(To the chief Musician. Upon Shoshannim. Of the sons of Korah. An instruction; -- a song of the Beloved.) My heart is welling forth [with] a good matter I say what I have composed touching the king. My tongue is the pen of a ready writer.
Psalm 45 opens with an overflow. A singer is so full of his subject that he cannot keep quiet, and his subject is a King.
One writer starts with the older word behind "overflows," then asks what fills the heart.
"My heart is inditing a good matter." The margin shows that inditing means boiling, or bubbling up. I fear we are not often in this state. It is a great thing to have the heart boiling up with love to Christ. Instead, we are often at freezing point — very far from boiling point in how devoted we are to Christ. What is the "good matter"? The verse explains: "I speak of the things I have composed about the King." That is, it is what I know of Him. It is not what I have received from Him, but what He is to me. It is the place His blessed person has in my soul.
(The quote follows an older translation, which has "inditing" where the ESV has "overflows.")
The full heart comes first. The tongue only follows.
The heart of the singer is "welling forth with a good matter." It is more than full — it is overflowing. That is because the theme of his song is the King in His beauty. His words are no mere recital of what others have said: he speaks of the glories that he himself has discerned in the King. His tongue is the pen of a ready writer. An empty heart will mean a silent tongue. An overflowing heart will lead to a ready tongue; for out of the abundance of the heart the mouth speaks.
Who is this King? One writer answers from the psalm's own heading.
The answer is simplicity itself. The Christ of God, who acts for God and yet is God, has appeared on the scene. The heading of this Psalm includes the words "A song of loves," or more exactly, "A song of the Beloved." We know who the Beloved is, because we ourselves are "accepted in the Beloved" (Ephesians 1:6). And the Beloved, in whom we are accepted, will appear in His glory. Everything hinges on that.
The heading also carries the word Shoshannim — lilies. One writer compares how that image works in two books of the Bible.
In the Song of Songs, the term "Lilies" indicates what the Lord thinks of His people. In the Psalms, the force is rather what His people think of Him! There is a beautiful harmony between the two usages. In the 45th Psalm we hear the joyful voice of appreciation for His moral excellence… The Shoshannim, or Lily, aspect expresses the moral perfections of the One who is far more beautiful than the sons of men. He loved righteousness and hated lawlessness. As a result He is set over everything, anointed with the oil of gladness above His fellows. Christ eclipses the glory of all others.
In this verse the tongue is the pen. One writer asks whose hand holds it.
The Spirit is inspiring here, as in all other Scripture. Yet the Psalmist's own affections are engaged too. He tells us that his heart is overflowing with a good matter. It delights him that the Spirit should use his tongue as His pen. He is so full of his theme that in verse 2 he seems to see the Blessed One before him and bursts out with joy, "You are the most handsome of the sons of men; grace is poured upon your lips."
One writer applies the same picture to the four Gospel writers.
Though there were four writers, each independent of the others, they were the pens, as it were, really of one Author (Psalm 45:1), the Holy Spirit of God; and they each expressed what they did in words taught by the Holy Spirit (1 Corinthians 2:13).
One writer turns that bubbling up into a test of our praise today.
If we recognise His position in the highest glory, ought we not to show it, ought we not to sing His praises, ought we not to recount His excellences? It is a sad day when the saints of God have to pump His praises out of their hearts. They should bubble up spontaneously. You ought to praise Him because you cannot help it, because your heart, as it were, refuses to be silent.
- Boiling — the older word behind "overflows" means bubbling up. The psalm starts with a heart at boiling point, not freezing point.
- Filled — what fills it is not what the writer has received from the King, but what the King is to him.
- Beloved — the heading names that King: a song of the Beloved. His beauty and moral perfection eclipse all others.
- Flowing — an empty heart means a silent tongue. Only an overflowing heart makes a ready one.
- Written — his tongue became the Spirit's pen. Praise like his still bubbles up; it is never pumped.
Thou art fairer than the sons of men; grace is poured into thy lips therefore God hath blessed thee for ever.
Psalm 45 opens with a writer whose heart is overflowing, and verse 2 is his first word spoken directly to the King. Everything that follows — the sword, the throne, the bride — rests on this verse. It speaks of the King Himself, of His words, and of the blessing God has settled on Him forever.
The praise does not rise out of nowhere. One writer links it to the cry for help in the psalm just before it:
Psalm 45 is about the King. Psalm 21 shows Him after a great salvation. Here He comes out with His sword strapped on His thigh to set up His kingdom. This psalm is the divine answer to the cry of the distressed people in the psalm before it. They call Him "King" (Ps. 44:4), begging Him to arise and "command deliverances for Jacob."
One writer says the words of this verse can only fit one Man:
He is "fairer than the sons of men" — a Son of man, yet above them all. To this personal excellence is added a divine quality of speech: "grace is poured into Your lips." Here is the ground of eternal blessing. It is not the passing blessing God gave man at the beginning (Gen. 1:28). Here is a perfection that will never fade. Here is One fully qualified to stand between God and man. There is only One such Man: there has never been another — a true "Second Man," in every respect.
Isaiah says the opposite of this verse — that there was nothing attractive to look at in Him. Writers hold the two together by asking whose eyes are doing the looking:
When the Bible calls certain men "fair" or "beautiful," it means they were beautiful in God's eyes. But they are only a picture of the One about whom it is said: "You are fairer than the sons of men; grace is poured into Your lips; therefore God has blessed You forever" (Ps. 45:2). To us Jesus had "no form or majesty" (Isa. 53:2). We failed to see His beauty. But the eye of God always looks deeper. What He saw was only glory and beauty.
The comparison with "the sons of men" is not a ranking within one family. It marks a different origin:
We know, in the light of the New Testament, why He is fairer than the sons of men. It is not because He is the finest specimen of Adam's race, but because He is not of the first Adam at all. He is "the last Adam," the Head of a new race. He is "the second Man … the Lord from heaven" (1 Cor. 15:45-47).
The word "grace" is rare in the Psalms. This verse shows it at work:
"Grace" is mentioned only twice in the Psalms, here and in Psalm 84:11. In that verse grace is given; in our Psalm grace is displayed. In Luke 4:22 we read: "All bore Him witness, and wondered at the gracious words which came out of His mouth."
Grace was poured into His lips, and it poured out again in His words.
The "therefore" of the verse is the hinge, and it points backwards to what He is in Himself, not to anything done for Him:
His moral perfection filled His lips with grace. "Grace is poured into Your lips." The grace of His words is the outcome of the love of His heart. "Therefore," says the psalmist — because of what He is in Himself — "God has blessed You forever." God blesses others through His work and worth. He alone among men is blessed for His own worth.
Commentators differ on where the emphasis of the blessing falls. Another reads it alongside His obedience and exaltation, quoting Joseph's rise as a picture: "Jesus was obedient, therefore God has highly exalted Him."
The verse is a description of Christ, yet it sets the standard for how His people speak:
The believer has put on the new man, and Christ is the perfect pattern of it. Did Christ only keep evil out of His speech? No. His words, like His life, gave "grace to those who hear." The words of anyone in communion with Christ will do the same. The more we walk in "the new man," the more our words will sound like the words of the One about whom it is written, "Grace is poured into Your lips, therefore God has blessed You forever" (Ps. 45:2).
- Person. The King is "fairer than the sons of men" — not as the best of Adam's line, but as the last Adam, the second Man from heaven. No one else fits that description.
- Sight. We saw no beauty in Him; God's eye looked deeper and saw only glory. The psalm records God's estimate, not man's.
- Speech. Grace was poured into His lips and poured out again — heard by those who marvelled at His gracious words.
- Source. The grace of His words came from the love of His heart; His speech was the overflow of what He was.
- Reach. He alone is blessed for His own worth. Everyone else is blessed through His worth. Those in communion with Him begin to speak as He spoke.
Gird thy sword upon [thy] thigh, O mighty one, [in] thy majesty and thy splendour;
The psalm has just praised a King whose lips overflow with grace, and now it asks Him to strap on a weapon. Why does a King like that need a sword, and why is He told to wear glory and majesty into battle?
The King's own excellence is what sets men against Him.
