And he appointed certain of the Levites to do the service before the ark of Jehovah, and to celebrate, and to thank and praise Jehovah the God of Israel
David has just brought the ark of the LORD into the tent he pitched for it in Jerusalem. His first act after the offerings is to appoint men to a lasting ministry of song. Why does organised praise appear only now? And why does a king, not Moses, set it up?
The Levites had carried the ark for generations. Yet we do not read of organised praise during those years of travelling. One writer traces the silence, and the moment it broke:
In the wilderness we do not read of songs of joy. They had sung the song of redemption on the banks of the Red Sea. Even that song soon died away on their lips. Then came the complaints, born of the hardships and dangers of their journey. But at last the ark found a resting place in the land, if only for a time, in Zion. Then David "appointed some of the Levites as ministers before the ark of the LORD, to invoke, to thank, and to praise the LORD, the God of Israel."
This appointment comes after a disaster. An earlier try at moving the ark had ended in judgment. This time everything follows God's word. The difference between the two days is the difference between noise and worship:
All is done according to the law. But the king directs; he takes the first place, not the priest. Now David appoints the singers in due order. It is a true and acceptable service to God, a service of song to Him — and why should they not sing? On the earlier occasion their hearts were glad, and that gladness may have spilled out in loud shouting that showed no understanding. It was not the ordered, reverent joy of those who worship God... Then it was the joy of the flesh pushing into holy things. God had to defend His own order and majesty, so He judged them all in the person of Uzzah.
The verse names only some of the Levites, not all. One writer sees a principle in that limit, and traces the service back to David himself:
A certain order, a certain initiative in the direction of the praise rested on the musicians. It is the same in the assembly. Only a small number are qualified for this work, and it matters just as much as everything else that relates to worship. David alone was the author of all that had to do with the future temple, even the musical part of the worship. No one had set up anything like it under the system of the tabernacle in the wilderness... Today praise is connected with Christ's heavenly glory, and so it has an entirely spiritual character.
Priests and Levites both find their answer in believers now:
At the present time believers are both priests and Levites. They act as priests when they are in the holiest, offering the sacrifice of praise to God through Christ. They act as priests too when they "do good" and "share what they have" (Heb. 13:15-16). When they are busy for the Lord in other kinds of service, they show more of the Levitical character.
Israel's worship then had two centres. David staffed each one:
The ark now sat "under curtains", in a tent David had spread for it. The tabernacle in the wilderness stood at Gibeon, with the bronze altar and the other vessels of the sanctuary. Burnt offerings went up there morning and evening. Here David sets up the men who would carry out these two services: at Gibeon, the offering of the sacrifices; at Jerusalem, praise before the ark.
The singers received a set form of words, and it has lasted:
Next comes this form of words: "His mercy endures for ever." It declares that despite all the faults, all the sins, and all the unfaithfulness of Israel, Jehovah's mercy has stood firm. This will be shown in full when the Lamb is on Mount Zion. He is the true ark of the covenant and the real David, and He is there even before He takes the character of Solomon. And so, ever since David, this has been sung.
The singers stayed in place after that day:
What happened on that memorable day, when the ark came up to Jerusalem, was only the beginning of David's care for Jehovah and His ark. He "left before the ark of the covenant of the Lord Asaph and his brothers, to minister before the ark continually, as every day's work required" (1 Chr. 16:37). There was to be continual praise to God, with one of the chief musicians leading the praises.
- Rest first. We read of no song while the ark was still moving. Praise begins when it has a resting place among God's people.
- Order next. The appointed singers stand in contrast to the earlier uproar that ended in judgment at Uzzah. Their joy is reverent, not the joy of the flesh.
- Appointment, not volunteering. David set some of the Levites in place. Writers see the same pattern now: only a few are qualified to lead praise.
- Given words. The refrain was fixed for them: His mercy endures forever. People have sung it ever since David, and it points on to Christ on Mount Zion.
- Continual. The work was daily and never stopped. It belongs to believers now — priests who offer praise, and Levites in every other service.
Asaph the chief, and second to him Zechariah, Jeiel, and Shemiramoth, and Jehiel, and Mattithiah, and Eliab, and Benaiah and Obed-Edom, and Jeiel, with instruments of lutes and with harps; and Asaph sounding with cymbals;
David has just brought the ark into the tent he set up for it in Jerusalem. Before the chapter reaches its great psalm, it stops to name nine men and hand them their instruments. Why does Scripture record a list of musicians, and why does a service of song begin at this moment in Israel's history?
Israel had gone a long time with no appointed choir. Commentators point to one thing that changed.
While the ark moved from place to place, with no sure resting place for the Lord among His people, there was no service of praise. The song begins only when David brings the ark up to its resting place.
The men chosen for this new work had carried loads all through the wilderness.
David appointed the Levites to this happy service. In earlier days they had carried the tabernacle, its vessels and its furniture, through the wilderness. Now the ark had rest and their carrying was over. How good it was for them to take up the service of praise to the Lord... We are still passing through the wilderness. But the true Ark, our Lord Jesus Christ, is in the scene of rest, and it is our privilege to join in the service of song that delights His heart and the heart of His God and Father.
The king placed each of these men himself. One name carries a history: Obed-edom, whose house the ark had stayed in.
David not only orders the Levites to carry the ark "as Moses had commanded according to the word of the LORD." He also appoints singers, musicians, and "doorkeepers for the ark," and their very names are listed. Among them all, the name of Obed-edom, repeated four times, shines above the others. He is doorkeeper for the tabernacle, singer, doorkeeper for the ark, and musician... God's grace had blessed his house and all that belonged to him, because the throne of God was present in his home. Obed-edom both saw that grace and received it, so he receives very special mention in this book of God's purposes in grace.
An earlier try at moving the ark had ended in Uzzah's death. Writers set that first day beside this one.
Now the singers are properly appointed. This is a true and acceptable service to God, a service of song to Him... The first time, there was gladness of heart which may have poured itself out in thoughtless, noisy shouting. It was not the calm and reverent joy of those who worship God... Then it was fleshly joy pushing into holy things, and God, to defend His own order and majesty, had to judge them all in the person of Uzzah.
The verse makes Asaph chief, with the cymbals in his hands. But the old tabernacle and its altar still stood at Gibeon, and David staffed both places.
At Gibeon the ritual given through Moses was to continue, but now with a service of song added... Before the Ark, Asaph and his brothers were to serve in their service of song. Everyone could then see two things. The Tabernacle set out how to approach God, which is, and must always be, by sacrifice — then by the daily and yearly sacrifices, and now by the one perfect sacrifice... Before the Ark, people saw and said every day what service suits those who are where the presence of God is known. That was, and must be, a service of song... At Jerusalem people saw what we now know to be the true character of Christian worship, for we are allowed to be in the presence of God.
The instruments were real wood, metal and string, made for one purpose.
They quarried minerals from the hills, took wood from the forests, and took strings from animals killed. They made these into cymbals, horns, trumpets, lutes and harps, as King David ordered... People called them the "musical instruments of God"... and this cannot be said too strongly — the music of praise was TO GOD, and not for the mere entertainment OF MEN!
Do these instruments belong in Christian worship now? Commentators see a change between the two Testaments:
The Psalms were written under the guidance of the Holy Spirit, so we may conclude that this way of celebrating the praises of God suited the way God was dealing with His people at that time. A call like "Praise Him with lute and harp" fits the Psalms perfectly. But in the New Testament it is "singing and making melody to the Lord with your heart."
- Rest first. No resting place for the ark meant no song; praise began once the ark had a home in Jerusalem.
- Rest frees hands. The Levites who once carried the furniture through the desert were now free for a better task — praise.
- Rest has order. After Uzzah, joy is no longer uproar; singers are named, appointed, and placed by the king.
- Rest names people. Obed-edom, once host of the ark, stands in the list as a man marked by the grace that blessed his house.
- Rest sings. At Gibeon the way to God was sacrifice. At the ark, where His presence was known, the fitting service was song — and for us, melody in the heart.
and Benaiah and Jahaziel the priests with trumpets continually, before the ark of the covenant of God.
David has brought the ark into a tent on Zion, and he now fixes a daily order of service around it. Why trumpets, why priests only, and why every day?
Not everyone could take up a trumpet. One writer looks at who the record names, and draws a firm line:
Only the priests could blow the trumpets. It takes a priest to give the signal that gathers the assembly together (see Num. 10:1-10). It was their office and theirs only — not that of the Levites. The Levite cannot do it.
What was a trumpet blast for? One writer traces it back to the law that first put these silver trumpets in priestly hands:
Numbers 10 speaks of the silver trumpets. They served for calling the assembly of the people together, and for setting the camps on the move, but they serve other purposes too. It was the testimony of God, given in public, with two chief ends in view: to gather the people, and to make them journey. And that is how it works in practice. The testimony of God gathers His people around Him, and makes them go forward. The testimony of God was the sign that He was stepping in, and at the same time it brought that about. The priests were in communion with their head, and so were close to God's thoughts. They sounded the trumpets when needed.
The great day of sacrifice and blessing was over. Benaiah and Jahaziel stayed on Zion, while David sent other priests elsewhere:
This was the last time sacrifices were offered before the Ark while it stood in the tent on Zion. So David arranged the service before it for the future. He kept Asaph and his brothers to minister there, with two priests to blow trumpets. He sent Zadok the priest and his brothers to the Tabernacle at Gibeon, to sacrifice there as the law required, and with them Heman and Jeduthun and the rest, to praise the Lord.
Where the ESV says the priests blew trumpets "regularly," older translations read "continually." Either word turns one day's celebration into a lasting habit:
The day the ark was brought up to Jerusalem was only the start of David's care for the Lord and His ark. He left Asaph and his brothers before the ark, to minister there regularly, as each day required (1 Chr. 16:37). So there was to be continual praise to God, with one of the chief musicians leading the praises. Each day would bring its own special reasons for thanksgiving and praise to God.
Israel's desert years had no such music. The change came when the ark came to rest:
In the wilderness we do not read of songs of joy. They had sung the song of redemption on the banks of the Red Sea, but even that soon died away on their lips. Complaints took its place, born of the hardships and dangers of their journey. But in the land the ark found a resting place on Zion, if only for a time. David then appointed some of the Levites to serve before the ark of the Lord, to call on Him, to thank Him and to praise the Lord, the God of Israel. Asaph and others were to play stringed instruments, Asaph himself was to sound the cymbals, while certain priests were to blow the trumpets.
David, not the high priest, assigns this trumpet duty. One writer explains what that change shows:
The authority of the king was now the centre of Israel. The king pictures the Lord Jesus, for God has kept the place of chief honour for His Son, and David stands for this. So the priests moved into a secondary place, and the king came to the front... The ark was the throne of the Lord in Israel, and it was now tied closely to the king rather than to the priests. In time everything was arranged around this centre, but it was only a temporary state of things.
- Place. Everything in this verse turns on one spot: the throne of God in Israel, now in a tent on Zion, close to the king.
- Priests. Blowing the trumpet was a priest's task and no one else's. The signal that gathers God's people comes from those nearest to Him.
- Testimony. The trumpets were God's public voice. They gathered His people around Him and set them moving forward.
- Praise. Trumpets sounded day after day, and each day brought its own fresh reasons to thank God.
- Provisional. Sacrifice went on at Gibeon, and the order on Zion was only a stage on the way to something settled.
Then on that day David delivered first [this psalm] to give thanks to Jehovah through Asaph and his brethren.
The ark has come to rest in a tent on Zion, and David's first act is to hand Asaph and his brothers a song of thanks. Why does Israel's song begin only now, and why is this psalm called the first?
For years Israel had no settled service of praise. The reason was the ark itself: it had no fixed home.
David was the "sweet psalmist of Israel." He knew how to praise Jehovah, and he had good reason. But he also established "the service of song in the house of the LORD after the ark rested there." … While the ark was moving from place to place, with no sure resting place for the Lord among His people, there was no service of praise. It is not until David brings up the ark to its resting place that the song begins.
The wilderness years bear this out. Songs were sung there, but they did not last.
In the wilderness we do not read of songs of joy; they had sung the song of redemption on the banks of the Red Sea, but even that soon died away on their lips, and was followed by the complaints that came from the hardships and dangers of their pilgrim journey.
The word means more than earliest in time. It marks a new subject for singing.
