Exodus 39:1–21

Exodus 39:1 · Darby

And of the blue and purple and scarlet they made garments of service, for service in the sanctuary, and made the holy garments for Aaron; as Jehovah had commanded Moses.

Exodus 39 turns a corner: God's instructions from the mountain are now carried out in cloth and thread. Why does Scripture repeat directions it has already given, and why do the clothes of Israel's high priest matter so much to God?

From pattern to finished work

Chapter 28 gave the design. This chapter records the finished work coming back for inspection:

First and foremost we have full and detailed directions for the High Priest's garments of glory and beauty. When they were made and brought to Moses, he passed them all as work properly carried out (Ex. 39)... Ex. 28 describes each item, and Ex. 39 confirms that the divine directions were carried out.

Modernised from C. E. StuartOriginal wording

Garments of service

The ESV calls them "finely woven garments, for ministering in the Holy Place." Older translations render the phrase "garments of service." That name carries the point:

The priest is above all the minister, and so his garments are again and again called "garments of service," and express this... It is the heart of the blessed Lord which makes Him serve. It is His spotless purity which lets Him draw near to God, when for men to see Him is to die.

Modernised from F. W. GrantOriginal wording

The same writer takes the dressing of Aaron as the start of his office, and looks past him to Christ:

The clothing of Aaron is the first step in his installation in his office. The garments are "for glory and for beauty." How beautiful is Christ in this mediatorial place! how glorious has He made a place of service!

Modernised from F. W. GrantOriginal wording

Blue, purple and scarlet

The colours used for the tabernacle itself now go into the priest's clothing. One commentator finds Christ in each of them:

Here we have the different aspects of "the man Christ Jesus." The "fine twined linen" pictures the spotless purity of His walk and character. The "blue, the purple, and the scarlet" present Him to us as "the Lord from heaven," who is to reign according to the divine counsels. But His royalty is to be the result of His sufferings. So we have a spotless man, a heavenly man, a royal man, a suffering man. These materials were not limited to the "curtains" of the tabernacle... [but were also used for] "the cloths of service and the holy garments of Aaron." (Ex. 39:1) In a word, it was Christ everywhere, Christ in all, Christ alone.

Modernised from C. H. MackintoshOriginal wording

Another writer sees meaning in the sequence itself:

Blue, purple, and scarlet — the colours of heaven, royalty and blood — go into the making of the holy garments. It tells once more of Him who is the priest. The order is significant. The heavenly colour comes first, for He came from heaven's glory. The kingly colour next; He showed Himself in His kingly power, and the blood colour last, He died and shed His blood.

Modernised from Arno C. GaebeleinOriginal wording

Holy garments for Aaron

Why must the garments be holy? One writer answers that the office and the character of the man cannot come apart:

The office cannot be separated from the moral qualities of the office bearer. He is clothed with these holy qualities, as the priests of old were with their holy garments. Otherwise he cannot minister for men before God, just as they could not minister for Israel apart from their holy garments.

Modernised from H. Forbes WitherbyOriginal wording

"As the LORD had commanded Moses"

This closing clause becomes the refrain of the whole chapter. One writer draws out the principle behind it:

The essence of all service is obedience, and the test of everything done is whether or not it agrees with the revealed mind of God... They therefore met their responsibility towards God. So they received His approval and commendation in this repeated and significant statement: all their work was marked by obedience. This gives us the important principle that everything which claims to be of God must be ready to be tested by God's word.

Modernised from Edward DennettOriginal wording

Another writer counts how often the chapter says it, and finds meaning in the number:

Everything is done "as the LORD commanded." This expression is used seven times in chapter 39, and exactly seven times again in chapter 40, the last chapter of Exodus. Seven is the number of perfection and completion. All had been well done, and the LORD was pleased and could claim the work as His own, for He was the one who planned it.

Modernised from Arno C. GaebeleinOriginal wording

Summary

- Pattern kept. Chapter 28 gave the directions; chapter 39 is the finished work, brought to Moses and passed as properly carried out.

- Colours kept. Blue, purple and scarlet move from the tabernacle into the robes — heaven, royalty, blood: Christ everywhere, Christ in all, Christ alone.

- Service kept. They are "garments of service": the priest is above all the minister, and Christ has made a place of service glorious.

- Holiness kept. The garments are holy because the office cannot be separated from the character of the man who wears them.

- The command kept. Seven times over, chapter 39 says the work was done "as the LORD had commanded Moses" — obedience is the test, and God claimed the finished work as His own.

Exodus 39:2 · Darby

And he made the ephod of gold, blue, and purple, and scarlet, and twined byssus.

Exodus 39 turns from the tent to the clothes of the man who would serve in it. The ephod is the first garment made, and it takes five materials: gold, blue, purple, scarlet and fine linen. Why did one garment need all five?

The ephod as the garment of office

The ephod did not stand alone. Other pieces were fastened to it, and each of them carried Israel's names:

The ephod was the main garment of the high priest. Attached to it was the breastplate, with its precious stones engraved with the "names of the children of Israel." Onyx stones, set in gold mountings and engraved with the same names, were for the shoulders of the high priest. These were also attached to the ephod. So the ephod was the garment of priestly office.

Modernised from An Outline of Sound WordsOriginal wording

Another writer looks at how the parts of the garment fit together:

The old Greek translation of the Old Testament calls the ephod the "shoulder-piece," and this seems its most distinct feature. We see it stressed here by the two onyx stones engraved with the names of the tribes of Israel, which were upon the shoulders. But that is not all. The ephod just as clearly links the breastplate to the shoulder-pieces, so the shoulder-pieces help to hold up the breastplate as well. So the ephod stands above all as the garment of service — keeping the people before God.

Modernised from Numerical Bible NotesOriginal wording

Five materials, five glories

One writer takes each material in turn as a picture of Christ:

The ephod also included gold. The workers beat the gold into thin sheets and cut it into threads, then wove it into the blue, purple, scarlet and fine linen in an artistic design. So in this most important piece of clothing, the Lord Jesus is pictured first in His divine glory, as God over all. Then come His heavenly character (the blue), His royal character (the purple), His glory that attracts everyone (the scarlet) and His spotless humanity (the fine linen).

Modernised from L. M. GrantOriginal wording

Commentators differ over what each colour stands for. Another writer reads them a different way, and adds that the order itself matters:

To change the order of these colours would bring confusion into His earthly history. Blue reminds us of Him as the heavenly One. Purple tells us of His sacrifice. Scarlet foretells that the glory of the world in government will be His. So His history in connection with earth comes out in regular order. Then the gold in the ephod bears witness to Him as a Divine Person.

Modernised from C. E. StuartOriginal wording

The gold worked into every colour

The next verse explains how the gold got in. Workers hammered it flat, cut it into wires and wove it through the cloth.

The gold for the ephod was beaten into plates, then cut into fine wires. In that form it could be worked into each of the colours and seen in every part of the ephod. The Spirit of God is surely teaching us by this that we cannot look at the Lord Jesus in any of these features of glory without seeing His divine glory as Son of God. We can tell the perfections of His Manhood apart, but we can never separate them from what He is as God's own Son.

Modernised from An Outline of Sound WordsOriginal wording

One writer traces that woven pattern straight into the New Testament:

In the language of the typical teaching of Scripture, the ephod seemed to be saying that only when He shall come, in whom the pure gold of fullness of deity has taken in one Person the lovely colours of perfect manhood, will the people of God have the real Priest of God's thought. It is in fulfilment of this type that these two themes form the subjects of the opening chapters of Hebrews.

Modernised from The True WorshipOriginal wording

Gold and the ground of priesthood

One writer ties the gold to the ground on which Christ holds His office:

The golden wire-thread sparkled on the dress of the High Priest. It reminds us that Christ takes His place righteously as our great High Priest, since gold stands for divine righteousness. His High Priesthood rests on His redemptive work, and that is truly a firm foundation. Once we understand this, heart and conscience are at rest. Our relationship with our Lord has for its basis the glorious work of righteousness He accomplished on the cross for our salvation.

Modernised from A. J. PollockOriginal wording

Made exactly as commanded

Exodus 28 gave the instructions. Chapter 39 reports the work, and one line keeps coming back.

The essence of all service is obedience. The test of everything done is whether it matches the revealed mind of God... Ten times over in this chapter, the Spirit of God affirms that the work was carried out as the Lord commanded Moses. This gives us an important principle: everything that claims to be of God must be tested by God's word.

Modernised from Edward DennettOriginal wording

Summary

- Office: The ephod made a man priest. The shoulder stones and the breastplate all hung from it.

- Burden: Its standout feature is the shoulder. Its work is keeping the people before God.

- Colours: Blue, purple, scarlet and fine linen picture the glories of Christ. Change their order and you bring in confusion.

- Gold: Hammered thin and cut into wires, it runs through every colour. You can tell His deity from His manhood, but never separate them.

- Obedience: Ten times the chapter says the work was done as the Lord commanded. Every service is tested by God's word.

Exodus 39:3 · Darby

And they beat the gold into thin plates, and cut it [into] wires, to work it artistically into the blue, and into the purple, and into the scarlet, and into the byssus.

The tabernacle record pauses on a small point of metalwork: workers beat solid gold flat, cut it into fine threads, and wove it through coloured yarn and linen. Commentators ask what the gold stands for, and why it had to run through every colour instead of sitting on the surface.

The Garment Being Made

The verse belongs to the making of the ephod, the chief robe of the high priest. Everything that marked him out as priest hung on it.

The ephod was the main garment of the high priest. Attached to it was the breastplate, with its precious stones engraved with the "names of the sons of Israel." Onyx stones set in gold, engraved with the same names, were for his shoulders. They too were attached to the ephod, which was therefore the garment of priestly office.

Modernised from An Outline of Sound WordsOriginal wording

Gold Joined to the Colours, Yet Distinct

The method matters. Gold was not stitched on as decoration. Workers drew it out into thread and ran it through the weave itself.

The gold wire was worked into all the other materials with great skill. It was inseparably joined to them, and yet perfectly distinct from them.

Modernised from C. H. MackintoshOriginal wording

Commentators carry that weave straight over to the Person of Christ.

The gold was woven right through the blue and the other colours. No one could have pulled it out without destroying the whole beautiful fabric. And who can separate the human from the divine in our Lord Jesus Christ? The union of the human and the divine in His Person is one of the holiest mysteries of our faith.

Modernised from W. W. FeredayOriginal wording

What the Four Colours Carry

Commentators read each material in the weave as a different aspect of Christ. Gold comes first.

So this most important piece of clothing pictures the Lord Jesus. His divine glory comes first, as God over all. Then come His heavenly character (the blue), His royal character (the purple), His glory that attracts everyone (the scarlet) and His spotless humanity (the fine linen).

Modernised from L. M. GrantOriginal wording

Gold in Every Part

How the gold was prepared decided where it ended up.

Workers beat the gold for the ephod into plates, then cut it into fine wires. In this way it could be worked into each of the colours, and seen in every part of the ephod. Surely the Spirit of God is teaching us something here. We cannot view the Lord Jesus in any of these varied features of glory without also seeing His divine glory as Son of God. We can distinguish the perfections of the Manhood of the Lord Jesus, but we can never separate them from what He is as God's own Son.

Modernised from An Outline of Sound WordsOriginal wording

One writer finds both showing at once in the Gospels.

