This image's head was of fine gold, its breast and its arms of silver, its belly and its thighs of brass,
Nebuchadnezzar's dream starts at the top with the most precious metal and works down. Why did God picture world history as a body of falling metals, and what does that say about power He gives to men?
The four empires are not four separate pictures. They form one figure — one man standing before the king.
We may first notice that the Gentile kingdoms are seen as one whole. The point is not their order in history, and not their moral character toward God and man. All the kingdoms together form one figure standing before God — the man of the earth as God sees him, splendid and terrible in the eyes of men.
Gold, silver and bronze are not weaker metals than iron. So the descent measures something other than muscle.
Another feature of the image is that it gets steadily worse from head to feet. The decline is not in the strength of the metals, but in their value. The strength of each metal shows how much land each empire ruled. The value of each metal shows the sovereign power of each empire. The last three world empires would rule far more land than the first. But in none of them was imperial power, which stands for the power of God, as clear as in the first empire — the head of gold.
The finest metal marks the empire that stood closest to the God who gave the authority.
The falling value of the metals showed a decline in the quality of the powers that followed. We may think it a hard saying, but rule by one supreme head is God's ideal in government. It will be seen in righteous yet kind perfection in the millennial reign of Christ. It is worth noting that in this chapter Daniel speaks more than once of "the God of heaven." This shows that this first Gentile ruler of supreme power held his authority as given to him from heaven. We believe this is the fact behind the Apostle's teaching in Romans 13:1.
The same fall shows distance from where power began:
There was a decline as the empires moved further from the source of power. It was God who gave imperial rule to Nebuchadnezzar. So the empire nearest the source is the one called "this head of gold."
The second empire is Medo-Persia. Its inferiority shows in how the ruler could act, not in how much land he held.
God showed Nebuchadnezzar the Medo-Persian power as a chest and arms of silver, and called it "inferior" to his own (Dan. 2:39). This inferiority was not in the size of its lands, but in the character of its rule. Nebuchadnezzar was an absolute monarch — "whom he would, he killed, and whom he would, he kept alive; whom he would, he raised up, and whom he would, he humbled" (Dan. 5:19). The power that followed was more limited in this, since the princes and others played an important part in the government. So Darius could not save an innocent man from the den of lions, though he badly wanted to.
The third section of the body points to the empire of Alexander the Great.
Alexander's kingdom is first spoken of as part of the great image Nebuchadnezzar saw in his dream. It is pictured by the belly and thighs of bronze. That marks a drop in the character of the kingdom compared with the empires of Babylon and of the Medes and Persians, though it covered more ground: it "shall rule over all the earth."
The vision does not stop with the metals. The last thing Nebuchadnezzar saw was not an empire at all.
Last of all in the vision, Nebuchadnezzar saw a stone cut out "by no human hand." He saw the coming of a Kingdom that man did not set up. We know this is the Kingdom of Christ. The stone falls on the feet of the image, but the whole image ends in ruin. The Kingdom of Christ will judge the final form of the last empire. In doing so it will set aside the whole system of government by the man of the earth, and set up a stable, world-wide government, like a great mountain that "filled the whole earth."
- One man. The four empires are one figure — the man of the earth, splendid to human eyes and terrifying at the same time.
- One gift. Nebuchadnezzar held his authority as a gift from the God of heaven. That is why the head is gold.
- One descent. Each metal is worth less than the one above it. That marks falling sovereign power, not shrinking size or strength.
- One pattern. Silver's king cannot do all he wants. Bronze rules more land yet stands lower still. The further from the source, the lower the rule falls.
- One end. The stone cut by no human hand does not repair the figure. It ends the whole system and fills the earth with the kingdom of Christ.
its legs of iron, its feet part of iron and part of clay.
The dream now moves down the great statue, past gold, silver and brass, to legs of iron and feet mixed with clay. Two questions follow. What empire do the iron legs stand for? And why does such a grand image end in common clay?
The metals get cheaper as the eye travels down, but they do not get weaker.
Another feature of the image is that its materials get worse from head to feet. This decline is not in the strength of the metals, but in their value. The strength of the metals shows how far the rule of each empire reached. The value of the metals shows the sovereign power of each empire.
The decline has a cause: distance from the One who gave the authority.
The empires declined as they moved away from the source of power. It was God who gave imperial rule to Nebuchadnezzar. So the part nearest that source is the head of gold. In the Persian empire there is a bit more of what is human: the chest and arms of silver, a lesser metal. And so on down to the legs of iron, and the feet, part iron and part clay. It is quite plain from this that the further we move from the original grant of power, the more debased the rule becomes.
Commentators read the four sections of the statue as four world powers in turn, ending with Rome. The direction of travel is downward, not upward.
The fourth great empire to rise during the times of the Gentiles, pictured by the two legs of iron, is the iron empire, Rome. Here, then, is history written in advance. God, who knows the end from the beginning, revealed in this dream the course of the times of the Gentiles... Notice how the make-up of this image gets worse: gold, silver, brass, iron, and at last less iron, with clay taking a leading place. It shows that in political terms the times of the Gentiles are not improving.
Iron fits what Rome did, and the dream follows that empire past its united days.
The Roman empire did break in pieces and conquer the civilized world, and it lasted as one united empire for centuries. Its unity broke up, as we know. Yet the dream still treats it as existing in some form until its last stage at the end of its story, when it appears as ten kingdoms and clay is mixed with the iron. The result is a kingdom partly strong and partly brittle.
Every other material in the statue is metal. Clay is not, and Scripture uses it in a particular way.
The mixture of clay and iron is a fitting symbol, for they are completely different in character. Iron is a metal, worth less than gold but stronger. Clay is not a metal, and Scripture uses it as a picture of what is human as against what is Divine: see Job 10:9 and Job 33:6, and the places where man is like clay in the hands of God, who is the Potter.
Commentators differ on what the clay stands for in history. Some see foreign peoples pressing into the empire:
That metal stands for the original Roman element in its strength. The clay was a foreign ingredient, and it brought in weakness when it tried to fuse with the iron.
Others read it as a way of ruling, not a group of people:
We see no reason to doubt a very common reading of the clay: it stands for popular, democratic forms mixed with absolute government. Absolute rule and the will of the people do not belong together. They can never be fully welded into one, and the very try at joining them becomes a source of weakness.
The blow that ends the statue lands exactly where this verse leaves off — and that placement settles what the smiting is.
This final blow does not fall on the head of gold, the silver chest, the belly and thighs of brass, nor even on the legs of iron. It falls on the feet of iron and clay. This alone proves that the striking of the image is not the arrival and slow spread of Christianity, as many have supposed. It is a blow struck by divine power while the fourth empire is in its divided and mixed state.
- Downward — the metals drop in value from head to feet. Each empire stands further from God, who first gave the rule to Nebuchadnezzar.