It is the hymn of the beginning of the kingship. The setting up of the ark in Zion proclaims it: the ark is God's throne among His people, at last entering into its rest. This song is tied to the ark's return. … This psalm is called "the first" to celebrate the Lord. Here the subject is not, as in Samuel, victory over the wicked, the responsibility of the saints, and God's government toward them. The subject is God's faithfulness to His promises, accomplished at last by the ark's return to Zion, after Israel had forfeited every right to keep it among them.
David picked three psalms for the day. Each choice carried a meaning.
Three Psalms, 105, 96, 106 … were selected by the king to give fitting expression for all on that occasion. They began with part of Psalm 105, verses 1-15. David tied that day's ceremony to the fulfilment of God's promise to the patriarchs, to give their descendants the land. Next they sang Psalm 96, for the ark's entrance into Jerusalem was a pledge of the coming day of glory, when God will show His supremacy over the nations and all will acknowledge it. … They closed that day with the first and last two verses of Psalm 106, which predict a situation, and a need, that they knew nothing of at the time; but we understand it, and the godly remnant of the future will enter into it fully.
The Levites played and sang. The words themselves came from David.
The king appoints certain Levites to minister before the ark, Asaph to sound with cymbals. They are to thank and praise the Lord God of Israel. But David himself gives the song. God inspires him to give thanks to Him in a psalm that boasts in a covenant already made with their fathers. Its forward look also takes in the future wonderful actings of the mercy that endures for ever. This psalm suits the time, for the ark is not yet in its final resting place.
The song reaches far past the day that produced it. One writer explains how psalms like it came about.
The conditions, circumstances, or acts of David, or of others of God's people, became the occasion for the Holy Spirit. He breathed through them words and revelations that suited the time or the circumstance, but that reached in their full meaning beyond it. God delivers David from Saul. The ark of God comes into the tent prepared for it. The Spirit uses those events as His occasion. In the range and compass of the inspiration, knowing as He does the end from the beginning, He takes in larger and still distant scenes.
Handing the psalm to Asaph started something ongoing, not a one-day ceremony.
What took place on that memorable day, when David brought the ark up to Jerusalem, was only the beginning of his care for the Lord and His ark. He "left Asaph and his brothers there before the ark of the covenant of the LORD to minister regularly before the ark as each day required." There was to be continual praise to God, with one of the chief musicians leading the praises, and this "as each day required." Day after day there would be special causes for thanksgiving and praise to God.
- Rest first. No resting place for the ark meant no settled service of song. Praise began when God's throne came to rest among His people.
- Then a first. The psalm is called "the first" because a new theme begins here. It sings God's faithfulness to His promises, not rescue from enemies.
- Given, not invented. David supplied words God inspired, fitted to a moment when the ark still stood in a tent.
- Reaching further. The Spirit used a local event to speak of distant scenes, so a day in Zion became a pledge of glory over all nations.
- Then daily. The praise David handed to Asaph was to continue every day, as each day gave its own fresh reason for thanks.
Give thanks unto Jehovah, call upon his name; Make known his acts among the peoples.
David has just brought the ark of the covenant — the chest that marked God's presence among Israel — into the tent he prepared for it on Mount Zion. This verse opens the song he handed to the singers that day, and its three commands set the tone for all that follows.
This song is not about victory over enemies. Commentators tie its whole character to the ark reaching its resting place.
The song of 1 Chronicles 16 is completely different. It is the hymn of the beginning of the kingship, announced by the setting up of the ark in Zion. The ark is God's throne among His people, at last entering into its rest… This psalm is called "the first" to celebrate the Lord. Here the subject is not what it was in Samuel: victory over the wicked, the responsibility of the saints, and God's government over them. The subject here is God's faithfulness to His promises. That faithfulness was accomplished at last by the ark's return to Zion, after Israel had forfeited every right to keep it among them.
The words are not new that day. David drew them from psalms found elsewhere and joined them into one piece for this moment.
This is a magnificent psalm indeed (1 Chronicles 16:8-36), which this chapter alone records in a continuous form, made up of the first fifteen verses of Psalm 105, followed by the whole of Psalm 96, and concluded by the last two verses of Psalm 106. All this shows how fully David grasped the importance of the occasion and its far-reaching effects. They touched not only the little nation of Israel, the only nation there that day, but pointed on as a first instalment of that coming day of glory.
Each phrase of the verse shapes the people who sing it.
The psalm opens with a call to Israel to give thanks to the Lord; to call upon His name, and to make known His deeds among the peoples. So restored Israel are to be a praising people, a dependent people and a witnessing people.
Notice who the song does not talk about. The singers themselves stay out of view.
1 Chronicles 16 is the hiding of self and the setting forth of the character and ways of God. In short, it is a song of praise; you only have to read it to be refreshed.
What follows verse 8 shows which acts of God go on public record. One writer traces them back past Moses to Abraham.
Psalm 105 celebrates the deeds of the Lord, His marvellous works, and the judgments of His mouth. God calls Israel to remember, not Moses and the conditional promises given to the people through him, but the covenant He made with Abraham. That covenant carried no conditions — an everlasting covenant to give the land to his seed. The psalm reminds Israel how God preserved those heirs of promise, as they went from nation to nation… The beginning of the psalm celebrates grace towards Israel, according to the promises made to Abraham, to Isaac, and to Jacob, when the judgments of God are in all the earth.
"Among the peoples" reaches far past Israel. The song moves out from one tent on one hill to the whole earth, and forward to a day that had not yet come.
This psalm fits the circumstance of the ark being still in a tent. Yet it looks on to the time when the heavens will be glad and the earth will rejoice, and when men will say among the nations, "The LORD reigns." It has a prophetic character. It brings before the eye of faith what did not then appear. It opens with a burst of praise… It calls all the earth to sing to the Lord, for the blessings of Israel will spread from a centre over the whole earth.
- Occasion — The verse opens the first psalm David gave to the singers, sung when the ark came to rest in Zion. Its theme is God's faithfulness to His promises.
- Thanks — Thanksgiving comes first: the song hides self and sets out God's character and ways instead.
- Dependence — To call on His name is what marks a dependent people, leaning on Him and not on themselves.
- Witness — What Israel makes known is grace. The covenant with Abraham had no conditions, unlike the promises given through Moses.
- Horizon — The audience is "the peoples." The blessing centred in Zion will spread over the whole earth, in a day still ahead.
Sing unto him, sing psalms unto him; Meditate upon all his wondrous works.
David had brought the ark of God home, and Israel answered with a psalm of thanksgiving. This line comes near its start, and it raises two questions: which works does it celebrate, and who may talk about them?
David had already failed once in trying to move the ark his own way. The second time, he followed God's own instructions.
David remembers his fall, and the lesson is learned; he now sets himself to act according to God's intention. So we see that the work of man no longer spoils the work of God. God is glorified, the people are joyful, the ark of the Lord has taken its place among them again, and the blessing is so great that the psalms they sing are the ones that will be sung in the millennium, when the Lord returns to Israel. In 1 Chronicles 16:8-22 they sing Psalm 105, and from verses 23 to 33 they sing Psalm 96.
The song borrows only the first part of Psalm 105. It keeps God's promise to Abraham and drops everything that rests on Israel's own conduct.
The first 15 verses of Psalm 105 are an appeal to celebrate the Lord because of His covenant "which He made with Abraham, and of His oath to Isaac... To you I will give the land of Canaan, the lot of your inheritance." This is a covenant of pure grace, God's faithfulness to His promises. The covenant of Sinai was different: it rested on the people's responsibility... We do not find a single word about Israel's oppression by the nations as a result of their disobedience. All is free grace in this passage.
The song's opening calls ask for more than music. Together they shape a whole people.
The psalm opens with a call to Israel to give thanks to the Lord, to call upon His name, and to make known His deeds among the peoples. So restored Israel are to be a praising people, a dependent people and a witnessing people.
The same writer points to two objects of praise here: what God has done, and who He is.
They are called to praise the Lord for what He has done and for what He is in the glory of His Person. He has done wondrous works, and His name sets forth what He is — He is holy.
One writer traces every song in Scripture back to a single cause.
The first thing to notice about this outburst of joy is this: Scripture never mentions singing except in connection with redemption. Angels are never even said to sing... It is only redeemed ones, therefore, who can sing, and from this we learn the true character of Christian song. It should express the joy of salvation — the notes of praise and gladness that the knowledge of redemption produces in the soul. "Is anyone cheerful?" says James, "Let him sing praise." (James 5:13.)
That link also decides who has any business with the second half of the verse.
Singing is also advised (v. 2), for singing is the language of a redeemed people (Ex. 15); and it is only fitting to speak of His wondrous works when we have received the blessing of them.
The last part of the verse holds its easiest command, though it is often mistaken for something harder. The ESV reads "tell of all his wondrous works"; the older translation quoted here reads "talk."
We read in the Psalms, "Let us talk of all His wondrous works." That is a real privilege, and it is within the reach of all who know Him. Notice that it does not say, "Let us preach." If it did, we might feel the instruction was beyond us. But it says let us talk — talk about Him, as a child talks about his father, saying to his playmates, "I wish you knew my father, he is the best in all the world."
Israel's song looks at what God did for their nation. Christians have still greater works to speak of.
On the Lord's day morning, when we come together, what fills our hearts is the theme of His praise. We have the still more wonderful works of God in Christ and the new creation; and the Holy Spirit sent down from heaven bears His witness to these (Acts 2:11). Here Israel is pictured as occupied with the wonderful things God has done to deliver their nation.
- Grace first. The part of Psalm 105 sung here celebrates God's promise to Abraham. It says nothing about the people's failure.
- Redemption sings. Scripture ties singing to redemption, and never says angels sing. Song is the language of the rescued.
- Sing to Him. Praise goes to God for what He has done and for what His name shows Him to be — He is holy.
- Then talk. The command is not "preach" but "talk," a privilege open to everyone who knows Him, just as a child boasts about his father.
- More to tell. Christians have wonders David never had: the works of God in Christ and the new creation. The Holy Spirit bears witness to them.
Glory in his holy name Let the heart of them rejoice that seek Jehovah.
David gave this song when the ark came up to Zion. It calls the people to make God's name their boast and God Himself their joy. Two questions follow. What makes God's name worth boasting in? And why does seeking Him make a heart glad?
Commentators tie this song to the day the ark reached its resting place. They also see in it the opening of David's kingship.
The song of 1 Chronicles 16 is completely different from the song in 2 Samuel 22. It is the hymn of the beginning of the kingship. Setting the ark up in Zion proclaimed that kingship: the ark is God's throne among His people, and it has at last entered into its rest. This song is closely tied to the ark's return. We are told, "Then on that day David first delivered this psalm to give thanks to the LORD through Asaph and his brothers." It is called the first psalm given to celebrate the Lord. In Samuel the subject was victory over the wicked, the responsibility of the saints, and God's government toward them. Here the subject is God's faithfulness to His promises. The ark's return to Zion accomplished that faithfulness at last, after Israel had forfeited every right to keep it among them.
The song draws on the first part of Psalm 105. One writer weighs what that part holds, and what it leaves out.
The first fifteen verses of Psalm 105 call us to celebrate the Lord because of His covenant. It is the covenant "which He made with Abraham, and of His oath to Isaac; and He confirmed it to Jacob for a statute, to Israel for an everlasting covenant, saying, To you I will give the land of Canaan, the lot of your inheritance." This is a covenant of pure grace, God's faithfulness to His promises. The covenant of Sinai stands in contrast, for it rested on the people's responsibility… Here we do not find a single word about Israel's oppression by the nations because of their disobedience. All is free grace in this passage.
Praise here rests on two things at once.
They are called to praise the Lord for what He has done and for what He is in the glory of His Person. He has done wondrous works, and His name sets forth what He is — He is holy.
It would be easy to boast only in what God can do. One writer points past His power to His holiness — and then to what the seeker finds.
They may well glory too in His holy name — not only in the power of that great name, but in the holiness of it. It will surely be true also that the hearts of those who honestly seek the Lord will greatly rejoice. In seeking the Lord, they will also seek His strength.
To glory in something is to boast in it. The verse does not kill that urge; it gives it the right object.
Grace brought them all to glory in the Lord — to boast in Him! They had nothing in themselves to boast in, and the heart needs something, or rather someone — a worthy object; therefore He is the One provided for this purpose. He who glories in men is not wise; and he who boasts in himself is a fool… The word boast may sound a little out of place at first, but it is the word the Spirit of Truth has used to build us up, and we do well to take hold of its force: "Let the one who boasts, boast in the Lord."