Look at Christ on the Sea of Galilee. In the middle of the storm He lay asleep — a precious display of His perfect manhood! But in a moment He rises from real humanity into all the dignity and majesty of Godhead, and He hushes the storm and calms the sea. There is no effort, no haste, no bracing Himself for the occasion. He is as perfectly at home in the one as in the other.

Modernised from C. H. MackintoshOriginal wording

Why Gold Leads in a Priest's Robe

Gold is named before the colours. Writers take that order as deliberate.

Here we find the gold, which shows the personal glory of the Son of God, woven in with the other four materials. It was worked skilfully into the blue, purple, scarlet and linen. This teaches us that whatever moral or official glories we see in Christ, His glory as the Son of God underlies them all. It was because of this that all the other glories are seen in divine perfection in Him.

Modernised from George DavisonOriginal wording

There is a settling word here for the believer.

The golden wire-thread sparkled on the dress of the high priest. It reminds us that Christ takes His place righteously — gold speaks of divine righteousness — as our great High Priest. His High Priesthood is founded on His redemptive work, truly a firm foundation. Once you grasp this, there is rest of heart and conscience. Our relationship with our Lord rests on the glorious work of righteousness He accomplished on the cross for our salvation.

Modernised from A. J. PollockOriginal wording

Summary

- Gold first. In the ephod the gold is named before every colour, because His glory as Son of God underlies every other glory seen in Him.

- Gold beaten. Workers hammered solid metal into plates and cut it into fine threads. The gold reached into the weave instead of sitting on top.

- Gold woven. The gold ran through blue, purple, scarlet and linen. It was joined to them and yet still distinct — the union of the human and the divine.

- Gold everywhere. The gold showed in every part of the garment. We cannot look at any side of Christ without His divine glory showing in it.

- Gold holding. Remove the gold and the fabric falls apart. Our High Priest's place rests on who He is and on the work He accomplished.

Exodus 39:4 · Darby

They made shoulder-pieces for it, joining it at its two ends was it joined together.

In Exodus 28 God described the high priest's garments. Exodus 39 records the workmen making them. Verse 4 covers the two straps that joined the ephod's front and back over the priest's shoulders. Why does Scripture give such care to a pair of straps, and what did Israel's high priest carry on his shoulders?

The Ephod

The ephod appears elsewhere in Israel's history, and one writer lists its parts:

The ephod was the priest's own distinctive garment. "Doeg turned and struck down the priests, and killed on that day eighty-five persons who wore the linen ephod." David "inquired of the Lord" with the ephod. The ephod was made of two pieces: one in front and one behind. There were two shoulder pieces, joined at the two edges; a girdle wound round the body to hold it in place; above that, a square piece — doubled, to be a breastplate — containing the names of the children of Israel.

Modernised from J. N. DarbyOriginal wording

One writer reads this garment as a picture of Christ's continuing priestly work:

The ephod is the distinctive garment of the priest. It is the badge of a service our Lord has entered on, never to lay it aside, to make good for us all the blessed results of His redeeming work.

Modernised from Samuel RidoutOriginal wording

Why a Priest at All

Why does a redeemed people still need a priest? One writer traces the answer back to Israel:

Priesthood supposes accomplished redemption: it is not what brings us in, but what we receive once we are brought in… As a people, Israel was brought to God; but they were a weak and frail people, and they needed this help along the way. Redemption brings us into the light, as God is in the light; but down here we need His priesthood to keep our walk before Him in the light.

Modernised from J. N. DarbyOriginal wording

Shoulders

The shoulder pieces were not decoration. The names of the twelve tribes rested there, and the shoulder carries a fixed meaning in Scripture:

On the shoulder pieces were two onyx stones, with the names of Israel's tribes engraved on them, six on each stone. The shoulder is the place of power. So the good Shepherd lays His once-lost sheep on His shoulder, and brings it home rejoicing (Luke 15:5)… The Great High Priest remembers every saint like this, and sustains each one by His power. That power is victorious over all the might of Satan and of death. Merit has nothing to do with this; it is all of grace alone.

Modernised from W. W. FeredayOriginal wording

A Priest's Shoulder, Not a King's

The same garment carried both the shoulder stones and the breastplate, and so threw the burden onto the shoulder. Notice which office bears it:

The ephod unites the breastplate with the shoulder, and in this way throws the burden on the shoulder. All the counsels of God in this great salvation are such a burden as Christ alone could sustain. It is not the King's shoulder that bears it, but the Priest's. The power shows itself in weakness, the victory of willing humiliation and self-sacrifice. Blessed be His name!

Modernised from F. W. GrantOriginal wording

Joined at the Two Edges

The verse stresses joining: two edges brought into one garment. One writer links this to the priest's work as go-between:

The ephod was the particularly characteristic garment of the high priest. Those in authority used it above all when they inquired of God on behalf of the people. The high priest was the true go-between for God and the people, just as Christ is the one Mediator between God and men. He represents God before the people, and He represents the people before God. Perhaps the joining of the ephod's two parts points to this same linking of the people with God.

Modernised from L. M. GrantOriginal wording

The result for the people was plain:

The people appeared before the Lord by Aaron's shoulders, not by Israel's strength; by Aaron's breastplate, not by Israel's faithfulness. And Christ's strength and Christ's love keep us in the presence of our God.

Modernised from H. Forbes WitherbyOriginal wording

Made as Commanded

This chapter is not a needless repeat of Exodus 28. It records that Israel followed the pattern down to the straps:

Exodus 28 contains God's instructions about the High Priest's robes. Exodus 39 shows how Israel carried them out. Compare the two passages and one thought strikes you: the people took care to do the will of God to the very letter. "As the Lord commanded Moses" occurs seven times for the robes alone… God had spoken, and they wanted to obey His word in every detail. Let us note this well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

Summary

- Garment — The ephod was the priest's own dress. It pictures a service Christ has taken up and will never lay down.

- Shoulders — The shoulder is the place of power. The names carried there speak of saints held up by a strength greater than Satan's or death's — all of grace, not merit.

- Burden — The ephod threw the burden onto the shoulder. It is the Priest's shoulder that bears it, not the King's — power shown in humiliation and self-sacrifice.

- Joined — Two edges made one garment. One writer suggests this joining pictures the Mediator linking the people with God.

- Obeyed — Exodus 28 gave the pattern. Exodus 39 shows Israel keeping it to the letter, and that same care is our example today.

Exodus 39:5 · Darby

And the girdle of his ephod, which was on it, was of the same, according to its work, of gold, blue, and purple, and scarlet, and twined byssus; as Jehovah had commanded Moses.

Exodus 39 tells how Israel made the priest's garments that God had commanded in Exodus 28, and verse 5 stops on one small item: the band that held the ephod in place. Why does a belt get its own verse, and why does the chapter keep repeating that the work matched what the LORD told Moses?

The Word Behind "Skillfully Woven"

The ephod was the high priest's main garment. The word used for its band belongs to this one item, and it carries a meaning of its own:

Two bands are mentioned here. One was on the vest. The other, the one our attention is drawn to, is called "the band of the ephod." The word used here for band is used for this special band of the ephod and for nothing else. It means "of skilful workmanship," and it points to the unique perfection of the service of Christ as our Great High Priest. There is no service like His. He always lives before the face of God to make intercession for us.

Modernised from An Outline of Sound WordsOriginal wording

A Belt Means Service

Whose service does the band picture? One writer answers, and describes the spirit in which He took up the work:

The band is the well-known symbol of service, and Christ is the perfect Servant. He serves the purposes and affections of God, and He serves the deep and many-sided need of His people. He girded Himself for His work with a whole-hearted devotion that nothing could dampen. When faith sees the Son of God girded like this, it is sure that no occasion can be too great for Him. This picture shows us that all the virtues, the dignities and the glories of Christ, in His divine and human nature, enter fully into His servant character.

Modernised from C. H. MackintoshOriginal wording

Woven of the Same Materials

The band was no plain strap. It used the same materials as the garment it fastened, and each thread stands for a different glory of Christ:

The ephod also included gold. Workers beat the gold into thin sheets and cut it into threads, to weave into the blue, purple, scarlet and fine linen in an artistic design. So this most important piece of clothing pictures the Lord Jesus first in His divine glory, as God over all, then in His heavenly character (the blue), His royal character (the purple), His glory that attracts all (the scarlet) and His spotless humanity (the fine linen).

Modernised from L. M. GrantOriginal wording

Service He Never Lays Aside

If the colours speak of such a Person, the belt around Him is startling. The service it pictures began when He came, and it has no end:

The gold, the purple and the rest stand for the deity and the royalty of our Lord Jesus. When we think of that, it is overwhelming that such a Person could make Himself the servant of His people. Yet it is true, so wonderful is His grace. He took the form of a bond-servant when He became man, and He will never lay it aside… So He serves for us in the heavenly sanctuary while we travel through this world. And Luke 12:37 tells us that when He gets His waiting ones home, it will be His joy to gird Himself, have them sit down at the table, and come and serve them.

Modernised from W. W. FeredayOriginal wording

What the Band Held Together

The band also did a plain, practical job on the body of the priest:

The band — the sixth of the garments — was splendid, like the ephod. The priest wore it across his chest and around his waist. It bound him so closely that the ephod, the shoulder pieces and the breastplate could not be separated. What is pictured here is a robing in personal glory.

Modernised from H Forbes WitherbyOriginal wording

The Refrain: As the Lord Commanded Moses

The verse ends with a line the chapter keeps repeating. It is not decoration. It is the test the whole work had to pass:

Exodus 28 gives God's instructions about the high priest's robes. Exodus 39 shows how the people carried those instructions out. Put the two passages side by side and one thing stands out: how careful the people were to do the will of God to the very letter. "As the LORD had commanded Moses" comes seven times in the part about the robes alone… Human choice and opinion in divine things had no place in the minds of Israel's workers.

Modernised from W. W. FeredayOriginal wording

The same test applies to service now:

If obedience is missing, no service can be acceptable to God, however much real devotion and zeal there may be. And this is exactly where so many Christians fail.

Modernised from Edward DennettOriginal wording

Summary

- Commanded. The band was not the craftsmen's idea. Verse 5 ends the way the chapter keeps ending: Israel made it just as the LORD told Moses.

- Woven. Its threads match the ephod: gold, blue, purple, scarlet, fine linen. They stand for divine glory, heavenly character, royalty and spotless humanity in one design.

- Girded. A belt means a servant at work. This band was skillfully woven, and it marks out a service no one else could match.

- Binding. It held the ephod, shoulder pieces and breastplate so closely that they could not be separated — one robing in personal glory.

- Unending. He took the servant's form and never laid it aside. He serves now in the heavenly sanctuary, and He will gird Himself to serve His people at the end.

Exodus 39:6 · Darby

And they wrought the onyx stones mounted in enclosures of gold, engraved with the engravings of a seal, according to the names of the sons of Israel.

In Exodus 39 the workmen build, piece by piece, what God had already described to Moses on the mountain. Verse 6 covers the two onyx stones on the high priest's shoulders — so why tell it twice, and what should we see in these gems?

The Repeated Account

Chapters 35–39 retrace ground already covered in chapters 25–31. One writer takes that repetition as a measure of how much these details matter to God.

