption. The sense of God's goodness and grace… moves us to pour out our thanks in His presence. That leads us to think about the character and attributes of the God who delights to surround us with the signs of His love and care. And so thanksgiving passes over into worship.
- Rock first. The singing starts because of who God is — the Rock of salvation, Creator and great King. Looking at Him is what silences every jarring note.
- Thanks means confession. The word translated "thanksgiving" means confession. It says back to God what He has shown Himself to be.
- His presence is open. The call to come into His presence proves He is not far off. He is glad when His people value being with Him.
- Songs carry it. Confession is not silent. Israel sang it with psalms and instruments, and hymns and spiritual songs joined it later.
- Thanks becomes worship. Thanks for blessings received turns the heart toward the Giver. There thanksgiving passes over into worship.
For Jehovah is a great God, and a great king above all gods.
Psalm 95 opens with a call to sing and shout to the Rock of salvation. Verse 3 gives the reason, and it turns on one small word: "For." Everything the psalm asks of the worshipper rests on who God is.
Verses 3 to 5 spell out that reason. One commentator traces how far it reaches — using "Jehovah," the name the ESV prints as "the LORD":
The ground of this appeal is the glory of Jehovah. Jehovah is a great God, and a great King above all who rule. The deep places of the earth are in His hand, and the heights of the hills are His. There is no depth beyond His reach, and no height above His rule. He made the sea, and formed the dry land. The One who comes to rule is "above all" — the Owner of all the earth, and the Maker of all things.
The verse does not admit that other gods are real. It sets Him over everything men have lifted into that place. The word for "thanksgiving" in verse 2 also carries its own force:
The psalm opens by calling them to sing to Jehovah as the Rock of their salvation, and to answer with "confession" of what He is to them — the word for "thanksgiving" literally means "confession." For Jehovah their God is a great God, and a great King over all that man would exalt to deity.
The title is not unique to this psalm. The Psalms call God King again and again:
There is one point on which there can be no question. God is often spoken of as a King. "Give attention to the sound of my cry, my King and my God, for to you do I pray" (Ps. 5:2). "The LORD is king forever and ever" (Ps. 10:16)… "For the LORD, the Most High, is to be feared, a great king over all the earth" (Ps. 47:2)… "For the LORD is a great God, and a great King above all gods" (Ps. 95:3).
One writer reads the great King here as Christ, and turns the verse into a call:
He is the great God, and He (Christ) is the great King above all so called "gods" (v. 3). Should we not be glad to take up such a privilege — giving honor and worship to the Living God and to His beloved Son, the great King?
One writer sets this psalm late in Israel's story. It is a last call to the remnant — the faithful few left — and God's greatness heads the list of reasons:
The Spirit of Christ summons the people at last to the joy of the revelation of Jehovah and His worship… He calls them to come and rejoice in the Lord, to enjoy His deliverances, and to own Jehovah — because of His greatness, His relationship with them, His power, and their ancient history. He sets before them the real sabbath rest that still remained for them, even today, after such long rebellion — if only they would believe. It is the Spirit's last appeal in the remnant to the nation: "Today, if you hear his voice."
The praise of the opening verses makes the warning that follows sharper. The same psalm that names Him great God and great King goes on to recall a generation that would not believe:
Whenever God brought Israel into a place where they had no one but Him to lean on, the unbelief of their hearts came out. We find that whenever the natural man is shut up to God, his unbelief appears… It is very suggestive that the first part of this ninety-fifth psalm, from which these words are taken, is all praise.
The titles in this verse are true. But one writer says they are no longer the whole ground on which a Christian comes to God today:
To worship "in truth" is to worship God according to the revelation He has been pleased to give of Himself. So it would not be worshipping God "in truth" now to worship Him only as "a great God," "our Maker," and "a great King above all gods," as in Psalm 95. He has been pleased to reveal Himself in another light — as "Father" to those who are His. They come into His presence in the spirit of sonship, and with the sense of the love that has given them a place before Him in Christ.
- Reason. The "for" of verse 3 is the hinge of the psalm: the singing in verses 1 and 2 rests on the glory of the One they sing to.
- Reach. Creation shows His greatness. No depth lies beyond His reach and no height above His rule, for He made the sea and formed the dry land.
- Rival. "Above all gods" places Him over everything men would exalt to deity. The fitting answer is thanksgiving — a word that means confession of what He is.
- Reign. The Psalms call God King again and again, and one writer reads the great King here as Christ, whom we honor and worship now.
- Response. The praise of the opening verses stands right beside a warning about unbelief. And the God named here has since revealed Himself as Father, so His people come to Him as sons.