David's first try at moving the ark ended in disaster. What he changed the second time explains the joy of this song — and points beyond that day.
In 1 Chronicles 15:2 David says, "None ought to carry the ark of the Lord but the Levites." He remembers his fall, and the lesson is learned; he now applies himself to act according to God's intention. So we see that the work of man no longer spoils the work of God. God is glorified, the people are joyful, and the ark of the Lord has again taken its place among them. The blessing is so great that the psalms they sing are the very psalms Israel will sing in the millennium, when the Lord will return to them… How different are the results in chapter 13! There David acts by himself without consulting the Lord, and he and all his people are plunged into affliction.
- Grace first. The song quotes only the promise half of Psalm 105. That covenant is pure grace, unlike Sinai, which rested on the people's responsibility.
- Grace names Him. His name shows what He is: holy. Praise Him both for His wondrous works and for who He is.
- Grace redirects the boast. The heart must boast in something; God gives Himself as the worthy object, so glorying in men or in self is folly.
- Grace rewards the seeker. Seek the Lord honestly and your heart will rejoice. In seeking Him you also find His strength.
- Grace outlasts the day. Once David acted God's way, joy replaced the disaster of chapter 13. Israel will sing those same songs again when the Lord returns.
Seek Jehovah and his strength, Seek his face continually;
David sang these words on the day the ark came to rest in Zion. They call a whole nation to stop looking at itself, to draw its strength from the Lord, and to stay in His presence. The verse raises two questions: why is seeking put in terms of strength, and why must it be continual?
These words come from a song for a turning point in Israel's history. One writer sets out the occasion:
The song of 1 Chronicles 16 is completely different. It is the hymn that opens the kingship, announced by setting the ark in Zion. The ark is God's throne among His people, and at last it has entered its rest. This song is closely tied to the ark's return. On that day, we read, "David first appointed that thanksgiving be sung to the LORD by Asaph and his brothers." So this psalm is called "the first" song of praise to the Lord.
What does "seek the LORD" mean here? One writer ties the call to promises older than the Temple:
It is a call to Israel to stand again on their true ground, the ancient promises, and to seek the LORD. The ark of the covenant now rests among His believing ones, not because it is set up in the Temple, but because God is faithful.
The song's opening call places the seeker between two other callings — thanks before, and witness after:
The psalm opens with a call to Israel to give thanks to the Lord; to call upon His name, and to make known His deeds among the peoples. So restored Israel is to be a praising people, a dependent people and a witnessing people.
Why strength, and why without a break? The same writer answers both, quoting an older wording, "seek his face," where the ESV has "seek his presence":
They are to call upon Him, or "seek the Lord," because they are weak and "strength" is with Him. This dependence must be constant: they must "seek his face continually" (compare John 15:5).
Where is God's face seen? One writer answers:
God's face shining on His people means that He is revealed in His beloved Son, the Lord Jesus. We see it in the transfiguration, when "his face shone like the sun, and his clothes became white as light" (Matthew 17:2). And 2 Corinthians 4:6 confirms it: God "has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ." Believers today enjoy this shining out of God's glory in the face of Jesus Christ.
One writer turns the command into a habit for today, and says what it proves:
Let us, then, follow these examples of Scripture. If we seek the Lord and His strength — Psalm 105:4 — we shall prove how He can enable feeble ones to stand against the storm. And then let us not forget to render to Him the fruit of our lips, giving thanks to His holy name.
The joy of this chapter came at a cost. A severe lesson at a threshing floor came first, and seeking the Lord is one of the lessons it names:
The magnificent psalm of 1 Chronicles 16 looks back and looks forward. It pours out present praise, and it draws praise to God from ALL the people. All of this is the precious result of what they went through and the lesson they learned at this threshing floor... God's choosing; God's preparation; God's due order; God's command according to His own word; the need for sanctification and for seeking the Lord.
- Occasion — David gave this as the "first" psalm of public thanks, when the ark, God's throne among His people, came to rest in Zion.
- Ground — the call sends Israel back to the ancient promises, which stand on God's faithfulness.
- Reason — you seek His strength because you are weak, and the strength is with Him.
- Duration — this dependence must be constant, so you seek His face without a break.
- Result — He holds weak people up in the storm and makes them a praising, dependent, witnessing people.
Remember his wondrous works which he hath done; His miracles, and the judgments of his mouth
David's song at the ark's arrival in Zion turns from praise to a command. The people are to hold God's past acts in living memory — but what were they to remember, and why does it matter so much?
David gave this song when the ark finally came to rest in Zion.
The song of 1 Chronicles 16 is completely different. It is the hymn that opens the kingship, proclaimed when the ark was set up in Zion. The ark is God's throne among His people, at last entering its rest. This song is bound up with the ark's return. Here the subject is not what it was in Samuel. There it was victory over the wicked, the responsibility of the saints, and God's government of them. Here it is God's faithfulness to His promises. That faithfulness came about at last by the ark's return to Zion, after Israel had forfeited every right to keep it among them.
The people sang psalms that reach far past their own day.
The blessing is so great that the psalms they sing are the psalms Israel will sing in the millennium, when the Lord returns to Israel. In 1 Chronicles 16:8-22 they sing Psalm 105 and from verses 23 to 33 they sing Psalm 96.
The command has a definite object. It rests on one covenant and not another.
God commands Israel, His people and the assembly of His chosen ones, to remember these things. They are to remember because He is Jehovah their God, and His judgments are in all the earth. The call is not to remember Moses and the conditional promises given through him. It is to remember the covenant God made with Abraham with no conditions attached — an everlasting covenant to give the land to his seed. The psalm reminds Israel how God preserved those heirs of promise as they went from nation to nation.
The verse names God's deeds and, beside them, the judgments He spoke.
The first section, in seven verses, calls for the celebration of Jehovah their God, as known in His glorious deeds. His Name is holy. Human weakness needs His power. The "judgments of His mouth" interpret His acts, and make them an illustration of His perfect ways.
How can anyone remember works they never saw?
Those in the millennium were not there when God did His marvellous works in freeing Israel from Egypt. Yet they are told to "remember His marvellous works." Of course they can do this just as we can remember all the events of the history of the Lord Jesus in His incarnation, His life of great goodness, His sufferings and sacrifice on Calvary, His resurrection and exaltation to God's right hand. We can remember because we have God's Word for all this. So "His wonders and the judgments of His mouth" can be remembered too.
The psalm's opening call shows what this people are to become.
The psalm opens with a call to Israel to give thanks to the Lord, to call upon His name, and to make known His deeds among the peoples. So restored Israel are to be a praising people, a dependent people and a witnessing people.
Israel had seen God's acts and sung about them. Seeing was not enough.
Israel saw His acts, and they were very wonderful. He had hurled plague after plague on their wicked oppressor. At last He forced their release by destroying the firstborn. He had divided the sea before them, while Pharaoh and his mighty army drove hard behind them. In the wilderness He had rained bread from heaven to meet their hunger... And when they saw these things they believed His word and sang His praise. But it had no lasting effect. They soon forgot His works, and Himself also.
- Remember the setting. Israel sang this command when the ark came home to Zion. It celebrates God's faithfulness to His promises, not Israel's record — they had forfeited every right to the ark.
- Remember the covenant. The call reaches back past Moses and his conditional promises. It rests on the everlasting covenant God made with Abraham, with no conditions attached.
- Remember the words. "The judgments of His mouth" interpret His acts. They turn raw events into a picture of His perfect ways.
- Remember by Scripture. You can remember what you never saw, because God's Word gives you the record. Believers recall Christ's life, cross, resurrection and exaltation the same way.
- Remember or forget. Memory makes a praising, dependent, witnessing people. Israel saw God's acts, sang about them, then soon forgot His works and Himself.
Ye seed of Israel his servant, Ye sons of Jacob, his chosen ones.
David has just brought the ark of God into Jerusalem. His thanks take the form of a song, and in this line the song addresses the whole nation by two family names. The verse asks us who these people are, why they carry a father's name, and on what basis God calls them His own.
The words belong to a moment of recovery. David's first move of the ark had failed. This time he follows God's own instructions.
In 1 Chronicles 15:2 David says, "No one is to carry the ark of the Lord but the Levites." He remembers his fall, and he has learned the lesson. He now sets himself to act according to God's intention. So we see that the work of man no longer spoils the work of God. God is glorified, the people are joyful, and the ark of the Lord has again taken its place among them. The blessing is so great that the psalms they sing are the psalms that will be sung in the millennium, when the Lord returns to Israel.
The song itself is not new material. One writer traces its parts to three psalms:
The song recorded here (vv. 8-36) brings together fragments of three psalms. Verses 8-22 match Psalm 105:1-15. Verses 23-33 match Psalm 96:1-12. Verses 34-36 match Psalm 106:1, 47-48.
The same line appears in Psalm 105, but with a different father's name at the front.
The change is very striking. In the psalm (v. 6) "Israel," the national name of power, becomes "Abraham," the lone pilgrim of grace, calling, and election.
The title is not praise for work done well. It marks a place God gave the nation, and work He gave them to do.
Isaiah recalled this national relationship in words the Lord spoke to the people through him: "But you, Israel, My servant, Jacob whom I have chosen, the offspring of Abraham My friend; you whom I took from the ends of the earth, and called from its farthest corners, saying to you, 'You are My servant'" (Isa. 41:8-9). So God made this chosen people His agents. They received and kept His holy words. They set out the worship of the One and Only God before the world. And they were the seat of the Lord's earthly government among the nations.
Each father named in the song carries a different lesson, and Jacob's is the harder one.
His people stand before this glorious God as the "seed of Abraham His servant" — the man whose own history marks him out as a servant by his obedience. They are also "the children of Jacob His chosen." Jacob's history is of another kind. It shows the struggle of a soul in the hand of God — a soul that knows Him, but knows Him too little. This is what makes God's dealings with that soul necessary, until at last an Israel comes out of a Jacob. These struggles and this discipline from God are plainly the pattern of the nation's history later on.
"Chosen" settles the question of merit. One writer carries the word out to believers who are not Israelites at all:
No doubt this refers directly to Israel and her blessing in the millennium. But even today all believers count as children of Abraham: "If you are Christ's, then you are Abraham's offspring, heirs according to promise" (Gal. 3:29). Because we have faith, we count as Abraham's children. And because believing Israelites are unworthy of the least of God's mercies, they count as Jacob's children — chosen despite being totally undeserving.
The quotation from Psalm 105 stops at verse 15, and the stopping point carries meaning.
This is a covenant of pure grace — God's faithfulness to His promises. It stands in contrast to the covenant of Sinai, which rested on the people's responsibility... We do not find a single word about Israel's oppression by the nations as a result of their disobedience. All is free grace in this passage... So this first part leaves out the whole history of the people under responsibility. It brings out grace instead, and the promises made long before the law.
- Chosen — the address rests on God's choice, not on the people's record. They stand as Jacob's children, chosen while undeserving.
- Named — "Israel" is the national name of power. Psalm 105 puts "Abraham" in its place: the lone pilgrim of grace, calling and election.
- Shaped — Jacob's story is the nation's story in miniature. A soul struggles in God's hand until, by His dealings, an Israel comes out of a Jacob.
- Commissioned — "His servant" is a place God gave them. They kept His words, showed the world the one true God, and were the seat of His government on earth.
- Sustained — the song stops before the law and before the failure. All that is left is free grace, and the promises God made long before Sinai.
He, Jehovah, is our God; His judgments are in all the earth.
These words come from a psalm David gave to the singers on the day the ark reached Zion. In one line they say two things: whose God this is, and how far His rule reaches.
David had failed once over the ark, and he learned from it. This time he did it God's way — and the songs sung that day reach far past that day.
In 1 Chronicles 15:2 David says that only the Levites may carry the ark of the Lord. He remembers his fall, and the lesson is learned. He now sets himself to act the way God intended. So we see that the work of man no longer spoils the work of God. God is glorified, the people are joyful, and the ark of the Lord has taken its place among them again. The blessing is so great that the psalms they sing are the ones that will be sung in the millennium, when the Lord returns to Israel. In 1 Chronicles 16:8-22 they sing Psalm 105, and from verses 23 to 33 they sing Psalm 96.