- Iron — the legs are Rome, the power that broke the civilized world in pieces. Rome loses none of the strength; it loses the value.
- Clay — the one non-metal in the statue, a picture of what is human. Commentators differ: some see foreign peoples, others see popular rule mixed with absolute rule.
- Brittle — iron and clay never truly bond, so the final form of the empire is partly strong and partly fragile.
- Powder — the stone strikes the feet, not the head. The end of Gentile rule comes by a direct act of God, not by slow improvement.
Thou sawest till a stone was cut out without hands; and it smote the image upon its feet of iron and clay, and broke them to pieces.
Nebuchadnezzar's dream reaches its turning point here. He watches a stone, shaped by no human hand, strike the huge statue at its weakest point and shatter it. Three questions follow: what is the stone, why does the blow land on the feet, and is this slow or sudden?
The phrase "without hands" rules out any human origin.
The stone fell on the feet of the image. The stone is described as "cut out without hands" — that is, with man having nothing to do with it — not human but divine in origin. In prophecy the Lord Jesus is first called the Stone in Genesis 49:24. There old Jacob, while blessing his sons, broke off to exclaim, "from there is the Shepherd, the Stone of Israel." He appears under this figure again in Isaiah 28:16, and on into the New Testament.
Where the stone lands settles the timing.
Destruction comes only when Gentile supremacy exists in its last form. This final blow falls not on the head of gold, the silver breast, the belly and thighs of brass, nor even on the legs of iron, but on the feet of iron and clay. This alone proves what the striking of the image is not. It is not the introduction and gradual spread of Christianity, as many have supposed. It is a blow that divine power inflicts when the fourth empire is in its divided and mixed state. It existed in full unity and power for centuries after Christianity began.
Each material in the feet stands for something:
From the iron we learn that there will be an imperial rule, while the clay points to ten separate kingdoms (Rev. 17:12-13). It is on the feet of the image that the stone falls... This event, still future, is the end of the "times of the Gentiles."
Many read the stone as the gospel slowly winning the world. One writer answers by asking what the stone does.
God's gospel is the revelation of Christ. The Spirit of God applies it to save sinners, Jews and Gentiles who believe. But the "little stone" stands for something else. It is a power, small in appearance, which at once destroys all that is high, great, and strong on the earth. Its first blow reduces the entire imperial system to powder. So trying to make the gospel out of it fails completely... It is plain that the "little stone" is not the gospel or the church, but the kingdom of God which Christ enforces when He returns.
The stone strikes before it spreads.
The instrument of this destruction was not formed by the wisdom or the schemes of man. It is "cut out without hands." It does not act by a moral influence that changes the character of the object it acts on. It destroys that object by force. It is God who establishes it and gives it that force. The stone does not gradually increase in size to displace the image. Before it spreads, it destroys the image. Note that God does not destroy the image in some other way and then set up the kingdom. The kingdom He is establishing strikes the feet of the image as its first act.
Daniel's interpretation speaks of a kingdom. In Matthew, the same figure points to a Person the builders refused.
He was the Stone, refused by the builders. The Lord Jesus went on to warn them, "The one who falls on this stone will be broken to pieces; and when it falls on anyone, it will crush him" (Matt. 21:44). These last words are close to those we have considered in Daniel 2:34. While in Daniel the emphasis was on the kingdom, here in Matthew it is very clearly on the Person of Christ... If the Lord Jesus had come in power to free the nation from Roman rule, it might have been different. But His lowly character and meekness exposed their hypocrisy. That did not suit them, and so they stumbled.
Those who come to Him now know Him in another way:
We know Him as the "Living Stone," and we have already come to Him, as 1 Peter 2:5 reminds us. We are His already, and we share His nature as "living stones." So we are built up, under His authority, into that spiritual house and holy priesthood. He is the King of that coming kingdom predicted in Daniel 2. When He falls in judgment, it will be to demolish completely. While we wait for that, we know His attractive power, and its effect is to build up.
- Origin — "Cut out without hands" means the stone owes nothing to human wisdom or effort. Its origin is divine.
- Aim — The blow lands on the feet, not the head. That is the last stage of the fourth empire: imperial rule mixed with ten kingdoms.
- Method — This is a blow, not an influence. The stone does not transform the image; it shatters it.
- Order — Destruction comes first, growth second. The stone becomes a mountain only after the image is gone.
- Person — The Stone is Christ. The builders refused Him. He is a foundation to build on now, and a crushing weight in the day of judgment.
Then was the iron, the clay, the brass, the silver, and the gold broken in pieces together, and they became like the chaff of the summer threshing-floors; and the wind carried them away, and no place was found for them. And the stone that smote the image became a great mountain, and filled the whole earth.
The stone is a kingdom which is not built up or formed by the wisdom of statesmen, or founded on victories won by military leaders. No mortal hand carves out its destiny or builds up its power; it is set up by the God of heaven. It is the introduction of Christ, according to Psalm 2, where God says, "As for me, I have set my King on Zion, my holy hill."
The contrast with the statue is deliberate. One is a manufactured object; the other is untouched material.
An image is something on which the hand of man has worked; the stone is untouched by the hand of man. It is a kingdom altogether different from everything that had gone before it.
There is a sense in which even literal Babylon, Persia and Greece still exist. Persia exists to this day. So does Greece. This, I believe, explains Daniel 2:35. The four kingdoms are included here as sharing a common doom.
No statement could show more clearly that the proper kingdom of Christ does not yet exist.
Crushing the image of Gentile empires to powder is in no way and at no time the church's work. The once rejected but now exalted Stone will do it, as He declared in Matthew 21:44 and in other scriptures.
Christians pray, with more or less understanding and warmth, "Our Father in heaven, hallowed be your name. Your kingdom come." When the stone moves against the image, that will be the answer to this prayer. Christ is the stone. But the rejected stone has been raised up. And "when it falls on anyone, it will crush him" (Matt. 21:44). No other word is needed to show us who and what the stone is.
- Cut — the stone is shaped by no human hand: not by statesmen, not by armies, but set up by the God of heaven.
- Falls — its first act is a blow, not an influence; the statue's character is never changed, only shattered.
- Scatters —
- Fills —
- Reigns —
This is the dream; and we will tell the interpretation of it before the king.
Nebuchadnezzar woke from a dream he could not remember. He had sentenced all his advisers to death for failing to recover it. Daniel has just described the great image to the king. Now he turns from the dream to what it means.
The verse marks a turn inside Daniel's reply to the king. Before giving the meaning, he says where the revelation came from.