So all the work was done in line with the Lord's instructions. It had to be that way if God was going to dwell in the tabernacle. The same is true today if the Church is to be a suitable dwelling place for Him... Scripture speaks of these things so often, and that shows how deeply important they are to our God and Father, so they call for our attention and meditation.

Modernised from L. M. GrantOriginal wording

Engraved Like a Signet

A signet is a seal ring, cut deep so no one can fake the impression it leaves. The gem chosen for the shoulder stones carried its own meaning too.

The Hebrew word translated "onyx" means "flashing out in splendour." It was a flesh-coloured gem, which Job calls "the precious onyx." Two of these precious gems had to be taken. The names of Israel's tribes were then cut deeply into them, "like the engravings of a signet" — unmistakable and permanent... That was the shadow — but what is the substance? With reverence we say that the names of the ransomed people of God are forever engraved in the very flesh of the Lord Jesus. He uses the figure Himself about Israel. "Behold," He says, "I have engraved you on the palms of My hands."

Modernised from J T MawsonOriginal wording

The ephod was the high priest's outer garment. Another writer carries the permanence of the engraving over to Christ's own priesthood.

The names of the children of Israel were engraved in the jewels of the breastplate and of the shoulder pieces of the ephod, so that the stones would have to be broken before the names could be wiped out... No priest in Israel could therefore go in before the Lord without those names on his breast and shoulders. Transfer all that imagery to our blessed Lord. The very fact that He is a Priest and remains forever secures the eternal safety of His beloved people.

Modernised from Samuel RidoutOriginal wording

Set in Gold

The stones were not loose. They sat in gold settings on the priest's shoulders.

The onyx stones were gems — precious stones, picturing the excellencies of Christ. Combine that with their gold settings and we get two things. First, the names of His people appear on the shoulders of the Priest in all His beauty and excellency. And, as the gold symbolises, they are set in divine righteousness. The shoulder is the emblem of strength... What a comfort to us when we are conscious of our utter weakness! He who upholds all things by the word of His power maintains us before God... The settings that held the onyx stones were fastened by two braided gold chains, binding them on His shoulders in divine righteousness.

Modernised from Edward DennettOriginal wording

Carried, Not Carrying

The shoulder is the place a load rests. Israel's standing before God therefore depended on someone other than Israel.

The "two shoulders" of the high priest bear up the weight of Israel's burden before Jehovah. The New Testament answers that symbol with words like these: "He is able to help," "He is able to save."... The people appeared before Jehovah by Aaron's shoulders, not by Israel's strength; by Aaron's breastplate, not by Israel's steadiness. And by Christ's strength, and by Christ's love, we are maintained in the presence of our God.

Modernised from H Forbes WitherbyOriginal wording

According to Their Birth

God did distinguish between the tribes at other times. On the shoulders no tribe outranks another.

The names of the children of Israel were engraved in them according to their birth. Their birth was their title. In God's dealings with each He might distinguish one from another, either in His sovereignty or in the way He governs. For example, He set Ephraim before Manasseh, gave Judah the royal place, and gave Levi the priesthood. Here all are carried, according to their birth, on the shoulders of the high priest for a memorial before the Lord.

Modernised from The Christian's FriendOriginal wording

Always in View

Edward Dennett ties that memorial to Christ's own presence before God.

Our memorial is before Him continually, because Christ cannot be in the presence of God without our names being seen on His shoulders.

Modernised from Edward DennettOriginal wording

Summary

- Repeated — God tells the tabernacle story twice. The repeat shows how much these details matter to Him.

- Engraved — cut like a signet, deep and permanent; only smashing the stones could erase the names.

- Set — gold holds the names. They appear before God in divine righteousness and in the beauty of the Priest who wears them.

- Carried — the shoulder is the place of strength. Israel stood before God by Aaron's shoulders, never by its own.

- Remembered — every name alike, "according to their birth," kept before the Lord; Christ cannot appear before God without them.

Exodus 39:7 · Darby

And he put them on the shoulder-pieces of the ephod, [as] stones of memorial for the children of Israel; as Jehovah had commanded Moses.

Two engraved stones go onto the shoulder pieces of the ephod — the high priest's outer garment, made to a pattern God gave. Why should a nation's names ride on one man's shoulders, and why does the chapter keep repeating that the work matched the command?

The shoulder as the place of strength

The stones went on the shoulders, and Scripture attaches meaning to that spot.

Two onyx stones were engraved with the names of the children of Israel, six names on one stone and six on the other. In Scripture the shoulder is the place of power. We read, "For to us a child is born, to us a son is given; and the government shall be upon his shoulder" (Isaiah 9:6). One shoulder is enough for the government of the world. But when it is a question of Christ maintaining His people in the presence of God, we read of two shoulders.

Modernised from A. J. PollockOriginal wording

Stones set in gold

Each stone sat in a setting of gold. One writer reads meaning in both the gem and its setting.

The onyx stones were gems — precious stones that picture the excellencies of Christ. They were also set in gold. Put the two together and you get two things. First, the names of His people appear on the shoulders of the Priest in all His beauty and excellency. Second, as the gold symbolises, they are set in divine righteousness… What a comfort to us when we are conscious of our own utter feebleness!

Modernised from Edward DennettOriginal wording

Names cut in, not written on

One writer starts with the name of the stone and the depth of the cutting.

The Hebrew word translated 'onyx' means "flashing forth in splendour." Job calls it "the precious onyx," a flesh-coloured gem. Two of these gems had to be taken, and the names of Israel's tribes cut deeply into them, "like the engravings of a signet" — unmistakable and permanent… That was the shadow — but what is the substance? With reverence we say that the names of the ransomed people of God are for ever engraved in the very flesh of the Lord Jesus. He uses the figure Himself about Israel. "Behold," He says, "I have engraved you on the palms of my hands."

Modernised from J T MawsonOriginal wording

All alike on the shoulders, each distinct on the heart

The high priest carried the names twice: here on the shoulders, and later on the breastplate over his heart.

The names were carried on the shoulders of the priest according to generation; in this all are alike. On the breastplate all are different.

Modernised from Norman AndersonOriginal wording

The order followed birth, and one writer sees a title in that:

Their birth was their title… Here all are borne, according to their birth, on the shoulders of the high priest for a memorial before the Lord.

Modernised from The Christian's FriendOriginal wording

Why they are called stones of remembrance

The high priest did not stand before God for himself.

The basic idea of the high priest is that he acted as the representative of the people before God. But he represented them on the basis of propitiation… Our blessed Lord, as the great High Priest, bears up His people before God with divine strength, because of His sacrifice. He maintains them there according to His own claims, in all the perfection and power of His own acceptability to God… He is a representative Person, and so His claim to be there is also our claim.

Modernised from The Christian's FriendOriginal wording

One writer ties the memorial to where Christ is now:

Our memorial is before Him continually, because Christ cannot be in the presence of God without our names being seen on His shoulders.

Modernised from Edward DennettOriginal wording

"As the LORD had commanded Moses"

The verse ends with a phrase the whole chapter keeps repeating.

Exodus 28 contains God's instructions about the High Priest's robes. Exodus 39 shows how they were carried out. Comparing these passages, one is struck by the carefulness of the people to carry out the will of God to the very letter. "As the LORD commanded Moses" occurs seven times in connection with the robes alone, and many more times in connection with the Tabernacle in general. The principle of human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and it was their desire to obey His word in every particular. Let us note this well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

One writer makes it a test for far more than a tabernacle.

The essence of all service is obedience. The test of everything done is whether or not it matches the revealed mind of God… This gives us the important principle that everything which claims to be of God must submit to be tested by God's word.

Modernised from Edward DennettOriginal wording

Summary

- Borne — the shoulder is the place of power; one shoulder carries the government of the world, two carry His people before God.

- Set — the names rest in gold, so the people appear in divine righteousness and in the beauty of the Priest who carries them.

- Engraved — cut like a signet, unmistakable and permanent; a shadow of the names for ever engraved in the very flesh of the Lord Jesus.

- Remembered — He represents them on the basis of sacrifice; He cannot be there without their names on His shoulders, so His claim is their claim.

- Commanded — the work stands because it matched the pattern; obedience, not human preference, is the test of all service.

Exodus 39:8 · Darby

And he made the breastplate of artistic work, like the work of the ephod, of gold, blue, and purple, and scarlet, and twined byssus.

Exodus gives the tabernacle twice: God sets the pattern, then these chapters record the people building it, piece by piece. Here the breastplate is made in the same materials as the ephod — the high priest's outer garment — and Scripture calls it a breastplate of judgment.

The pattern obeyed

One writer sets this chapter beside the chapter of instructions and counts a phrase.

Exodus 28 contains God's instructions about the high priest's robes. Exodus 39 shows how those instructions were carried out. Comparing the two, one thing stands out. The people were careful to carry out the will of God to the very letter. "As the LORD had commanded Moses" appears seven times for the robes alone. It appears many more times for the tabernacle in general. Human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and they wanted to obey His word in every detail. Let us note this well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

The materials speak of Christ

The first material named is gold, and one writer reads meaning in it.

The golden wire-thread sparkled on the dress of the high priest. Gold stands for divine righteousness. It would remind us that Christ takes His place as our great High Priest righteously. His high priesthood is founded on His redemptive work, truly a firm foundation. Once we understand this, heart and conscience are at rest. Our relationship with our Lord has one basis and foundation: the glorious work of righteousness He accomplished on the cross for our salvation.

Modernised from A. J. PollockOriginal wording

Square, doubled, a span

The breastplate's shape and size carry meaning too.

The breastplate was foursquare, speaking of Christ's universal authority. It was double, showing the strength and power that lay behind His authority. Its measure was a span — the measure of a man, for Jesus our Lord was perfect Man though truly God. The precious stones sat in settings of pure gold, for every glory of Christ is secured in relation to what He is in His divine nature.

Modernised from An Outline of Sound WordsOriginal wording

Made like the ephod, and never parted from it

How it was joined to the ephod matters as much as how it was made.

The breastplate was attached inseparably to the ephod, never to be detached. There he carried the names of his people before the Lord. Dressed in the high priest's robes, he could not stand there without them. As it is put, he bore them on his heart before Jehovah continually. So we are borne ever before God by Christ. He presents us, as that which He has on His heart, to God. He cannot be before Him without doing so. Whatever claim the desire and wish of Christ's heart has to draw out the favour of God, it draws that favour out on us.

Modernised from J. N. DarbyOriginal wording

Why it is called "of judgment"

Two objects were placed inside it, and they gave the breastplate its name.

The names Urim and Thummim are pure Hebrew words, meaning Lights and Perfection. For some wise reason we are not told how they were placed in the breastplate, or how they worked. They were put in "the breastplate of judgment," and the breastplate clearly took this title from them. Judgment here does not mean condemnation, but discernment and guidance. In everyday speech we talk about a man of sound judgment, meaning one able to give wise counsel.

Modernised from A. J. PollockOriginal wording

Light and perfection sat in the same piece that carried the names.

The Urim and Thummim were there — light and perfection. The high priest carried the judgment of the people of Israel on his heart before the LORD. This concerned their present ways and their present relationship, and it went according to the light and perfection of God. We need this to get blessing. If we stood before God just as we are, we would draw down judgment. The alternative would be to stay outside and lose the effect of God's light and perfection. But since Christ bears our judgment according to these, our presentation to God is according to the perfection of God Himself.