The command running through these verses is to remember. But the verse fixes exactly what is to be remembered, and it is not the arrangement made at Sinai.
Israel, as His people and the gathering of His chosen ones, are told to remember these things, for He is Jehovah their God, and His judgments are in all the earth. Israel is called to remember, not Moses and the conditional promises given to the people through him, but the covenant God made with Abraham with no conditions attached — an everlasting covenant to give the land to his descendants... The opening of the psalm celebrates grace towards Israel, according to the promises made to Abraham, to Isaac, and to Jacob, at a time when the judgments of God are in all the earth. This rests on the presence of the ark and the setting up of the throne in Zion, and it comes first.
The section of Psalm 105 that David uses stops before the history of Israel's obedience and failure begins. That cut-off point is deliberate.
The first 15 verses of Psalm 105 are a call to celebrate the Lord because of His covenant — the covenant He made with Abraham, His oath to Isaac, which He confirmed to Jacob as a statute and to Israel as an everlasting covenant: He would give them the land of Canaan as their inheritance. This is a covenant of pure grace. It rests on God's faithfulness to His promises, unlike the covenant of Sinai, which rested on the people's responsibility... There is not one word here about Israel being oppressed by the nations because of their disobedience. All is free grace in this passage.
One writer starts from the word "judgments." He reads it through God's long dealings with Jacob, named a few verses earlier — the work that turned a Jacob into an Israel.
The "judgments of His mouth" explain His acts, and show them as examples of His perfect ways... They are also "the children of Jacob His chosen." Jacob's history is of a different kind. It shows the struggle of a soul in the hand of God — a soul that knows Him, but knows Him far too little. This makes God's dealings with him necessary, and by them a Jacob at last becomes an Israel. These struggles and this discipline from God are plainly a picture of the nation's history later on... and the victorious grace of God will not stop working toward them until He has made them, too, a true Israel. And this is "Jehovah our God," whose "judgments" are of the same kind, and they "are in all the earth."
One writer looks ahead. The promise of the land has still not been kept, and judgment is how it will come.
The unconditional promises made to the fathers will then be fulfilled in grace, brought in, as we have seen, by judgment. Psalm 105 is prophetic of this... "He is the LORD our God; his judgments are in all the earth."... Looking back at the nation's past, we saw that these promises have never yet been fulfilled. The people took their inheritance under law, and lost it. They will be made good to them in sovereign grace, and, as verse 7 says, by judgment — which shows very clearly that they are still to come.
- Corrected. David's joy came only after he stopped improvising and did things God's way — obedience made the singing possible.
- Remembered. The verse calls Israel back to the promise sworn to Abraham, not to the terms agreed at Sinai; one rests on God's faithfulness, the other on theirs.
- Ours. He is "our God" first, and only then His judgments spread over all the earth — the relationship comes before the reach.
- Everywhere. His dealings are not fenced inside one nation; the same patient hand that made an Israel out of Jacob is at work across the whole earth.
- Coming. What David sang at the ark's arrival is the song of an age still ahead, when judgment clears the ground and grace hands over the inheritance.
Be ye ever mindful of his covenant, The word which he commanded to a thousand generations, --
David's song at the ark's arrival in Zion looks back to a covenant older than Israel itself. Which covenant does it mean, why "a thousand generations," and what does an ancient promise ask of the people who hear it?
The ark — the chest that marked God's throne among Israel — had come to rest on Zion. This song belongs to that day.
This is the hymn of the beginning of the kingship. Setting up the ark in Zion proclaimed it: God's throne among His people had entered at last into its rest... Here the subject is not what it was in the song in 2 Samuel — victory over the wicked, the responsibility of the saints, and God's government toward them. The subject is God's faithfulness to His promises, accomplished at last by the ark's return to Zion, after Israel had forfeited every right to keep it among them.
The verse does not point back to Sinai, where everything hung on what the people did. It points further back, to Abraham.
The first fifteen verses of Psalm 105 are an appeal to celebrate the Lord because of His covenant. It is the covenant "which He made with Abraham, and of His oath to Isaac; and He confirmed it to Jacob for a statute, to Israel for an everlasting covenant, saying, To you I will give the land of Canaan, the portion of your inheritance" (1 Chron. 16:16-18). This is a covenant of pure grace. It is God's faithfulness to His promises, in contrast to the covenant of Sinai, which rested on the people's responsibility.
That is why nothing Israel did could cancel it.
This covenant is "the word that he commanded, for a thousand generations," and so it lasts through the ages. It is the covenant God made with Abraham. It was unconditional. It did not depend in the least on Israel's obedience. He affirmed the same covenant again to Isaac, and confirmed it to Jacob, despite Jacob's wandering away. It was an everlasting covenant, and so it depended only on the faithfulness of God.
The number is not a countdown. And the two names in the song, Jacob and Israel, each carry their own weight.
He is always mindful of it. He has commanded it to a thousand generations — a round number, it seems, for as many as there may be (compare Deut. 7:9)... To Jacob, with all the frailty and sinfulness that the name implies, it still takes the form of a decree, the fixed expression of His absolute will. With Israel, in whom His transforming power has taken effect, it is an everlasting covenant.
God remembered the covenant before He ever told Israel to remember it. Their remembering is not what keeps it safe; it brings them back onto that older ground.
These were the promises they were to remember. The dealings of deliverance in Egypt no longer appear here, nor their faults in the accompanying Psalm 106. God remembered Abraham in Egypt — now they were to remember him. Jehovah had remembered His covenant. His judgments were now in all the earth. It is a call to Israel to get onto their true ground of the ancient promises and seek Jehovah.
Israel did live in Canaan, but only on terms, and only for a time.
Israel held the land on conditions, and only for a time. That possession is not the fulfilment of the covenant with the fathers.
So where does that leave the promise?
Looking back over the nation's history, we saw that these promises have never yet been fulfilled. The people took their inheritance under law, and lost it. God will make the promises good to them in sovereign grace.
- Remember — the verse calls Israel back to a covenant God gave, not a deal they made.
- Whose covenant — Abraham's, not Sinai's: "a covenant of pure grace," not one resting on the people's responsibility.
- How long — "a thousand generations" is a round number for as many as there may be. The promise outlasts counting.
- Who keeps it — it depends "only on the faithfulness of God," which is why Jacob's wandering never cancelled it.
- What is still ahead — God remembered the covenant before He told Israel to. Israel lost the land under law, but He will yet make the promise good "in sovereign grace."
Which he made with Abraham, And of his oath unto Isaac;
David has just brought the ark into Jerusalem, and the song sung that day reaches back to a promise God made to one family. So why does a song of national triumph rest everything on a covenant with Abraham and an oath to Isaac?
The words of this song were not new that day. David chose older songs, and his choice shows what he thought the day meant.
The king chose three Psalms: 105, 96 and 106. All three come from the fourth book of Psalms, and none of them are credited to David. He picked them to give everyone fitting words for that occasion. They began with part of Psalm 105, verses 1-15. David linked that day's ceremony with God keeping His promise to Abraham, Isaac and Jacob: to give their descendants the land.
God dealt with Israel under two very different arrangements. One is the law He later gave at Mount Sinai. This verse points to the older one.
This is a covenant of pure grace. It rests on God's faithfulness to His promises, unlike the covenant of Sinai, which rested on the people's responsibility... Not one word here mentions Israel being oppressed by the nations because of their disobedience. All is free grace in this passage.
The wording changes with each name. God makes the covenant with Abraham, swears it to Isaac, then confirms it to Jacob and to Israel. One writer draws out why.
He made it with Abraham, and swore it to Isaac. He confirmed it to Jacob as a decree that cannot be changed, and to Israel as an everlasting covenant... To Jacob, with all the weakness and sin that the name implies, it still comes as a decree, the fixed expression of His absolute will. To Israel, the name in which His transforming power has done its work, it is an everlasting covenant.
God's word alone would be enough. So the oath does not make the promise stronger; it makes us sure of it.
Notice first that His purpose cannot change: change is impossible. The oath adds nothing to His Word; it only confirms it. But it shows the rich goodness of God's heart, and how willing He is to give the heirs of promise every encouraging assurance.
Israel lived in Canaan, then lost it. That raises a problem, because this covenant promises the land for ever.
Finally, God gave the land to Abraham's descendants "for ever," or as it is put elsewhere, "for an everlasting possession." Israel's hold on Canaan was clearly nothing like that. But has the Lord forgotten His promise? Far from it. In the same prophecy where He speaks of holding the land on condition, and warns that Israel will be cast out if they disobey, He points forward to the time when the promise made to Abraham will receive its true fulfilment... So the conditional, temporary possession Israel enjoyed is not the fulfilment of the covenant with the fathers.
- Made — God makes the covenant with Abraham, long before the law came at Sinai. David's song reaches back to that beginning and says nothing about Israel's later failure.
- Sworn — to Isaac the same promise comes as an oath. God's word could not have been truer, but He stooped to swear so that the heirs would have every assurance.
- Confirmed — to Jacob it becomes a fixed decree, and to Israel an everlasting covenant. The names change as the promise is repeated; the promise does not.
- Held — this is a covenant of pure grace. It rests on God's faithfulness, not on the people's obedience, so their disobedience could not break it.
- Unfinished — Israel's short hold on Canaan was never the fulfilment. The promise God swore to Abraham and Isaac still waits for the day He keeps it in full.
And he confirmed it unto Jacob for a statute, Unto Israel for an everlasting covenant,
David's song at the setting up of the ark looks back past his own reign to a promise God made to Abraham, Isaac and Jacob, who lived in the land as strangers. Verse 17 is the hinge: God fixed that promise on Jacob as a statute and made it permanent for Israel.
David's song draws on Psalm 105. One writer notes what it leaves out:
The first fifteen verses of Psalm 105 are an appeal to celebrate the Lord because of His covenant "which He made with Abraham, and of His oath to Isaac; and He confirmed it to Jacob for a statute, to Israel for an everlasting covenant, saying, To you will I give the land of Canaan, the lot of your inheritance." This is a covenant of pure grace, and of God's faithfulness to His promises. It stands in contrast to the covenant of Sinai, which was based on the people's responsibility… We do not find a single word about Israel's oppression by the nations as a result of their disobedience. All is free grace in this passage.
The verse names one man twice and uses two different words for what he received. Neither the doubling nor the difference is accidental:
He made it with Abraham; with an oath to Isaac, He confirmed it to Jacob as a decree that cannot be changed, and to Israel as an everlasting covenant. The double name here clearly points to the people as well as to the father of their twelve tribes, and, as always, it carries meaning. To Jacob, with all the weakness and sinfulness that the name implies, it still takes the form of a decree, the fixed expression of His absolute will. With Israel, in whom His transforming power has taken effect, it is an everlasting covenant. So He works in perfect sovereignty, and in keeping with the holiness of His own nature.
The same writer adds that this covenant secured the land to them even "when they were in it as strangers only, a few people, and counted as nothing by others."
The verse does not say the covenant began with Jacob. It says God confirmed it to him, long after He first gave it:
This unconditional covenant of God (unconditional because it is "in Christ"), first given to Abraham, had been confirmed 430 years before the Law was given. The confirmation was not to Abraham (because the dates do not match) but to Jacob, as Psalm 105:10 states plainly. God wants us to see that when He pledged His word, He acted with full deliberation and perfect knowledge of everything past, present and future. The time between the giving of the covenant and its confirmation was long enough to expose how unworthy those who received the promise were. Of course, God's Word is enough for faith: it stands for ever. But how compassionate He is that He would confirm the covenant for the assurance of His undeserving people.
Commentators differ on which moment in Jacob's life the confirmation points to. One traces it to God's word to him at Bethel, "in spite of Jacob's wandering away." Another locates it later:
In Galatians, the covenant is confirmed, not made. Genesis 46:1-4 records that confirmation. God appeared to Jacob at Beersheba and confirmed the covenant He had made with Abraham.
An everlasting covenant cannot end when Israel loses the land. One writer works this through:
Finally, God gave the land to Abraham's offspring "for ever," or as it is put elsewhere, "for an everlasting possession." There is no doubt that Israel's possession of Canaan was not like that. But has the Lord forgotten His promise? Or are we to assume that the promise was not meant for Israel? Far from it. The Lord speaks in the same prophecy of holding the land on conditions, and He foretells that Israel will be cast out if they disobey. Yet in that same prophecy He points forward to the time when the promise made to Abraham will be truly fulfilled: "When they are in the land of their enemies, I will not cast them away, and I will not abhor them so as to destroy them utterly and break My covenant with them" (Lev. 26:44)… So the conditional and temporary possession Israel enjoyed is not the fulfilment of the covenant with the fathers.