Daniel's answer comes in three parts. First, he explains where the revelation of the secret came from and why it was given. Second comes the dream itself. Last comes its interpretation. Daniel begins, in clear communion with the mind of God, by declaring that human wisdom is powerless... Daniel goes on to declare the source of the vision. "There is a God in heaven who reveals secrets," and this was Daniel's God, and he delighted to exalt Him in the presence of this absolute and idolatrous king.
Daniel promised the king an interpretation before God had given him one. Two things stand together here: certainty about God, and no claim for himself.
He does not wait until God gives him the answer before he says that he would show the interpretation of the dream. He offers it at once. He is confident in God, and that is faith — a conviction founded on the known character of God... We have two great things brought out in Daniel: first, his confidence that God would reveal the thing to the king; second, his confession that he could not.
Daniel stands alone before Nebuchadnezzar, yet he does not say "I". Three friends had prayed with him for this secret, and he keeps them in the sentence.
In verse 36 Daniel says, "This was the dream. Now we will tell the king its interpretation." He links his companions with himself before the king, just as he had already done before God in his thanksgiving. It is very lovely, and it says much about the unselfish humility and generous heart of this "man greatly beloved."
The interpretation begins with the king himself. Babylon stands first among the four kingdoms, and the reason lies in where its power came from.
Nebuchadnezzar's kingdom was a direct gift from God. As Daniel said, "You, O king, are a king of kings, for the God of heaven has given you a kingdom, power, and strength, and glory." No one could say that of the three kingdoms that followed. They come on the scene by God's providence. God permits them to govern the earth, and it happens according to His ordering. But their heads did not hold power directly from God, as Nebuchadnezzar did. He was nearest God in this outward sense, and his responsibility was therefore all the greater.
The meaning Daniel is about to give reaches past one king. Authority on earth has changed hands.
In Ezekiel chapter 1 the prophet had seen the glory of the Lord by the river Chebar. In chapter 11 he sees that glory leave Jerusalem. It departs from the house and from the city. It is a remarkable fact that the glory of the Lord has left its earthly throne. But more: at the same time this earthly power was transferred from Jerusalem to the Gentiles, and government entrusted to men. So we read in Daniel 2:36-38.
The empires Daniel begins to trace do not run on forever.
Babylon ruled for less than a century, then fell to the Medes and Persians. These in turn gave way to Alexander and his Macedonians. Later still, the Macedonians fell before the power of Rome... The next kingdom God sets up will be the kingdom of His Son. The fourth empire (Rome) will revive for a short period. Then God will bring the Lord Jesus once more on the scene, and He will take all the affairs of earth into His own blessed hands.
Daniel got the meaning of the dream from God alone. That shapes how anyone should read prophecy.
We need not go beyond Scripture to understand prophecy. It is the right, spiritual use of what is in the word of God. Take the simplest man who studies his Bible carefully in his own language and is led by the Spirit of God. He has the elements and the power of a true interpretation. But suppose a man hunts for an interpretation here and there, with the help of history, ancient records, newspapers and the rest. He is only deceiving himself and his hearers.
- Revealed — God alone brought the dream back and explained it, after human wisdom had failed.
- Shared — Daniel says "we", drawing his praying companions into the credit before the king as he had before God.
- Received — Nebuchadnezzar's rule was a direct gift from God. That is why he is the head of gold, and why his responsibility was greatest.
- Transferred — rule passes from Jerusalem to the nations, and God puts government into human hands.
- Replaced — the line of empires ends when God sets up the kingdom of His Son. Scripture alone, not outside sources, makes this plain.
Thou, O king, art a king of kings, unto whom the God of the heavens hath given the kingdom, the power, and the strength, and the glory;
This verse opens Daniel's explanation of the king's dream. Before he traces a single empire, he tells Nebuchadnezzar where the crown on his own head came from.
The name Daniel uses for God here is deliberate. God once ruled the earth from a throne in Jerusalem. That throne was set aside. Only then did He give authority to a foreign king under this new name.
It is as "the God of heaven" that God acts in giving power to the Gentiles. As "God of the earth" His throne was at Jerusalem, and will be when He again makes Himself known that way. But His throne on earth has been set aside, because those who held His authority and acted for Him had sinned. So He now acts as "God of heaven," giving authority to the Gentile king.
Nebuchadnezzar had conquered Jerusalem and overpowered Egypt. Daniel tells him none of it came from himself.
It was not a question of his own prowess, nor of any special wisdom he possessed. If Nebuchadnezzar had been allowed to carry away these captives, and to triumph over the power of Egypt, it was the God of heaven who had given it to him.
The phrase is not flattery. It names a form of rule that begins with this man: many nations and their own kings gathered under one head.
Daniel tells Nebuchadnezzar that, as the representative of the Babylonian empire, he is the head of gold. Until now the earth had separate nations, each under its own king. Now, for the first time, a new form of government begins — government by imperial unity. Under it, one empire joins nations and their kings under an imperial head who is a king of kings.
The title also points past Babylon. One writer sees in this king a small, flawed copy of a greater One.
The God of heaven gives Nebuchadnezzar the kingdoms of the earth. The Gentile kingdom soon widens into an empire such as Israel had never seen. Nebuchadnezzar is therefore a king of kings — a small image of Him who will be the "King of kings and Lord of lords," and something of an image too in the absolute authority he had. But there the resemblance ends. How different the character of the man who has this power, and how fast it decays!
One writer traces the whole decline to one thing: where each empire's authority came from.
Four imperial powers were to follow one another, and God set up Nebuchadnezzar himself as their great head. In certain respects they would grow steadily worse. To me, the special excellence of the head of gold is that it received its authority straight from God Himself. In fact the absolute authority of the first power rested on the gift of the God of heaven. The others came in by God's providence, and to them God was not the direct source of authority. Babylon was the authority God established.
That nearness carried a cost. Being closest to God in this outward sense made this king the most answerable of the four:
He was nearest God in this external sense, and his responsibility was therefore all the greater.
The gift did not keep the king humble. One writer sets his later pride against the words of this verse.
God had given to the king "a kingdom, power, and strength, and glory" (Dan. 2:37). Despite God's gifts, and the striking way in which He had borne witness to Himself, the king had forgotten Him. The king, at rest in his palace and at the height of his prosperity, credits all his power and glory to himself, and uses his high position to exalt himself. Never was such great prosperity linked with such pride.
The principle did not die with Babylon. What was true of the head of gold holds for every government since.
In this chapter Daniel speaks more than once of "the God of heaven." This shows that the first Gentile monarch of supreme power held his authority as something given to him from heaven. We believe this fact lies behind the teaching of the Apostle in Romans 13:1. The power in his own day was the fourth one, mentioned in our chapter. But the Gentile powers that exist, whoever they may be at any given moment, hold their authority as delegates of "the God of heaven."
- Given — God handed over the kingdom, power, strength and glory. Nebuchadnezzar's wins over Judah and Egypt proved nothing about the conqueror.
