Bless Jehovah, O my soul! Jehovah my God, thou art very great; thou art clothed with majesty and splendour;
Psalm 104 opens with a call the singer makes to himself, and then turns at once to God's greatness and to the splendour He wears. It raises simple but large questions. Why does praise begin inside a person? Why does the Creator come into view only now? And what does it mean that God wears splendour and majesty like clothing?
The opening cry is not the reaction of a stranger. It comes from someone who already knows who God is to him. That is why he can call Him my God before he calls Him great.
The psalm opens with praise to the Creator. It comes from one who, according to the previous psalm, already knows the Lord as Redeemer. So he can say, "O LORD my God, you are very great!"
Redemption is the older song here. Creation does not start a new one; it joins in.
The Lord the Redeemer is what the last psalm proclaimed to us. Divine Love could not hand over the glory of this salvation to another. Nor could Divine Love find anyone able to make the enormous sacrifice it involved. In the psalm before us the Lord is the Creator as well. Nature brings its tribute of praise to swell the anthem of redemption. Only in this way can we grasp its glorious harmony.
"Clothed with splendor and majesty" is picture language. The next line keeps it going: He wears light like a robe and spreads the heavens out like tent fabric. What we can see is what He has put on.
The psalm begins by celebrating the greatness of the Lord: He is clothed with splendour and majesty. He is unreachable in His own essential glory. He covers Himself with light as with a garment, and stretches out the heavens like the curtain of a tent. The visible is therefore the robe of the Invisible. He lives in it, and through it we may make out, however dimly, His glorious Form.
That brightness has a strange effect on anyone who looks.
Who else could anyone say has covered himself with light as with a garment? Here the light is so bright that it blinds our weak eyes, but that only draws out more devoted worship.
Genesis tells what God made. This psalm sings it. That difference gives the psalm its energy.
In Genesis 1 we have the record of creation; in this psalm the song of creation. The psalm in its main outline follows the story of creation. The record shows creation at its beginning. The song shows creation as it works now. "One portrays the beginning of the eternal order, the other its ongoing living spectacle. That is also why the Ode has far more animation than the Record. The Record is a picture of still life; the Ode is crowded with figures full of stir and movement."
The rest of the psalm is full of the earth. None of it draws praise for its own sake.
Psalm 104, which celebrates the Lord as Creator, needs very few remarks. You will notice that it deals almost entirely with the earth. He is clothed with the glory of the heavens, and the psalm describes that in most beautiful language. But the earth is the subject. The psalm looks at the earth as it now is, the home of men, yet everything depended on the Lord's sovereign will. It does not celebrate the earth, but the Lord, the Creator of it. It is not paradise, but this earth as we see it in man's hands. But the psalm looks ahead to sinners being consumed out of it, and the wicked being no more.
These words fit no human being. Set them beside Job at his lowest, and the gap is plain.
Can such language describe Job? — "You are very great; you are clothed with splendor and majesty, covering Yourself with light as with a garment." … But had his own right hand stopped the raiding bands that carried off his possessions? Had it turned aside the storm that swept away his children? Sadly, he had needed a piece of broken pottery to scrape himself. His clothing was sackcloth, not glory and majesty. His seat was the ashes of a ruined life, not the throne of glory.
- Inside first. The psalm stirs one's own soul, not a crowd. Praise that reaches the stars begins in a heart that says "my God."
- Redeemer, then Creator. The last psalm proclaimed the Redeemer. Creation's praise swells that anthem of redemption; it does not replace it.
- The robe. He wears splendour, majesty and light. The visible world is the clothing of the Invisible; its brightness blinds weak eyes and draws out deeper worship.
- Song, not record. Genesis gives the still picture of creation's beginning. This psalm shows the same world in motion, crowded with stir and life.
- The Maker, not the made. Earth fills the verses, but the Lord fills the praise — and words like these fit no creature, as Job's ashes proved.
Covering thyself with light as with a garment, stretching out the heavens like a tent-curtain; --
This verse paints two pictures: God wearing light, and God spreading out the sky like a tent. Both raise one question. If light is His covering, does creation show us God, or hide Him?
These words of praise come from a man who already knows God as his Redeemer. Their order follows the opening days of creation in Genesis: God is light, and He spreads the sky above the waters.
The psalm opens with praise to the Creator. It comes from a man who, according to the previous psalm, already knows Jehovah as Redeemer. That is why he can say, "O Lord my God, you are very great." In these opening verses the psalmist sees a view of creation that matches the first and second days of creation. God, who is light, divides the waters from the waters. He stretches out the heavens above, over the waters beneath.