Modernised from J. N. DarbyOriginal wording

Summary

- Commanded. The makers added no opinion of their own. The repeated phrase "as the LORD had commanded Moses" stands as an example for us.

- Costly. The gold in the priestly dress stands for divine righteousness — the firm foundation on which Christ holds His priesthood.

- Complete. Foursquare, doubled and a span across: authority, strength behind it, and the measure of a Man.

- Connected. Bound to the ephod so it could never come loose — Christ cannot stand before God without His people on His heart.

- Cleared. "Judgment" here means discernment, not condemnation. God receives us according to His own light and perfection, not our present state.

Exodus 39:9 · Darby

It was square; double did they make the breastplate, a span the length thereof, and a span the breadth thereof, doubled.

This verse repeats the design of the high priest's breastpiece in almost the same words God used when He first gave it. The measurements are exact: a square, folded double, one span each way. Why does a garment worn over the heart need exact dimensions, and what was the fold for?

Made to the Pattern

Chapters 36 to 39 retrace the instructions already given, this time as finished work. One writer sums up those chapters:

Exodus 36 shows us the chosen workmen at their assigned tasks. They even begged Moses to stop the flood of gifts Israel kept bringing. The record gives as much detail to the doing as to the planning, right through Exodus 36–39. At the end Moses inspected it all, saw that they had done it as the Lord commanded, and blessed them.

Modernised from William KellyOriginal wording

Square, Doubled, a Span

The square is not a casual shape in the sanctuary. Both altars share it:

This may perhaps be the most perfect earthly shape for a flat figure (the cube being perfect for a solid). It was the shape of the bronze altar, Ex. 27:1; Ex. 38:1; the breastplate, Ex. 28:16; Ex. 39:9; and the altar of incense, Ex. 30:2; Ex. 37:25.

Modernised from Morrish Bible DictionaryOriginal wording

One writer reads all three features — the square, the fold, the span — as pointing to Christ:

The breastplate was foursquare, speaking of Christ's universal authority. It was double, showing the strength and power that lay behind His authority. Its measure was a span — the measure of a man, for Jesus our Lord was perfect Man though truly God.

Modernised from An Outline of Sound WordsOriginal wording

Why It Was Folded

There is also a plain, practical reason for the double thickness:

The breastplate was made of the same material as the ephod. But it was doubled, to give a more solid backing for the precious stones set in it. It would be about 12 inches square.

Modernised from L. M. GrantOriginal wording

Another writer suggests the stones were arranged to leave the centre of the square free:

It had four rows of different stones, each bearing an engraved name of a tribe, three in a row, twelve in all, each set in gold. Probably these rows were the four sides of a square, leaving the centre for the Urim and Thummim which were put in it.

Modernised from VariousOriginal wording

What the pouch held gave the breastplate its fuller name:

The breastplate contained this instrument, and through it God gave His decisions. That is why it is called "the breastplate of judgement."

Modernised from W. W. FeredayOriginal wording

Worn Over the Heart

The same names were already on the shoulder pieces. Carrying them over the chest adds something the shoulders do not say:

The chest is the symbol of the affections. So it teaches that if Christ holds His people up before God by everlasting strength on the one hand, He also carries them on His heart in everlasting love. Everlasting strength and everlasting love come together as the Priest presents believers before God.

Modernised from Edward DennettOriginal wording

One Square, Twelve Different Stones

The shoulder stones were two identical onyx stones. Inside this square, no two stones match:

On the onyx stones no difference is seen in any of the tribes: all were the same. This shows that all Israel stood on the same basis of acceptance. It pictures how God has accepted all believers in Christ. The twelve stones of the breastplate, however, are not alike. They show variety among the tribes, picturing the variety there is among believers.

Modernised from L. M. GrantOriginal wording

What the Gems Say About Us

The names were engraved on jewels, and that says something about how God sees His people:

We are used to the thought that divine mercy sees us as objects of pity, or that divine favour sees us as objects of kindness. But we are perhaps very little used to the thought that divine love sees us as objects of value and beauty — objects of adornment, of radiance and rarity. Ah, that is very different.

Modernised from The Bible TreasuryOriginal wording

Summary

- Pattern. The doing is recorded as carefully as the plan. Moses blessed the workers because they had done it as the Lord commanded.

- Square. The most perfect flat shape in the sanctuary, shared with both altars. Writers read it as a picture of Christ's universal authority.

- Doubled. The fold gave firm backing for the stones. It may also have left a centre pocket for the Urim and Thummim, through which God gave His answers — which is why it is called the breastplate of judgment.

- A span. A man's measure, taken as speaking of the One who was perfect Man though truly God.

- Worn. Carried over the heart, where strength and love unite. There twelve unmatched jewels show God's people as objects of value and beauty, not only of pity.

Exodus 39:10 · Darby

And they set in it four rows of stones [one] row, a sardoin, a topaz, and an emerald -- the first row;

Exodus 39 records the tabernacle work being carried out, down to the twelve gems of the high priest's breastplate. This verse names the first row of three stones, and raises the question of why God gives such space to jewellery.

The pattern carried out

The earlier chapters gave the design. These chapters report the making.

Exodus 36 shows us the chosen workmen busy at their given tasks. They even beg Moses to hold back the gifts, because Israel gave more than was needed. The work is described in as much detail in the doing as in the planning, all through Exodus 36-39. At the end Moses inspected everything, saw that they had done it as the LORD commanded, and blessed them.

Modernised from William KellyOriginal wording

Four rows, twelve names

How big was this piece, and what did it picture?

The breastplate would be about 12 inches square. They set the stones in four rows of three stones each, the first row a sardius, a topaz and an emerald… all placed in settings of gold. Each stone was engraved with one of the names of the sons of Israel. So the high priest wore their names on his breast, a picture of the Lord Jesus holding His saints constantly in His affections.

Modernised from L. M. GrantOriginal wording

Translations differ over these names: the ESV calls the third stone in this row a carbuncle, while older translations call it an emerald.

The sardius, first in the row

The sardius, first in this row, turns up elsewhere in Scripture. A Bible dictionary traces it:

One of the precious stones in the breastplate, Exodus 28:17; Exodus 39:10… In heaven the One who sat on the throne was "to look upon like a jasper and a sardine stone," Revelation 4:3. It is thought to be the sard, a superior variety of agate, of various colours, some blood-red, and others golden.

Modernised from Morrish Bible DictionaryOriginal wording

Another writer notices that the same stones come in a different order in each list:

The jasper and the sardius are named on the breastplate of the high priest of old (Exodus 28:17-20), the sardius first and the jasper last. They are named again among the stones describing the glory of the king of Tyre (Ezekiel 28:13), the sardius first again and the jasper sixth. They meet us once more in the description of the holy Jerusalem (Revelation 21:19-20), the jasper first and the sardius sixth. In these three lists of precious stones, which reflect God in grace, in creation, and in glory, the order of the numbering changes. Is this a mere coincidence, or evidence of design in inspiration? Certainly the latter.

Modernised from Walter ScottOriginal wording

No two stones alike

One writer admits that the meaning of each separate stone is beyond us. What the variety of the stones teaches, he holds with more confidence.

What the special meaning of each stone is, we are not able to say. That they have a special significance we do not doubt. A well-known expert in precious stones gave his considered opinion on the order in which these gems were chosen and arranged. It was beyond human skill; it could only have been done by Divine arrangement. Each precious stone had its own character in colour, density, power of refraction and so on, so that each stone was different from the others. In the same way God takes account of the different ways His character is produced in believers. God is surely not the Author of mass-produced articles that do not vary in the slightest degree. It is said that in nature no two blades of grass are alike, and one never sees two faces exactly alike in every detail. So doubtless it is in the realm of grace.

Modernised from A. J. PollockOriginal wording

Different glory, equal place

The stones differed from one another, but none ranked above the rest.

Every name on the breastplate had its own stone, but not one was larger or brighter than another. Each had a distinctive glory, but all had an equal place on the heart of the High Priest. Each name was engraved deep there, "like the engravings of a signet," and set to shine with equal brilliance in the light of the sanctuary… Each saint of God is infinitely precious to Jesus. Each one is loved by the same love that passes knowledge. He calls His own sheep by name.

Modernised from J T MawsonOriginal wording

Cut into the stone, not written on it

Could a name ever come off that breastplate?

The names of the children of Israel were engraved in the jewels of the breastplate and of the shoulder-pieces of the ephod. The jewels would have to be broken before the names could be wiped out. We are plainly told that the breastplate was joined to the ephod, to the shoulder-pieces, and to the belt, so that it could not be removed. No priest in Israel could therefore go in before the LORD without those names on his breast and shoulders. Transfer all that imagery to our blessed Lord. He is a Priest who lives forever, and that alone secures the eternal safety of His beloved people — their names engraved on what speaks of the unchanging perfections and glory of God.

Modernised from Samuel RidoutOriginal wording

Summary

- Commanded — God set the pattern, and the making is recorded in as much detail as the plan.

- Borne — twelve names on twelve gems in gold, worn on the high priest's breast: a picture of Christ holding His people in His affections.

- Distinct — no two stones are alike, and God's character shows in a different way in each believer.

- Equal — no stone is larger or brighter; the variety marks individuality, not rank.

- Engraved — the names are cut into the stone, and the breastplate is bound on. The stone must break before a name can be lost.

Exodus 39:11 · Darby

and the second row, a carbuncle, a sapphire, and a diamond;

God chose these three gems, and the craftsmen set them where He said — in the breastplate that lay on the high priest's chest before God. Chapter 39 records the work being done, so why list stones God had already named once?

Obedience Recorded Twice

One writer explains why the same details appear twice:

Exodus 28 contains God's instructions about the high priest's robes. Exodus 39 shows how the people carried them out. Compare these passages and one thing stands out: the care of the people to carry out the will of God to the very letter. The words "as the LORD had commanded Moses" occur seven times for the robes alone, and many more times for the tabernacle in general. Human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and they wanted to obey His word in every detail.

Modernised from W. W. FeredayOriginal wording

Twelve Names, Twelve Different Stones

The shoulders and the breastplate carried the same twelve names, but not in the same way:

In Exodus 28:7 we read of the priest's ephod and the shoulder pieces. Settings on them held two onyx stones. Each stone had six names of the children of Israel cut into it, according to their birth. The breastplate of judgment carried twelve precious stones. Each stone bore the name of one of the tribes of Israel. The priest carried the names on his shoulders according to generation; in this all are alike. On the breastplate all are different.

Modernised from Norman AndersonOriginal wording

Carried on the Heart

The breastplate was not decoration. The high priest wore it into God's presence, and one writer sees in it a living Priest who still carries His people there:

Still more strikingly, the breastplate presented the people of God. There all twelve names shone, each with its own splendour... Everything for Israel failed through sin, in priests as well as people. Grant that, and see what blessedness is pictured for us who believe in Him to whom it all pointed unfailingly! How immense the favour! He died to atone for our guilt, and He lives for us before God on high. He bears our judgment on His heart, not as if ashamed of us, but gloriously and continually!

Modernised from William KellyOriginal wording

Light Through a Sapphire

A gem has no light of its own. One writer links the colour of each stone, the sapphire included, to a different way Christ shows in His people:

The name "urim and thummim" given to the stones means "lights and perfections." The stones reflect the light, as believers reflect the light that is in Christ. Each stone also stands for a beautiful perfection of the Lord Jesus shining in a believer. One believer cannot reflect all these glories; it takes all of them to do it. The sardius, the first stone listed, is red, the warm, attracting colour of love. Some believers show this one above all. The blue sapphire is a contrast, for it is a cool colour. So one may reflect the calm, cool, collected character of the Lord Jesus.