However excellent the King — indeed, because of His moral perfection — men have opposed Him in their hostility. They will not submit to His claims as King. His throne, therefore, can only be reached through the judgment of His enemies. So the godly man appeals to the King to gird on His sword for the day of battle. Not only is the King morally perfect, He is all powerful — a "mighty One."
So why does grace give way to a sword?
This King is glorious, and God owns Him. Even so, the world does not welcome Him in peace to His throne with its homage. No: He has to conquer His kingdom, as David had to. So the next three verses speak of the putting down of His enemies. Truth, and the cause of meek (or suffering) righteousness, demand the judgment He comes to execute. He has shown grace and men have rejected it: only judgment remains… So the "grace poured into His lips" gives way to a sword.
The psalm before this one is the prayer of a suffering people begging their King to act.
The theme of Psalm 45 is the King. He is not viewed here as in Psalm 21, where He has experienced a great salvation. He is shown coming out with His sword girded on His thigh to establish His kingdom. This psalm is the divine answer to the cry of the distressed remnant in the psalm before it: they own Him as "King" and beg Him to arise and "ordain salvation for Jacob" (Ps. 44:4).
The sword and the splendour belong together. The girding marks a change of era.
With the girding on of the sword, the day of His humiliation is past; the time to put on His glory and majesty has come. He comes out in His majesty, as the One mighty in battle. He will ride out victoriously, because He fights the forces of evil for the cause of "truth and meekness and righteousness." He will maintain the truth, avenge the oppressed, and establish righteousness. In this world's wars, earthly kings pay little attention to truth; the meek are crushed, and too often might prevails over right. Here, however, is One who wars not simply to gain land or fame, but to establish what is right and to bless the meek of the earth.
Some expect His kingdom to arrive quietly, as the gospel spreads.
It is a question here of the Kingdom and of putting down foes, and that is done by power and by judgment. So He appears, as in Revelation 19, as the girded One. He does not wear the towel, as He does now to serve His saints. He wears His sword on His thigh, so that His right hand may teach Him awesome deeds. It is strange that anyone should suppose His kingdom will come in by the quiet means of His gospel.
One prophet shows this King coming to Zion in humility. Commentators hold both pictures together.
Like David, He is "a man of war." It is true that He will come to Zion, lowly as in former days, riding on a donkey, on a colt, the foal of a donkey (Zech. 9:9). It is just as true that He will gird His sword on His thigh, a valiant Man, in His majesty and splendour, and that His right hand will teach Him awesome deeds (Ps. 45:3-4). He will sit as Overcomer on a white horse, followed by the armies of heaven.
What about the time in between?
Very soon, the Lord Jesus as the true David, the warrior King, will appear to bring all His foes into submission. He is seated now at God's right hand until His foes are made the footstool of His feet. With this in view comes the divine call… Men have had centuries in which to repent of what they did to Jesus. All who have repented and turned to God have received forgiveness and the richest of heavenly blessings in Christ. But God will shortly bring judgment on the world that so dishonoured His Son, and His King will be the instrument of that judgment.
- Grace first. The verse before shows a King whose lips pour out grace. Verse 3 follows because men refused it.
- Grace exchanged. What was in His lips is now on His thigh — the same King, the same perfection, a different instrument.
- Towel, then sword. Today He is girded with the towel of service. Then He will wear the sword, and His humiliation will be over.
- Glory worn into battle. He puts on majesty like armour and fights, not for land or fame, but to establish what is right and bless the meek.
- A throne through judgment. His kingdom does not arrive by slow persuasion. He conquers it as David did, and then He reigns.
And [in] thy splendour ride prosperously, because of truth and meekness [and] righteousness and thy right hand shall teach thee terrible things.
Psalm 45 is a wedding song about a King. Here the song turns to battle, and the King rides out armed. Why does a King praised for His beauty need a sword — and what has that to do with truth, meekness and righteousness?
The sword comes on first. One writer reads that as the end of Christ's lowly days, and weighs this King's aims against those of ordinary conquerors.
With the girding on of the sword, the day of His humiliation is passed; the time to put on His glory and majesty has come. He comes forth in His majesty, as the One mighty in battle. He will ride out victoriously. He will fight the forces of evil on behalf of "truth and meekness and righteousness." He will maintain the truth, avenge the oppressed, and establish righteousness. In this world's wars, earthly kings care little for truth. They crush the meek, and might often beats right. Such means never win a prosperous kingdom or a lasting throne. But here is One who wars, not to gain land or fame, but to establish the right and bless the meek of the earth.
The ride is "for the cause of" these three things. Each answers something already loose in the world.
He rides out victoriously, "for the cause of truth and meekness and righteousness." That is, He rides in order to establish truth, meekness and righteousness in the earth. Truth stands against what is false and unreal — against the devil's lie. Meekness stands against pride and self-sufficiency. Righteousness stands against all that is lawless, and out of right relations with God. Once truth is shown, man must take his true place in meekness before God, and so God's rights are fully established. He who rides forth in majesty to bring these things to pass is Himself the Righteous One. He is the Truth. He is meek and lowly in heart.
The verse ends with the King's right hand teaching Him. One writer reads "awesome" as the effect on those who watch, and pairs it with the next verse.
When God must pour out judgment on a rebellious world, the right hand of the Lord Jesus will teach Him awesome things. For people will watch His great conquests with awe and wonder. Revelation speaks of the sword of His mouth, but Psalm 45:5 adds to this the sharp arrows by which the people fall under Him. So when the Lord rises to judge His enemies, there will be both short range and long range warfare.
So the kingdom does not come by slow persuasion. One writer says so plainly, and adds a pattern from Israel's history.
The kingdom of Christ will be brought in by power and judgement. It is useless to hold on to the idea that the Gospel will bring the whole world under Christ peacefully… This is not Gospel progress, but unsparing judgement of enemies. David and Solomon together are a picture of Christ in His reign. The first was a man of war. He was always shedding the blood of his enemies. As a result his son came to a peaceful throne, and could reign in rest and glory. So it will be in the day to come… Then peace will follow on a righteous ground.
These three qualities are not new to Him. They marked years when nothing about His life looked victorious.
Truth, meekness and righteousness were all seen in their perfection in Jesus… Men took advantage of His meekness. They insulted, rejected and abused Him, and mocked Him when they had nailed Him on a criminal's cross… His walk on earth did not appear to prosper. He was cut off and had nothing. But He will ride out victoriously when He comes forth out of heaven to put down all evil and bring in God's blessings on earth.
One writer applies the verse to how those who carry God's word should handle it.
The oil makes the nail drive without splitting the board. The word never enters the heart more kindly than when it falls most gently: "ride out victoriously for the cause of truth and meekness." Be as rough with your people's sins as you can — only be gentle with their souls. Do you take the rod of reproof into your hand? Let them see that love, not wrath, gives the blow.
- Cause. The ride has a purpose. Truth against the lie, meekness against pride, righteousness against lawlessness — He comes to set them up, not just defend them.
- Character. The One riding already is what He rides for; He is the Truth, the Righteous One, meek and lowly in heart.
- Cost. These three come by judgment, not by slow persuasion. Power comes first, as with David; then peace, as with Solomon.
- Contrast. Earthly kings crush the meek and let might beat right. This King fights to bless the meek and to win a throne that lasts.
- Copy. Those who carry His word copy the same mix: hard on sin, gentle with souls, so love gives the blow.
Thine arrows are sharp -- peoples fall under thee -- in the heart of the king's enemies.
Psalm 45 sings of a King in His beauty, riding out with His sword, and verse 5 is the moment His battle is decided. Who is this archer, and why does a psalm so full of grace turn to war?
Verse 5 answers the psalm before it, where God's people beg their King to rise and rescue them.
The theme of Psalm 45 is the King. He is not seen as in Psalm 21, after He has experienced a great salvation. He is shown coming forth with His sword strapped to His thigh, to set up His kingdom. This psalm is God's answer to the cry of the distressed remnant in the psalm before it. They own Him as "King" (Ps. 44:4), begging Him to arise and "command deliverances for Jacob," and to show favour as of old.
Read in that order, the arrows are not random violence. They are rescue for people who prayed and waited.
Elsewhere Scripture pictures the coming King with a sword from His mouth. Here the weapon is different, and the difference matters.