A garment is worn, but it is also seen.
Inaccessible in His own essential glory, He covers Himself with light as with a garment, and stretches out the heavens like the curtain of a tent. The visible is thus the robe of the Invisible. He indwells it, and through it we may discern, if dimly, His glorious Form.
The dimness is not a failure of the light.
Yet this dimness itself is Light. There is no hiding, except to make Him better known. Our sight is weak, so we look at the sun through a darkened glass.
The words fit God alone. Could Job dress himself in such glory? His sackcloth and ashes gave the answer.
Could anyone say this of Job? — "You are very great; you are clothed with splendor and majesty, covering yourself with light as with a garment." … But had his own right hand even stopped the raiders who drove away his possessions? Or turned aside the storm that swept away his children? Sadly, he had to use a piece of broken pottery to scrape himself. His clothing was sackcloth, not glory and majesty. His seat was the ashes of a ruined life, not the throne of glory.
The brightness that overpowers our sight is the very thing that stirs worship. And the stretched-out heavens keep their calm beauty while the clouds below keep changing.
Of whom else could anyone say that He has covered Himself with light as with a garment? Here the light is so bright that it blinds our feeble eyes, yet it draws out deeper worship. "Stretching out the heavens like a tent." We marvel as we watch the heavens, and how they are kept in calm, majestic beauty. The clouds move and change all the time, but they have no effect on the heavens themselves.
Here is the limit of the picture. A robe of light shows greatness, not character.
God's purpose was to make known His moral nature and character, and the happiness of the life He lives. To carry out that purpose, He had to come out from the unapproachable light where He dwells alone. He did this when He came forth in the exercise of the creating power that is His own. In the creation He has produced, He has clothed Himself "with light as with a garment." But when we look at God in creation, we do not see His moral nature and life. Creation shows "His eternal power and divinity" (Rom. 1:20). It proclaims the power and divinity that was eternally in Him, but not what He is in moral nature and character.
Commentators also apply these words to Jesus. The same description fits Him as He walked among people.
In the Old Testament we read of God as the One who covers Himself "with light as with a garment." We could say the same of our Lord as He walked through this world of darkness. He stood in perfect contrast to everyone around Him. This was true all through the years of His ministry. It stood out most in the hours just before His crucifixion.
- Robe. The light is not God on display; it is His covering. The visible is the robe of the Invisible, and the sky is the curtain of His tent.
- Veil. The dimming is kindness, not hiding. He veils Himself only to make Himself better known, the way darkened glass lets weak eyes see the sun.
- Reach. No creature can wear that garment; Job, in sackcloth on the ashes, was the proof.
- Limit. The robe declares eternal power and divinity, but not moral nature. Creation shows what God can do, not what He is like.
- Person. So He came out from the unapproachable light. In Christ, the contrast with the surrounding darkness shone clearest as the cross drew near.
Who layeth the beams of his upper chambers in the waters, who maketh clouds his chariot, who walketh upon the wings of the wind;
The psalm's opening lines picture God dressing Himself in light and stretching out the sky. Verse 3 carries the picture further. God frames His own rooms above the waters, and He rides on the clouds. Is this only poetry about weather? Or does it show a God who is present and moving inside the world He made?
The "waters" here are not the sea below. They are the waters God separated above at creation. One writer follows the line in an older wording, which has "upper chambers" and "walks" where the ESV has "chambers" and "rides":
Strange as it may sound, "He lays the beams of His upper chambers in the waters" (v. 3). These are "the waters above" (Gen. 1:7), water carried in the clouds. Those clouds are in effect made "His chariot," and we can only watch them, for we do not ride in them. Nor can we "walk on the wings of the wind," as our great Creator and Redeemer does.
The verse says more than that God made these things. He travels in them. And the one singing already knows Him as more than a Maker:
The psalm opens with praise to the Creator. The one singing already knows the Lord as Redeemer, as the previous psalm shows. So he can say, "O Lord my God, you are very great." In these opening verses a view of creation rises before the psalmist. It matches the first and second days of creation. God, who is light, divides the waters from the waters. He stretches out the heavens above over the waters beneath. In all this great work we see God not only creating, but moving in His own creation. He "makes the clouds His chariot," and "walks on the wings of the wind." Angels wait on Him as His ministers.
Some would treat this as pre-scientific imagery. One writer answers that discovering how clouds and winds work has not removed the Person behind them:
The psalmist will not explain what happens in the heavens by matter and motion alone. To him it is all filled with the Presence and Will of a divine Being, whom these things in some sense show. We have discovered some of the mechanics involved. That has done nothing to disprove what the psalmist believed. The description is poetic, but its meaning is not hard to understand, and no one can prove it superstitious. Superstition thrives in the dark; it is inconsistent, fantastic, irrational. These things have proved rational, and so authoritative that we call them "law." To claim them as the work of Mind, of a divine Governor, is not superstition at all.