Modernised from L. M. GrantOriginal wording

The Name Hidden in the Gem

One writer finds meaning in what the verse leaves out:

The breastplate held settings of twelve precious stones. The names of the children of Israel were engraved in them, and each separate gem bore a name. Notice this: as with the onyx stones on the shoulder-pieces, so here the record names only the precious stones. The names of the tribes are not mentioned. Each name was in a gem, but the name is lost in the gem, and the gem alone is seen. It is the same in the heavenly city. The names of the twelve apostles of the Lamb are in the foundations. But their names stay unmentioned, and we see them only in the beauty and value of the costly stones. The high priest could not be in God's presence without bearing the names of the people of God on his heart before Him. Whether it is power or love, both are good to the weakest heart.

Modernised from The Christian's FriendOriginal wording

What the Stones Were

English versions call the third stone of this row a diamond. That name rests on a Hebrew word found only three times in Scripture:

The Hebrew word in Exodus 28:18, Exodus 39:11 and Ezekiel 28:13 is yahalom. It occurs only in these places, and no one can identify it. Most hold that it is not what we now know as the diamond.

Modernised from Morrish Bible DictionaryOriginal wording

No Rank Among Them

Twelve stones lay side by side on the priest's chest. One writer draws the conclusion:

We are not to suppose that any one of the redeemed takes precedence over another on the high priest's breast, for all are loved perfectly.

Modernised from H. Forbes WitherbyOriginal wording

Summary

- Commanded — Chapter 39 repeats chapter 28 to show Israel did the work to the letter, with no room for human preference.

- Carried — The shoulders bore the names all alike; the breastplate bore each one on a stone of its own.

- Kept — Aaron did it in picture; Christ does it in fact. He lives before God with His people on His heart.

- Coloured — Each gem gives back the same light in its own colour. No one believer can show all that Christ is.

- Concealed — The tribes' names are never listed here; the name is lost in the gem, and only the gem's value is seen.

Exodus 39:12 · Darby

and the third row, an opal, an agate, and an amethyst;

Exodus 39 records the making of the high priest's clothing, and this verse names the third of four rows of gems in his breastplate. Why does Scripture describe this work twice, what were these stones, and why twelve different gems instead of twelve the same?

The plan and the doing

The repeat is not padding. It shows willing givers, a job done just as God had said, and a blessing at the end.

Exodus 36 shows us the chosen workmen busy at the tasks given to them. They even begged Moses to stop the flood of gifts Israel kept bringing. The work is told in as much detail in the doing as in the plan, all through Exodus 36-39. At the end Moses inspected it all, saw that they had done it as the Lord commanded, and blessed them.

Modernised from William KellyOriginal wording

Where the third row sat

The verse names three of the twelve stones. They sat in the breastplate, a square of cloth fastened to the ephod — the high priest's outer garment:

The breastplate was of the same material as the ephod, but doubled to make a more solid background for the precious stones set in it. It would be about 12 inches square. The stones were set in four rows of three stones each... the third row a jacinth, an agate and an amethyst... Each stone carried the engraved name of one of the sons of Israel. So the high priest wore their names on his breast.

Modernised from L. M. GrantOriginal wording

Shoulders and heart

Aaron carried the same names in two places: on his shoulders and on his chest. Each place says something different.

Aaron bore the names of the children of Israel on his heart, as well as on his shoulders. The breast is a symbol of the affections. So it teaches that if Christ holds His people up before God by everlasting strength, He also carries them on His heart in everlasting love... He has bound us on His shoulders — carrying our weight — with His own almighty strength. He has fastened us on His heart with His own love, a love that never dies and is deeper than we can measure.

Modernised from Edward DennettOriginal wording

That hold never loosens:

The breastplate cannot be detached from the ephod. It is bound for ever to the priestly office of Christ... As Priest, Christ can never fail us. If He has once taken up our cause, He will never lay it down... If we cannot pray ourselves, Christ never fails to hold us up in His own prayer for us.

Modernised from Edward DennettOriginal wording

What the stones were

Translations disagree over the first stone in this row. Some call it jacinth, some ligure, some opal. One reference work admits the guesswork:

The first in the third row of gems in the breastplate. Some suppose it to be the hyacinth, others the lyncurium, and others amber; but its identification is uncertain.

Modernised from Morrish Bible DictionaryOriginal wording

Even the order of the names is lost, and one writer sees God's reason for it:

No one can give the names of the precious stones either, because the meaning of the original words is unknown. The order of the tribes' names on the breastplate is unknown too, and God has His reason for that. We must not think that any one of the redeemed ranks above another on the high priest's breast, for all are loved perfectly.

Modernised from H. Forbes WitherbyOriginal wording

Twelve stones, twelve different stones

Two onyx stones on the shoulders, but twelve varied gems on the breast — the contrast is deliberate.

The onyx stones showed no difference between the tribes: all were the same. This shows that all Israel stood on the same basis of acceptance... The twelve stones of the breastplate, however, show diversity among the tribes, picturing the diversity there is among believers. All are set in the breastplate — that is, all believers are one "in Christ." Yet each believer is God's workmanship, made to work in his own distinct way.

Modernised from L. M. GrantOriginal wording

Reading the row as a picture of Christ

Some writers go further and read the name behind each stone as a picture of Christ:

The ligure (or the opal) had on it the name "double fruit."... The agate is a many-coloured stone, which at once reminds us of Joseph and his coat of many colours. Joseph was a lovely picture of the Lord Jesus... The name on this stone is "forgetfulness." It reminds us again of Joseph, who called his son Manasseh and said, "God has made me forget all my hardship and all my father's house."

Modernised from An Outline of Sound WordsOriginal wording

The same writer takes up the amethyst:

The amethyst is the first stone in the third row, that is, on the left, because Hebrew runs from right to left... The amethyst is purple, and reminds us that men, in mockery, clothed the Son of Man in purple. But the Son of Man will soon appear in the glory that the purple pictures, and every knee will bow before Him... "Gift" is the meaning of this stone's name, recalling that He was the One God gave for the salvation of men.

Modernised from An Outline of Sound WordsOriginal wording

Summary

- Carried out. The doing is told in as much detail as the plan. Moses checked the finished work and blessed the workers.

- Carried on the heart. The shoulders speak of strength that holds the people up. The breast speaks of love that holds them close, and that hold cannot be undone.

- Carried equally. We are not told the order of the names. No one on the breastplate ranks above another; all are loved perfectly.

- Carried distinctly. Twelve different gems, not twelve the same: one acceptance, yet each believer shines in his own way.

- Carried, names unknown. Writers differ on the first stone — jacinth, ligure, or opal. Several admit the names cannot be settled.

Exodus 39:13 · Darby

and the fourth row, a chrysolite, an onyx, and a jasper; mounted in enclosures of gold in their settings.

Exodus 39:13 finishes the list of twelve jewels on the high priest's breastplate. The workers made it exactly as God had told Moses in chapter 28. Three stones close the last row, and each one sits in a gold setting. Commentators see in that small detail a picture of how God holds His people before Him.

The Finished Row

Chapter 39 records the work as finished, not just planned. One writer walks through the whole arrangement and says what the stones were for:

The breastplate was of the same material as the ephod, but doubled to make a more solid background for the precious stones set in it. It would be about 12 inches square. The stones were set in four rows of three stones each… These were all placed in settings of gold. Each stone was engraved with one of the names of the sons of Israel. So the high priest wore their names on his chest. This is a picture of the Lord Jesus holding His saints always in His affections.

Modernised from L. M. GrantOriginal wording

Enclosed in Gold

The verse ends by noting that every stone sat in a gold setting. One writer treats gold as the emblem of divine righteousness, and draws out what that means for the believer:

Each precious stone is enclosed in gold. This seems to say that we are kept before our God in Christ, who is our continuing righteousness — "made the righteousness of God in Him." But notice also how the shoulder-pieces are joined. Two golden chains of braided pure gold connect them, and gold is the emblem of divine righteousness. This assures us that the almighty power of Jesus the Son of God and His perfect love work together. They keep us in righteousness, and accepted in Himself, always before the face of God.

Modernised from H. H. SnellOriginal wording

One Name, One Stone

One writer notes both where the high priest carried the names and how each stone differed:

The twelve names are carried on his heart, the place of affection. So each name has its own stone. The stones are not alike, because each one is valued differently, but all of them are there, and all are in gold settings.

Modernised from PresslandOriginal wording

One writer notices what the list leaves out, and follows the thought into the heavenly city:

Notice that here, as with the onyx stones on the shoulder-pieces, only the names of the precious stones are given; the names of the tribes are not mentioned. Each name was in a gem, but the name is lost in the gem, and the gem alone is seen. It is the same in the heavenly city. The names of the twelve apostles of the Lamb are in its foundations, but their names are never given. We see them only in the beauty and value of the precious stones that adorn the foundation.

Modernised from The Christian's FriendOriginal wording

Light That Cannot Dim Them

Everything in this picture turns on how a jewel behaves in strong light:

Here is what makes a precious stone so excellent: the stronger the light shining on it, the more brightly it shines. Light can never make a precious stone look dim. It only increases and brings out its brilliance. The twelve tribes, the smallest as well as the greatest, were carried all the time on the chest and shoulders of Aaron before the Lord. Whatever their weaknesses, their errors, or their failures might be, their names glittered on the breastplate with unfailing brilliancy. The Lord had set them there, and who could take them away?

Modernised from C. H. MackintoshOriginal wording

Jasper Last Here, First There

The jasper that closes this verse appears again at the end of the Bible, and its position moves. One writer maps the three places where such lists occur:

There are three lists of precious stones, and each one shows the glory of God that He shares with others: in creation (Ezekiel 28:13), where the jasper is sixth in the list; in grace (Exodus 28:17-20), where the jasper comes last; in government (Revelation 21:19-20), where the jasper comes first. The jasper is also mentioned three times in the description of the heavenly city: as her light, as her security, and as the first foundation of the wall. So the glory of God is the light, the security, and the foundation of the glorified Church.

Modernised from Walter ScottOriginal wording

Another writer notes that the jasper we know is not yet the jasper of the city:

We know the cloudy jasper of earth, with its fine polish and varied colours. But no one has yet seen the clear, crystal-like jasper, which is like the transparent gold of heaven. Such symbols speak of splendours yet to come.

Modernised from H. J. VineOriginal wording

Why the Detail Is Repeated

Readers often wonder why chapters 36–39 restate what chapters 25–28 already said. The answer offered is simple:

The fact that these things are spoken of so often indicates how deeply important they are to our God and Father, so that they call for our attention and meditation.

Modernised from L. M. GrantOriginal wording

Summary

- Gold holds. Every stone sits in a gold setting. God keeps believers before Him in Christ, who is their righteousness.

- Gold names. Each of the twelve has its own gem and its own engraved name; the estimate of each differs, yet all are there.

- Gold hides. The tribes' names are never matched to particular stones — the name is lost in the gem, and the gem alone is seen.

- Gold shines. Strong light never dims a jewel. It only deepens the shine. So the names still glittered, whatever the failures behind them.