Revelation speaks of the sword of His mouth. Psalm 45:5 adds the sharp arrows by which the people fall under Him. So when the Lord arises to judge His enemies, there will be both short-range and long-range warfare. He can overcome from any distance as easily as at close range.
There is no waste in the shooting, and no credit for man:
In verses 3, 4 and 5, He is pictured as He comes forth to lay low every enemy. It is very similar to the picture presented in Revelation 19. He is everything and man is nothing — it is "Your glory," "Your majesty," "Your right hand." His arrows never miss their target. The people fall under Him, and victory is achieved.
Some expect the gospel to win the world over bit by bit, until the kingdom arrives without a fight. This verse points a different way.
It is a question here of the Kingdom and of putting down foes, and that is by power and by judgment. So He comes forth, as in Revelation 19. He is girded, not with the towel He wears now to serve His saints, but with the sword on His thigh, so that His right hand may teach Him terrible things. Strange that anyone should suppose His gospel will bring in His kingdom by quiet means... Israel would not have Him reign over them when He lived here on earth. Man was not willing, and will not be willing until He establishes His power on earth as in heaven.
The block is not on God's side. Man's will stays set against Him, and only His power will change that.
Verse 4 names what He fights for: truth, meekness and righteousness. Verse 5 shows how those causes win.
When He comes forth in His majesty, as the One mighty in battle, He will ride out in triumph. He will do battle with the forces of evil on behalf of "truth, and meekness, and righteousness." He will maintain the truth, avenge the oppressed, and establish righteousness. In this world's wars, earthly kings pay little heed to truth. The meek are crushed, and too often might wins over right... Here is One who wars, not simply to gain territory or fame, but to establish the right and bless the meek of the earth... The peoples will fall under Him, and the King's enemies will be struck down to rise no more.
The New Testament quotes this psalm to show who the King is, and the same Bible sets His conquest beside His suffering.
If we read Psalm 45, we notice that it speaks of the King in His beauty going forth to conquer in irresistible might. When we read Psalm 102, we see the same One in humiliation on earth... a man in affliction, His heart struck down and withered like grass... Nothing is before Him but death, and death in the prime of life. Of whom is all this written? Of whom is it true? Of Him who had no beginning. Of Him who is the Creator... He is truly the coming conqueror in Psalm 45, the sufferer to death in Psalm 102.
For those who love Him, the sharpness of the arrows is not a threat but a reassurance:
But He is glorious as well as gracious. His arrows are sharp in the heart of the King's enemies... He will be triumphant over all who hate Him, even as He is tender to all who hear His voice and love Him. This also must be declared of Him, so that we may know that His grace to us is not weakness.
- Appeal. Psalm 44 is a people pleading for God to arise. Psalm 45 is the King riding out in answer, so verse 5 is rescue, not rampage.
- Arrows. Sword and arrows together mean no distance is safe from Him — He strikes near and far, and never misses.
- Advance. The kingdom comes by power and judgment, not by a world that improves on its own. Man was unwilling then, and stays unwilling until His power rules.
- Aim. He fights for truth, for the meek, for righteousness — the things other conquerors trample.
- Adoration. The conqueror of Psalm 45 is the sufferer of Psalm 102. He is tender to all who love Him, terrible to His foes. His grace to us was never weakness.
Thy throne, O God, is for ever and ever; a sceptre of uprightness is the sceptre of thy kingdom
Psalm 45 is a song in honour of a king. Yet here the singer calls that King "God" and gives Him a throne that never ends. Two questions follow. Who is this King? And what will His rule be like?
Commentators read the psalm as speaking all the way through of Israel's promised King, the Messiah. The striking thing here is not the crown, but the title given to the One who wears it.
No Jew then, or now, could doubt that the psalm speaks all the way through of the Messiah. He brings in His kingdom on earth and keeps it there, together with the godly Jewish remnant. The psalm shows Christ as King, not as Head of the church... But the one reason for quoting it is to prove that God recognises the Messiah as God. It is not men only, nor angels, nor Jews nor Gentiles. It is "God," the divine title. It does not speak of a special earthly relationship, but of essential nature, in contrast with the creature.
The New Testament quotes this verse too, and one writer says that settles who this King is.
Verse six is quoted in Hebrews 1 and applied to the Son of God. That clearly proves that He is the great subject of our Psalm. The Speaker in the first chapter of Hebrews is clearly God, and it is He who says, "Your throne, O God, is forever and ever." Critics and others who deny the Scriptures have tried to explain away the truth that this Psalm speaks of the Messiah. They apply it to Solomon instead. But could anyone ever address Solomon as God?
This throne is unlike any throne in history. The reason is not just that it lasts longer.
The angels are made spirits. The Son is not made anything at all. He is addressed as God, and, unlike the thrones of kings on earth, His throne is for ever and ever... The thrones of men come to an end, because they have no righteous foundation. The throne of the Son lasts, because His rule will be in righteousness.
The second half of the verse describes the King's sceptre. One writer explains the word "right," then looks at how power works today.
His sceptre is the sign of royalty, and it is a right sceptre. The word "right" means right — plain, level, upright. It is surely a sceptre of righteousness. How are the nations of the world governed today?... We see plenty of evidence of deceit, corruption, greed, the lust for power, violence and many other such vices at every level of power. People pay little attention to the ways of God, and unrighteousness prevails. With Christ on the throne, fairness and justice will be the great mark of the age.
Verse 6 does not stand alone. Earlier in the psalm the King rides out with sword and arrows. One writer traces how that conflict leads to the settled rule described here.
Very severe judgments will bring in the next age. So in this Psalm we see the Messiah strapping His sword on His thigh and sending His arrows into the heart of the King's enemies. The Psalmist is given a glimpse of the scene that Revelation 19 describes more fully. There the Rider on the white horse comes out to tread the winepress of the fierce wrath of Almighty God. These judgments settle the throne of God among men for good, and a sceptre of uprightness is wielded.
He did not seize the right to that sceptre. He proved it first.
Here is the Messiah in judgment, taking the throne. He had already proved that He loved righteousness and hated iniquity — was fit to govern. He is hailed as God. Yet His disciples (the remnant) are called His fellows.
The verse leaves a real puzzle. The One called God here is also the One whom God anoints. One writer holds both truths together.
This quotation, in contrast, shows us God and man united in Him. He is true God, with an eternal throne. He is also true Man, anointed by God with the oil of gladness above His fellows, as His righteous reward. Here Immanuel is found in the full meaning of His name.
- Addressed — God Himself calls this King "God." The title speaks of what He is by nature, not of a role handed to Him.
- Enduring — human thrones fall because they have no righteous foundation. This one lasts because His rule is in righteousness.
- Upright — His sceptre is "right": plain, level and straight. Corruption marks government today; His rule will not be.
- Earned — He had already proved that He loved righteousness and hated iniquity. That made Him fit to govern.
- Shared — the eternal throne belongs to One who is true God and true Man. His own people are called His fellows.
Thou hast loved righteousness, and hated wickedness; therefore God, thy God, hath anointed thee with the oil of gladness above thy companions.
Psalm 45 is a wedding song for a king. This verse turns from the throne to the One who sits on it — what He loves, what He hates, and what God does in response. The New Testament applies the words to Christ. That raises two questions. How can the One addressed as God also have a God? And who are His companions?
The verse before speaks of an everlasting throne. This one speaks of God as His God. Both are true of the same Person.
If verse 6 states His deity, verse 7 presents His humanity just as clearly. Having become Man, He is the perfect Man. God is His God: He is the lover of righteousness and the hater of wickedness. Moreover He has "fellows," or "companions," and among them He stands supreme in His gladness. He is not only more fair than the sons of men, but more glad than all His companions. And this is fitting, for during His life on earth He suffered more than anyone.
The verse names a love and a hatred. They are not two things but one.
Hebrews 1:9 quotes this scripture and applies it to the Lord. To love righteousness is to hate its opposite, iniquity. The more intense the love of righteousness, the more intense the hatred of iniquity.
The anointing has a reason behind it. It answers what He had already proved on earth.
He has been in the furnace of affliction. By His obedience even to death He gave abundant proof that He loved righteousness and hated iniquity. So He has title to the throne of the universe, for only those who know how to obey have the right to govern. We who believe shall be His companions in that day of His glory, and of the gladness of His heart.
