Esther 1:6–7

Esther 1:6

White, green, and blue [hangings] were fastened with cords of byssus and purple to silver rings and pillars of white marble; couches of gold and silver [lay] upon a pavement of red and white marble, and alabaster, and black marble.

The Persian king has thrown his palace garden open for a seven-day feast, and verse 6 stops to describe the furnishings. Why does Scripture list the fittings of a pagan banquet, and what is all that beauty worth?

Splendour with God left out

The verse reads like an inventory of wealth. One writer notes what is missing from it, and sets this king beside Nebuchadnezzar, the Babylonian king before him.

It is a vivid picture of earthly splendour, without a thought of God, true or false. Nebuchadnezzar brought in religion of a base sort, and sought to force it on everyone. Xerxes seems to be the one holding the general title used here. As Daniel said long before, he showed himself "far richer than all before him." He thought of no one higher, and gave himself up to showy indulgence — all the more after his invasion of Greece failed.

William Kelly

The old ambition in a new empire

This is not just expensive taste. One writer traces the display back to Babylon, and back further still to the serpent's lie.

This man of the earth shows no spirit or fruit of repentance — no learning about himself, or about what suits him as a creature. The lie of the serpent, which shaped man at the beginning, is working as hard as ever. The old desire to be as God speaks out in the Persian now, as it had before in the Chaldean. The one had built his royal city. He looked at it in pride and said, "Is not this great Babylon that I have built for the house of the kingdom, by the might of my power, and for the honour of my majesty?" The other now makes a feast. For a hundred and eighty days he shows the princes and nobles the whole power of his realm.

J. G. Bellett

A word that covers both linen and marble

The word behind "marble pillars" here simply means white. One writer shows how far that one word stretches.

The Hebrew shesh means white, and so is sometimes used for linen — if it is not cotton instead. It is also used for white marble, Song of Solomon 5:15; Esther 1:6.

J. N. Darby

Beautiful things without the reality behind them

One writer takes the colours and metals of this verse one at a time, and asks what is left when religion copies them.

Verses 6-7 describe the luxury of this feast. It shows how the religious world likes to take up for itself principles it sees to be beautiful, but which become only a show without reality. For white and blue linen speak of the purity (white) and heavenly character (blue) of God's testimony among His people. Purple speaks of royal character, and the silver rods speak of redemption. All of these are of vital value to those whom the blood of Christ has redeemed. In the hands of people who are only religious in form, however, it is imitation, taken up because it looks attractive.

Leslie M. Grant

The feast this one only imitates

Another writer turns the picture around. The couches in this verse, and the king's open invitation, point to a better feast.

The couches of gold and silver at the king's feast were for rest. Gold and silver are symbolic of righteousness and redemption, and these are the couches, the resting places, for the believer. Ahasuerus invited everyone to his feast, and set no condition except to come. In the same way God wants all men to be saved. He offers the riches of His grace without money and without price. While the Persian king displayed the glories of his great kingdom, God displays the glory of His grace.

Arno Clemens Gaebelein

What holds the King's eye

One writer sets this verse beside a wedding feast, and asks what the king in that story looks at.

Do you ponder the hangings, the couches of gold and silver, and the marble pavement of Esther 1:6? Are these, or even greater glories, the furniture that attracts the king's attention? No. The wedding was "furnished" with guests. And every guest there spoke to the King's eye and heart of the unequalled sufferings of His Son.

The Bible Treasury

Summary

- Display. The verse lists earthly splendour with no thought of God in it — a king showing off his riches and majesty.

- Display of self. Behind the hangings is the old desire to be as God. Babylon said it first, and Persia repeats it.

- Borrowed display. White, blue, purple and silver speak of purity, heaven, royalty and redemption. Here they are imitation, chosen because they look good.

- True display. Gold and silver stand for righteousness and redemption, and the couches are the believer's rest. Ahasuerus displayed his kingdom; God displays the glory of His grace.

- Whom the display is for. At God's feast the furniture is not what the King looks at. The guests are, because each one speaks to Him of the sufferings of His Son.