- Grace first. This covenant is pure grace. It rests on God's faithfulness to His promises, not on the people's responsibility, as Sinai did.
- Given, then fixed. God made it with Abraham, swore it to Isaac, and confirmed it to Jacob — confirmed, not made, and long before the law.
- Two names, two words. To Jacob, with all the weakness the name implies, it is a decree that cannot be changed. To Israel it is an everlasting covenant.
- Delay proves the point. The years between the promise and its confirmation exposed how undeserving the people were. God confirmed it anyway, to assure them.
- Still outstanding. Israel's short, conditional hold on the land was never the fulfilment. The Lord points forward to the time when He will truly keep the promise.
Saying, Unto thee will I give the land of Canaan, The lot of your inheritance;
David's song at the bringing home of the ark does not start with that day: it reaches back centuries to a promise God spoke to Abraham. This verse is the heart of that backward look, and it raises two questions: on what terms did God give the land, and has He yet made that gift good?
David's song takes its first part from Psalm 105. It stops before Israel's history of disobedience begins, and one writer says that omission is the point.
This is a covenant of pure grace, God's faithfulness to His promises, in contrast to the covenant of Sinai, based on the people's responsibility. The passage cited ends with these words: "He allowed no one to oppress them; He rebuked kings on their account, saying, Touch not My anointed ones, do My prophets no harm." We do not find a single word about Israel's oppression by the nations as a result of their disobedience. All is free grace in this passage.
The same writer then notes what fills the rest of the psalm.
In verses 23-45 we find the deliverance from Egypt and the journey through the wilderness under the leadership of Moses and Aaron. Then comes the people's entry into Canaan, "that they might keep His statutes and observe His laws" — and we know where this rule of law led.
The gift rests on the covenant named just before: made with Abraham, sworn to Isaac, confirmed to Jacob. Commentators stress that none of it hung on Israel's obedience.
This is certainly not the covenant of Sinai, which demanded obedience from the people, and which they broke as soon as they came under it... It is the covenant God made with Abraham, which was unconditional, not in the least conditional on the obedience of Israel. He affirmed the same covenant again to Isaac, and confirmed it to Jacob, despite Jacob's wandering away. It was an everlasting covenant, so it rested only on the faithfulness of God.
Another writer weighs the two names of the same man, Jacob and Israel, and finds a different word for the covenant under each.
To Jacob, with all the weakness and sinfulness that the name implies, it still takes the form of a decree, the fixed expression of His absolute will. To Israel, as one in whom His transforming power is at work, it is an everlasting covenant... This covenant makes the land secure to them. It was secure even when they lived there as strangers only, a few people whom others counted as nothing.
God said "To you I will give" to men who owned no part of Canaan. The timing of the promise is part of its wonder.
God promised the land to Israel at a time when, to natural eyes, it looked impossible to fulfil. The people who received the promise were few in number and strangers in the land. Yet they stayed under the constant care of the Lord. They went from one nation to another and from kingdom to kingdom, but anyone who wronged them came under the rebuke of God.
Another translation reads "the lot of your inheritance" — the share that falls to an heir. This word carries a settled meaning across Scripture.
Scripture speaks of the land of promise again and again as the inheritance of Israel. God gave them this land flowing with milk and honey. So when Israel returns to take possession of the land in a future day, Scripture still calls it their inheritance. All this shows that they were, and will be, an earthly people. God blessed them on earth in relationship with Himself as Jehovah, and He will bless them on earth again when they own the Lord Jesus as their Messiah.
If the covenant is unconditional and everlasting, Israel's loss of the land cannot be the end of the story. One writer holds that the promise still waits for its real fulfilment.
God will then fulfil in grace the unconditional promises made to the fathers, and, as we have seen, judgment will bring them in. Psalm 105 is a prophecy of this... We may remember that when we looked at the nation's past history, we saw that these promises have never yet been fulfilled. The people took their inheritance under law — and lost it. God will make them good to them in sovereign grace.
- Given, not earned. God speaks the land to Israel as a gift. It rests on a covenant of pure grace, not on the covenant of Sinai with its demand for obedience.
- Given to the frail. To Jacob in all his weakness the promise is a fixed decree. To Israel it is an everlasting covenant. Its security rests on God's faithfulness alone.
- Given before possession. God spoke it when the heirs were few, strangers, and counted for nothing. He guarded them through every kingdom they passed.
- Given as an inheritance. The word marks Israel out as an earthly people with an earthly portion. They will hold it again when they own the Lord Jesus as their Messiah.
- Given, and still to be made good. They took the land under law and lost it. Commentators hold that the promise still waits, and that God will make it good in sovereign grace.
When ye were a few men in number, Of small account, and strangers in it.
David's song at the ark turns from praise to memory. Verse 19 recalls the fathers as a small band of foreigners in the land God had promised them — so why does a song of triumph pause on such a weak picture?
David brought the ark up to the tent he had prepared for it, and that occasion drew out this song. One writer explains how the Spirit used such events:
The conditions, circumstances, or acts of David, or of others of God's people, became the occasion for the Holy Spirit to breathe through them words and revelations. These suited the time or the circumstance, but their full meaning reached beyond it. God delivers David from Saul. The ark of God comes into the tent prepared for it. The Spirit uses those events as His occasion. His inspiration has such range that, knowing the end from the beginning, He takes in larger scenes that are still far off.
As far as nature could see, the promise of the land had no chance of coming true:
God made the promise of the land to Israel at a time when, to natural sight, it would look impossible to fulfil. The people who received the promise were few in number and strangers in the land. Still, they were under the constant care of the Lord. They went from one nation to another and from kingdom to kingdom. But no one wronged them without coming under the reproof of God.
"Sojourners in it" means foreigners in the very country promised to them. One writer describes what that life looked like in Canaan:
They are in the place of strangers; that is clear ("at that time the Canaanites and the Perizzites were dwelling in the land"). They own nothing, "not so much as to put a foot upon." Everything rests on how much they value the promises (Heb. 11:9). They have just two things: the altar and the tent. They travel about and worship God, so they are strangers and pilgrims on the earth.
That position was God's own design, not an accident of history:
He was a pilgrim and stranger in Canaan; and this by divine design... But the God of glory gave Abraham no inheritance in it — not even a place to set his foot. He promised to give it to him as a possession, and to his descendants after him, at a time when he had no child. Abraham thus lived on promise and walked by faith, not by sight.
"Few in number" and "of little account" meant real danger. One writer puts their survival down to one cause:
God protected the weak handful of His people, strangers in the land that was allotted to them as their inheritance. Apart from His protection they would have been destroyed again and again.
Their neighbours had reason to want them gone, and Abraham had a name to shelter in:
Abraham needed protection, and Abraham had it in God with the blessed name of the "Almighty." What a suitable name of relationship for him and his! His enemies were all near and around him, and word would leak out that his descendants were to take the land from the Amorites and the rest... The chosen people were few for a long time, but the truth would make itself felt as they increased and grew stronger.
The words of verse 19 describe a position believers are said to occupy now. One writer defines the two words that go with it:
All this, however, is to faith. We are not yet in actual possession of the inheritance, and so the apostle describes his readers as "strangers and pilgrims." This shows that our portion is not in this world. A "stranger" is someone who has no home in the place where he finds himself. A "pilgrim" is someone who knows where his home is, and is going to it.
- Few — God gave the promise when nature said it could never happen. Those who received it were few in number and strangers in the land.
- Strangers — they owned no ground at all. They had the altar and the tent, and everything rested on how much they valued the promises.
- Kept — apart from God's protection, that weak handful would have been destroyed again and again. He kept them, not their numbers.
- Almighty — enemies were all around him. Abraham needed protection, and he had it in God under the name "Almighty".
- Pilgrims — the same two words fit believers now. We do not yet hold the inheritance, and we have no home here — but we know where home is, and we are going to it.
And they went from nation to nation, And from one kingdom to another people.
David sang this song as the ark came up to Jerusalem, looking back to days when God's promise of a whole land rested on a few homeless men. How did they keep hold of that promise, with no country of their own and foreign kings all around?
The song sets this wandering inside a larger call to remember. One commentator names the promise the song holds on to, and the one it leaves out:
Israel must remember, not Moses and the conditional promises given to the people through him, but the covenant God made with Abraham with no conditions attached — an everlasting covenant to give the land to his offspring. Israel must remember how God kept those heirs of the promise safe when they went from nation to nation.
Nothing about the people who received this promise made it look likely:
God gave Israel the promise of the land at a time when, humanly speaking, it looked impossible to fulfil. The people who received the promise were few in number and strangers in the land. Still, they were under the constant care of the Lord. They went from one nation to another and from kingdom to kingdom, but no one wronged them without coming under the reproof of God.
David's song quotes only the opening part of the psalm it draws on. One writer points out what is missing:
This is a covenant of pure grace — God's faithfulness to His promises. It stands in contrast to the covenant of Sinai, which rested on the people's responsibility... Not one word here speaks of the nations oppressing Israel because they disobeyed. All is free grace in this passage.
The wandering was not unguarded. One commentator takes the case of Abimelech, a foreign king who seized a member of Abraham's household, and explains what God's response was and what it was not:
It was not justice that God was displaying... it was divine care over one He had called out to walk before Him. "He rebuked kings on their account, saying, Touch not my anointed ones, do my prophets no harm." God cares for those He calls to walk before Him. Abimelech had taken a member of Abraham's family by force. God shows that He will not let anyone touch His people on earth without consequence — He would show Himself careful of those He thus owned.
Another writer shows that this mercy met them at their weakest:
Even when the sons of Israel were wanderers, going from one nation to another, the preserving mercy of God was with them. That mercy delivered them from any possibility of oppression, and even rebuked kings for their sake... God showed special care for them despite their own weakness and failure.
Moving from kingdom to kingdom, the family owned nothing in the land promised to them. One writer names what they did carry:
They own nothing at all, "not even a foot's length"; everything rests on their valuing the promises. They have just two things, the altar and the tent. Travelling about and worshipping God, they are strangers and pilgrims on the earth. Abram admits that this is what he is; he says openly that he is looking for a country, and so, we are told, "God is not ashamed to be called their God."
What God did for those wanderers, He does not always do now. One writer sets the two times side by side:
Now, He may let any or all men do them wrong. For the present He may rebuke neither kings, nor subjects, nor servants, when they scorn His anointed and do His servants all the harm they can. Another day He will render to each according to his works. But what does He feel now?
- Wanderers. Abraham's family was small, landless, and always on the move. The promise rested on nothing they owned.
- Covenant. The promise to Abraham carried no conditions, unlike the terms given later through Moses. David's song stops before the failures and keeps only the grace.
- Kept. God rebuked kings on their account — care for those He had called, given even when their own faith wavered.
- Tent. All they carried was an altar and a tent, and that pilgrim life is why God is not ashamed to be called their God.
- Now. Today He may let men wrong His people and settle accounts later. What He felt for those wanderers, He still feels.
He suffered no man to oppress them, And reproved kings for their sakes,
David's song at the ark's installation looks back to Abraham, Isaac and Jacob. They were a few strangers moving between kingdoms, and this line says how they survived: God Himself stood between them and the powers around them.
The song is not new material. One writer traces each block back to its source:
The song recorded here (verses 8-36) brings together fragments of three psalms. Verses 8-22 correspond to Psalm 105:1-15. Verses 23-33 correspond to Psalm 96:1-12. Verses 34-36 correspond to Psalm 106:1, 47-48.
The same writer sets this part of the song beside the covenant of Sinai, and notes what it leaves out:
This is a covenant of pure grace. It is God's faithfulness to His promises. The covenant of Sinai was different, because it rested on the people's responsibility. The passage quoted ends with these words: "He allowed no one to oppress them; he rebuked kings on their account, saying, 'Touch not my anointed ones, do my prophets no harm!'" We do not find a single word here about the nations oppressing Israel because of their disobedience. Everything here is free grace.