- From heaven — God set His throne in Jerusalem aside because of sin. Here He acts as "the God of heaven," not as God of the earth.
- Directly — Babylon alone received its authority straight from God. The later empires came in by providence, and each one stands further from the source.
- Answerable — the king nearest to God carried the greatest responsibility. He credited his glory to himself, and his pride grew with his prosperity.
- Still on loan — every government since holds power as a delegate of the same God, which is the ground of Romans 13:1.
and wheresoever the children of men, the beasts of the field, and the fowl of the heavens dwell, he hath given them into thy hand, and hath made thee ruler over them all thou art this head of gold.
Daniel turns from the dream to the dreamer, and tells the most powerful man alive where his power came from. The verse hands Nebuchadnezzar an empire over people, beasts and birds — and calls that whole reach a gift.
Nebuchadnezzar had beaten Egypt and carried Jerusalem's people away. Daniel credits none of it to the king's own ability.
It was not a question of his own strength, nor of any special wisdom he had. Egypt had wanted to dispute who ruled the world. If Nebuchadnezzar was allowed to carry away these captives, and to triumph over Egypt's power, it was the God of heaven who had given it to him... Clearly the Babylonian empire is meant.
The image drops in value from head to foot. That drop measures the power of each empire, not its size.
This deterioration is not in the strength of the metals, but in their value. The strength of each metal shows how much land each empire ruled. The value of each metal points instead to its sovereign power. The last three world empires would rule far more land than the first. But in none of them was the imperial power, which stands for the power of God, as clear as in the first empire — the head of gold.
What set Babylon apart was how the power arrived, and that nearness raised the stakes.
Nebuchadnezzar's kingdom was a direct gift from God... This could not be said of any of the three later kingdoms. They come on the scene through providence. God permits them to govern the earth, and they rise according to His ordering. But their rulers were in no sense direct holders of power, as Nebuchadnezzar was. He was nearest God in this outward sense, so his responsibility was all the greater.
Israel had never held power on this scale. The words "wherever they dwell" mark a reach no ruler has ever filled — not even the king who received it.
Such dominion as Nebuchadnezzar had was never given to Israel. Not even Solomon's kingdom was anything like the extent of empire that Nebuchadnezzar had... No Gentile has ever realised this enormous gift. The largest empire that ever submitted to the rule of one man never took in the fullness of the gift as declared to the Gentile king. Yet, as it was, it was a weight of glory and power he was unable to bear; he was, as it were, crushed under it. There is a Man coming, the Man of God's right hand, who is able and worthy to bear it.
The verse names people, beasts of the field and birds of the heavens. One group of creatures is left out.
In Daniel 2:38 we read that the birds of the heavens were likewise given into his hand. In Genesis 1:28 we learn that the fish of the sea were also to come under man. But the fish are not named as part of Nebuchadnezzar's dominion. When Psalm 8 speaks of the dominion of the Son of Man, however, it takes in all of these — and its language covers much more besides.
Daniel's words point to a man here, not to a kingdom.
Nebuchadnezzar was the head of gold: God had made him a king of kings, and the power and splendour of the kingdom centred in himself. Little is said of his kingdom; much is said of himself... The kingdom later comes into the hand of Nebuchadnezzar's son, and then into the hand of his grandson. Yet neither of them is the head of gold, and neither has any place in the vision.
So the question turns back on the king himself.
Man now gets another trial. Supreme power is put into his hand... How then will he use it? Will it be to the glory and honour of Him from whom he had received it? The result is known. Lifted up in pride of heart, he makes himself a centre. He persecutes God's people for the sake of a religious unity built on idols, apart from God... He loses his moral reason and becomes a beast!
- Given. The God of heaven gave Nebuchadnezzar his empire. No skill or conquest of his own won it.
- Gold. He is the most valuable metal because he stood nearest the source. He held power as a direct gift; the empires after him rose through providence.
- Wide. The gift covered people, beasts and birds wherever men live. No empire has ever filled it.
- Short. The fish of the sea are missing from his list. Full dominion over creation waits for the Son of Man.
- Weighed. Nearest to God meant greatest responsibility. The weight crushed him: he fell into pride and lost his reason. A Man is coming who is able and worthy to carry it.
And after thee shall arise another kingdom inferior to thee; then another third kingdom of brass, which shall bear rule over all the earth.
Daniel has just called Nebuchadnezzar the head of gold. Now the interpretation moves down the statue, covering two more world empires in one sentence. Two questions follow: which kingdoms are meant, and how a bigger empire can still be called "inferior."
Daniel names no nation here. His own later visions supply them.
The verse mentions the second and third empires in the briefest way — the breast and arms of silver, and the belly and thighs of bronze. From later visions we learn that the second empire is the Medo-Persian (see Dan. 5:28 and Dan. 8:20) and the third empire the Grecian (see Dan. 8:21). Here we learn only that the kingdoms to come will be inferior to the empire of Babylon.
The word does not mean smaller or weaker. It measures how much power sat in one ruler's hands.
The Medo-Persian power was shown to Nebuchadnezzar as a breast and arms of silver, and pronounced "inferior" to his own (Dan. 2:39). This inferiority was not in extent of dominion, but in character of rule. Nebuchadnezzar was an absolute monarch — "whom he would, he killed, and whom he would, he kept alive; whom he would, he raised up, and whom he would, he humbled" (Dan. 5:19). The next power was more limited here, since the princes and others played an important part in the government. So Darius found himself unable to save an innocent man from the den of lions, though he badly wanted to. The next empire — the Grecian — was more military in character, and its generals had a strong influence over its ruler.
The metals lose value as the eye moves down the statue. Commentators read that fall in two ways. The first is distance from the source of the power.
There was deterioration, as the empires departed from the source of power. It was God who gave imperial rule to Nebuchadnezzar. So the empire nearest that source appears as "this head of gold." More of what is merely human comes in with the Persian empire — "the breast and the arms of silver," an inferior metal — and so on down. It is quite plain from this that, as we descend from the original grant of power, there is a gradual debasement.
The other reading takes the strength of the metals and their value as measuring two different things.
This deterioration is not in the strength of the metals, but in their value. The material strength of the metals sets out the extent of the dominions of each empire. The value of the metals signifies rather the sovereign power of each empire. The last three world empires would each stretch far wider than the first. But none of them showed the imperial power, which represents the power of God, as clearly as the first empire — the head of gold.
Greece reaches wider than the other two, and is still only bronze. The state of the empire itself explains why.
The Grecian Empire is called "a kingdom of bronze," as inferior to the Babylonian and the Persian: Dan. 2:39. It was not inferior in extent. Yet the verse says it "shall rule over all the earth"; but as an empire it was not consolidated, and hardly had any capital. An army had to be left in Greece under Antipater to keep the peace. When Alexander died the empire was not conquered by others, but fell to pieces of itself.