- Gold lasts. Jasper ends the list in grace and begins it in glory — what is worn on the heart now will be displayed in the city to come.

Exodus 39:14 · Darby

And the stones were according to the names of the children of Israel, twelve, according to their names, engraved as a seal, every one according to his name, for the twelve tribes.

Exodus 39 records the work itself. The workers made the garments for the priests, exactly as the Lord commanded. Verse 14 describes the twelve stones of the breastplate. It raises three questions commentators keep returning to. Why names? Why one name to each stone? And why cut like a seal?

The pattern carried out

One phrase keeps coming back through the chapter. Commentators count it, and read the count as God's verdict on the work.

Everything is done "as the Lord commanded." This expression is used seven times in chapter 39 (verses 1, 5, 7, 21, 26, 29, 31). It is repeated exactly seven times again in chapter 40, the last chapter of Exodus (verses 19, 21, 23, 25, 27, 29, 32). Seven is the number of perfection and completion. All had been well done, and Jehovah was pleased and could own the work, of which He was the originator.

Modernised from Arno Clemens GaebeleinOriginal wording

Cut, not written

The verse does not say the names were painted or inked. It says they were like signets — seals cut into stone.

The names were cut into the stones "with the work of an engraver in stone, like the engraving of a signet." The names could not be written or painted. They had to be cut deeply and permanently. The stones were then "set in settings of gold." So the names on the stones could never be erased. And the stones themselves could never fall out of their place.

Modernised from W. W. FeredayOriginal wording

According to the twelve tribes

Two sets of stones carried the same names, but not on the same principle. The shoulder stones followed the order of birth. On the breastplate the names stand "according to the twelve tribes."

Each name of the children of Israel was on a separate stone on the breastplate. On the two onyx stones, which were on the shoulders of the priest, there were six names on each. The names on the onyx stones were "according to their birth," but on the breastplate of judgment they were for "the twelve tribes." This speaks of the people of God as set here according to the sovereignty of God, in relation to the truth committed to us. Christ bears the people of God on His heart, according to the way God has been pleased to set us here in testimony.

Modernised from An Outline of Sound WordsOriginal wording

Every one with his name

Six names shared a single onyx on each shoulder. On the breastplate the arrangement changes: one stone, one name.

Every name on the breastplate had its own stone, but not one was larger or brighter than another. Each had a distinct glory, but all had an equal place on the heart of the High Priest. Each name was deeply engraved there, "like the engravings of a signet," and set to shine with equal brilliance in the light of the sanctuary… No name in the breastplate was hidden from the Lord, and not one was obscure among them. Each saint of God is infinitely precious to Jesus. Each one is loved by the same love that passes knowledge. He calls His own sheep by name.

Modernised from J. T. MawsonOriginal wording

Shoulders and heart

The same names appear in two places: on the shoulders, and over the heart. The two positions carry two different meanings.

Aaron bore the names of the children of Israel on his heart, as well as on his shoulders. The breast is symbolic of the affections. So it teaches this. On the one hand, Christ upholds His people before God by everlasting strength. On the other, He bears them on His heart in everlasting love… He has bound us upon His shoulders — bearing our weight — with His own almighty strength. And He has fastened us upon His heart with His own undying and unfathomable love.

Modernised from Edward DennettOriginal wording

The name hidden in the gem

One detail is easy to miss. The chapter names the stones, but never tells us which tribe went on which stone.

We notice the same thing here as with the onyx stones on the shoulder pieces. Only the names of the precious stones are given. The names of the tribes are not mentioned. Each name was in a gem, but the name is lost in the gem, and the gem alone is seen. It is like this in the heavenly city. The names of the twelve apostles of the Lamb are in the foundations, but their names are never mentioned. They are seen only in the beauty and value of the costly stones that adorn the foundation.

Modernised from The Christian's FriendOriginal wording

Summary

- Commanded — the workmen invented nothing. "As the Lord commanded" runs through the chapter. God owned the finished work as His own.

- Cut — the names were engraved, not painted. Nothing could erase them. Set in gold, the stones could not fall out.

- Carried — the same names rest on the shoulders and on the heart. Strength upholds them; love holds them close.

- Counted — twelve stones, one name each. None is larger or brighter than another. Not one name is hidden from the Lord.

- Covered — the chapter names the gems, never the tribes. Each name is lost in its gem, and the gem alone is seen.

Exodus 39:15 · Darby

And they made on the breastplate chains of laced work of wreathen work, of pure gold.

Exodus 39 records the work that chapter 28 had ordered. Here the craftsmen fit the breastpiece with its twisted chains of pure gold. It is a small detail, yet it decides where Israel's names would hang, and how firmly they would hold.

What the Chains Held Together

The chains were not ornaments hanging loose. They ran from rings on the breastpiece up to the gold settings that held the onyx stones on the high priest's shoulders.

The workers placed gold rings on the two ends of the breastplate. Two chains of gold joined these rings to the settings of the onyx stones on the shoulders of the ephod. The ephod mattered greatly when the high priest asked God for guidance for the people, because it stands for the unity of all the tribes of Israel. The high priest was to leave none of them out when he asked God for His directing will.

Modernised from L. M. GrantOriginal wording

Why "Pure" Gold

The text does not say gold only; it says pure gold. One writer finds a settled pattern in how Exodus uses that adjective.

Gold stands for Deity when it refers to Christ, and for divine righteousness when it is seen in relation to men. In Exodus, whenever gold stands for Deity, it is always "pure gold". When it stands for divine righteousness, Exodus uses the word gold without the adjective "pure."

Modernised from A. J. PollockOriginal wording

Many Strands, One Chain

A twisted chain joins separate wires into a single cord. That design carries its own lesson.

Strands of twisted gold wire held the engraved jewels in their places — chains that older translations call "wreathen chains of gold." The many strands combined in one give a symbol of the many kinds of glory God displays. They unite in one chain of unbroken strength, holding up the purpose of God.

Modernised from H Forbes WitherbyOriginal wording

Shoulder and Heart Joined

Note what these chains link. They tie the piece worn over the heart to the stones carried on the shoulders.

Aaron then bore the names of the children of Israel on his heart, as well as on his shoulders. The breast is symbolic of the affections. So it teaches that if Christ holds His people up before God by everlasting strength, He also bears them on His heart in everlasting love... He has bound us on His shoulders, bearing our weight, with His own almighty strength. And He has fastened us on His heart with His own love, a love that never dies and that no one can measure.

Modernised from Edward DennettOriginal wording

Fastenings That Cannot Fail

Chains, rings and a cord of blue all served one purpose. The breastpiece must never come off. Commentators read that as a picture of how safely God's people are held.

You remember that the names of the children of Israel were engraved in the jewels of the breastplate and of the shoulder pieces of the ephod. The jewels would have to be broken before anyone could erase those names. We are clearly told that the breastplate was joined to the ephod, to the shoulder pieces and to the belt, so that it could not be removed. So no priest in Israel could go in before the Lord without those names on his breast and shoulders.

Modernised from Samuel RidoutOriginal wording

One writer reads the materials of the fastening itself.

The breastplate was fastened to the ephod — the priestly garment — by twisted chains of gold, a cord of blue, and rings of gold. Those chains of gold mean it is fastened in divine righteousness, divine righteousness as suited to the nature of God, by all that Christ is as divine. The rings show that the connection is eternal too, for a ring has no end. As Priest, Christ can never fail us. If He has once undertaken our cause, He will never lay it down.

Modernised from Edward DennettOriginal wording

Made Exactly as Told

This verse repeats chapter 28 almost word for word. That repetition is the point of the whole chapter. The workers added nothing of their own.

Exodus 28 contains God's instructions about the High Priest's robes. Exodus 39 shows how the workers carried those instructions out. When you compare these passages, one thing stands out: the care of the people to carry out the will of God to the very letter. "As the LORD had commanded Moses," occurs seven times for the robes alone, and many more times for the tabernacle in general. Human choice and opinion in divine things had no place in the minds of Israel's workers.

Modernised from W. W. FeredayOriginal wording

Summary

- Chains — two lengths of pure gold, twisted like cords, tied the breastpiece to the gold settings on the shoulders. A cord of blue and rings of gold completed the fastening.

- Pure — the adjective is not decoration. In Exodus, gold called pure points to Deity; plain gold points to righteousness in relation to men.

- Twisted — many strands wound into one. They picture many kinds of divine glory joined in a single chain of unbroken strength.

- Joined — those chains link heart and shoulders. Everlasting love and almighty strength hold the same names before God.

- Fastened — the stones would have to be smashed before a name could be erased, and no priest could enter without them. The rings speak of a bond with no end: as Priest, Christ can never fail us.

Exodus 39:16 · Darby

And they made two settings of gold, and two gold rings, and put the two rings on the two ends of the breastplate.

Exodus 39 retells, item by item, what chapter 28 had commanded. Here the record slows down to count two gold settings and two gold rings at the edges of the breastpiece. Why does God keep such small metalwork in Scripture? What do these fastenings say about the priest who wore them?

The Piece Being Built

The breastpiece carried the names of Israel's tribes, and the ephod was the high priest's outer garment. One writer traces where each ring went, and why the ephod mattered.

Gold rings went on the two ends of the breastplate. Two gold chains joined them to the settings of the onyx stones on the shoulders of the ephod. Two more gold rings went on the lower corners of the breastplate, and two rings in the matching places on the ephod, so that a blue cord could tie them together. The ephod was vital when the high priest asked God for guidance on behalf of the people, because it stands for the unity of all the tribes of Israel. No tribe was to be left out when they asked God for His guiding will.

Modernised from L. M. GrantOriginal wording

Gold Around the Names

Older translations call these settings "ouches of gold"; the ESV calls them "settings of gold filigree." The gold itself carries meaning.

The onyx stones were gems — precious stones, picturing the excellencies of Christ. Put that together with their setting of gold, and it gives us two things. First, the names of His people appear on the shoulders of the Priest in all His beauty and excellency, and, as the gold shows, set in divine righteousness. The shoulder is the emblem of strength… So Christ, as pictured here, upholds His people in the presence of God in all His almighty strength. He has the right to do so, because they rest on His shoulders in divine righteousness… Two twisted chains of gold fastened the settings that held the onyx stones, binding them on His shoulders in divine righteousness.

Modernised from Edward DennettOriginal wording

So the gold answers a question. By what right do a people's names come into God's presence at all?

Where the Rings Lead

The two rings at the top edges of the breastpiece receive chains that run up to the shoulders. So the chains tie the heart to the shoulders. Neither place is random.

The people's names were not only on the shoulder pieces; they were on the breast-plate also. Why this repetition? There are two reasons for it. First, God wants to show us that in Christ power and love combine for the blessing of His people… Notice the words "on his heart," repeated twice in the next verse. The changeless love of Christ is our comfort and joy… Gold chains joined the breast-plate to the shoulder-pieces, showing the union of power and love in the Lord Jesus for the good of His people.

Modernised from W. W. FeredayOriginal wording

Fastened So It Cannot Come Loose

Rings, chains, settings, a blue cord: the sheer number of fastenings is the point. Nothing here could slip.