In his hand are the deep places of the earth; the heights of the mountains are his also
Psalm 95 opens with a call to sing. Verse 4 gives part of the reason: the deep places under the ground and the tops of the mountains belong to the same hand. So what should a person do with a God who owns it all? The psalm answers before the chapter ends.
Verse 4 belongs to a run of statements (verses 3–5) that give the reason for the psalm's opening call. One writer states that reason as a matter of scale.
The ground of this appeal is the glory of Jehovah. Jehovah is a great God, and a great King above all who rule. The deep places of the earth are in His hand, and the heights of the hills are His. There is no depth beyond His reach, and no height above His rule. He made the sea, and formed the dry land. The One who comes to rule is "above all"; Possessor of all the earth, and the Maker of all things.
The depths of the earth are not simply low places. They are regions our knowledge cannot reach. Name the two extremes, and everything between them is claimed too — including the ground we live on.
"In His hand are the depths of the earth" — places too deep for us to understand — and "the heights of the mountains are His also" (v. 4). Then surely nothing in between falls outside His possession. Since He made it, and the sea also, He made it for Himself. He has let man hold it for now (Ps. 115:16), but we must remember that we hold it only as a sacred trust. And how much control does man really have over the stormy sea, or even over the land (v. 5)? Since God's hands have formed the dry land, He continues to control it as He will.
Why does the psalm move from a claim of ownership in verse 4 to a statement of making in verse 5? One writer reads the making as the reason the claim holds — you govern what you made.
For Jehovah their God is a great God, and a great King over everything that people raise to the level of a god. The earth in its depths and heights is then claimed as His and the sea and the dry land, which He has formed. In these last two cases the idea of control stands out. It follows from the fact that He made them.
Verse 4 states plain facts about God. Worship rests on facts like these, and on the worshipper's own relation to God.
Worship has been described as "the honour and adoration given to Him because of what He is in Himself, and what He is to those who give it." This assumes two things. The worshipper already stands in some relation with God. And the order of service or worship is already laid down.
One writer reads Psalm 95 as an appeal to Israel after long failure. Verse 4 supplies its opening argument.
Psalm 95 calls Israel to come before Jehovah with joyful songs and thanksgiving. Verses 3 and 4 describe His greatness above the gods, and describe Him as Creator. But Jehovah is Israel's Maker, and his God as well. So now they may look for rest, even after such a long time and continued failure. Until His power comes in judgment — while it is still called today — they are urged not to harden their hearts, as Israel did long ago in the wilderness.
The same shape appears in the last book of the Bible. There a message to the whole world rests on the same fact of creation.
In practice, then, this psalm carries the message of the "everlasting gospel" in Revelation 14 — though it is not addressed as widely, and does not announce it as plainly: "Fear God and give Him glory, because the hour of His judgment has come, and worship Him who made heaven and earth, the sea and the springs of water."
- Reach — The verse names two extremes, depth and height. No depth is beyond His reach, and no height above His rule.
- Span — He holds both ends, so He owns everything between them.
- Making — He made the sea and the dry land, and what He made He controls.
- Trust — Man holds his piece of the earth only as a sacred trust, and even now controls neither sea nor land.
- Summons — What He is in Himself is the ground of worship. The psalm turns that greatness into an appeal: bow now, while it is still called "today."
The sea is his, and he made it, and his hands formed the dry [land].
Psalm 95 calls people to sing and to kneel. Verse 5 gives the reason: sea and land are God's, because He made them. So what follows from that ownership — for the sea, for the land, and for the people standing on it?
The call to praise at the start of the psalm rests on who Jehovah is. Verses 3–5 spell out that claim, from the depths to the heights.
The ground of this appeal is the glory of Jehovah. Jehovah is a great God, and a great King above all who rule. The deep places of the earth are in His hand, and the heights of the hills are His. There is no depth beyond His reach, and no height above His rule. He made the sea, and formed the dry land. The One who comes to rule is "above all" — Owner of all the earth, and Maker of all things.
The verse gives the ownership and then its ground: it is His, because He made it. Writers note that for the sea and the land, the stress falls on control.
The psalm then claims the earth as His, in its depths and heights, and the sea and the dry land, which He has formed. In these last two cases the thought of control stands out, and it follows from the very fact that He made them.
That raises a question about man's own place on the earth.
Since He made the earth, and the sea also, He made it for Himself. He has let man hold it for now (Ps. 115:16), yet we must remember that He gives it to us only as a sacred trust. Indeed, how much control does man have over the raging sea — or even over the land? Since God's hands have formed the dry land, He goes on controlling it as He pleases.