Kings of old took office by an anointing with oil. Here the oil is named for what it brings — and it stands for more than oil.
Because of this His God has anointed Him with the oil of gladness above His fellows, or companions. Remember, here He is Man, so the expression "His God" is fitting. The kings of old were anointed with oil, but the Lord was anointed with the Holy Spirit. These words also show that in kingship He has companions.
Righteousness is not only the reason for the anointing. It is the ground the whole kingdom stands on.
Righteousness must be the basis of a kingdom that endures for ever, and joy and gladness will flow from righteousness. While others will share the kingdom glories, Christ, as King, will ever be pre-eminent.
It is a surprise that such a Person has companions at all. They did not start out beside Him.
He whose throne is for ever and ever has been put to the test. He loved righteousness and hated iniquity while among us. And He has brought us up out of our iniquity as His fellows.
"Beyond your companions" measures the amount, not the kind. The same anointing reaches those joined to Him.
But think of His own joy in the glory of God. He is "anointed with the oil of gladness" above His companions (Heb. 1:9). Nor would we have it otherwise. No heart that knows Him would be so taken up with its own gladness as not to rejoice that He who is so worthy has the greater measure of it. His gladness must be above ours. He is pre-eminent in this, as He is also in glory. Our hearts say, He is worthy! Still, though the measure is greater, the character of the gladness is the same. The same excellent oil that anoints Him in glory flows down to us here. The same Spirit that rests on Him has come to all who belong to Him.
If the gladness came to Him along a certain road, the same road is open to those who follow Him.
The anointing with the "oil of gladness" goes with what He was here — as One who loved righteousness and hated iniquity. We can easily understand that joy. It is a spring of joy that belongs to the heart of Jesus. But we may enter a little into the same kind of gladness. We shall do so as far as we too, while here, love righteousness and hate iniquity.
- Character. Loving righteousness and hating wickedness are one heart seen from two sides. The stronger the love, the stronger the hatred.
- Cause. The "therefore" rests on proof already given: He obeyed under testing. Only those who know how to obey have the right to govern.
- Gift. The anointing oil marks out a king. Here it stands for the Holy Spirit, and gladness flows from righteousness.
- Reach. The One addressed as God has companions, brought up out of their own iniquity to stand beside Him.
- Result. He keeps the larger measure, but the gladness is the same in kind. His companions taste it now as far as they love what He loves.
Myrrh and aloes, cassia, are all thy garments; out of ivory palaces stringed instruments have made thee glad.
Psalm 45 is a wedding song for a King. By verse 8 the song has moved from His throne and sceptre to His clothing — three spices, and music reaching Him from palaces of ivory. What do the perfumes recall, and where does the gladness come from?
One writer sets out the shape of this part of the psalm, and the sense of a word that older translations use here:
Verses 8 to 15 give a description of the Royal Court. First, in verse 8, we have a poetic description of the perfections of the King in His manhood. His garments are surely righteous garments. He clothes us with the robe of righteousness, so His own clothing could be no less glorious... Ivory would suggest beauty, as in Song of Solomon 7:4, and majesty, as in 2 Chronicles 9:17. The word "whereby" is a strange translation. It really means "stringed instruments." It suggests that the King comes into His palace with music and the singing of His praises.
Myrrh has a history in the Gospels, and that history follows the King into His kingdom:
The suffering love of the Lord Jesus, of which the myrrh speaks, will be fragrant to all around Him in His kingdom. No one will be allowed to forget in the day of His glory that He was once the Man of Sorrows in this world. Myrrh was mixed with the wine offered to the Lord on the cross (Mark 15:23). Myrrh and aloes were the spices Joseph of Arimathea and Nicodemus used to prepare the holy body of Jesus for burial.
One writer went to an old dictionary to find out what the aloes was:
Some of the ingredients that make up that fragrance are the same as those given in Exodus 30. There it is what He is to God; here it is what He is to us. But there is one ingredient here, the aloes, that is not found in Exodus 30... I found in an old dictionary the following account of it. It was the inner wood, or heart, of a tree that grew in India. It was extremely fragrant, worth more than its weight in gold, and said to be a supreme remedy for all fainting fits and nervous disorders. If the scholar who compiled that old dictionary had set out to describe the love of Christ, he could not have done better.
He then presses each detail of that description home:
The aloes tree had to be split open before the fragrance of its heart could come out. And it was at Calvary that the heart of Christ, split open by the sword of God's judgment against sin, showed all the greatness of its love... The aloes is also said to be a supreme remedy for all fainting fits. This is the answer to your need. You have grown weary in doing good, and are suffering from a spiritual fainting fit. What is the remedy? This is the remedy — the love of Christ.
The third spice points to something hidden:
Some have thought cassia was the pith of a tree or shrub. If so, it would suggest the hidden fragrance of the Lord in manhood here — what only the Father could discern and appreciate, what was for His own pleasure in His beloved Son. But in the coming day the garments of the King will be fragrant with what Jesus was as the Man of His pleasure.
One writer sets these palaces against the ivory of Israel's kings:
Solomon's ivory throne was never heard of again after it was built, and Ahab's ivory house is only mentioned after he had died. But the ivory palaces of Christ will remain throughout the millennium. They will reflect the glory of the Great King, show the stability of His kingdom, and display the abundance of His resources.
Praise will be easy in the day of glory. Long before that day, faith greeted Him as King at His birth and again at Bethany:
The spices of the women at the tomb were only like grave-clothes; the jar of perfume from the woman of Bethany was an ivory palace. Faith used it in anticipation... It will be an easy thing to greet Jesus in the day of glory. Everyone will do it then. But to have done it like that at the opening and the close of His humiliation, at Bethlehem and at Bethany, was excellent faith indeed.
The perfume is not meant to stay on His garments alone:
There is fragrance in Christ, and that should come out in us. "We are the aroma of Christ to God" (2 Cor. 2:15).
- Myrrh — the cost. The spice of the cross and the burial clings to the King's robes. His reign will never erase the memory that He was the Man of Sorrows.
- Aloes — the heart. The tree had to be split before its fragrance came out. At Calvary the heart of Christ opened, and its love proved worth more than gold.
- Cassia — the hidden. What only the Father could discern in the manhood of Jesus becomes public fragrance in the day of His glory.
- Ivory — the reach. Solomon's ivory throne and Ahab's ivory house were never heard of again. This King's palaces stand, and music comes out of them to gladden Him.
- Fragrance — the result. Everyone will greet Him in the day of glory. Honouring Him now, as the woman at Bethany did, is the faith that lets His fragrance show in us.
Kings' daughters are among thine honourable women; upon thy right hand doth stand the queen in gold of Ophir.
Psalm 45 has been praising the King Himself. Verse 9 turns to the company around Him: who is the queen at His right hand, and who are the royal women in His court?
One writer warns that most confusion here starts by mistaking an earthly scene for a heavenly one.
As we consider these verses, we must remember that we are watching an earthly scene, though one that belongs to the coming kingdom. Many commentators explain Scriptures like these badly. They fail to see the difference between the place of the Jewish nation and the place of the Church. The Jewish nation is earthly, the Church is heavenly. There is an earthly people and a heavenly people. There is an earthly Jerusalem and a heavenly Jerusalem. There is an earthly kingdom and a heavenly kingdom.
Most of the writers identify the queen as Jerusalem — the same city that had been ruined and despised, now standing in the place of highest honour.
This is His triumph and rule, shared with the godly Jews. They are no longer cast out of everything, but honoured beyond anything in Israel's best days. Jerusalem is no longer trampled by the Gentile nations, no longer desolate and sitting on the ground. She is the city of righteousness, the faithful city, the queen at Messiah's right hand in fine gold of Ophir.
Her position at the right hand is not just rank; it is nearness. One writer describes where that nearness takes her:
I take it the queen is Jerusalem. Tyre and others acknowledge her with presents. She is gloriously received into the chambers of the king himself. This, I take it, is the force of within. She is in the closest relationship with the king.
Ophir was a real place, and its gold was what Solomon's ships sailed for.
Place from where Solomon imported gold, precious stones, and almug trees. These were brought by ships to the Gulf of Akaba.