Greece was in no shape to rule anything when Daniel wrote this.
Who could have imagined an empire far wider than any before it, coming from the vain and quarrelsome Greeks, led by the despised Macedonians and their boy king? Up to that time, apart from Sparta, what were they but a cluster of jealous, divided states struggling for leadership? Only God could have led the king to dream, and the prophet to interpret, the Greek or Macedonian kingdom.
The verse gives centuries of history a single line.
There is but little said in this chapter of the second and third empires. The chapter highlights the truth about the first kingdom, which received its dominion directly from God, and about the fourth. In the last days of the fourth, the whole structure will be set aside, with not a trace remaining.
That brevity says something about what God values.
Persia's might may look great, and Greece's too. Their disputes may fill up the history of the world. Yet God thinks little of them. He disposes of the records of centuries in a few words.
- Downhill from gold. Each empire stands further from the rule God first gave Nebuchadnezzar. The falling metals record that gradual debasement.
- Inferior, not smaller. The second kingdom ranks lower in how it ruled, not in how much land it held. Its king was bound by his own princes.
- Wider, cheaper. Bronze rules over all the earth, yet still ranks below silver. Reach grew as real authority shrank.
- Named later. Daniel names no kingdom here. His later visions supply Medo-Persia and Greece.
- Skipped quickly. God disposes of centuries in a few words. He saves the detail for the first kingdom He gave and the last one He will set aside.
And the fourth kingdom shall be strong as iron forasmuch as iron breaketh in pieces and subdueth everything, and as iron that breaketh all these, so shall it break in pieces and bruise.
Nebuchadnezzar's dream image ran from a golden head down to legs of iron. Here Daniel reaches the last part of it. Two questions follow: which empire is meant, and why iron — the strongest metal in the image, and the cheapest?
Daniel never names the four empires here. One writer notes that this last kingdom is given far more detail than the others, and says why:
When we come to the fourth kingdom, its character is given in much more detail. That is not only because it is the last kingdom of the times of the Gentiles, but because it is the one kingdom Christ will deal with directly in judgment. This clearly marks the fourth kingdom as the Roman Empire. The world was under the rule of the Roman Empire when Christ came to earth. That empire clashed with Christ when He left the world. And it is the revived Roman Empire that Christ will judge when He comes again (Luke 2:1-2; John 19:10-11; Rev. 17:7-14).
One writer meets the obvious objection to naming these empires at all:
But someone may ask, How do you know these things? It is not said that the second empire is Medo-Persia, or the third Macedonia, or the fourth Rome. I think it is. It may not be said here, but Scripture does not always hang the key right by the door. We do not often find the explanation of one part in the very next verse.
Iron is the toughest of the four metals and the least valuable. That mix carries the meaning:
The main mark of the fourth kingdom is that it is "strong as iron." Iron is stronger than gold or silver or brass, but not as precious. In the pictures Scripture uses, gold always speaks of what is divine, and iron of what is human. In the fourth Empire there is a huge increase of all that is human, and a great loss of all that is divine. Its government will show more and more human wisdom, human cleverness and human resources, and less and less recognition of God. With that goes a growing loss of God's supreme and absolute power in government. As the times of the Gentiles come to their close, people will try more and more to rule the world without any thought of God, until the world is ripe for judgment.
So what declines through the image is not force but glory:
Notice how the materials get worse—gold, silver, brass, iron, and clay. There is no loss of force, except in the clay, for iron is a tougher metal than gold. But there is a loss of glory shown in this way.
Beyond hardness, the choice of a base metal has been read as a comment on how Rome was actually governed — power held by one man while the forms of the republic were kept up:
Here strength is the great feature of the kingdom, and the metal matches it. But it is the commonest sort of metal, not one of the precious ones. Perhaps this is because of what marked out the Roman empire: in name it was the people who governed. However harsh the emperor was, he always pretended, in theory at least, to consult the people and the senate. Even under the empire, the Romans still kept the look of their old republic, while in fact one man had taken all the real power for himself.
The phrase about iron that breaks and crushes is not vague poetry. Writers observe that secular historians reached for Daniel's own images when they came to describe these empires:
One well-known historian, when speaking about the empires, describes them in the liveliest imagery, derived from these very symbols of Daniel the prophet. He could find no figures so apt as those which the Spirit of God had consecrated to their use already, though every one knows it was from no lack of imagination, any more than from the wish to accredit Scripture.
Since this kingdom lasts until Christ's kingdom is set up, its present disappearance raises an obvious problem, which commentators answer from Revelation:
This kingdom plainly continues until the kingdom of Christ is set up, so other Scriptures have to be consulted to understand it. In history, the Roman empire followed that of Greece, and, "strong as iron," it broke in pieces and subdued all things. Its power seemed unstoppable at the time, and it ruled most of the world then known. All this is history. But a question arises: if this Roman empire must exist on the eve of Christ's appearing, where is it now, and where will it come from when it appears again? The book of Revelation gives the answer. The outward form of this kingdom has plainly disappeared; to human eyes it does not exist. In God's eyes it does exist, but hidden for the moment, waiting to burst out and astonish the world by its return.
- Iron names Rome. Daniel gives no name here. But the empire that ruled when Christ came, clashed with Him when He left, and will meet Him in judgment is Rome.
- Iron is strong. The metal marks force, and Rome lived up to it, breaking and subduing most of the known world.
- Iron is cheap. The decline through gold, silver, brass and iron is a loss of glory, not of power; strength grows as value falls.
- Iron is human. Gold speaks of what is divine, iron of what is human. So this empire leans on human resources and gives God less and less place.
- Iron is not the end. This kingdom is hidden now, not finished. It is the one power Christ Himself will deal with when He comes.
And whereas thou sawest the feet and toes, part of potter's clay, and part of iron, the kingdom shall be divided; but there shall be in it of the strength of the iron, forasmuch as thou sawest the iron mixed with miry clay.
The great statue in Nebuchadnezzar's dream ends in feet of iron mixed with clay. Here Daniel tells the king what that mixture means: the fourth empire, strong as iron, will become a divided kingdom. Commentators read the clay in more than one way. They agree on the picture — the world's last great power carries its own weakness inside it.
The feet come at the bottom of a figure that has been sliding downward from the start. One writer notes that the whole statue, gold to clay, is a portrait of man himself as ruler.
While the image represents the times of the Gentiles, from Nebuchadnezzar's day until the establishment of the kingdom of Christ, it is yet one image, and that the image of a man. It is thus, as has been strikingly observed by another, a representation of "the man of the earth"... and the man of the earth, it may be added, as expressed in government — in all the various phases, as will afterwards be seen, of his corrupt heart and unbridled will.