One writer pictures how the Maker handles the sea He made.
Left to itself the sea would have covered everything. But its Maker was its Master. He set limits to it, breaking, as it were, into great mountain chains to make a place for it, barred and shut in with no way out. Its storms and fury in His almighty hands are only the crying of a new born baby. He wraps it in clouds and thick darkness, as in baby's blankets, and hushes it to rest.
In the next two verses the Maker of sea and land becomes "our Maker." That shift carries a warning about where we look for help.
The godly delight to confess that the One who made the sea and the dry land is "our Maker" and "our God." They also say, We are His — "we are the people of His pasture, and the sheep of His hand." God's people easily look to other causes to supply their needs and to protect them from their enemies. They are in danger of forgetting that God has pasture to meet every need, and a hand to protect from every foe.
One writer sees the Son of God as the Creator, and turns that sight into worship.
We see this glory as Creator in the Son of the Father's love, reaching back in all its potential to before time began. Does that not strike a chord of the deepest worship within our souls? Can we not join in advance the song of praise that restored Israel will sing to their Creator God, and say to one another, "Oh come, let us worship and bow down; let us kneel before the LORD, our Maker"?
The psalm does not stop at praise. Rest is in view, and with it a warning drawn from the wilderness.
But now the rest is in view. The people are called to rejoice in Jehovah and to worship before their Maker. The psalm also presses home the lesson of the wilderness — the fatal sin of not listening to the Word — as the call goes out to come up and worship. The use of this psalm in Hebrews 3 and 4 clearly marks the point now reached. The critical moment has come. But the question is still, Who will enter in? For the glory is not yet shown. It is still the day of faith, and where there is unbelief, they cannot enter in.
- Made — Sea and land are God's on the best of titles: His own hands formed them.
- Mastered — Making proves control. Man holds the earth as a trust, and the sea obeys no human hand.
- Bounded — The Maker of the sea is its Master, and He sets limits the waves cannot pass.
- Mine — The Maker of everything is "our Maker" and "our God" — pasture for every need, a hand against every foe.
- Move — So the psalm turns from praise to a summons: worship now, for unbelief never enters the rest.
Come, let us worship and bow down; let us kneel before Jehovah our Maker.
Psalm 95 opens with singing. Then a second "O come" changes the posture, and the reason given for bending the knee is that the LORD is our Maker.
This is not a general song of praise. It is a call for one moment, it names how the welcome should be made, and it says what kind of people will make it.
It is a call to Israel, looking ahead to the soon appearing of the expected Saviour-King. The next Psalm will show that He has come. How are they, His people, to welcome Him? With singing. With confession — that is the literal meaning of the word translated thanksgiving in verse 2. With worship and bowing to the ground. … His people must welcome Him as a willing and obedient people. The end verses are quoted in Hebrews 3 and 4.
"Worship and bow down" is not a figure of speech. It means a body lowered. One writer shows how ordinary that act was between people, and how strict the limit was on who may receive it.
It is a mark of respect between one person and another, very common in the East. Abraham bowed down before the people of the land when he bought a burial place for his dead. It is also an act of reverence to God, Ps. 95:6. But it is strictly forbidden before an idol or image, and it is treated as an act of worship.
The psalm has already given thanks. This call asks for something more.
In people's minds, worship is so often tied to outward ceremonies that they miss what it really is. True worship is a thing of the heart, a feeling of the soul. Prayer is a blessed exercise for all who realise their weakness and need. Thanksgiving is fitting for those who have received great things from God. But worship is higher than either of these, because it looks not only at His works, but at God Himself — at His perfections and glories. Our English word is a shortened form of the Anglo-Saxon "worthship," which means giving honour to one who is worthy.
The verse gives one reason to kneel: He made us. That claim carries a debt, and the same source sets the worshipper beside his opposite.
Man owes allegiance to his Creator. The Psalmist said with reverence, "let us kneel before the LORD, our Maker," Ps. 95:6. But of the wicked it says, "Woe to him who strives with him who formed him," Isa. 45:9.
Older translations read, "Woe to him who strives with his Maker" — the psalm's own word. Kneeling or striving: those are the two options open to a creature, and the psalm asks which one you take.
Bowing the body is not the end of it. One writer ties the kneeling to a sheep's character, and to the warning that comes next in the psalm.
One writer links the Maker of this verse to the Son, who created all things. That lets a believer start Israel's future song now.