The gold is not about wealth. It shows what God has done:
The queen stands at the right hand of the King, dressed in gold of Ophir. Here is divine glory displayed as "fruitfulness" out of soil that was barren by nature. How glorious will God show Himself at last in such fruit brought out of the stubborn heart of man!
The royal women in the court are ranked below the queen, and commentators differ on who they are. Some take them as the nations:
The nations, presented under the figure of "King's daughters," will do homage to the King; though the place of honour will be reserved for restored Israel, brought before us under the figure of the queen standing at the right hand of the King.
Others read them as the towns of Israel, and draw a warning from it — that a place of honour in that day is not automatic:
Some cities refused the Lord despite His mighty works: Bethsaida, Chorazin and Capernaum. The Lord pronounced His woes on them and foretold their judgment. They will not be counted among the honourable women in the day of Christ's glory.
Many readers merge this queen with the Lamb's wife in Revelation 19. Most of these writers keep them apart:
Here the Queen stands by His side, sharing His earthly glories. Jerusalem will be just that in the day that is approaching… We must not confuse this Queen with the Bride, the Lamb's wife, in Revelation 19. There are heavenly things, and there are earthly things. John's vision sets us in heaven; our Psalm points us to Judea.
Not all agree. One writer takes the queen to be "the Lamb's wife, to share His rule and reign with Him" (Arno Clemens Gaebelein).
The scene makes a demand on the reader too. One writer asks what really holds first place with us:
But what does this teach us? That Christ must come in between the soul and everything here. Christ must put nature at a distance; I must forget it. Christ must be my first object. Is He the first consideration with us? Or is it self and our houses, and the care of them — the family, the friend, or the father's house?
- Place — this is an earthly throne in an earthly city. Read it as heaven and the psalm's whole distinction is lost.
- Person — the queen is Jerusalem, once desolate and trampled, now the faithful city, closest to the King.
- Adornment — her gold of Ophir is the finest there is, and God produced it: glory out of barren soil.
- Company — the king's daughters share the court, but not the queen's place. Honour there is given, not assumed.
- Response — Christ must come between us and everything here: Christ first, before home, family and self.
Hearken, daughter, and see, and incline thine ear; and forget thine own people and thy father's house
Psalm 45 is a wedding song for the King, and until now the singer has been describing Him. At verse 10 the voice turns to the queen at His right hand, and asks her not for admiration but for a clean break with her past.
The psalm changes direction here. One writer notes the turn, and why the psalm calls her a daughter.
Verse 10 turns from the celebration of Christ the King. It now speaks a fitting word of instruction to the queen, Jerusalem, at His right hand. To me this is plainly the Jewish bride in her perfect state. But she is received in the way of grace. So she is called "a daughter," and told to forget her father's house. That was the whole question once argued between Christ and those among that people who professed religion.
The two titles are not a mix-up. Two different things have happened to her.
In verse 10 the psalm calls the queen "daughter." So she is both daughter and bride at the same time. His sovereign grace and power have given her new birth, so she is His daughter. He has also betrothed her to Himself as His bride — the earthly bride. In the same way, though the Church is His bride, the heavenly bride, every individual is by new birth His child. Both relationships — child and bride — are precious. Each teaches a different line of blessing and responsibility. Just as any young woman who marries leaves her natural relationships and her father's house, so Israel, born again, is to put her natural relationships in the background and be devoted to the Lord, the King.
The command is not sentimental. It removes every remaining claim she might bring with her.
"Forget your people and your father's house." That is what the Jews would not do in the time of grace. It was what Christ Himself did when on earth. "Who are my mother and my brothers?" And looking around at those who sat about Him, He said, "Here are my mother and my brothers!" Under the old covenant they will get nothing. They cannot take the blessings even on the ground of promise — everything has failed. They must come in like Ruth, to take shelter under the shadow of the God of Israel. They have no more title than a Gentile.
"Your father's house" meant something definite to the first hearers: a family line they leaned on.
It was no longer the glory of the fathers — Abraham, Isaac, and Jacob. It was the brighter glory of the true royal seed of the house of Judah. Christ is all in all… And now the people are to look to Him, not to the fathers, in whom they had until then boasted. "We are Abraham's offspring" was once their empty boast to the lowly Jesus. But everything has changed now.
The verse asks three things before it asks her to forget. They build on each other.
"Hear, O daughter" — that comes first. This is not casual hearing, but definite and special listening. "And consider." Isaiah's complaint against Israel was that they would not consider. Jeremiah ties their hope of future salvation to the statement that "in the latter day they will consider."
The writer follows an older translation of Jeremiah 23:20, which the ESV renders, "in the latter days you will understand it clearly."
The next verse promises the King will desire her beauty. One writer asks where that beauty comes from.
The psalm sees her coming, like any sinner of the Gentiles, from a place of defilement, and it tells her to leave that place behind. This shows how the king will receive Jerusalem at last: like a returned prodigal. And so he will greatly desire her beauty. For in such is all His delight. It is His own beauty He sees in them — the beauty He Himself has put on them — the shoes, and the ring, and the best robe.
One writer turns the verse on the reader.
What does this teach us? That Christ must come in between the soul and everything here. He must put nature at a distance. I must forget it. Christ must be my first object. Is He the first consideration with us — or is it self, and our houses, and the care of them, the family, the friend, or the father's house? The Spirit of God says here, "Forget your people and your father's house." And Jesus said, "Whoever loves father or mother more than me is not worthy of me" (Matthew 10:37).
- Listen — the verse opens with hearing, considering, and inclining the ear. That means deliberate attention, not casual hearing — the very thing Israel refused to give.
- Forget — the past she is told to drop is her claim. She cannot come on promise or ancestry. She comes like Ruth, sheltering under God, with no more title than a Gentile.
- Grace — she comes with nothing, so He calls her daughter. He receives her like a returned prodigal, not like an heir collecting what is owed.
- Beauty — the beauty the King then desires in her is His own, which He Himself put on her: the shoes, the ring, the best robe.
- Now — the same order runs through any heart today. Christ comes in between the soul and everything else, and becomes the first object, ahead of self, home, family, and father's house.
And the king will desire thy beauty; for he is thy Lord, and worship thou him.
The psalm has been celebrating the King. Now the voice turns to the bride standing at His right hand. The verse sets two things before her: what wins the King's desire, and what she owes Him as her Lord.
One writer marks the point where the psalm stops celebrating the King. From there it speaks to the woman beside Him.
Psalm 45 is Messiah's triumph, reign, and union with the Jewish bride. Verse 10 clearly turns from the celebration of Christ the King, to address a fitting admonition to the queen, Jerusalem, at His right hand. To me this is clearly the Jewish bride in her perfect state. But she is received by way of grace, and so is called "a daughter," and told to forget her father's house. That was the whole question once argued between Christ and those who professed to belong to that people.
The psalm calls her queen and daughter at once. Another writer holds both titles together, and carries the lesson beyond Israel.
In verse 10 the queen is addressed as "daughter." So she is both daughter and bride at the same time... A young lady who marries is to leave her natural relationships and her father's house. In the same way Israel, born again, is to put her natural relationships in the background, and devote herself to the Lord, the King. This will be beauty in the eyes of the King, for "Since He is your lord, bow to him" (v. 11). If this is true of the earthly bride of Christ, how much more true of the Church, the bride with a heavenly inheritance.
(Where the ESV reads "bow to him," the older translation these writers used reads "worship Him.")
The verse ties His desire to what the psalm has just asked of her. One writer finds the same pattern in Rebekah, who left her home and family to marry Isaac.
Here is something beyond imputed beauty. For here we learn the grace in her which kindles His desire. She has forgotten her own people and her father's house, so the King desires her. And she owns Him as Lord, and worships Him. She will render Him affection and homage. And all of this suited and attractive grace was shown in Rebekah. She left all for Isaac... And on reaching him for whom she had consented to all this, she gets down from her animal and veils herself... She loves, and yet bows. And so Isaac desires her. And so is the Church to be subject to Christ, and yet love Him with virgin love.
Another writer looking at the same scene traces her beauty back to the King Himself.
The queen is set at the right hand, adorned in gold of Ophir, and the king greatly desires her beauty. She is all glorious within and without, with the beauty He has put upon her.
The command to forget is about who comes first.