One writer traces this cloud from Israel's early history to the day Jesus was taken up:
The cloud first took Him at the head of His redeemed people, to lead them on the way (Ex. 13). Later it carried Him to fill His place in the tabernacle, and then in the temple (Ex. 40; 2 Chr. 5). So the cloudy chariot waited on Him of old (Ps. 104:3). And when the sins of the people had disturbed His rest among them, the cherubim carry Him away (Ezek. 1); and the cherubim were called "the chariot of the cherubim" (1 Chr. 28:18). On all these occasions He was attended by His appointed chariot. And so He is now. He is "carried up."
Riding the clouds belongs to God. So the way Jesus appears at His return settles who He is:
Every eye will see Him in surroundings that show His Deity. For this is the Lord God Himself, "who makes the clouds His chariot, who walks on the wings of the wind" (Ps. 104:3)… Our verse here announces that all the tribes of the earth will wail because of Him. This is not repentance. They wail because His coming seals their doom, and they realize it.
One writer reads the beams sunk into the waters as a picture of where God's glory rests — on the death of Christ:
The glory of God rests on the cross. "Who lays the beams of His chambers in the waters." The beams of the chambers of glory rest, as it were, on foundations laid deep in death. The Lamb of God went down into that death, so that everything should be established and made sure there. What could be more blessed or comforting than that?
- Framed — God builds His upper rooms over the waters above, the water that clouds carry.
- Ridden — the clouds are His chariot: God is not only the Maker standing outside creation, He moves within it.
- Reasonable — knowing how clouds and winds work does not explain God away. Order we call "law" points to a Mind.
- Carried — the same cloud led Israel, filled the tabernacle and the temple, and took Jesus up.
- Returning — He comes back on the clouds, and that marks Him out as God. The glory of that day rests on the cross.
Who maketh his angels spirits; his ministers a flame of fire.
Psalm 104 praises God as Creator, clothed with light and riding on the wind. Verse 4 sets His messengers in that same picture, and Hebrews later quotes it to show what angels are.
These verses follow the order of the first days of creation. They show God at work inside what He made.
The psalm opens with praise to the Creator by one who, according to the previous psalm, already knows the Lord as Redeemer, and can therefore say, "O Lord my God, You are very great." In the opening verses a view of creation rises before the psalmist that matches the first and second days of creation… In all this great work God is seen not only as creating but as moving in His own creation. He "makes the clouds His chariot," and "walks upon the wings of the wind." Angels wait upon Him as His ministers.
The Hebrew can be read two ways. Some translations give "he makes his messengers winds." Others give "He makes His angels spirits." One writer says the New Testament, not grammar, settles which is right.
The writer of the letter to the Hebrews accepts and uses the old Greek translation of this verse (Heb. 1:7), and that rules out any other reading. "He makes His angels spirits" is, according to the apostle, a fact stated about the nature of angels. That is of course a much higher fact than "making the winds His messengers." The words could be translated either way, so something other than the language must settle the meaning… There would indeed be a gap in the picture of the Lord as Creator if only physical forces — clouds, winds and so on — were spoken of, and not His creative power in the realm of spirit.
Both readings press home one truth: nothing in creation stands apart from God.
This shows that no part of His creation stands separate from Him. No physical force works that is not the carrying out of His will. The "spirits," with a responsibility of their own, represent Him and are subject to Him, receiving their character and their gifts from Him according to His will.
The words "spirits" and "flaming fire" say what angels are, and where their limits lie.
God created angels to serve. They are indeed spirit, and not flesh. They look like Him who is Himself a consuming fire. But they have their being, and are kept in their appointed spheres, by the word of Him who made them. In all their might and excellence they belong wholly to Him who formed them for Himself.
The picture also says how angels work.
Here God is speaking of His works of creation and providence, and the messengers He uses: they are angels, beings who excel in strength and delight to do His will. He makes the angels spirits, and they go like the lightning or the wind, quick and certain in their work.
Hebrews 1 quotes this verse to draw a line. The force of the argument lies in the verb "makes."
It has pleased God to give these agents of His power this nature of spirits. But of the Son He says, "Your throne, O God!" God, in the exercise of His will, makes His angels spirits, or flames of fire. But of the Son we never read that God makes anything of Him… The angels stand higher than man. Yet for all their glory, they stand far below the Son.