The promise points to real moments in Abraham's life, and to who God was protecting:
Even when the sons of Israel were wanderers, going from one nation to another, the preserving mercy of God was with them. It kept them from any possibility of oppression, and God even rebuked kings for their sake (v. 14). This is what happened with Abraham when he failed in the energy of faith and denied his true relationship to his wife (Gen. 12:17-20), and a second time as well (Gen. 20:2-3). Abraham was a prophet of God, and so were others of his sons. God showed special care for them despite their own weakness and failure.
God stepped in while Abraham was in the wrong, so the rebuke of the king was no reward for good behaviour. One writer says what it was instead:
In the case of Abraham and Abimelech, it was not justice that God was displaying; it was divine care over one He had called out to walk before Him. God cares for those He calls to walk before Him. Abimelech had taken a member of Abraham's family by tyrannical power, without cause. God shows that no one can touch His people on earth without consequence, and that He would show Himself careful of those He owned in this way. In this He made Himself known in connection with His people, and this was of the greatest importance.
God may have real disagreements with His own, yet He does not air them in front of their enemies:
Such is the way of God. He may have many a private controversy with His child over his practical ways. But the moment the enemy brings a case against him, the Lord always pleads His servant's cause.
Another writer follows the song from its opening praise back to the covenant:
It opens with a burst of praise — give thanks to the Lord, and so on. Then it looks back to the covenant with Abraham, made for a thousand generations, and that backward look is an essential part of Israel's worship. The covenant was made with Abraham, repeated with an oath to Isaac, and confirmed to Jacob as a statute and to Israel as an everlasting covenant. It was made when they were few in number and wanderers from one kingdom to another. But the covenant stood firm.
Commentators differ on how this reads now. Mackintosh applies it to the believer today. William Kelly points instead to what God may allow in the present:
Now, He may let any or all men do them wrong. For the present He may rebuke neither kings, nor subjects, nor servants, when they scorn His anointed and do His servants all the harm they can. Another day He will repay each one according to his works.
- Grace first. The verse sits inside a section taken from Psalm 105. That section names the covenant with Abraham, Isaac and Jacob, and says nothing about the people's disobedience.
- Grace protects. The covenant rested on promise, not on performance. So God guarded Abraham and his family despite their weakness and failure.
- Grace rebukes kings. God Himself stopped the kings who threatened Abraham's household — care for His own, not a verdict on good behaviour.
- Grace covers in public. God may have a private controversy with His child, yet He takes the child's side the moment an enemy accuses him.
- Grace outlasts. Writers differ on how far this holds now. Some see God still defending His own. Others say He may allow wrong today and settle every account later.
[Saying,] Touch not mine anointed ones, And do my prophets no harm.
The ark had just reached Jerusalem, and David's song of thanksgiving carries a warning God once spoke over a small band of wandering strangers. Who are these "anointed ones" and "prophets," and does God still guard His own this way?
One writer shows where this part of the song comes from, and what it leaves out.
The first 15 verses of Psalm 105 are an appeal to celebrate the Lord because of His covenant... This is a covenant of pure grace — God's faithfulness to His promises. The covenant given at Sinai was different: it rested on the people's own responsibility. The passage quoted ends with these words: "He allowed no one to oppress them. He reproved kings for their sakes, saying, Touch not My anointed ones, do My prophets no harm" (1 Chron. 16:21-22). We do not find a single word about Israel's oppression by the nations as a result of their disobedience. All is free grace in this passage.
The song stops before any mention of Israel's disobedience. David's day of joy celebrates only what God gave freely.
The title may surprise a reader. One writer explains why it fits Abraham, Isaac and Jacob.
Again, let us take the patriarchs, who are expressly called prophets. "He allowed no one to wrong them: yes, He reproved kings for their sakes." (Ps. 105:14-15) The same principle explains their claim to this title. They were the interpreters of God's mind in their day. They were "called out" because a new and terrible evil had come into the world, one we never read of before the days of Abraham — idol worship... Prophecy, or a prophet, always means that a new and growing evil is present. Because of that evil, God is pleased to unfold His mind about the future.
The verse names no kings, but one case lies behind it. One writer explains what God was defending when He confronted Abimelech.
In the case of Abraham and Abimelech, this was divine care over one He had called out to walk before Him... God cares for those He calls to walk before Him. Gen. 20:3. Abimelech had used his royal power to seize a member of Abraham's household without cause. God shows that He will not let His people on earth be touched without consequence. He would show Himself careful of those He owned in this way. In this He made Himself known in connection with His people, and that was of the greatest importance.
God's defence did not wait for Abraham to be in the right.
In Abraham's case, he might lower himself in the eyes of Abimelech, king of Gerar, and Abimelech might have to rebuke him. Yet when God comes to deal with the case, He says to Abimelech, "Behold, you are a dead man," and of Abraham He says, "he is a prophet, so that he will pray for you."... This is God's way. He may have many a private dispute with His child about the way he lives. But the moment the enemy brings a case against him, the Lord always pleads His servant's cause. "Touch not My anointed ones, do My prophets no harm." "He who touches you touches the apple of My eye."
The open protection given to the patriarchs is not what believers see today. One writer faces that difference head on.
Now, He may let any or all men do them wrong. For the present He may reprove no one — not kings, not subjects, not common people — when they scorn His anointed and do His servants all the harm they can. Another day He will render to each according to his works. But what does He feel now?
David sang this while the ark still sat under a tent. The song reaches back to a covenant older than Israel, and forward past David's own day.
It has a prophetic character. It brings to the eye of faith what did not then appear... The song looks back to the covenant with Abraham, made for a thousand generations. It was made with Abraham, repeated with an oath to Isaac, confirmed to Jacob for a law, and to Israel for an everlasting covenant. It was made when they were only a few people, wandering from one kingdom to another. But the covenant stood firm.
- Covenant — The verse sits inside a song about a free promise to Abraham, Isaac and Jacob. The song never mentions Israel's failure.
- Called — "Prophets" here means the patriarchs. God called them out to speak His mind when idol worship was spreading through the world.
- Covered — God guarded them because He owned them, not because they behaved well. He defended Abraham in the very episode where Abraham was in the wrong.
- Confronted — God rebuked kings for their sake, and made Himself known through His care for a handful of wanderers.
- Coming — That open defence is not the pattern now. God allows the wrong for a time, and settles accounts on another day.
Sing unto Jehovah, all the earth; Publish his salvation from day to day.
The day the ark of the covenant reached Zion, David gave Asaph a song of thanks. Halfway through, the song turns from Israel and calls every nation on earth to sing. Why does one nation's celebration become a call to the whole world? And what is this salvation, told out day after day?
The verse belongs to a hymn for one moment. The chest that held God's covenant had long been unsettled. At last it came to rest in David's city.
It is the hymn of the beginning of the kingship. The setting up of the ark in Zion proclaimed it: the ark as God's throne among His people, at last entering into its rest. This song ties closely to the ark's return. "Then on that day," we are told, "David first appointed that thanksgiving be sung to the LORD by Asaph and his brothers." Here the subject is not, as in Samuel, victory over the wicked, the responsibility of the saints, and God's government of them. The subject is God's faithfulness to His promises. The ark's return to Zion accomplished that faithfulness at last, after Israel had forfeited every right to keep it among them.
Verse 23 opens the second block of a hymn stitched together from three psalms. The choice points past the day itself.
It is a magnificent psalm, and this chapter alone records it in one continuous form. It is made up of the first fifteen verses of Psalm 105, then the whole of Psalm 96, and it closes with the last two verses of Psalm 106. All this shows how fully David entered into the importance of the occasion and its far-reaching effects. They reached beyond the little nation of Israel, the only nation present that day. The day was a foretaste of that coming day of glory. Then Jehovah, who so often in the history of this people called Himself the God of all the earth, will be acknowledged as such, supreme over all, with Zion as its centre.
Set beside Psalm 96, verse 23 is missing something. Psalm 96 opens by calling for a new song; David's version drops that word. One commentator reads the gap as deliberate.
This section leaves out details that belong to the theme of Christ's reign but not to the theme of David's reign. That omission is striking. So 1 Chronicles 16:23 omits the "new song" of Psalm 96:1. In the Word a new song always goes with a new scene, whether on earth or in the heavens. But this condition will only be fulfilled under Christ's reign.
The verse names what is sung: God's salvation, told out daily. It also names who sings — "all the earth."
No doubt "all the earth" pictures all Israel (the land), God's earthly people. They will gladly bless His name and publish His salvation "from day to day" through all the thousand years of peace (Psalm 96:1-2). But it is not to be limited to Israel, for they are told, "Declare His glory among the nations, His marvelous works among all the peoples!" (Psalm 96:3). So the blessing is to be shared by all the world. They are to be drawn first by the matchless glory of His person, together with the wonders of His works.
This call to the nations is good news, and it sounded long before Christianity began.
Here is a gospel before Christianity. It has been sounding out all through Christianity, whether men have heard it or not. It is only the echo of what we hear in Eden. There, before the gate of the first paradise shuts on the fallen and guilty pair, we hear that the seed of the woman will crush the serpent's head. That is a gospel which has been ringing through the ages since, and which may well be called the everlasting one. Only its form has changed, because now at last its promise will be fulfilled.
The call reaches past Israel and past the nations, to everything that exists.
All shall be included in the closing joy. In Revelation 5 the redeemed, the angelic companies, and all creatures in heaven, on earth, under the earth, and in the seas join in it. In the same way, all here are summoned to the millennial song, so that there may be a full chorus of praise.
- Occasion. The song marks God's throne coming to rest in Zion. The singing rests on God's faithfulness to His promises, not on Israel's record.
- Content. The song's subject is His salvation, told out afresh from day to day.
- Reach. The call runs past Israel to all the earth, so that the nations hear His glory and His wonders too.
- Limit. The "new song" of Psalm 96 is left out here. A new song belongs to a new scene, and that scene waits for Christ's reign.
- Result. One nation's thanksgiving ends in a full chorus. Every creature in heaven and earth joins the same anthem.
Declare his glory among the nations, His wondrous works among all peoples.
David's song at the arrival of the ark in Zion now turns outward. Israel must carry God's glory past her own borders, out to the nations. Two questions follow: what is Israel to publish, and when does the world hear it?
The words sung that day were not new. They came from psalms that already existed. One writer maps where each piece comes from:
The song recorded here (vv. 8-36) is made up of pieces from three psalms. Verses 8-22 match Psalm 105:1-15. Verses 23-33 match Psalm 96:1-12. Verses 34-36 match Psalm 106:1, 47-48.
Our verse sits inside that middle block — the Psalm 96 material.
The whole section this verse belongs to points outward. One commentator names its aim and sets the psalm in a wider series:
Verses 23-33 are almost the words of Psalm 96. It is a call to the nations to acknowledge Jehovah, whose glory should be declared among all nations. This psalm belongs to a series of psalms. In order, they relate everything that has to do with bringing the Firstborn back into the world — from the first cry of the people to the joy of all the nations.
The verse names two things to declare, and they are not the same. Glory belongs to His person. The marvelous works are what He has done. On the same line in Psalm 96, one writer notes both the reach and the order:
But it is not to be confined to Israel, for they are told, "Declare His glory among the nations, His marvelous works among all the peoples!" (v. 3). So the blessing is to be shared by all the world. They are to be drawn primarily by the matchless glory of His person, attended by the wonders of His works.
Read next to Psalm 96, this version is shorter. The lines about judging the world in righteousness are gone. One writer ties each difference to the limits of David's own reign:
This section stands out for leaving out details that belong to the theme of Christ's reign but not to the theme of David's reign. So 1 Chronicles 16:23 leaves out the "new song" of Psalm 96:1... Our verse 27 says, "Strength and joy are in His place." Verse 6 of the psalm says, "Strength and beauty are in His sanctuary." This was not yet the beauty of Christ's reign, though it was the joy of David's reign at its start. Also, at this time no one had yet built the sanctuary for the ark.
A second writer explains the same omission by the subject of the song:
The omission of the judgment of the peoples in righteousness is remarkable. It is because the subject here is joy, and the grace of deliverance in the setting up of power, with the government of the earth that follows. It is also because the nations are called up to Jerusalem to present themselves there before Jehovah. This is the leading thought.
So commentators differ in emphasis. One reads the cuts as the mark of a reign that is not yet full. The other reads them as keeping joy the leading thought.