She is to forget her own people, and her father's house. But what does this teach us? That Christ must come in between the soul and everything here. He must put nature at a distance; I must forget it. Christ must be my first object. Is He the first consideration with us? Or is it self and our houses, and the care of them — the family, the friend, or the father's house? The Spirit of God here says, "forget your people and your father's house"; and Jesus said, "Whoever loves father or mother more than me is not worthy of me" (Matt. 10:37).
For Israel this means a new centre. The old ground of boasting is gone.
The glory of the fathers — Abraham, Isaac, and Jacob — was no longer the point. Now there was the brighter glory of the true royal seed of the house of Judah. Christ is all in all. He who loves righteousness and hates wickedness proves Himself fit to govern... And now the people are to look to Him, not to the fathers, in whom they have boasted until now. "We are offspring of Abraham" was once their empty boast to the lowly Jesus. But everything has changed now.
The verse gives desire on His side and homage on hers.
"And the king will desire your beauty." He will then see beauty in you. You will then be for Christ what Eve was to Adam. There is also the other side: "Since He is your lord, bow to him." The claims of the Lord weigh with those who have Christ as their object. What joy when our souls enter into this in any measure! Christ eclipsing everything, and worship freely flowing out to Him.
- Grace first. Grace receives her, so He calls her "daughter." The beauty He desires is the beauty He Himself has put on her.
- Grace forgets. What she leaves — her people, her father's house — is the very thing the verse says draws the King's desire.
- Grace displaces. Christ must come between the soul and everything else here. The old boast in Abraham gives way to looking at Him alone.
- Grace bows. "Since He is your lord" is the reason given; His claims weigh with those whose object is Christ.
- Grace worships. The end of it all is Christ eclipsing everything, with worship flowing out to Him. That is the earthly bride's portion, and even more the Church's.
And the daughter of Tyre with a gift, the rich ones among the people, shall court thy favour.
Psalm 45 is a wedding song for a King, and by the time we reach verse 12 the guests are arriving. The world's richest trading city arrives with a gift — but who is Tyre, and whose favour does she seek?
Tyre stood for the trade and wealth of the whole world. Scripture records God's judgment on her before it records her gift.
Tyre represents the commercial expansion and glory of the world. Behind this commercial glory stands Satan, the god of this age. Read Ezekiel 28:11-19. Nebuchadnezzar carried out judgment on Tyre (Ezek. 29:17-18). A revival of Tyre is also predicted. This beautiful forty-fifth Psalm is a millennial Psalm. When the King appears, surrounded by His own, "The daughter of Tyre shall be there with a gift" (Ps. 45:12). It is what Isaiah's vision points to: "And her merchandise and her hire shall be holiness to the Lord."
(The writers use an older translation. Where they read "the daughter of Tyre," the ESV has "the people of Tyre.")
Tyre knew the market value of everything. Here she comes as a buyer who has met something no money can reach.
Tyre is the queen city of commerce. Her merchants are princes. She knows well the value of every earthly thing that can be bought. Now she is drawn by what no riches can buy. She is here, not with a price, but with an offering. The rich plead for what is greater riches. This clearly pictures how the "Desire of all nations" will be found in Christ. Tyre, as the great trader, is the fitting power to illustrate it.
Tyre traded with everyone, so one city here stands for many. And the usual order is reversed: the rich are the ones asking.
Tyre was the seafaring nation that had contact with all the nations. So the mention of her here likely implies that many nations will join in celebrating the victory and supremacy of the blessed King of kings. And even "the rich among the people will seek Your favor." It is usually the poor who seek the favour of the rich. But compared with the wealth of the Lord Jesus, the wealth of the richest will be only poverty. They will need something more than natural wealth.
Commentators differ on whose favour Tyre seeks. Some read the gift as tribute paid straight to the King:
The people of Jerusalem and the cities of Israel will worship the Lord. But He will also have tribute from the nations. Tyre was a great trading city. God sent Nebuchadnezzar against her to carry out His judgment. For this work the great Gentile king received payment from God in the spoiling of Egypt. The daughter of Tyre no doubt pictures a new generation of merchants. They pay tribute to the Great King in the millennial day.
Others take the one addressed to be Israel herself. Then the nations court the nation the King has honoured.
Devoted in this way to the Lord, they will draw the nations to them. This is shown by the "daughter of Tyre" and "the rich among the peoples." Such will come with their gifts, asking the favour of the nation that is in favour with the King.
Either way, Tyre's place in the scene has a limit. She is a guest at the wedding, not the bride.
Further, this Psalm presents a bride to this ruler: "Hear, O daughter," and so on. This must be the daughter of Zion. She is not made up of both Jew and Gentile, as the church is. She has one people and one parentage naturally. The Gentile is "there with a gift" (Ps. 45:12), but is not part of the bride. It is an earthly scene, though such a glorious one.
Something like this happened once on a small scale. Tyre's king Huram sent workmen to help build God's house, and one writer links the Psalm's words to their presence.
The Gentile has the privilege of a small share in the building of that house. He does not have the readiness and free giving of an Israelite. But he has a place there, and we may say a blessed place. And a more blessed place is still to come… The presence of king Huram's workmen may have been the occasion of the psalmist's prophetic words. "And the daughter of Tyre shall be there with a gift." The Gentile's place was subordinate, but he shared in Israel's blessedness.
- Tyre — the world's trading capital, once under God's judgment, named here because a merchant city best pictures wealth won over.
- Gift — she arrives with an offering, not a price, drawn by what her money could never buy.
- Favour — the rich come asking. Commentators differ on whose favour they seek: the King's, or that of the nation He has honoured.
- Place — the Gentile has a real place there, and a blessed one, yet still subordinate: a guest with a gift, not the bride.
- Rehearsal — Huram's workmen once shared in building God's house. That was a small picture of what this verse promises in full.
All glorious is the king's daughter within; her clothing is of wrought gold
Psalm 45 is a wedding song for a King whose throne is God's own. Here the singer turns from public splendour to the bride herself, and commentators have long asked who she is and what her hidden glory means.
The bride is not only married into royalty. She was born into it, and one writer links this to a line in the letter to the Hebrews.
She is now not only a king's bride; she is also a "king's daughter." Her birth is royal too: her husband need not be ashamed of her in this respect. As Hebrews says, "For He who sanctifies and those who are sanctified all have one source. That is why He is not ashamed to call them brothers." They are born of God as to the new nature. He was Son of God from the virgin's womb, without any taint of sin at all. You would think that difference alone would be enough to make Him ashamed to call them brothers. Yet He is not ashamed.
One writer reads the bride as the city of Jerusalem in a coming day.
Jerusalem is not only glorious for the display of the great King, but is glorious in His eyes as having a special place of favour and intimacy with Him.
Commentators differ here. Some read it as a place: the King's own chambers, the nearest relationship to Him. That reading keeps the earthly bride distinct from the heavenly one.
We must not confuse the description of the heavenly bride with that of the earthly. "Bride of the Lamb" applies to the heavenly assembly, which He presents to Himself all glorious, without spot, morally perfect. The earthly bride, or queen, is also "all glorious within;" but the "within" seems to refer to the chambers of the King, the nearest relationship to the King.
Others supply no building at all. They read the word of the bride herself. (The ESV, with "in her chamber," follows the reading they reject.)
Is this within the palace, or within the litter that is carrying her when she is "brought to the king"? Or is it "inwardly" — is she all-glorious not merely externally, but within herself? Certainly the last is most consistent with the context… Whose palace? Not the king's, for her being brought to him follows this. Her father's, say Delitzsch and Moll, or her own chamber before she is brought out. If so, it is mere scenery, too much imported into the word to gain so little. Spiritually there is no gain at all: "the king's daughter" leads us naturally to think of what she is herself spiritually.
The gold is not raw ore. Someone mined it and worked it. One writer reads the verse both ways — what she is inside, and what covers her.
Some translators have thought it necessary to add the words "the palace." This involves a painful lack of discernment, for it is God's view of her that is emphasised here. It is the same in 1 Peter 3:4, which speaks of a godly wife whose adorning should be "the hidden person of the heart with the imperishable beauty of a gentle and quiet spirit, which in God's sight is very precious." It is new birth that makes this wonderful difference in her from others. But her clothing is also of "wrought gold," mined from the earth but worked on by an expert. So God's workmanship gives believers this beauty on the outside as well as inside.