Within the description of the fourth empire, this verse adds a distinct trait to those already given.
A third feature is that the fourth empire in the course of its history, will become divided and weakened. Daniel tells us that "the feet and toes" were "partly of potter's clay and partly of iron." This shows that "it shall be a divided kingdom," and weakened — or, as Daniel says, "partly strong and partly brittle."
The Romans never wrote this weakness into their own history. God did.
That power was known above all others for its strength in beating down everyone who rose up against it... yet that very power is described here like this: "And as you saw the feet and toes, partly of potter's clay and partly of iron, it shall be a divided kingdom." The Romans do not tell us this. History is not always a truthful speaker. Those who describe their own country's politics are usually not very trustworthy... but God tells it all out. So we find that the same empire, so famous for its amazing strength, would also show the deepest weakness inside itself.
Commentators differ on what the clay stands for. One reading takes it as an outside people who forced their way into the empire and broke it up.
The iron was the original material. The clay came in later, and did not really belong to the great metal statue. It was a foreign ingredient... I believe that in using the figure of clay, the Spirit of God does not point to the original Roman element, which had the strength of the iron. He points to the barbarian hordes that broke in later. They weakened the Roman power and step by step formed separate kingdoms. I can, however, only give this as my own judgment.
Others read the clay as a way of governing, not a group of people.
We see no reason to doubt a very common interpretation of the clay. It stands for the mixing of popular, democratic forms with absolute government — the joining of absolute rule with the popular will. These elements do not match, so they can never be welded together. The very attempt to unite them must become a source of weakness.
The verse does not say the iron disappears. Some of its strength stays in the divided kingdom. That answers the objection that this empire vanished long ago.
Now this is exactly what has happened to the once tightly united Roman empire. It has been "divided," but still "some of the firmness of iron" remains in it. In this sense the Roman empire still exists. It is no longer one undivided whole, but a set of broken pieces. Most of the strong nations of Europe are only broken portions of the old Roman empire. We believe that at the time of the end these fragments will come together again under a revived, or eighth, headship.
The final shape of this empire is unusual: one head over kingdoms that stay separate.
Before the age closes there will be a most remarkable union of two conditions that seem to contradict each other. There will be one head over the whole empire, and also separate independent kingdoms, each with its own king. That one man will be emperor over all these kings. Till that time comes, every effort to unite the different kingdoms under one head will be a total failure. Even then they will not be melted together into one kingdom... God has said they will be divided.
The divided state is not the last word; it fixes the moment when a different kingdom arrives.
Note the expression, "in the days of these kings," especially as it follows verse 43. It gives us the fact... that the last kingdom of the four will be divided into ten kingdoms. It also marks the time when the God of heaven will set up a kingdom which will displace — first destroy, and then displace — the last form of the Roman empire.
- Divided. The feet show the fourth empire at a later stage: still iron, but now split, part strong and part brittle.
- Disclosed. No empire publishes its own flaw. God told the world of the strongest power's weakness long before it showed.
- Debated. Writers read the clay two ways: an outside people forced into Rome, or popular rule mixed with absolute rule. Both make it the point of weakness.
- Durable. Division did not end the iron. Its strength lives on in the broken pieces, which writers expect to be gathered again under one head.
- Displaced. Iron and clay never bond, so every effort to fuse the kingdoms fails. Then the God of heaven sets up a kingdom that displaces this last empire for good.
And [as] the toes of the feet were part of iron and part of clay, the kingdom shall be partly strong and partly fragile.
Nebuchadnezzar's dream image does not end in a crash of strength — it ends in feet of iron mixed with baked clay. The questions the verse forces are simple: what are the toes, what is the clay, and why does the world's last great power carry a flaw it can never repair?
Rome was celebrated for its strength. Its own historians would never record the flaw God announces here.
The Romans do not tell us this. History does not always tell the truth. Those who describe their own country's politics are seldom trustworthy. If something threatened to wipe them out, they were glad to hide it. They were just as ready to boast about anything that showed their boldness, strength and glory. But God tells it all. The same empire, so famous for its amazing strength, would also show the deepest weakness inside itself.
The image runs from gold at the head down to iron and clay at the toes. One writer matches each metal to its kingdom.
The first thing to note in this image is the falling value of the metals that stand for these kingdoms. It gives us God's estimate of the decreasing glory in the kingdoms of men. First we have the gold representing Babylon, the kingdom at its best as given to Nebuchadnezzar by God, v. 37. The silver represents the Medo-Persian. The brass represents the Grecian. The iron represents Rome past, and the iron and clay of the toes Rome future… Seven heads controlled the Roman empire in its original form, while ten horns or toes will control it in its future revival, Rev. 13:1.
One common reading takes the clay as the will of the people mixed into rule that was once absolute.
We see no reason to doubt a very common interpretation of the clay. It stands for the mixing of popular, democratic forms with absolute government — the joining of absolute rule with the will of the people. These two elements do not belong together. They can never be fully welded into one, and the very effort to join them must become a source of weakness.
Commentators differ here. Kelly takes the clay as something foreign, forced into the empire from outside.
The iron was the original element. The clay came in later and did not really belong to the great metal statue. It was a foreign ingredient… I believe the Spirit of God, in using the figure of clay, does not point to the original Roman element, which had the strength of the iron. He points to the barbarian hordes that broke in at a later period. They weakened the Roman power and formed separate kingdoms step by step. I can, however, only state this as my own judgment.
"Partly strong" is as much a promise as "partly brittle." Neither element ever swallows the other.
Two facts become clear. First, the fourth empire will be divided and weakened by the mixture of clay. Yet it will always be true that some of the strength of the iron stays in it. It will never be pictured as clay alone. The government of the fourth empire will never be wholly democratic. Second, the iron and the clay may mingle, but they will never hold together. Democracy and sovereignty will always be opposed.
One writer traces the clash to where each side gets its right to rule.
Authority that comes from God and authority that comes from man are as different as gold or iron is from clay. The two may be mingled. In our modern theory and practice of government they are partly mixed beyond untangling. But only weakness and brittleness result. Soon will come the death-blow delivered by the stone "cut out without hands."
The verse describes the exact condition the world will be in when God acts. That detail settles how the blow is to be understood.
This final blow falls not on the head of gold, the silver chest, the belly and thighs of brass, nor even on the legs of iron, but on the feet of iron and clay. This alone proves that the striking of the image is not the introduction and gradual spread of Christianity, as many have supposed, but a blow struck by divine power when the fourth empire is in its divided and mixed state. It existed in full unity and power for centuries after Christianity began.
- Descent — the image drops from gold to iron, and at last to iron mixed with clay. Each stage is worth less than the one before, and the toes are its final shape.
- Disclosure — no empire records its own fatal flaw. God tells it out: the strongest kingdom of all carries the deepest weakness.