We see this creative glory of the Son of the Father's love reaching back before time began. Does that not strike a chord of deepest adoration within our souls at once? Can we not begin now the song of praise that restored Israel will bring to their Creator God, and say to one another, "Oh come, let us worship and bow down; let us kneel before the LORD, our Maker"? … Then we shall fall down before Him who sits on the throne… and say, "Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created."
- Maker — the reason to kneel is that He made you. A creature owes allegiance to his Creator. The only other option is to strive against Him.
- Bow — the words mean a body lowered. People bowed to one another, but as an act of reverence it belongs to God alone, and it is forbidden before any image.
- Higher — thanksgiving looks at what God has done. Worship looks at God Himself. That is why the psalm's second "O come" asks for more than its first.
- Submit — He made the flock, and He pastures it. A sheep's character is submission, not admiration alone.
- Today — a warning against a hard heart follows the call to bow at once. And the call looks ahead to the day we see the Maker and fall down before Him.
For he is our God; and we are the people of his pasture and the sheep of his hand. To-day if ye hear his voice,
Psalm 95 has just called Israel to kneel before their Maker. This verse names what He is to them — their own God, with them as His flock — and then, in the same breath, turns to a warning about hearing His voice.
The call to praise comes with a time limit.
Psalm 95 summons Israel to come with joyful songs and thanksgiving before Jehovah. But Jehovah is Israel's Maker, and his God also; and now they may look for rest even after so long a time and continued failure. Until power comes in to judgment, while it is still called today, the psalm calls them not to harden their hearts. They hardened them long ago in the wilderness, and God swore that they should not enter into His rest. For in that great tomorrow God will allow no evil and no rebellious person.
The verse gives two pictures of God's care: pasture and a hand.
The godly delight to confess that the One who made the sea and the dry land is "our Maker" and "our God." They also say, We are His: "We are the people of His pasture, and the sheep of His hand." The people of God tend to look to other sources for the supply of their needs and for protection from their enemies. They are in danger of forgetting that God has pasture to meet every need, and a hand to protect from every foe.
That hand is also where the flock is safe.
The picture of safety for the believer is no longer an earthly fold, as in former days, but the hand of the Good Shepherd. There, in the shadow of His hand, He hides them safely from every foe. That hand of unconquerable might will surround the frail and feeble sheep and protect them from every attack of the enemy. It is the hand that redeemed the ancient people from harsh slavery in Egypt, preserved and defended them through the desert, and brought them into the promised land flowing with milk and honey.
Belonging to such a Shepherd is the reason for the homage asked next. It comes with a condition.
Then the psalm urges them again to do Him homage. It sets His loving relationship to them as their Shepherd before them, as something that may well move them to it. But it adds the necessary condition for this to continue: "today, if you hear His voice!" Without such obedient hearing, people who are not agreed could not walk together. Grace only fulfils such conditions — it does not set them aside.
One writer ties the change of tone to a change of subject.
Notice the transition when the psalm speaks of the Shepherd, and of them as the sheep of His hand. It is simple, happy work to praise while we keep our eyes on the Shepherd. But when we turn to the sheep, we need exhortation... So long as God in His love and grace fills the soul, there can only be praise. When the eye turns from God to man, we need the warning: do not harden the heart, do not be careless or forgetful, as Israel was on the day it provoked Him in the wilderness. In other words, if we are to enter into our rest, we must go on. It is not enough for someone to say, "I was converted ten years ago." How is it today?
How long does that "today" last? It lasts as long as God's patience does.
This word "today" is the expression of the patient activity of God's grace towards Israel right to the end. The people were unbelieving; they have hardened their hearts. Sadly they will go on doing so to the end, until judgment comes in the Person of the Messiah-Jehovah, whom they have despised. But until then God loves to repeat, "Today, if you hear My voice."
That word still stands, so it comes to each reader as a personal offer.
But you may soon pass beyond the reach of that love. It offers you forgiveness, life, and heaven now, but tomorrow may be too late. You are here today, and God's Word says, "Today, if you hear his voice, do not harden your hearts."... Today is the day of mercy; tomorrow may be the day of doom.
- Maker, then owner. The One who made sea and dry land is "our God." The Maker becomes ours.
- Pasture and hand. Pasture meets every need. The hand keeps off every foe. Forget that, and the flock looks elsewhere.
- Sheep hear. Walking on with the Shepherd has one condition: obedient hearing. Grace fulfils that condition; it does not set it aside.
- Praise, then watch. Look at the Shepherd and you sing. Look at the sheep and you need warning. The test is not a conversion ten years ago, but today.
- Today, not tomorrow. "Today" measures God's patience. It ends when judgment comes. While it lasts, mercy is still calling.