If the queen of verse 9 shows the kingdom's public glory, this scene shows something meant for one pair of eyes.
This is not the displayed glory of the kingdom, as in the queen in verse 9. It is the place of intimacy within the dwelling of the King, where the adornment of the King's daughter is for the eye and pleasure of the King. The wrought gold tells of divine righteousness worked in the saints by the Spirit's power. The embroidered robe tells of the precious features of Christ shown in the days of testimony for His pleasure.
Nothing she wears began with her.
And we read of the beauty of the King's daughter that she is "all glorious within." Here are her moral adornings, graced with the virtues of Christ. His beauty is what she shines in, and because of it He gets the praise: "Therefore the people will praise you."
- Birth — She is a King's daughter before she is a King's bride. The One who sanctifies and those He sanctifies share one source, so He is not ashamed to call them brothers.
- Within — Commentators differ. Some read it as the King's inner chambers, the place of nearest intimacy. Others read it as the bride's own inward glory and supply no palace at all.
- Gift — New birth makes the difference inside her. The gold is worked, not raw ore, so her outward beauty is God's work too.
- Audience — Verse 9 shows glory on display. This adornment is for the eye and pleasure of the King.
- Result — Her glory is His beauty put upon her, so the praise that follows goes back to Him.
She shall be brought unto the king in raiment of embroidery; the virgins behind her, her companions, shall be brought in unto thee
The psalm has already set the queen at the King's right hand. Now the bride herself comes in, with a train of companions behind her. Who is this royal daughter, what do her embroidered robes stand for, and who are the ones who follow her in?
One writer identifies the queen as Jerusalem herself. On that reading, "within" in the previous verse marks how close she stands to the King.
This psalm shows Messiah in judgment and taking the throne... He is greeted as God. I take it that the queen is Jerusalem. Tyre and others acknowledge her with presents. She is gloriously received into the chambers of the king himself. This, I take it, is the force of "within." She is in the closest relationship with the king. The virgins her companions are, I suppose, the cities of Judah.
Older translations call the bride's clothing "raiment of needlework." The same word describes the curtains of Israel's tent of worship and the priest's woven sash.
The veil of the tabernacle, the ten curtains, and the hangings for the door and for the gate of the court were all of needlework. They were blue, purple, scarlet, and fine twined linen. The coat of fine linen for the priest was embroidered. His sash was fine twined linen in blue, purple, and scarlet, of needlework... It is a picture of the graces and glories which combine in the person of our great High Priest the Lord Jesus Christ.
Another writer sets the embroidery beside the gold mentioned earlier in the psalm. He sorts the three layers by asking who did the work in each.
The bride of Psalm 45 may not stand for the church exactly, yet we find important principles about her, and about the Jewish people. She is seen at her Lord's right hand, the place of honour: she is in "gold of Ophir" (v. 9), that is, in divine righteousness, entirely the work of God, as virgin gold is. She is also "all glorious within; her clothing is of wrought gold" (v. 13), that is the work of the Spirit and its final effects — "within" in the heart, and outside in the "clothing," her eternal character. But there is something besides this glorious clothing... By the Father's surpassing favour she is brought in "raiment of needlework." That is to say, her own good works "cannot be hid" (1 Tim. 5:25). When "His wife has made herself ready," it shall be "granted to her to be arrayed in fine linen, clean and white." For "the fine linen is the righteous deeds of the saints" (Rev. 19:7-8).
One writer reads her coloured robes through an earlier coat of many colours in Genesis. He sees grace at work in her companions too.
So she is brought to the King in robes of many colours (v. 14), just as Joseph's coat of many colours (Gen. 37:3) pointed to the many different virtues of godliness, seen first of all in the Lord Jesus. The bride also has companions who are virgins — no doubt people from the nations, drawn by the grace of God to share in the blessed privilege of faith in the living God. It is the pure grace of God that brings them to come with gladness and rejoicing to enter the King's palace (v. 15).
Commentators differ over the virgin companions. Darby takes them as the cities of Judah. Others read them as people from the nations, or as the faithful of the other tribes.
The King's daughter may tell us of the godly remnant of Judah, who went through the special trials in Judea in the days of antichrist. The virgins her companions may speak of the godly from among the other tribes. In different circumstances, they stayed loyal to Christ while He was away — those in other parts of the land, and those scattered among the nations. All will have their part with Christ within the ivory palaces, in the place of intimacy and favour... Gladness and rejoicing will be their portion then, His fitting answer to their place of reproach, suffering and sorrow.
One writer takes the picture forward to the wedding feast. Some come as the bride; others come as guests.
It will truly be the day of the gladness of His heart, but others will be called to share in the joy and gladness of the feast. They will not be present as the Bride of the Lamb, but as guests at the feast... Of such there is a great host called by the grace of God throughout the ages before the cross. They will not form the Bride of Christ, but like the companions who follow the King's daughter, they will be brought to the King.
- Brought. She does not walk in on her own. She is led to the King, and grace brings her companions in with her.
- Clothed. The gold of Ophir is God's own work. The wrought gold is the Spirit's work in her. The embroidery is her own good deeds — layers, not rivals.
- Woven. The same needlework hung in Israel's tent of worship and clothed the priest — a picture of the graces that meet in Christ Himself.
- Followed. She does not enter alone. Commentators differ on who follows her: the cities of Judah, the other tribes, or people from the nations.
- Received. All are brought into the palace with gladness — the King's answer to years of reproach and sorrow.
With joy and gladness shall they be brought; they shall enter into the king's palace.
Psalm 45 is a wedding song for the King. Here the procession reaches its end: the companions are led in, and the palace doors open. Who are these companions, and what has turned mourning into joy?
This wedding scene does not stand alone. It follows a psalm of national defeat. One writer shows how the two connect.
In Psalm 44 the faith of the remnant rests on the memory of God's past deliverance of His people... Their present condition was the complete opposite: "But you have rejected us and disgraced us and have not gone out with our armies." Still, in the middle of all this soul-searching, faith cries out, "Rise up; come to our help! Redeem us for the sake of your steadfast love." Psalm 45 answers this cry by bringing in Messiah. He delivers from enemies, and His kingdom is forever and ever.
They do not walk in on their own — they are led. One writer names what brings them.
The bride has companions who are virgins, no doubt Gentiles drawn by the grace of God to share in the blessed privilege of faith in the living God. It is the pure grace of God that brings them to come with gladness and rejoicing to enter the King's palace (v. 15).
Commentators differ on the identity of these companions. Grant, above, reads them as Gentiles. Another writer reads them as Israel's own cities. He also warns against reading this scene as the heavenly Bride, the Lamb's wife.
Jerusalem is no longer trampled down by Gentiles. She is no longer desolate and sitting on the ground. She is the city of righteousness, the faithful city, the queen at Messiah's right hand in fine gold of Ophir. The virgins her companions seem to be the cities of Judah. The peoples who give thanks forever are the nations of that future day, in relationship with the Jews. It is in no way the Bride, the Lamb's wife in heavenly glory.
A third reading keeps both groups Jewish. It divides them by where they lived and what they went through.
The King's daughter may tell us of the godly remnant of Judah. They had the special trials in Judea in the days of antichrist. The virgins her companions may speak of the godly from among the other tribes. In different circumstances, they stayed loyal to Christ while He was absent — those in other parts of the land, and those scattered among the nations.
Entering the palace means nearness to the King. Those who enter have first been made fit for Him.
The restored nation of Israel has its distinct place of honour in submission and devotedness to the King... Restored Israel and the converted of the nations appear here as the bride and her companions. They have been made suited to the King. Now they are presented to Christ with gladness and joy, to have a place of intimacy and nearness — "they enter the palace of the king."
The gladness here is not random happiness. It matches what these people went through.
All will have their part with Christ within the ivory palaces, in the place of intimacy and favour. In the same way, the church will share with Christ the blissful intimacy and favour of His place in the Father's House. Gladness and rejoicing will be their portion then, His fitting answer to their place of reproach, suffering and sorrow.
Not everyone at the wedding is the bride. Hamilton Smith looks at the others who are called.