Esther 1:7

And they gave drink in vessels of gold (the vessels being diverse one from another), and royal wine in abundance, according to the king's bounty.

Here the seven-day feast in the palace garden reaches its peak: gold cups, no two alike, and royal wine flowing at the king's own cost. Commentators read the scene on two levels — a man showing off his wealth, and a greater feast this one can only imitate.

Gold Cups and Endless Wine

Two things stand out: the show of wealth, and the freedom of each guest.

They served the royal wine in vessels of gold, and no two of them were alike. The king displayed his enormous wealth and his abundant possessions. "The royal wine was lavished according to the bounty of the king." And there was perfect freedom; each could drink to his heart's content.

Arno Clemens Gaebelein

Splendour with No Thought of God

The king here is taken to be Xerxes. One commentator sees more than wealth in this display:

It is a vivid picture of earthly splendour, without a thought of God, true or false. Nebuchadnezzar brought in a low kind of religion and tried to force it on everyone. Xerxes... showed himself, as Daniel said long before, "far richer than all before him." He thought of no one higher than himself, and gave himself up to showy indulgence. He did so all the more after his invasion of Greece failed completely. Underneath such unmatched grandeur you can detect shame and fear. He wanted to please the peoples of his vast empire, and to wipe out the memory of a foreign disgrace which could be ruinous.

William Kelly

A Bounty That Imitates Grace

The king paid for everything, and no one had to drink. One commentator sees a likeness in that — and a warning:

Ahasuerus had the wealth for it. So he could show a most generous spirit in this great provision, and at the same time let each man fully follow his own wish about drinking. This is a striking imitation of the grace of God. God provides every necessity with no legal bondage, and He encourages each believer to act on his own faith. But even in Christendom, ungodly men turn the grace of God into lewdness (Jude 4) — just as the king was thinking only of his own pleasure.

Leslie M. Grant

The Feast This One Cannot Match

Another writer sets this feast beside a far greater one:

The king's marriage feast for his son in Matthew 22 is a lovely thing to think about. The king is God; the son is Christ Jesus, who "came into the world to save sinners." At such a feast everything would surely be the best. It would be beneath such royalty to provide anything inferior, or anything that could even be matched. The guests who receive and accept the invitation enjoy far more than Ahasuerus provided (Esther 1:1-8). His feast is a glow-worm's gleam; theirs is the noonday sun.

The Bible Treasury

Gaebelein finds two pictures in the scene — one in the wine, one in the open invitation:

The wine is the symbol of joy; it cheers God and man (Judges 9:13). The king had his joy with his subjects at this feast on earth. In the same way, God rejoices in those who come to the table of His love, and those who accept His invitation rejoice in Him... Ahasuerus invited everyone to his feast, on no condition but to come. In the same way, God wants all men to be saved, and He offers the riches of His grace without money and without price. While the Persian king displayed the glories of his great kingdom, God displays the glory of His grace.

Arno Clemens Gaebelein

Providence Hidden in the Pomp

The feast the king staged to crown his own glory became the hinge of all that followed:

Here, from the very beginning we find the hidden providence of God at work. Man is full of grand projects. A feast lasting seven days crowns these long ceremonies, and it leads to Vashti's revolt against the king's decision. Her dismissal is decreed and cannot be reversed, but it takes effect only when Ahasuerus returns. Then the Jewish wife, prepared by Providence, can come on the scene and take the place of the Gentile wife at the right moment.

H. L. Rossier

Summary

- Bounty measured. Gold cups, each one different, and royal wine without limit. The king's own fortune was the only measure of the feast.

- Bounty displayed. The aim was self-display — splendour with no thought of God. One writer sees a cover for the shame of a failed war.

- Bounty imitated. Free supply and free choice are a striking imitation of grace. But the king thought only of himself, and men still twist God's grace into an excuse for sin.

- Bounty surpassed. Beside the feast God spreads in His Son, this one is a glow-worm beside the noonday sun. The wine pictures joy, and the invitation asks nothing but that you come.

- Bounty overruled. This seven-day feast ended in Vashti's refusal to obey the king — the first move of God's hidden providence.