So these precious stones were held firmly to the person of the High Priest. In the shoulder plates the onyx stones sat in sockets of gold. In the breastplate the precious stones sat in gold settings that enclosed them… With such a wealth of detail the Spirit of God stresses this glorious truth: divine love and divine power join together to keep the believer safe and to hold him before God in divine favor. Our Lord plainly said, "My sheep hear My voice, and I know them, and they follow Me. I give them eternal life, and they will never perish" (John 10:27-28). Eternal life could not be given, if it could be lost.

Modernised from A. J. PollockOriginal wording

This reaches further than the garment. Nothing could detach the breastpiece, so the priest never stood before God without the people.

The breastplate was never to be separate from the ephod… Whenever the high priest went into the presence of God, it was in his garments. He could not go without representing the people. It is impossible for Christ to stand there in the presence of God without us.

Modernised from J. N. DarbyOriginal wording

Why the Detail Is Told Twice

Chapter 28 gave the instruction. Chapter 39 reports the work done, at the same length.

Exodus 36 shows us the chosen workmen busy with the tasks given to them… Scripture describes the work in as much detail when it was carried out as when it was planned.

Modernised from William KellyOriginal wording

God asked for two rings; Israel made two rings. Obedience down to the smallest fitting is worth as many words as the command.

Summary

- Made — two gold settings and two rings at the edges of the breastpiece. Chains ran up to the shoulder settings, and a blue cord tied the lower rings to the ephod.

- Held — the names rest in gold. They stand before God in divine righteousness, surrounded by the beauty of the High Priest.

- Joined — the chains tie heart to shoulders. Love that never changes meets strength that holds.

- Secured — so many rings, sockets and fastenings speak of a hold that cannot be loosened. Christ cannot stand before God without us.

- Recorded — God writes out the work done as fully as the command. Doing the small thing just as He said is worth the same space.

Exodus 39:17 · Darby

And they put the two wreathen [cords] of gold in the two rings on the ends of the breastplate;

Exodus 39 shows the workmen making the high priest's robes exactly as God had commanded. Here two twisted gold cords join the jewelled breastpiece to the shoulder pieces of the ephod — and commentators find in that fastening a picture of how God holds His people.

Command and obedience

This chapter repeats commands God had already given, and the match between the two is the point.

Exodus 28 contains God's instructions about the High Priest's robes. Exodus 39 shows the workers carrying them out. Compare the two passages, and one thing stands out. The people were careful to carry out the will of God to the very letter. "As Jehovah commanded Moses" occurs seven times about the robes alone. It occurs many more times about the tabernacle in general. Human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and they wanted to obey His word in every detail. Let us note this well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

What the cords joined

The rings and cords of this verse are half of a fastening system. They held the breastpiece to the ephod, the high priest's outer garment.

Golden rings went on the two ends of the breastplate. Two chains of gold connected them to the settings of the onyx stones on the shoulders of the ephod. Two more gold rings went on the lower corners of the breastplate, and two more in the matching places on the ephod. A blue cord bound these together. The ephod was vital when the high priest asked God for guidance on behalf of the people. It stands for the unity of all the tribes of Israel, and no tribe was to be left out when they asked God for His directing will.

Modernised from L. M. GrantOriginal wording

Heart tied to shoulders

The chains run from the priest's chest to his shoulders. One writer sees the link itself as the lesson.

Rings and chains of gold coupled the breastplate to the shoulders. These two were never to be separated. The breastplate was made of twelve precious stones. The names of the tribes of Israel were engraved on them, "like the engravings of a signet" — one name on each stone. Yet all were bound in one, set in pure gold, the symbol of divine faithfulness and glory. The meaning of the picture is clear. The great High Priest carries the saints of God on His heart, and He also holds them up by His power. His unchanging love is behind His undiminished and patient strength. The ephod made the breastplate and the shoulder pieces one. His is not a powerless love, or a loveless power; His power is the servant of His love, and both have no measure or end.

Modernised from J T MawsonOriginal wording

Strong bands of gold and blue

Older translations call these cords "wreathen" — strands of gold twisted together. One writer takes both the gold and the blue cord as pictures of who this Priest is.

The chains and rings of gold speak of the Godhead glory of our Priest. The lace of blue speaks of the heavenly grace of His Manhood. The word translated "wreathen" means a strong band. The strong bands of His Godhead and Manhood show us how well and securely we are sustained according to God. However great the testing we go through, our High Priest is more than equal to every circumstance of the way. He will bring us safely through.

Modernised from Norman AndersonOriginal wording

Another writer looks at the many strands twisted into one cord.

Strands of intertwined gold wire — "wreathen chains of gold" — kept the engraved jewels in their places. The many strands combined in one are a symbol of the many kinds of glory God shows. They unite in one chain of unbroken strength, sustaining the purpose of God.

Modernised from H Forbes WitherbyOriginal wording

Never detached

The whole arrangement of rings and chains exists so that the breastpiece cannot come off.

The breastplate was never to be separate from the ephod: "so that the breastpiece shall not come loose from the ephod" (Exodus 28:28). Whenever the high priest went into the presence of God, it was in his garments. He could not go without representing the people. It is impossible for Christ to stand there in the presence of God without us.

Modernised from J. N. DarbyOriginal wording

Summary

- Fastened as commanded. Chapter 28 gave the instruction. Chapter 39 shows it obeyed to the letter, with no room for human preference.

- Fastened to the shoulders. The two gold cords run from the rings of the breastpiece up to the shoulder pieces, joining chest to shoulder.

- Fastened in love and power. Breastplate and shoulder pieces were never to be separated: love that never changes joined to strength that never fails.

- Fastened with twisted gold. "Wreathen" means a strong band — many strands of pure gold combined into one chain of unbroken strength.

- Fastened for good. The priest never entered God's presence without the breastpiece. So Christ never stands there without His people.

Exodus 39:18 · Darby

and the two ends of the two wreathen [cords] they fastened to the two settings, and put them on the shoulder-pieces of the ephod, on the front thereof.

This verse records one small step in a long assembly job. Workers hooked the ends of the golden cords into the gold settings on the shoulder pieces of the high priest's ephod. That fixed the breastplate to the front of the garment. Commentators read this fastening as a picture of how Christ carries His people. They also ask why this tie could never come loose.

The Shoulder Garment

The ephod was the high priest's garment of office. Its shoulder pieces carried stones engraved with the names of Israel's sons. One writer explains the name of this garment and what the golden strands were for:

The ephod was "the shoulder dress," the sign of the burden of the office of the wearer. Precious stones, engraved with the names of Israel's sons, were set on the shoulder pieces of the robe. Six names rested on each shoulder, and Aaron bore their names before Jehovah on his two shoulders as a memorial... The whole burden of Israel rested on the strength of the high priest. So did their prosperity and their future glory. He appeared in Jehovah's presence for them. Strands of twisted gold wire held the engraved jewels in place — "wreathed chains of gold." Many strands combined into one are a symbol of the many kinds of glory God has shown. They unite in one chain of unbroken strength that sustains the purpose of God.

Modernised from H Forbes WitherbyOriginal wording

Set In Gold

The cords ended in gold settings, and the shoulder is a figure of strength. One writer draws out what each detail means:

The onyx stones were gems — precious stones that picture the excellencies of Christ. They were also set in gold. Put those two facts together and they give us two things. First, the names of His people appear on the shoulders of the Priest in all His beauty and excellency. Second, as the gold symbolises, they are set in divine righteousness. The shoulder is the emblem of strength... So Christ, as pictured here, upholds His people in the presence of God in all His almighty strength... What a comfort to us when we feel how utterly weak we are! ... Note also that the settings holding the onyx stones were fastened by two twisted chains of gold, binding them on His shoulders in divine righteousness.

Modernised from Edward DennettOriginal wording

Heart Joined To Shoulder

The cords in this verse join two places: the breastplate over the heart and the settings on the shoulders. That link carries a lesson:

This illustrates the close connection between the great power of the Lord Jesus and His love. For the shoulders speak of His strength or power in upholding every believer. In the same way the shepherd carried the lost sheep on his shoulders. But the breastplate shows that "Aaron shall bear the names of the sons of Israel on the breastplate of judgment over his heart" (Exodus 28:29). This speaks of Christ bearing all believers on His heart of love. So power and love come together in wonderful unity in the person of the Lord Jesus.

Modernised from L. M. GrantOriginal wording

Never Loosed

The instruction behind this work was clear: the breastplate must not come away from the ephod. That rule reaches all the way to Christ:

The breastplate was never to be separate from the ephod (Exodus 28:28). "That the breastplate be not loosed from the ephod." Whenever the high priest went into the presence of God, it was in his garments. He could not go without representing the people. It is impossible for Christ to stand there in the presence of God without us.

Modernised from J. N. DarbyOriginal wording

The names were cut into stone, not written on cloth. That choice of material carries its own promise:

The names of the children of Israel were engraved in the jewels of the breastplate and of the shoulder pieces of the ephod. Someone would have to break those jewels to wipe out the names... Transfer all that imagery to our blessed Lord. He is a Priest and He abides forever, and that alone ensures the eternal security of His beloved people.

Modernised from Samuel RidoutOriginal wording

Exactly As Commanded

This verse is one line in a report of finished work. Set the two chapters side by side and a lesson appears:

Exodus 28 contains God's instructions about the High Priest's robes. Exodus 39 shows how the workers carried them out. Compare the two passages and one thought strikes you. The people were careful to carry out the will of God to the very letter. "As Jehovah commanded Moses" occurs seven times in connection with the robes alone... The principle of human choice and opinion in divine things had no place in the minds of Israel's workers.

Modernised from W. W. FeredayOriginal wording

Summary

- Pattern — Chapter 28 gave the command. Chapter 39 reports it done to the letter, with no room for human preference in God's things.

- Gold — The cords ended in gold settings. So God's people stand before Him in divine righteousness, not their own.

- Shoulders — The shoulder means strength. The whole burden of the people rested on the priest who appeared before God for them.

- Heart — The same cords reached the breastplate, joining power to love in one Person.

- Unbroken — The names were cut in stone and tied on so they could never come loose. Christ cannot stand before God without us.

Exodus 39:19 · Darby

And they made two rings of gold, and put [them] on the two ends of the breastplate, on the border thereof, which faceth the ephod inwards.

Exodus 39 records the work as it was carried out: Israel's workers make the garments God had described. This verse notes one of the smallest details of all — a second pair of gold rings on the lower corners of the breastpiece, facing inward toward the ephod.

Why the Detail Is Recorded Twice

The instructions were given once in Exodus 28; here the same rings are described again as finished work. Commentators see a deliberate point in the repetition.

Exodus 28 gives God's instructions about the high priest's robes. Exodus 39 shows how those instructions were carried out. Put the two chapters side by side, and one thing stands out: the care the people took to do God's will to the very letter. The words "as Jehovah commanded Moses" come seven times for the robes alone, and many more times for the tabernacle as a whole. Human choice and opinion in the things of God had no place in the minds of Israel's workers. God had spoken, and they wanted to obey His word in every detail. Let us note this fact well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

What These Rings Were For

The breastpiece had two pairs of gold rings, and each pair did a different job.

The workers set gold rings at the two ends of the breastplate, and two gold chains joined them to the settings of the onyx stones on the shoulders of the ephod. They set two more gold rings on the lower corners of the breastplate, and two more in the matching places on the ephod, so that a blue cord could tie these together. The ephod mattered greatly when the high priest asked God for guidance for the people. It stands for the unity of all the tribes of Israel, and not one tribe was to be left out when the people sought God's will.