There will not only be the marriage, but the marriage supper of the Lamb. It will truly be the day of the gladness of His heart, but others will be called to share in the joy and gladness of the feast. They will not be present as the Bride of the Lamb, but as guests at the feast. They are not angelic hosts, since they are "called." Angels who have kept their first place are not described as "called." The "call" comes to fallen men from the God of glory, to call them into the glory of God. There is a great host of them, called by the grace of God through all the ages before the cross. They will not form the Bride of Christ, but like the companions who follow the King's daughter, they will be brought to the King.
- Cry — Psalm 45 answers the prayer of Psalm 44: Messiah comes, delivers from enemies, and reigns forever.
- Brought — nobody walks in on their own merit; it is the pure grace of God that brings them in.
- Fitted — they enter having been made suited to the King, into a place of intimacy and nearness.
- Companions — writers differ over who they are. Some say the cities of Judah, some Gentiles drawn by grace, some the godly scattered among the nations.
- Answered — the gladness is His fitting reply to their reproach, suffering and sorrow. Beyond the bride, He calls guests to the feast too.
Instead of thy fathers shall be thy sons; princes shalt thou make them in all the earth.
Psalm 45 is a wedding song for a King — Messiah, coming in glory and judgment. By verse 16 the song looks past the great names of the past and puts the honour on the generation still to come. Who are these sons, and what rule do they receive?
Messiah's arrival changes where Israel's glory lies.
I take it that the queen is Jerusalem… The glory of Israel is no longer their fathers. The presence of Messiah, the fulfiller of promise, has eclipsed those who held the promise of old. Instead of fathers, they have children to be made princes in all lands. Messiah comes in glory and judgment. This brings in the full triumph and glory of Jerusalem and of the Jewish people among the nations.
Descent from the fathers gives no standing. Everything rests on God's faithfulness.
"In place of your fathers shall be your sons." If you look to your fathers, you have no claim — you must break with the whole old thing. You must come in, not as the mother of the Messiah, but as the daughter. As to the old, you have lost everything. God in His faithfulness must do it.
So who are these fathers, and why will the sons bring more joy?
It is the bride who is addressed here, including all true Israelites. In the past they had made much of their fathers, Abraham, Isaac and Jacob. But in the future they will have more joy in their sons than in their fathers. Their sons will have such faithful character that they are made princes in all the earth, for they will be, in effect, sons of the King.
God Himself forms this new generation from the inside.
By God's sovereign work there will be a new generation of Israel with the law written in their hearts. They take the place of fathers who failed completely under law. There will be sons in whose hearts the Spirit of grace has worked, and who will be taught of God. Of these we read in Psalm 45:16, "In place of your fathers shall be your sons," and this new generation is also spoken of in Psalm 22:31 and Psalm 110:3.
Their rank is not local. It stretches as far as the King's own rule.
The fathers, under the old covenant, forfeited all that God gave them, and brought God's judgment on themselves. But the children will be princes in all the earth. They will hold the King's wide dominions for Him, for the whole earth will have come under His rule. Israel will no longer be scattered and stripped, but gathered around their Messiah, the Great King. They will no longer be "the tail" among the nations, but will be "the head." They will owe it all to Him whom they once rejected, but whom they will gladly accept in the day of His glory.
Commentators differ on how far the promise reaches. One writer applies the words to the Church, and weighs how wide "all the earth" is.
The words that follow — "you will make them princes in all the earth" — apply to the Church as appointed to share the throne of Jesus. "Do you not know that the saints will judge the world?" (1 Corinthians 6:2). When the King reigns in righteousness, princes also will rule in judgment (Isaiah 32:1). If instead of "all the earth" we render "all the land," the special promise to the twelve apostles comes to mind at once (Matthew 19:28). I take it, however, in a wider sense.
For Christians now the picture is different.
As Christians we share a "heavenly calling." So 1 Corinthians 4:8-16 stands in contrast to Psalm 45:16. There the future earthly people of God are in honour when the King's throne stands in Zion… Then it is judgment: the glory and majesty of the Mighty One riding out in triumph because of truth and meekness and righteousness. Now it is grace, not judgment.
- Cause — The King's arrival changes everything. His presence eclipses those who held the promises before Him.
- Break — The past gives no claim. The bride comes in as daughter, not as ancestor. On the old ground she has lost everything.
- Gift — God Himself forms the sons. They have the law written in their hearts, unlike fathers who failed under law.
- Reach — Their rule is worldwide. No longer the tail among the nations, but the head, holding the King's dominions for Him.
- Timing — That honour belongs to the day of His glory. For Christians now the order is grace, not judgment, and a heavenly calling instead of earthly rank.
I will make thy name to be remembered throughout all generations; therefore shall the peoples praise thee for ever and ever.
Psalm 45 closes with God Himself speaking to the King. His last word is about a name — one He promises to keep alive in every generation. So whose name is it, and why does remembering it bring praise that never runs out?
The psalm's final lines are not the poet's own wish. Commentators identify the speaker as God. He promises this King what no ruler can win for himself: a name that outlives every other name.
In the closing verses of the psalm, we hear the voice of Jehovah speaking through the psalmist. Above all, Christ will be exalted and praised for ever and ever. Other names will be forgotten. But the name of Christ will be remembered throughout all generations, and He Himself will be the Object of praise among all people for ever and ever.
The name God pledges to keep is the name of the One who was mocked with it. One writer looks back to Christ's rejection, when men threw His royal titles at Him as an insult.
The reference seems to be to the humiliation of Messiah. As Son of David and Seed of Abraham, He was rejected and cut off out of the land of the living. For a moment the city was stirred to welcome Him with cries of "Hosanna to the Son of David." Soon it condemned Him along with criminals, and sent Him out to suffer a shameful death outside the gate. The titles which men allowed then only in mockery are justified and glorified in resurrection. The resurrection has proved the divine title of Jesus to be Heir of all things, whether heavenly or earthly (Heb. 1:2). He is declared to be the Son of God in power, according to the Spirit of holiness, by the resurrection from the dead (Rom. 1:4).
Commentators point this phrase forward to Christ's reign. Then generations will not replace each other as they do now — they will live at the same time.
But verse 17 ends the psalm with God's declaration to the King, His beloved Son: "I will cause your name to be remembered in all generations." In the thousand year reign of this Sovereign there will of course be many generations, all living at the same time. The godly will live through the entire millennium, for "like the days of a tree shall the days of my people be" (Isa. 65:22). Through all that time His people will not grow weary of praising Him, nor indeed for eternity!
This remembering is not private. It reaches the whole earth.
God will cause the Name of the King, Jesus, the Son of God, to be remembered in all generations. So long as the earth remains, the generations on earth will know for sure that Christ is the ruler over all the earth. His reign will bring blessing to His people Israel, peace to all the nations, and prosperity to all who are subject to Him.
The verse joins its two halves with "therefore." His people praise Him for what they come to see in His suffering.
The Name of Jesus, once disowned by His people, will be sweet to them. They will realize then that He passed through all the suffering and judgment so that they might be blessed.
The praise in this verse does not begin with the nations. One writer points to where it starts.
The last verse is a summary of the opening song of praise and homage to the King whom God anointed. The nations outside Israel learn and carry on the song of grateful worship, which the chosen people of His covenant begin.
God says He will keep this name alive. One writer draws out what that means for readers today.
May the glory of the Lord fill our souls. Then we shall not be taken up with the shortcomings and faults of one another. From Genesis to Revelation there is one supreme theme. When we read the Scriptures, may we never fail to see His glory, and then, like Isaiah, we shall speak of Him. We shall then be in agreement with God Himself, who has said, "I will cause your name to be remembered in all generations; therefore nations will praise you forever and ever."
- The Speaker. The psalm's last words are God's own address to His Son — the promise to preserve the name is made by God, not by admirers.
- The Name. Men threw this name at Christ in mockery when He was cut off. Resurrection turned the insult into His justified title.
- The Span. "All generations" reaches into His reign. Many generations will live at once, and none of them stops praising Him.
- The Reach. As long as the earth lasts, every generation will know Christ rules it. Israel begins the praise, and the nations take it up.
- The Response. His people praise Him for what His suffering won for them. To speak of His glory now is to agree with God's own purpose.