Whatever their rank, angels remain staff.
They are only servants, whatever their might, function, or sphere… They never rule.
The two figures match two kinds of errands.
At God's command they get ready to serve, in whatever the saint needs, or whatever the occasion under the throne of God calls for. They formed a travelling chariot to carry Elijah to heaven, and to carry Lazarus to Abraham's side. They now form chariots of war, when the hostile armies of Syria surround Elisha… They are either as winds or as fire. They are messengers of mercy and executors of judgment, as "the Lord" who "is among them" may command.
Much of that service lands on us, and we never see it.
We owe far more to angelic ministry than we notice, in matters of physical strength and wellbeing. Yet as spirit beings their ministry is hidden, and they are content to remain unknown to us, so that all the glory for it goes to God alone.
- Creator. A man who already knows God as Redeemer sings this psalm. He traces God's hand through everything made — including the realm of spirit.
- Made. Read the Hebrew either way, the verb rules: God makes angels. They are creatures, shaped and equipped by His will.
- Swift. They move like wind and lightning, quick and certain. The word that made them keeps them in their appointed spheres.
- Servants. God makes His angels something; of the Son He never says that, but "Your throne, O God." Angels serve; they never rule.
- Sent. As winds and fire they carry both mercy and judgment — and some of those errands, unseen and unclaimed, are run for us.
He laid the earth upon its foundations it shall not be removed for ever.
Psalm 104 celebrates God's glory in creation. Verse 5 is where the psalm sets the dry land in place. Two questions press on a modern reader. What "foundations" can a spinning planet have? And how can the earth stand firm if fire will one day purify it?
The psalm follows the days of creation in order. One writer traces that order and shows where verse 5 falls:
On the first day there was light (v. 2). Then, on the second day, God formed the expanse of sky (v. 2). On the third day He divided the waters (v. 3) and laid the earth on its foundations (v. 5). The waters were gathered together, so that the dry land appeared (vv. 6-9).
How can a spinning ball rest on footings? One writer faces that question directly:
These verses confirm the Genesis record: God prepared the earth for man's welfare. We may wonder how the earth can have foundations, since we understand it to be a great ball speeding through space. But God knows what He is doing, and He establishes what we cannot. The foundations are so solid that nothing can change it "forever and ever" (v. 5).
The ESV says the earth "should never be moved." Older translations render the Hebrew here as "for ever and ever," and that phrase carries the full weight the language can give:
This verse declares that the dry land is completely secure for ever. It uses the strongest expression for eternity that the Old Testament has (le-olam va-ed). The flood, which geology is beginning to teach us about, changed nothing essential in the structure of the earth in this way. The purification by fire that awaits the earth, before it reaches the eternal condition of the "new earth," need not change it either, though there will then be "no more sea" (Rev. 21:1). Whatever the changes may be, God keeps to His first plan all the way through, and He builds for eternity.
One writer explains how Hebrew builds this expression, and counts a single exception among its uses:
The Old Testament has a way of expressing absolute eternity, which shows that olam by itself cannot say it clearly. It adds to olam a word that may be taken as "and yet": "for the olam and yet." So beyond the olam a further stretch of time is possible and real. This phrase occurs about fourteen times in the Old Testament. In only one of them may it have a more limited meaning: Psalm 104:5. And there its limit comes from the nature of the thing it describes.
If God renews the earth, does the promise of verse 5 fail? One writer answers by comparing it to a believer:
The new earth, let us remember, is new in the same sense that the man in Christ is a new man — not a new individual. It is the same person who was the sinner and is now the saint, but there is a completely new condition. The earth's renewal is not the prelude to its mere destruction. On the contrary, it is the first step towards lasting blessing and the change of the heavens and the earth.
Who is speaking in this psalm? One writer names Him:
Psalm 104 celebrates the creation glory that Psalm 102 showed belongs to Messiah. I take these words to be the expressions of Messiah's soul. He alone has the fulness of the Spirit to voice them. Yet they are the testimony of the Spirit for us, for Messiah is also Jehovah, the Creator.
Another writer names what makes a person able to enjoy God's works:
Only gladness in the Lord Himself qualifies a believer to truly enjoy His works. In this Psalm the Spirit of promise is declaring the majesty and glory that belong to Christ (Col. 1:16). The Psalm is a most beautiful description of the harmonious blessing of creation, held in power by the God of the whole earth.
The earth that stands firm is also an earth that waits:
God's providence rules over all even now. But in the end He will apply His resurrection strength to creation. Creation will then become again, as of old, the object of divine delight. It now groans and suffers pain, but it will then be delivered.