On the day of the singing, the command outran the facts. No nation beyond Israel's borders took notice of David's throne. That gap is the point:
When David became king at Hebron, and even when he moved to Jerusalem, what kingdom outside the limits of God's grant to Abraham (Gen. 15:18) cared about it? When the Lord was born at Bethlehem, Rome carried on undisturbed. But when the Son of David shall return in power to reign, all the earth will learn how that concerns them... This Psalm, we would remind the reader, was sung at the entrance of the ark into Jerusalem (1 Chron. 16), and told out what that entrance foreshadowed.
The ark's entry into Jerusalem pictured that day. The call in this verse looks past David's throne to the reign of the Son of David.
- Source — The verse is a fragment of Psalm 96, set inside a song built from three psalms (105, 96, 106) for the day the ark entered Zion.
- Content — Israel publishes two things: His glory, which is who He is, and His marvelous works, which are what He has done. The person draws first; the works follow.
- Reach — The audience lies outside Israel. The song calls the nations to acknowledge Jehovah and to hear His glory declared among them all.
- Restraint — Lines about judging the world are dropped here. One writer ties this to David's reign, which was not yet Christ's. Another ties it to joy as the leading thought.
- Fulfilment — No foreign kingdom cared when David took the throne. The full hearing waits for the return of the Son of David, when all the earth will learn how it concerns them.
For Jehovah is great, and exceedingly to be praised; And he is terrible above all gods.
David sang these words when the ark of God came to Jerusalem. One claim stands at the centre of that celebration: God's greatness has no rival, and every so-called god must give way.
The song in this chapter was not written fresh for the day. One commentator shows where its pieces come from:
The song recorded here (verses 8-36) is made up of pieces of three psalms. Verses 8-22 match Psalm 105:1-15; verses 23-33 match Psalm 96:1-12; and verses 34-36 match Psalm 106:1, 47-48.
Our verse comes from the part of the song that follows Psalm 96. The chapter does not copy that psalm whole, and the gaps mark the limits of David's day:
This section stands out for leaving out details that belong to the theme of Christ's reign but not to the theme of David's reign. So 1 Chronicles 16:23 drops the "new song" of Psalm 96:1. In Scripture that phrase is always tied to a new scene, whether on earth or in heaven. But this condition will only be met under Christ's reign… Finally, the words of verse 33, "For He comes to judge the earth," replace the words of the psalm, "For He comes to judge the earth: He will judge the world with righteousness, and the peoples in His faithfulness." Such a fullness of government could not match David's reign.
The praise here does not stay inside Israel. The song calls the whole earth, and gives the reason in the same breath:
This call goes out to the peoples and the nations, not to the Jews… Here the call is to all the earth. Yet though the call is to all the earth, Jerusalem is the centre, and the Jews are called on to carry the summons; the LORD is the subject of the song… He is to be feared above the gods, for He made the heavens. Every family of the peoples is called to come up and acknowledge this LORD the Creator, whose glory is in Israel, and to worship in His courts there in the beauty of holiness.
The phrase could sound as though other gods exist and He simply outranks them. The next line of the psalm answers that, and one writer presses the meaning of the word for "idols":
This long dispute with idolatry is now coming to an end. The sun rises and drives away the unclean things of the night: "the LORD is to be feared above all gods." And rightly so — for what are the others? "All the gods of the peoples are idols" — or, as the word means, "nothings" — "but the LORD made the heavens." This is the God who has now come down to an earthly sanctuary to show His heavenly glory on earth: "honour and glory are before Him; strength and beauty are in His sanctuary."
"To be feared" sits beside "greatly to be praised," so the fear cannot be the fear that drives a person away from God:
This fear of the Lord is not the slavish dread that marks the superstitious. No. It is a reverent trust joined with a hatred of evil. "The fear of the LORD is hatred of evil" (Proverbs 8:13). "The fear of the LORD is clean, enduring forever." Where this fear is kept, the presence of the Lord is real and a joy.
Believers already hold what this verse says. The world does not. Commenting on the same words where they appear again in Psalm 145, one writer draws the line between the two:
Then everyone will recognise that "Great is the LORD, and greatly to be praised." It will be so impressive that many will at last be convinced that His greatness is unsearchable. Believers know this now, of course, but then the whole world will know it.
- Great in setting — David sang these words when the ark came to Jerusalem. The song is built from parts of Psalms 105, 96 and 106.
- Great in measure — He is not the best of the gods. The word behind "idols" means "nothings," and He made the heavens.
- Great in response — the fear He calls for is not the dread of the superstitious. It is reverent trust that hates evil and finds His presence a joy.
- Great in reach — the call goes past Israel to all the nations. Jerusalem is the centre, and Israel carries the message.
- Great in prospect — David's day could not carry the whole song. What believers know now, the whole world will know when Christ reigns.
For all the gods of the peoples are idols; But Jehovah made the heavens.
David sang this song when the ark came to rest on Mount Zion, and here it turns to the whole world: the gods the nations serve are empty, but Israel's God made the heavens. That raises two questions — what is an idol, and what does the Maker of the heavens have a right to ask?
Verse 26 sits inside a block of the song borrowed from elsewhere and aimed past Israel's borders. (Where the ESV has "the LORD", the writers quoted here use the older rendering "Jehovah".)
Verses 23-33 are almost the words of Psalm 96. It is a call to the nations to acknowledge Jehovah, whose glory should be declared among all nations.
The same writer sets the song's two halves side by side.
These two parts show two things. First, Israel's joy before Jehovah fulfils the covenant made with the fathers, following after His mighty works. Second, the call goes out to the nations to come up to the place of His glory.
One commentator gives the force of the word translated "idols", and traces where idolatry began.
God has not hidden Himself for no reason. It is men who have turned away from Him. "For although they knew God, they did not honor Him as God or give thanks to Him, but they became futile in their thinking, and their foolish hearts were darkened. Claiming to be wise, they became fools, and exchanged the glory of the immortal God for images resembling mortal man and birds and animals and creeping things" (Rom. 1:21-23). This dispute with idolatry is now coming to an end. The sun rises, and the unclean things of the night vanish: "Jehovah is to be feared above all gods." Truly — for what are they? "All the gods of the peoples are idols" — or, as the word means, "nothings" (compare 1 Cor. 8:4) — "but Jehovah made the heavens."
The second half of the verse is an argument, and one writer draws out how far it reaches.
The challenge of idols is now completely silenced. God's greatness is infinite, high above all else. He deserves high praise, and the reverential fear that no idol can ever receive. All these so-called "gods" are idols (literally "nothings!"). "But the LORD made the heavens." If He made the heavens (all the starry hosts of heaven), He clearly made earth too. Earth is only one of the planets of the heavens.
If idols are nothing, does that make idol worship harmless? One writer answers no.
Does this contradict what the apostle argued earlier, and what the prophets of old said, that an idol is nothing at all? Not at all. These things man invents have no existence, and their images neither see nor hear. But demons are very real. They take advantage of man's imagination or his fears, and claim the idol-sacrifices for themselves. So the emptiness of idols is no reason to share in meat sacrificed to them, for "what pagans sacrifice they offer to demons and not to God." The idols and their sacrifices may be completely powerless. But demons hiding behind them can and do shut the true God out of souls and seize the honour due to Him alone.
The song moves on from who God is to what to bring Him, and one writer notes the kindness in that invitation.
No one can exaggerate the greatness of His glory, and the glory due His name is infinite. So how can we give Him anything less and be content with it? Yet the kindness of God shows in the invitation to bring an offering and come into His courts. Of course He is worthy of far more adoration and worship than we, or all creation together, can ever give. But He still delights in whatever measure of honour we give Him, and we are blessed through it.
- Nothings. The word behind "idols" means just that: nothings. The nations' gods have no existence.
- Not harmless. The images are powerless, but demons take the honour paid to them and shut the true God out of souls. Empty never means safe.
- Maker, therefore Lord. The one fact set against the idols is creation. He made the heavens, so He clearly made the earth too.
- Told everywhere. The Maker of the heavens is God over every nation, so the song calls the nations to come up to the place of His glory.
- Answered by giving. A God this great asks for more than agreement. Bring Him an offering — He delights in the honour we give Him.
Majesty and splendour are before him; Strength and gladness in his place.
David's song at the arrival of the ark in Zion pauses here to describe God Himself. It names what is always found where He is. Two questions follow: what is "His place" at this stage of Israel's history, and why does joy stand beside strength?
The words were not new that day. One writer maps the song onto the psalms it came from.
The song recorded here (vv. 8-36) is made up of parts of three psalms. Verses 8-22 match Psalm 105:1-15. Verses 23-33 match Psalm 96:1-12. Verses 34-36 match Psalm 106:1, 47-48.
This line also stands in Psalm 96. One writer reads its paired qualities as the mark of a kingdom no human throne can match.
"Splendor and majesty are before Him; strength and beauty are in His sanctuary" (v. 6). Splendor and majesty are the glories that introduce His kingdom. Once it comes in, amazing strength appears in His sanctuary, joined with beauty. That is a fitting pair, and no merely human kingdom holds both together.
Chronicles and Psalm 96 do not read the same here. The psalm says sanctuary and beauty; Chronicles says place and joy. One writer ties the change to the limits of David's day.
Our verse 27 says, "strength and joy are in His place." Verse 6 of the psalm says, "strength and beauty are in His sanctuary." This was not yet the beauty of Christ's reign, though it was the joy of David's reign at its start. Also, at this time no one had yet built the sanctuary for the ark. In the same way, verse 29 of our chapter says, "come before Him," and not "come into His courts" (Ps. 96:8). Again this matches the passing state of David's reign.
So the verse fits a time when no sanctuary yet stood. The joy is real; the beauty of Christ's reign is still ahead.
Why does joy stand next to strength at all? One writer answers from God's purpose in creation, and finds the same joy at the birth of Christ.
God laid the foundations of the first creation with shouts of joy (Job 38:7). That was heaven's pledge that God's purpose was to make His creatures happy. And this must be His purpose, for "God is love." … The foundations of another creation are laid here in the child of Bethlehem, and again all is gladness, in heaven and on earth. God is reappearing, and there must be joy, for sorrow cannot stay where He is. "Splendor and majesty are before Him; strength and joy are in His place." No one may eat the bread of mourning in His sanctuary, for joy lives there as well as holiness.
This joy does not stay inside one building. One writer looks ahead to a day when the whole creation shares it.
The whole creation, in every region of it, will share in the power of that day. The daughter of Zion, the peoples of the earth with their kings, the beasts of the forests and the cattle of the hills, the floods and the woods, the hills, the valleys — each in its own way will taste and witness this universal joy. In that deep satisfaction the creation of God will then rest.
One writer closes with this verse, and names where all of God's ways end.
Man has taken the instrument of joy into his hand, but he plays it only for God's glory. And this is the perfect result of all things — the creature is happy and God is glorified. "Splendor and majesty are before Him; strength and joy are in His place."
- Borrowed — David's song joins parts of Psalms 105, 96 and 106. Verse 27 falls in the Psalm 96 part.
- Place — Chronicles says "His place" and "joy" where Psalm 96 says "sanctuary" and "beauty." No sanctuary yet stood for the ark, and David's reign was a passing stage.
- Presence — where God appears, joy must follow. Sorrow cannot stay where He is, and no one eats the bread of mourning in His sanctuary.
- Pairing — splendor and majesty introduce His kingdom. Strength joined with beauty is a pair no human kingdom holds together.
- Perfection — the joy reaches hills, floods, woods and beasts, and ends in one perfect result: the creature happy and God glorified.
Give unto Jehovah, ye families of peoples, Give unto Jehovah glory and strength!
The ark, the chest that stood for God's presence with Israel, has just come to rest in Jerusalem, and David hands the singers a song of thanks. Partway through, the song turns from Israel to the nations, and two questions arise: what can people give God, and why does the call reach so far?
The writers below quote an older translation, which uses "Jehovah" where the ESV has "the LORD." The call reaches every nation, yet it draws them to one place:
Though the summons is to all the earth, Jerusalem is the centre, and the Jews are called to be the instruments of the summons. All the families of the peoples are called to come up and own this Jehovah the Creator, whose glory is in Israel. They are to worship in His courts there, in the beauty of holiness. All the earth is to fear before Him.
The command is not to hand God something He lacks. It points to the one Source of glory and strength, and to the terms on which He receives what we bring:
They are to ascribe glory and strength to Jehovah as the only Source of these. They are to give Him the glory of His Name: the Ever-living, the Unchanging, who stays the same through all the changes of His creatures. And they are to give Him allegiance in the only way He can accept it, adorned with the beauty of the holiness He requires.