- Division — most take the clay as the will of the people mixed into absolute rule. Kelly takes it as a foreign element forced in from outside. Either way, the mixture splits the kingdom.
- Deadlock — iron and clay mingle but never bond. The kingdom stays partly strong, and never becomes one thing.
- Death-blow — the mixture is never repaired. The stone falls on this divided empire, and man's rule ends at a stroke.
And whereas thou sawest the iron mixed with miry clay, they shall mingle themselves with the seed of men; but they shall not cleave one to another, even as iron doth not mingle with clay.
Nebuchadnezzar's statue does not end in metal. Its feet mix iron — the strength of the fourth empire — with soft clay. This verse says why that mixture will never hold. (The writers below use the older wording of the middle clause: "they shall mingle themselves with the seed of men.")
The image is made of metals. Clay is not one of them. Its arrival is the point of the picture: something outside the empire's own nature enters it.
The image in Daniel 2 has feet, "part of iron and part of clay." There is weakness as a result. That metal represents the original Roman element in its strength. The clay was a foreign ingredient, and it brought in weakness when it tried to combine with the iron. Later, swarms of invaders came down on the empire from the north and east, and it fell. Since then no hand has been able to gather up the broken pieces and put them firmly together again. Not that men did not want to; they have tried all sorts of methods — the sword, policy, intermarriage — but in vain.
The verse says "they" will mix, but it does not name them. Clay is not metal at all, and it points to a different source of authority.
The "they" of this passage seems to mean those who hold authority at the time. We have no hesitation in seeing here a prediction of the rise and spread of democracy in the last days. Authority that has its source in God and authority that has its source in man are as different as gold or iron or any other metal is from clay. The two may be mingled. In our modern theory and practice of government they are in part mixed together beyond separating. But this only produces weakness and brittleness, and soon the stone "cut out without hands" will deal the death-blow.
Commentators differ on what exactly the clay pictures. One reading is that it marks a change in the empire's own character.
The mixture of iron and potter's clay changes the original character of the imperial Roman power. Something else enters it. The old character partly remains, but a new element is added. The energetic will of man is not there in an absolute way… There are two causes of weakness here — division, and the failure of the two elements to hold together… The "seed of men" is, I think, something outside of what marks the proper strength of the kingdom. But these two elements will never combine. It seems to me that this probably points to the barbarian or Germanic element, added to what originally made up the Roman empire.
Others read the clay as the popular will pressed into sovereign rule. They trace the empire's break-up straight to it.
The loss of what is of God and the introduction of the human element lead, as always, to division and weakness. The weakened governing power can no longer hold the empire together. The iron mixed with the soft clay shows the mingling of democracy with sovereignty. The clay, or democratic element, brings about the break-up of the empire.
Mixing is not bonding. Iron and clay can be pressed into the same foot and still refuse to stick.
Two facts, however, become clear. First, the mixture of clay will divide and weaken the fourth empire. Yet it will always be true that some of the strength of the iron stays in it. No time will ever come when it can be likened wholly to clay. The government of the fourth empire will never be entirely democratic. Second, the iron and the clay may mingle, yet they will never hold together. Democracy and sovereignty will always be opposed to each other.
Refusing to fuse is not the end of the story. A union is still coming, but not the kind men keep trying to build.
Before the age closes there will be a most remarkable union of two conditions that seem to contradict each other. There will be a universal head of empire, and separate independent kingdoms as well, each with its own king. That one man will be emperor over all these kings. Until that time comes, every effort to unite the different kingdoms under one head will fail completely. Even then, no one will fuse them into a single kingdom. Each independent kingdom will have its own king, though all are under one head. God has said they shall be divided.
The image was also a mirror. What is true of empires is true of the men who build them.
Nebuchadnezzar's image, though it had a head of gold, had feet of clay. The strongest man stands on feet of clay, and must crumble away in time; death will come at last.
- Foreign. Clay never belonged to the image. It comes in from outside, and weakness comes in with it.
- Human. Name the clay how you like — an added barbarian element, or popular will mixed into sovereign rule. Either way it is authority that comes from man, not from God.
- Brittle. Iron and clay can be pressed together and still refuse to stick. Democracy and sovereignty stay at odds to the end.
- Divided. Every effort to weld the pieces into one kingdom fails. The final form is many kings under one head, not one fused empire.
- Shattered. What man cannot bond, God ends — the stone cut out without hands delivers the death-blow to the mixture.
And in the days of these kings shall the God of the heavens set up a kingdom which shall never be destroyed; and the sovereignty thereof shall not be left to another people it shall break in pieces and consume all these kingdoms, but itself shall stand for ever.
Daniel stands before the king of Babylon, explaining a dream about a giant statue of gold, silver, bronze, iron and clay — a picture of world empires that rise one after another. Verse 44 is where that dream ends, and it raises questions that still divide readers: when is this kingdom set up, who are "these kings," and is it the gospel spreading quietly or something else?
opening two very-hard sentences (grade 15 and 21)
The opening phrase fixes the date. One writer treats it as decisive against placing this verse at Christ's birth. (The ESV reads "those kings"; older versions, which the writers quote, read "these kings.")
Mark those words, "in the days of these kings." They are a complete answer to those who have tried to make this the birth of Christ. They call that moment the start of the kingdom of grace. At the time here spoken of, the empire is broken up and divided. Was that the case when the Lord was born? Nothing of the sort. Rome was then at its fullest power. There was not the smallest crack anywhere in the empire. There was only one ruler, and only one will in control... What then does the verse refer to? I believe it points to the closing scene of the Roman Empire: not to the time when Christ was born, but to when the Lord Jesus comes with divine power to judge. No doubt He is the stone; but this is a destructive stone, wiping out the kingdoms of the earth.
Commentators of the period disagreed over the identity of "these kings," and Kelly states his own view against others in the debate:
I differ from Mr. Myers in referring "these kings" (not to the four kingdoms, but) to the toes of the great image, that is, to the ten rulers of the revived Roman empire in the last days, existing at the same time, whose judgment makes way for the universal prevalence of God's kingdom, which Christ in person shall administer.
One writer tests a popular reading against what the stone does in the dream:
I am well aware that many expounders of the Word of God have tried to make out that this is the Gospel. I do not see how they make it out at all. I do not think the Gospel is very destructive, as this falling stone certainly is. And I ask you this: Did the Gospel ever smite the image? Never — the image smote Christ. It was the Roman power that killed the Lord Jesus. The Gospel has never set aside the civil power in this world. On the contrary, the Gospel has always suffered, and it will suffer right on to the end.