- Founded — the verse marks the third day, when God gathered the waters and the dry land appeared.
- Fixed — God establishes what we cannot; the footings hold even under a world speeding through space.
- For ever — the Hebrew phrase is the Old Testament's strongest word for eternity. Its limit comes from the thing it describes.
- Fire — the flood behind us and the fire ahead do not undo God's first plan. He builds for eternity.
- Freed — the earth that stands firm groans now. Christ the Creator will deliver it, and the glory is His.
Thou hadst covered it with the deep, as with a vesture; the waters stood above the mountains
This verse looks back to a time before there was any coastline or any place to stand. Water lay over everything, even over the high ground. The psalm is a song of praise, and it traces the world's beginnings step by step. So why does a worshipper sing about a drowned world?
Commentators read the verse as a picture of the world before dry land appeared. It matches the account in Genesis. One writer calls the covering of water a birth the earth passed through, with its shape already formed underneath.
But at first, as we read in Genesis, water ruled everywhere: "You covered it with the deep as with a garment; the waters stood above the mountains." Geology knows this condition well. Moses somehow knew it before geology. The earth man lives on was born out of water, like a child from the womb. Its structure was already there — mountains, and by implication valleys — before that birth.
The verse does not stand alone; the next lines tell how the water left. What ended the flooded state was not a slow process but a spoken word.
As is implied in Genesis 1:9, the deep waters covered the entire world, a fact that science cannot dispute. In fact, here we read "the waters stood above the mountains" (v. 6). It was the rebuke of God's word that changed this condition. What a voice of thunder indeed! (v. 7)... The emerging earth was to be a suitable place for men's dwelling.
The psalm follows the order of the creation days. This verse belongs to the third day, when God gathered the sea into one place.
In the verses that follow, the psalmist recalls the first part of the third day's work. He thinks of the day when the Lord's "rebuke" gathered the waters into one place and the dry land appeared. On that day "the mountains rose, the valleys sank, to the place" which God had "founded for them," and God set the bounds of the seas so that "they may not pass over."
The water once stood higher than the hills, so its retreat is no small thing. One writer hears in the pushing back of the waters a picture of something larger.
The psalmist now tells the story of how the earth was prepared for man. God's delight in man, and so His "rejoicing in the habitable parts of His earth," are plainly the theme. The rebuke and bounding of the overflowing waters may be read as a parable of the conflict this world has always seen. That conflict receives its final rebuke when the Prince of Peace comes... The flood changed nothing essential in the structure of the earth in this way, and the purification by fire that awaits it before the new earth can come need not do so either — though then there will be "no more sea" (Rev. 21:1). Whatever changes may come, God keeps to His first plan all through, and builds for eternity.
One writer connects the land rising out of the deep with resurrection, then applies it to the believer. What troubles a person is not always removed; God gives it a limit.
The third day is resurrection day, and the earth rises out of the waters. Once the power of resurrection is known, it gives the soul stability and fruitfulness. As with the darkness before, so now with the waters: God sets their bound. They cannot pass it, and they cannot turn again to cover the earth. So it is with everything that causes the soul's unrest and barrenness.
Reading these events as a picture of spiritual things could look like an illustration laid over the facts. One commentator argues the opposite, and points to what the psalm as a whole is saying.
The more we study this, the more sure we shall be that the typical meaning is no arbitrary fitting of the facts to a spiritual illustration. It is deeply grounded in the nature of things. In short, we shall realise what this psalm emphasises: the Redeemer and the Creator are One.
- Covered. The verse describes the world before dry land existed. Water lay over everything, even above the mountains. The shape of hills and valleys was already there underneath.
- Rebuked. What lifted that covering was God's word, not time. The sea went back at a voice like thunder, and the land came into view.
- Bounded. The water was not removed but limited. God set a border the sea cannot cross, so the ground stays fit for people to live on.
- Secured. God builds for eternity, so the waters do not come back. One writer reads this as a picture of the world's long conflict, which meets its final rebuke when the Prince of Peace comes.
- Risen. Land rising out of the deep pictures resurrection. The God who spoke the sea back is the God who redeems. So what unsettles a soul gets a limit it cannot pass.
At thy rebuke they fled, at the voice of thy thunder they hasted away; --
Psalm 104 sings its way through the days of Genesis. Verse 7 lands on the moment when the waters covering the world fled at God's voice. How did the sea come to have limits at all? And what voice can make an ocean run?
One writer contrasts the Genesis account with this psalm.