Modernised from L. M. GrantOriginal wording

The Purpose Stated: Never Loosed

The reason for all this fastening is stated plainly: the breastpiece was not to come loose from the ephod.

The breastplate was never to be separate from the ephod. "That the breastplate be not loosed from the ephod." Whenever the high priest went into the presence of God, it was in his garments. He could not go without representing the people. It is impossible for Christ to stand there in the presence of God without us.

Modernised from J. N. DarbyOriginal wording

The Cord of Blue

The rings needed a cord through them. One writer asks why God gave such exact instructions about the materials and the fastenings.

Why did the Lord give such detailed instructions about the materials and the security of the breastplate? What a place gold has in all this! It is like the good news that God's righteousness has been revealed. What chains of gold and rings of gold! "And they shall bind the breastplate by its rings to the ephod with a lace of blue." Blessed security! Fastened on the heart of the high priest with a heavenly tie — the heavenly colour, blue.

Modernised from C. StanleyOriginal wording

Shoulders and Breast

The breastpiece hung over the high priest's chest, and the onyx stones sat on his shoulders. The two places carry two different meanings.

Aaron carried the names of the children of Israel on his heart as well as on his shoulders. The breast stands for the affections. So the lesson is this: Christ holds His people up before God by everlasting strength, and He also carries them on His heart in everlasting love… He has bound us on His shoulders, bearing our weight, with His own almighty strength. And He has fastened us on His heart with His own undying love, deeper than anyone can measure.

Modernised from Edward DennettOriginal wording

Names That Cannot Be Removed

The names were not painted on the stones. They were cut into them.

The names of the children of Israel were engraved in the jewels of the breastplate and of the shoulder pieces of the ephod. The jewels would have to be broken before the names could be wiped out. We are plainly told that the breastplate was joined to the ephod, to the shoulder pieces and to the girdle, so that it could not be removed.

Modernised from Samuel RidoutOriginal wording

The Ring Has No End

One writer draws meaning from the shape of the rings themselves.

The breastplate's connection to the ephod is also an eternal one, pictured by the rings: a ring has no end, and so stands for eternity. As Priest, Christ can never fail us. If He has once taken up our cause, He will never lay it down… We may feel low, but if we look up we can rejoice that our place on the heart and shoulders of Christ can never be lost.

Modernised from Edward DennettOriginal wording

Summary

- Commanded — the rings appear a second time because the workers made them just as God said. Obedience to the letter, with no room for human preference, is the point.

- Fastened — these lower rings matched rings on the ephod. A blue cord ran through them and held the breastpiece in place.

- Not loosed — the two were never to come apart. The priest could not enter God's presence without carrying the people with him.

- Heart — the breast is the place of affection, the shoulders the place of strength. Christ carries the same people with both.

- Never lost — the names were cut into stone, and the ring has no end. Our place on the heart and shoulders of Christ can never be taken away.

Exodus 39:20 · Darby

And they made two rings of gold, and put them upon the two shoulder-pieces of the ephod underneath, to the front thereof, just by the coupling thereof, above the girdle of the ephod.

Exodus 39 records the work itself: Israel now makes the garments God described to Moses. Verse 20 covers a small fitting — two gold rings set low on the shoulder pieces, just above the woven band. Why does Scripture bother to record such a small detail twice?

What the rings were for

The rings in this verse are half of a pair. They match two rings on the breastpiece, and a cord ties the two sets together.

They put two more rings of gold on the lower edge of the breastplate, but on the inside, to match two rings of gold also attached to the ephod. A blue lace then bound these rings together, attaching the breastplate to the ephod on its lower side. The blue lace would remind us of the heavenly character of this testimony, and the account adds that the breastplate would then not come loose from the ephod.

Modernised from L. M. GrantOriginal wording

Why nothing could swing loose

The lower rings kept the breastpiece from lifting away from the priest's body. Scripture states the reason plainly.

Blue lace attachments also connected the breastplate to the ephod itself. The reason given was "so that the breastpiece shall not come loose from the ephod." There must be no chance of the breastplate slipping out of its place for a single moment. The eye of God must never rest on the priest without a reminder of all His people.

Modernised from W. W. FeredayOriginal wording

Shoulders and heart, joined by one garment

The ephod held the breastplate and the shoulder pieces together as one garment. What the priest wore on his shoulders and what he wore over his heart could not come apart.

The great High Priest carries God's saints on His heart, and He also holds them up by His power. His unchanging love lies behind His patient strength, and that strength never weakens. The ephod made the breastplate and the shoulder pieces one. His love is not powerless, and His power is not loveless. His power is the servant of His love, and both are beyond measure and without end.

Modernised from J. T. MawsonOriginal wording

The band the rings sat above

The verse locates the rings by the woven band. Older translations call it "the curious girdle." That band carries its own meaning.

"Curious girdle" is an expression only used in connection with the ephod of the High Priest, and it means devised work. It stands as a symbol of service. For instance, our blessed Lord after the Passover Supper was ended "rose from supper. He laid aside his outer garments, and taking a towel, tied it around his waist. Then he poured water into a basin and began to wash the disciples' feet and to wipe them with the towel that was wrapped around him" (John 13:4-5).

Modernised from A. J. PollockOriginal wording

What the fastening made possible later

The rings tied breastpiece and ephod into one garment, so whoever carried the ephod carried everything attached to it. That included the Urim and Thummim, kept inside the breastpiece, by which God gave His answers. It explains a later moment, when a priest named Abiathar carried the ephod and an answer came.

Exodus 28:30 tells us that the Urim and Thummim were in the priest's breastplate. Verse 28 tells us this breastplate could not be separated from the ephod: "And they shall bind the breastpiece by its rings to the rings of the ephod with a lace of blue, so that it may lie on the skillfully woven band of the ephod, so that the breastpiece shall not come loose from the ephod." So when Abiathar brought the ephod, he brought the breastplate too, and therefore the Urim and Thummim, the means by which the answer came.

Modernised from The Bible TreasuryOriginal wording

Why the detail is written twice

Chapter 28 gave the instruction. Chapter 39 reports how Israel carried it out. The near-identical wording is the point.

When you compare these passages, one thing stands out — the care of the people to carry out the will of God to the very letter. "As the LORD commanded Moses" occurs seven times for the robes alone, and many more times for the tabernacle in general. The principle of human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and it was their desire to obey His word in every particular. Let us note this well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

Summary

- Commanded — the verse repeats chapter 28 almost word for word. Israel did the work just as God said, leaving no room for human preference.

- Fastened — two gold rings on the ephod met two on the breastpiece, tied with a blue cord. That held the breastpiece firm at its lower edge.

- Unloosed — the breastpiece could never shift, not for a single moment. God's eye never falls on the priest without a reminder of all His people.

- United — the ephod made the breastplate and the shoulder pieces one: love and power joined in one Person, never one without the other.

- Girded — the rings sat above the woven band, the sign of service. It all rests on a High Priest who serves His own.

Exodus 39:21 · Darby

And they bound the breastplate with its rings to the rings of the ephod with lace of blue, that it might be above the girdle of the ephod, and that the breastplate might not be loosed from the ephod; as Jehovah had commanded Moses.

The breastplate is finished, and now the workers tie it into place. A blue cord runs through gold rings and holds it to the ephod, so it cannot slip. Commentators read meaning into each detail: the cord, its colour, the rings. They also read the closing line — Israel did all this as the LORD commanded Moses.

The Breastplate Never Comes Off

The verse gives its own reason for the binding: the breastplate must not come loose. One writer asks what that means for the people when the priest goes in before God.

The breastplate was never to be separate from the ephod: "that the breastpiece should not come loose from the ephod." Whenever the high priest went into the presence of God, he went in his garments. He could not go without representing the people. It is impossible for Christ to stand there in the presence of God without us.

Modernised from J. N. DarbyOriginal wording

Another writer turns it around, and looks from God's side:

There must be no chance of the breastplate getting out of its place for a single moment. The eye of God must never rest on the priest without being reminded of all His people.

Modernised from W. W. FeredayOriginal wording

Rings Without End

The verse ties ring to ring. One writer finds meaning in the shape of the ring.

The breastplate can never be detached from the ephod. It is bound up inseparably with the priestly office of Christ... It is an eternal connection, pictured by the rings — a ring has no end. As Priest, Christ can never fail us. If He has once undertaken our cause, He will never lay it down.

Modernised from Edward DennettOriginal wording

The Cord of Blue

The cord itself is blue. One writer sets the lace of blue against the ribbon of blue, and finds two opposite messages in one colour.

How secure the fastenings: "that the breastpiece should not come loose from the ephod." ... Blessed security! Fastened on the heart of the high priest with a heavenly tie — the heavenly colour, blue. The ribbon of blue reminded Israel of the heavenly, holy claims of God on them — claims they never met. But the lace of blue points to those who are given by the Father, and always accepted in the Son.

Modernised from C StanleyOriginal wording

Names Carried on the Heart

The fastening matters because of whose names the breastplate carries. Edward Dennett weighs the difference between the shoulders and the heart.

Aaron bore the names of the children of Israel on his heart, as well as on his shoulders. The breast is symbolic of the affections. So it teaches this. Christ upholds His people before God by everlasting strength. He also bears them on His heart in everlasting love... He has bound us on His shoulders with His own almighty strength, carrying our weight. He has fastened us on His heart with His own undying love — a love no one can measure.

Modernised from Edward DennettOriginal wording

The Woven Band

The verse sets the breastplate above the ephod's skillfully woven band. Older translations call this band a girdle, and one writer says its name is used of nothing else.

The word for girdle here is used only for this special girdle of the ephod. It means "of skilful workmanship." It points to the unique perfection of the service of Christ as our Great High Priest... The girdle is throughout Scripture the emblem of service.

Modernised from An Outline of Sound WordsOriginal wording

That band has one task in this verse, and one writer draws the two threads together:

What was its unique occupation? To see that the breastplate was not loosed from the ephod... Our names, beloved, are on that breastplate! Borne upon His affections, and there is a link which binds that breastplate to our heavenly priest. Nothing can come in to break that link.

Modernised from F. A. HughesOriginal wording

As the LORD Commanded Moses

The verse ends with a line that repeats through the chapter — as the LORD commanded Moses. One writer draws a principle from it.

All service comes down to obedience. The test of anything done is whether it matches the revealed mind of God... So they met their responsibility towards God. He approved and commended them in that repeated, weighty statement: all their work was marked by obedience. This gives us an important principle. Everything that claims to be from God must stand the test of God's word.

Modernised from Edward DennettOriginal wording

Another writer points to the workers themselves:

Human choice and opinion in divine things had no place in the minds of Israel's workers. God had spoken, and they wanted to obey His word in every detail. Let us note this fact well as an example for ourselves today.

Modernised from W. W. FeredayOriginal wording

Summary

- Bound — cord and rings hold the breastplate to the ephod, and a ring has no end: "it is impossible for Christ to stand there in the presence of God without us."

- Blue — the tie is heavenly in colour: a secure fastening for those "given by the Father, and always accepted in the Son."

- Borne — the names rest on the heart as well as the shoulders: everlasting love joined to everlasting strength.

- Banded — the band's name is used of nothing else. It pictures service, and Christ is a servant for ever.

- Built as told — the closing line makes obedience the test. Everything that claims to be from God must be measured by God's word.