One writer notes what must happen before the stone becomes a mountain:
The little stone cut out without hands does not become a mountain until it has judged, broken in pieces and destroyed the image. And note: striking the image and then filling the whole earth is not the setting up of Christ's kingdom on the day of Pentecost. It is not an influence that changes the gold, the silver and the rest into the character of the stone. It is the sudden execution of judgment on the image — a blow that breaks it in pieces and leaves no trace of it behind.
Some have pressed the word "consume" to argue for a long, gradual wearing down of the empires. That reading is rejected on the grounds of the language itself:
The effort to find gradual and successive steps in Dan. 2:44, Dan. 7:26, and 2 Thess. 2:8 is unworthy of sound scholarship, and contradicts the plain object of the three texts, which describe nothing else or less than a sudden and complete extinction. Consuming in a slow way and by evangelical means is ruled out by the least approach to exact criticism, as well as by spiritual judgment.
The title "the God of heaven" belongs to a particular moment in Israel's history:
It is as "the God of heaven" that God acts in giving power to the Gentiles. As "God of the earth" His throne was at Jerusalem, and will be when He again makes Himself known in that way. But His earthly throne has been set aside. Those who were responsible for holding and administering His authority acted wickedly. So He now acts as "God of heaven," giving authority to the Gentile monarch.
The verse promises what no empire in the statue could offer: a kingdom that cannot be destroyed and never passes to another people.
This kingdom set up from heaven is the kingdom of Christ (see Daniel 7:1-14). Its first act will be to break the "image" in pieces. Then, when Christ Himself formally establishes it in power, it will grow until it fills the whole earth. It will have no successor, for it will stand for ever.
The stone becomes a "great mountain" — a picture of what the kingdom will be like:
The description of it as "a great mountain" suggests its permanence and stability... Sin has ravaged the world for centuries, and man has tried to dethrone God. In that same world there will be righteousness, peace and gladness.
Timing is not just theory. It shapes how Christians live now:
Christians are called to live apart from the world, to suffer, to stay separate and to submit, like the crucified Lord here below. Now if Daniel 2:44 is wrongly applied to a kingdom already set up, the church has to subdue and destroy the imperial powers... Through that error the church becomes a rebel in Christ's name, instead of a holy sufferer, as Christ and His servants taught and practised.
- Stone first. The kingdom arrives by a blow, not by growth — the stone strikes the image before it ever becomes a mountain.
- Then timing. "In the days of these kings" points to an empire already broken up and divided. Rome was not like that when Christ was born.
- Then giver. "The God of heaven" sets it up. He takes that title after His throne at Jerusalem is set aside and rule passes to the Gentiles.
- Then reach. The old order ends with one sudden blow. Then the kingdom fills the whole earth with righteousness, peace and gladness.
- Then us. Until the stone falls, Christians suffer and stay separate. They must not seize the power this verse keeps for Christ.
Forasmuch as thou sawest that a stone was cut out of the mountain without hands, and that it broke in pieces the iron, the brass, the clay, the silver, and the gold, -- the great God hath made known to the king what shall come to pass hereafter. And the dream is certain, and the interpretation of it sure.
Daniel ends his interpretation with the one detail that explains the rest of the dream: a stone no human hand cut out, which shatters gold, silver, bronze, iron and clay together. What is that stone? When does it strike? And why can Daniel call the whole thing certain?
The phrase says where the stone did not come from.
Upon the feet of the image the stone fell. The stone is "cut out without hands" — that is, apart from man having anything to do with it. It is not human but Divine in origin. The first prophetic reference to the Lord Jesus as the Stone is in Genesis 49:24. When old Jacob blessed his sons, he broke off to say, "from there is the Shepherd, the Stone of Israel." He appears under this same figure in Isaiah 28:16, and so on into the New Testament.
Some try to identify the stone with a nation on the map. One writer showed what the vision rules out.
The legs of iron and feet of iron and clay in the image represent the Roman Empire, and the stone is not cut out of them at all. It never had any place in them. An image is something on which the hand of man has worked; the stone is untouched by the hand of man. It is a kingdom altogether different from all that had gone before it.
Many take the stone to be the gospel spreading through the world. Commentators reject that, and they argue from what the stone does.
The "little stone" symbolizes a power that looks small. At once it destroys all that is high, great, and strong on the earth. At the first blow it reduces the entire imperial system to powder. So the attempt to make the gospel out of it wholly fails. The "little stone" is not the gospel or the church, but the kingdom of God which Christ enforces when He returns.
Another writer turned the question around:
I ask you this: did the Gospel ever strike the image? Never — the image struck Christ. It was the Roman power that killed the Lord Jesus. The Gospel has never set aside the civil power in this world. On the contrary, the Gospel has always suffered, and will suffer right on to the end.
The stone falls at the end of Rome's story, not at its height.
Note those words, "in the days of these kings." They are a complete answer to those who have tried to make this the birth of Christ. At the time spoken of here, the empire is broken up and divided. Was that the case when the Lord was born? Rome was then at its fullest power. There was not the smallest breach anywhere in the empire… I believe it refers to the closing scene of the Roman Empire. It points not to the time when Christ was born, but to the time when God "brings the Firstborn into the world." Then the Lord Jesus comes, not as the Nazarene to suffer and die, but with divine power to judge.
Verse 45 lists all five materials, not just the last one. That listing carries a verdict on government itself.
A stone, cut out without hands, is to fall on the entire image, and to destroy it utterly (Dan. 2:45). This, we learn, is God's appointed end for every kind of human government, whether monarchy or democracy. The whole thing must give way to a kingdom of divine order, built "without hands." No element of human imperfection may have a place in it.
The stone grows only after the destruction.
This destruction of Gentile power comes before the stone fills the whole earth. Describing it as "a great mountain" suggests its permanence and stability… No other kingdom will ever follow this one. Sin has ravaged the world for centuries, and man has sought to dethrone God. In that world there will be righteousness, peace and gladness.
Daniel ends with two things: where the message came from, and how sure it is.
At the close, Daniel added two things. First, he repeated that the great God had made known to the king what would come to pass. Second, he assures the king of the certainty both of the dream and of its interpretation. A revelation from God differs from what is of man in exactly this. Everything outside the Bible dares to compete with it and claim men's ears. It is only a sea, an unformed mass of opinions and reasonings. Think of a soul worn out in its search for stable ground to rest on in view of death and eternity. How welcome is the unchanging basis laid for faith in the infallible Scriptures!
- Source. The stone is cut without hands — divine in origin, never part of the image, never quarried from any empire on earth.
- Strike. Its first act is a blow, not a spread: judgment on the feet, not the gospel spreading through the world.
- Sweep. Gold, silver, bronze, iron and clay break together, so every kind of human government ends at once.
- Stand. After the wreckage, the stone becomes a mountain: a kingdom of righteousness and peace, and no kingdom follows it.
- Sure. Daniel signs it off as certain, marking God's revelation off from the sea of human opinion.