In Genesis 1 we have the record of creation; in this psalm the song of creation. The psalm in its main outline follows the story of creation. The record shows creation at its beginning. The song shows creation as it works now. "One pictures the beginning of the eternal order, the other its ongoing living display. So the song has far more life in it than the record. The record is a picture of still life; the song is crowded with figures full of stir and movement" (Perowne).
The verse only makes sense against the state described just before it.
But at first, as we read in Genesis, water ruled everywhere: "You covered it with the deep as with a garment; the waters stood above the mountains." Geology knows this condition well. Moses somehow knew it before geology. The earth man lives on came out of water, like a child from the womb. Its structure was already there — mountains, and valleys implied along with them — before it came out in this way.
Where does the verse fit in the order of the creation days? One writer places it in the third day's work.
In the verses that follow the psalmist recalls the first part of the third day's work. He thinks of the day when at the "rebuke" of the Lord the waters were gathered into one place, and the dry land appeared. On that day "the mountains rose, the valleys sank, to the place" which God had "founded for them." On that day God set the bounds of the seas so that "they may not pass over."
The verse names no tool and no slow process — only a spoken rebuke. One writer points to God's word as what changed a drowned world.
As is implied in Genesis 1:9, the deep waters covered the entire world, a fact that science cannot dispute. In fact, here we read that "the waters stood above the mountains" (v. 6). It was the rebuke of God's word that changed this condition. What a voice of thunder indeed! (v. 7).
The second half of the verse turns to thunder.
Thunder is rare in Palestine. Scripture treats it as the voice of God in power — in the Old Testament looking back, and in Revelation looking ahead. Ps. 29; Ps. 77:18; Ps. 104:7; Rev. 4:5; Rev. 6:1; etc.: compare also John 12:29.
One writer sets God's voice at creation beside the same voice on a lake.
It was His voice — "God said," ten times repeated — that brought order out of chaos, light out of darkness, and life out of death (Gen. 1). It was His voice that stilled the angry Galilean sea, and hushed its wild winds and waves into the calm of a sleeping child (Matt. 8:23-27).
One writer finds a picture in the driving back of the waters.
The psalmist now tells the story of how the earth was made ready for man. God's delight in man, and so His "rejoicing in the habitable parts of his earth," are plainly the theme. The rebuke and bounding of the overflowing waters can also be read as a parable of the strife that the world has always seen. That strife receives its final rebuke when the Prince of peace comes.
- Chaos. Before this verse, water ruled the whole earth. The deep covered it like a garment and stood higher than the mountains.
- Word. Nothing but a rebuke changed that. God's spoken word, not any visible force, sent the waters running.
- Voice. Scripture uses "thunder" for the voice of God in power, from the Psalms to Revelation.
- Obedience. The voice that scattered the waters at creation later stilled a storm on Galilee. The sea answers its Maker.
- Peace. The rebuke and bounding of restless waters pictures the world's strife. That strife gets its final rebuke when the Prince of peace comes.
The mountains rose, the valleys sank, unto the place which thou hadst founded for them; --
Psalm 104 is a hymn that walks through the days of creation. Verse 8 catches the moment the land takes its shape under God's word. Two questions sit behind the rising hills and sinking hollows: what is the "place appointed," and why does it matter that God gave the valleys a floor as surely as He raised the peaks?
The psalm follows the order of Genesis. Verses 5-9 sit at one stage of it: the day God gathered the sea and the dry land appeared.
In the verses that follow, the psalmist recalls the first part of the third day's work. He thinks of the day when the "rebuke" of the Lord gathered the waters into one place and the dry land appeared. On that day "the mountains rose, the valleys sank, to the place" which God had "founded for them," and God set the bounds of the seas so that "they may not pass over."
Verse 8 only makes sense against verse 6, where water stands over everything. One writer reads the rising of the mountains as what drained the flooded globe and made it fit to live on.
As is implied in Genesis 1:9, the deep waters covered the entire world, a fact that science cannot dispute. In fact, here we read that "the waters stood above the mountains" (v. 6), and that the rebuke of God's word changed this condition. What a voice of thunder indeed! (v. 7). The Numerical Bible translates verse 8: "Mountains ascended; they went down the valleys unto the place that You have appointed for them." This evidently means the mountains rose and made the waters run down into the valleys. The emerging earth was to be a suitable place for men's dwelling.
Commentators differ over who is moving in verse 8: the landforms, or the water. One writer sets out the problem, and why the usual reading feels awkward.
Some object that we cannot say, "They ascended the mountains," speaking of the waters. It sounds unnatural in itself, and the waters already stood above the mountains, which rules it out. So most read "The mountains rose; the valleys sank," and treat it as an aside, since the rest of the verse, and the next one too, speak again of the waters. The "place appointed" is clearly the "one place" into which God gathers the waters on the third day. It does not refer to either the mountains or the valleys. On the other hand, it is awkward to take the first half of the verse as an aside. But there seems no reason why we should not translate it, "Mountains ascended: they went down the valleys." That keeps the connection, and makes the language a vivid picture.
The next verse adds a boundary to the sea. The same writer draws out what that recovered earth tells us about the God who made it.
The next verse then speaks of the boundary God assigned to the retreating waters, to keep them from returning again. So man's earth has been recovered and is kept for him… The more we study this, the more sure we shall be that its meaning as a picture is no arbitrary fitting of the facts to a spiritual lesson. It is grounded deep in the nature of things. In short, we shall see what this psalm stresses: the Redeemer and the Creator are One.
But what about Noah's flood, when the water did come back? The limit God set on the sea answers that.
At the time of Noah's flood this process may seem to have been reversed for a short time. Yet it was not reversed for good. God had set a boundary for the waters so that they might not return to cover the earth (v. 9). As God tells Job, "I said, 'Thus far shall you come, and no farther, and here shall your proud waves be stayed'" (Job 38:11).
The verse credits God with the depths as much as the heights. One writer quotes it in an older wording, "founded for them," where the ESV has "appointed." He turns that detail into comfort for anyone whose life is now at the bottom of the map.
In Psalm 104:8 we see that "valleys" are a creation of God Himself: "the valleys sank, to the place which You had founded for them." So we can accept our "valley" circumstances as the ordering of God. And we can rejoice in the knowledge that "He sends the springs into the valleys" (v. 10). How blessed to hear Him say to His people, "I the LORD will answer them, I the God of Israel will not forsake them, I will open… fountains in the midst of the valleys" (Isaiah 41:17-18).
- Rebuke. God's word alone moved a world drowned under water. Verse 8 records what happened when that voice spoke on the third day.
- Founded. God set both the heights and the hollows. The valleys sank to a spot He had already prepared.
- Bounded. The next verse fixes a limit on the sea. So the appointed place lasts — even the flood did not overturn it for good.
- Inhabited. The whole rearrangement had a purpose: the emerging earth was to be a suitable place for people to live.
- One. The God who shaped and secured this earth is the God the singer already knows as Redeemer. Creator and Redeemer are one Person.
Thou hast set a bound which they may not pass over, that they turn not again to cover the earth.
This line closes Psalm 104's account of creation by fixing a limit for the sea. Commentators ask two things about it: what did God fix, and how firm is it?
The psalm moves through the days of creation in order, and this verse belongs to the moment the sea was gathered and land appeared.
In the verses that follow, the psalmist recalls the first part of the third day's work. He thinks of the day when at the "rebuke" of the Lord the waters gathered into one place and the dry land appeared. He thinks of when "the mountains rose, the valleys sank, to the place" which God had "founded for them," and when God set the bounds of the seas so that "they may not pass over."
God sets the limit on water that is already going back. The result is an earth recovered and kept for people to live in.
The next verse then speaks of the boundary God set for the retreating waters, to keep them from coming back. So man's earth has been recovered, and God preserves it for him. The picture behind it has been pointed out elsewhere (Genesis 1: notes). The more we study this, the more sure we shall be that this picture-meaning is not a random fitting of the facts to a spiritual lesson. It rests deep in the nature of things. In short, we shall see what this psalm stresses: that the Redeemer and the Creator are One.
Noah's flood looks like an exception: the waters did come back. One writer answers that this lasted only a short time, and ties the verse to God's word to Job.
At the time of Noah's flood this process may seem to have been reversed for a short time. But it was not reversed for good. God had set a boundary for the waters so that they would not return to cover the earth (v. 9). As God tells Job, "Thus far shall you come, and no farther, and here shall your proud waves be stayed" (Job 38:11).
Neither past nor future judgment changes the design. Even the fire that will purify the earth need not undo it.
The flood (which we are beginning to know something about from geology) changed nothing basic in the structure of the earth in this way. The purification by fire that awaits it, before the eternal condition of the "new earth" can come, need not change it either, though there will then be "no more sea" (Rev. 21:1). Whatever the changes may be, God keeps to His first plan all through, and builds for eternity.
Look at what the boundary holds back. People can cross the ocean, but they cannot command it.
God has restrained this restless mighty ocean. He did so at the beginning, and again when in judgment He let it swallow up the earth. Man gazes at it with awe, but cannot control its power. His "thousand fleets sweep over it in vain"; he "marks the earth with ruin," but his control stops at the shore.
Commentators also read the held-back sea as an image. The endless press of water against the land pictures the long strife against God's people.
Clearly this foundation is a separation. Ever since, the water has been working at this earth that God established, trying, as it were, to overthrow it. But it has not been able. This struggle is a fitting picture of what has happened to His people. For centuries the fight has been waged against them, to break down the barrier of God's purpose that He has put around them — and it could not.
The same notes point that picture forward. The rebuke of the waters can be read "as a picture of the conflict that has always filled the world, which gets its final rebuke when the Prince of Peace comes" (Numerical Bible Notes).
- Rebuke. The verse closes the third day's work: at God's rebuke the waters gathered, the mountains rose, and dry land appeared.
- Boundary. God sets the limit on retreating water, so it cannot come back. By that boundary man's earth is recovered and kept for him.
- Security. The flood seemed to reverse it for a time, but not for good. The word to Job stands: "Thus far shall you come, and no farther."
- Permanence. Neither the deluge behind us nor the fire ahead changes the plan: God builds for eternity.
- Picture. The sea still works at that barrier and cannot break it. It pictures the long strife against God's people, and a world whose unrest gets its final rebuke when the Prince of Peace comes.
He sendeth the springs into the valleys they run among the mountains;
The psalm turns from the shaping of the land to the watering of it. Two questions follow. Is this something God did once at the beginning, or something He is doing now? And who is the water for?
One writer reads the verse as present, not past: God still keeps the springs running.
The psalmist does not think of the Creator only in His past work as the Originator of all. He sees Him in His present work as the Sustainer of His creation. So the psalmist can say, "He sends the springs" — not simply that He sent them in the past; He does so now. It is the present sustaining mercy of the Creator that fills the soul with praise. And the psalmist sees creation in the fullness of its life and activity. The springs are not simply made — they "run among the hills."
A dictionary of Bible words traces the Hebrew term used here:
mayan (from ayin); translated 'spring' in Ps. 104:10, 'well' in Joshua 18:15 and Isa. 12:3, and often 'fountain,' as at the flood.
Separating the land from the sea was only a first step. One writer explains what the springs supply.
It is not enough that man's home should be separated from the waters. Separated and nothing more, the dry land would be a barren possession for him. He could not keep himself alive on it even a few days. Earth — and therefore man — depends on heaven. That is a deeply spiritual truth, and all nature is full of it. So we come now to the springs of refreshing. The earth passes them on, but they are not of the earth. The "living water" is the well-known picture of the Spirit. Its power comes first of all from its descent from heaven, whatever underground channels bring it to the place where we find it.
(The writers quote an older wording: "He sends the springs into the valleys; they run among the hills.")
The same writer turns to how freely these gifts come, and to who receives them.
How free all God's gifts are, and the ones we need most are the freest of all. Fresh air, sunshine, the streams that water the earth: these are spread as widely as they are needed. The "wild asses" are the very picture of stubborn rebellion; but "He makes His sun rise on the evil and on the good, and sends rain on the just and on the unjust."
Another writer notes that this water meets two needs at once:
Fresh water is of great importance. It meets man's thirst, and it enables the land to bear fruit to relieve his hunger. Wonderfully, these fresh waters abound in the mountains and in the valleys (v. 10).
The list of those who drink keeps widening. One writer follows it out as far as the birds.
So long ago the Psalmist (104) praised Him who sent out springs into the valleys, to run among the mountains. They are not for man only, or for every beast of the field, even the wildest of them, but for the birds as well. They lift their voices among the branches, where a dead silence prevails. The tall spreading cedars were planted not for man's use only, not for taste or pride, but for the birds also to make their nests.
The springs go down, not up. One writer finds comfort in that direction.
In Psalm 104:8 we see that "valleys" are a creation of God Himself: "the valleys sank down to the place that You appointed for them." So we can accept our "valley" circumstances as the ordering of God. And we can rejoice to know that "He sends the springs into the valleys" (v. 10). How blessed it is to hear Him say to His people, "I the LORD will answer them, I the God of Israel will not forsake them… I will open… fountains in the midst of the valleys" (Isaiah 41:17-18).
- Sent. God did not only send the springs long ago. He sends them now, and they keep running.
- Sent down. The earth cannot keep itself alive. Its water rises through the ground, but it comes from heaven — and living water pictures the Spirit.
- Sent wide. The stream reaches every beast of the field, the wild ass and the birds in the branches. God provides for His creatures, not just for people.
- Sent free. What is most necessary is most freely given, like sun and rain falling on the just and the unjust alike.
- Sent low. The valleys are God's own making, so the low place in your life is where He aims the springs.