Why bring anything to this God rather than to the gods the nations already have? The answer lies in what those gods are, and in what He made:
"Jehovah is to be feared above all gods." Truly — for what are they? "All the gods of the peoples are idols" — the word means "nothings" — "but Jehovah made the heavens." And this is the God who has now come down to an earthly sanctuary, to reveal His heavenly glory on earth.
David could sing this way because he had learned to drop out of the picture. Commentators trace the same attitude running through the entire chapter:
The reader will notice that 1 Chronicles 16 is just the working out of the spirit breathed in the quotation above. It is the hiding of self and the setting out of the character and ways of God. In short, it is a song of praise, which you only have to read to be refreshed by it.
How do you add glory to a God whose glory is already infinite? One writer turns that problem into a reason to give more, not less:
It is impossible to exaggerate the greatness of His glory. The glory due to His name is infinite. With this in view, how can we give Him anything less, and be content with it? ... Of course, He is worthy of far more adoration and worship than we, or all creation combined, can ever give. Yet He still delights in whatever measure of honour we give to Him, and we are blessed through this.
This joy came at a cost. An earlier move of the ark met a blow from God, and the praise of chapters 15 and 16 grew out of the lesson:
Fleshly desires and human arrangement can have no place in the movements of the ark. Its place and setting among the people of God must follow the "due order". The lesson was a severe one, and the stroke of God was serious. But once they had learned it, it produced the atmosphere of joy, substance and praise that 1 Chronicles 15 and 16 picture so fully.
This part of the song follows Psalm 96 closely, but it leaves one line out. One writer explains why:
Verses 23 to 33 are almost the words of Psalm 96. They are a call to the nations to acknowledge Jehovah, whose glory should be declared among all nations. ... The leaving out of the judgment of the peoples in righteousness is striking. It is because the subject here is joy, and the grace of deliverance in the setting up of power, with the government of the earth that follows. It is also because the nations are called up to Jerusalem to present themselves there before Jehovah. This is the leading thought.
- Give, not add. To ascribe glory and strength is to name God as the only Source of both, not to add to Him.
- Give, because idols are nothing. The gods of the peoples are "nothings"; the One who made the heavens is the only worthy receiver.
- Give, on His terms. The joy of this song followed a hard lesson that worship runs by God's due order, not human arrangement.
- Give, from every family on earth. The call crosses every border, yet it draws the nations up to one place, to worship in the beauty of holiness.
- Give, though it can never be enough. His glory is infinite, so nothing less than our best will do — and He still delights in whatever measure of honour we bring.
Give unto Jehovah the glory of his name! Bring an oblation, and come before him Worship Jehovah in holy splendour.
David has just set the ark in its place, and the song he gives for that day calls the whole earth to give God what is already His. Two questions sit at the heart of this verse: what can a creature bring to God, and what makes the gift welcome? (Older translations end the verse with "the beauty of holiness," and the writers quoted below use that wording.)
David drew this song together for one great occasion, and its reach goes far past that day:
It is a magnificent psalm, made up of the first fifteen verses of Psalm 105, followed by the whole of Psalm 96, and closing with the last two verses of Psalm 106. All this shows how fully David entered into the importance of the occasion and its far-reaching effects. They reached beyond the little nation of Israel, which alone was there that day. They were a foretaste of that coming day of glory, when the Lord, Who so often called Himself the God of all the earth, shall be owned as such.
This verse comes from Psalm 96, but one phrase is changed:
In verse 29 our chapter says, "Come before Him," rather than "Come into His courts" (Ps. 96:8). This again fits the passing state of David's reign. At this time there was still no sanctuary for the ark.
To "ascribe" glory adds nothing to God. It names Him as the only source of the glory and strength anyone has:
They are to ascribe glory and strength to the Lord as the only Source of these. They are to give Him the glory of His Name — the Ever-living, the Unchanging, who remains the same amid all creature changes. And they are to give Him allegiance in the only way He can accept it: adorned with the beauty of the holiness He calls for.
In Psalm 96, the summons goes out to every people, not to Israel alone:
All the families of the peoples are called to come up and own this Lord the Creator, whose glory is in Israel, and to worship in His courts there in the beauty of holiness. All the earth is to fear before Him. They are not only called to come up; the great declaration "the Lord reigns" is also to go out through the nations.
This is not the only place God asks His people to come with something in hand:
We know that worship is something we ought to bring. God deserves to be worshipped (see Deut. 26:10; 1 Chr. 16:29; Ps. 29:2; 95:6; 96:9). We should not "appear before the Lord empty" (Ex. 23:15; 34:20; Deut. 16:16). New Testament encouragements to worship include 1 Peter 2:5 and Hebrews 13:15.
What is striking is that God asks at all, given how small anything we bring must be:
It is impossible to exaggerate the greatness of His glory, and the glory due His name is infinite… Yet God's kindness shows in the invitation to bring an offering and come into His courts. Of course He is worthy of far more adoration and worship than we, or all creation together, can ever give. Yet He still delights in whatever measure of honour we give Him, and we are blessed through this.
True worship depends on knowing God's holiness:
In the past, holiness has been far from men's minds. If there is no understanding of God's holiness, there can be no true worship. Holiness involves the love of what is good and the hatred of evil, and it is beautiful only to those who recognise its character.
The beauty the worshipper wears is a gift, not an achievement:
How wonderful that we can give to Him! We are nothing in ourselves, and unworthy too. Yet God's rich grace sets us with the mighty and enables us to offer to Him in the beauty of holiness — the beauty that is ours in Christ through His redeeming work at Calvary. So we can respond to His infinite grace by giving to Him again, saying, "Of Your own do we give You."
Worship follows God's thought, not human skill:
Man's handiwork, no matter how gifted, is not required in the worship of God. All must be according to the thought of God, who must be worshipped in "the beauty of holiness."
- Give — the glory is already His. To ascribe it is to name the only Source of glory and strength, not to add to His store.
- Bring — worship is something we carry. No one is to appear before the Lord empty.
- Receive — the invitation is itself kindness. He delights in whatever honour we give, and we are blessed in the giving.
- Wear — the beauty is holiness, and it is ours in Christ through His redeeming work at Calvary. Man's handiwork adds nothing to it.
- Spread — the call reaches every family of the peoples. It is a foretaste of the day when all the earth owns Him as God.
Tremble before him, all the earth The world also is established, it shall not be moved.
This line comes from the song David gave for the day the ark reached Zion. It does two things at once. It calls the whole earth to tremble, and it promises a world that will never be shaken again. Why should one nation's celebration summon "all the earth"? And how can anyone say the world is now secure?
One writer compares this song with the one recorded in the book of Samuel:
The song of 1 Chronicles 16 is completely different. It is the hymn of the beginning of the kingship, announced by setting the ark in Zion. The ark is God's throne among His people, at last entering into its rest… The subject here is not what it was in Samuel: victory over the wicked, the responsibility of the saints, and God's government of them. The subject is God's faithfulness to His promises. That faithfulness is at last carried out by the ark's return to Zion, after Israel had forfeited every right to keep it among them.
This part of the song follows Psalm 96 closely, but not exactly. The small changes fit David's day, not the reign that is still to come:
This section leaves out details that belong to the theme of Christ's reign but not to the theme of David's reign. So 1 Chronicles 16:23 leaves out the "new song" of Psalm 96:1, which in the Word is always connected with a new scene… In the same way, verse 29 of our chapter says, "Come before Him," rather than "Come into His courts" (Ps. 96:8). This again fits the passing state of David's reign. And verse 33 says only, "For He comes to judge the earth," where the psalm adds, "He will judge the world with righteousness, and the peoples in His faithfulness." Such a fullness of government could not match David's reign.
Another writer points to one line the chapter drops, and gives the reason:
The omission of the judgment of the peoples in righteousness is remarkable. This is because the subject here is joy, and the grace of deliverance when power is established, with the government of the earth that follows. It is also because the nations are called up to Jerusalem to present themselves there before Jehovah. This is the leading thought.
The song sets the Lord beside the gods the nations serve:
God has not arbitrarily hidden Himself. It is men who have turned away from Him… This controversy with idolatry is now coming to an end. The sun rises, and the unclean things of the night are driven away: "Jehovah is to be feared above all gods." And rightly so. What are they? "All the gods of the peoples are idols" — or, as the word means, "nothings" (compare 1 Cor. 8:4) — "but Jehovah made the heavens." This is the One who has now come down to a sanctuary on earth, to reveal His heavenly glory here.
The second half of the verse promises a settled world. That settlement comes after upheaval, not instead of it:
All the earth may well "tremble before Him" (v. 9)… the whole world is now firmly established. Before, it was "like the troubled sea when it cannot rest." Now at last the kingdom of the Lord Jesus is established, and "it shall never be moved." Before this wonderful result could happen, God must "shake the earth terribly" during the time of the Great Tribulation. It will seem the earth is completely moved out of its place. But when the proper time arrives, He will Himself bring quietness and settled peace, judging the peoples righteously.
One writer states what keeps the world steady:
For Jehovah reigns: He judges the peoples with equity; and that stable and righteous throne is the stability of the world.
The verses that follow widen the circle beyond people to fields, trees and sea:
So nature is called to rejoice in harmony. A song that began in heaven is taken up on earth. The sea too lifts up its waves in gladness, not rebellion. The field is to shout for joy, and the trees of the wood, for the curse of barrenness is lifted off. Jehovah has come, and He has come to judge the earth. Once again, the seal of its lasting blessing is this: evil is banished.
- Throne — the ark comes to rest in Zion as God's throne. The song celebrates His faithfulness to His promises, not Israel's record.
- Trimmed — the words come from Psalm 96, but the chapter drops the line about judging the peoples in righteousness. The subject here is joy and the grace of deliverance.
- Tremble — the gods of the nations are "nothings." The Lord who made the heavens has come down to a sanctuary on earth, so the whole earth may well fear Him.
- Steady — the world does not hold itself up. A stable and righteous throne is the stability of the world, and settled peace comes after a terrible shaking, not instead of one.
- Sung back — the joy runs past people into creation itself. The curse of barrenness is lifted, and the sea lifts its waves in gladness instead of rebellion.
Let the heavens rejoice, and let the earth be glad; And let them say among the nations, Jehovah reigneth!
This verse is the high point of the psalm David gave for the day the ark came to Zion. Why does it send one sentence out to the nations — the LORD reigns — and why should heaven and earth be glad about it?
One writer sees the day as far bigger than the crowd standing there:
It is a magnificent psalm, and this chapter alone records it as one continuous song. It is made up of the first fifteen verses of Psalm 105, then the whole of Psalm 96, and it closes with the last two verses of Psalm 106. All this shows how fully David grasped the importance of the day and its far-reaching effects. Those effects went beyond the little nation of Israel, the only nation present that day. The day was a foretaste of that coming day of glory. Then Jehovah, who so often in this people's history called Himself the God of all the earth, will be owned as such in a universal supremacy, with Zion at its centre.
The song does not stay inside Israel. One writer follows the announcement out to the nations:
All the families of the peoples are called to come up and own this Jehovah the Creator, whose glory is in Israel. They are to worship in His courts there in the beauty of holiness. All the earth is to fear before Him. They are not only called to come up. The great declaration "Jehovah reigns" — the LORD is King — is to go through the nations. The world itself will stand firm and unmoved under the reign of Jehovah, and He will judge the peoples in righteousness. Then the universe is called on to rejoice at this display of His righteous power. So while Israel stands centrally as the place of Jehovah's covenant, the whole creation is summoned into joy, for He is the Creator as well as Israel's God.
The gladness is not only for people. One writer explains what changes for the created world when the reign begins:
And while Israel rejoices, the nations hear that He reigns, all creation will rejoice as well, for He takes the curse away and delivers creation from its groans.
Another writer traces that hope back to the first promise God made:
The first promise pointed so clearly to the Lord taking the earth back that the whole creation is pictured as hoping and waiting for it. (Gen. 3:15; Rom. 8:19-21) And so in the day of the kingdom of our God, these hopes of creation will not be disappointed. Then "the heavens will rejoice, and the earth be glad, the sea and all that fills it. The field will be joyful and all that is in it: the floods, the hills, and the trees of the wood will rejoice before the Lord."
Verses 23–33 follow Psalm 96 almost word for word, but not quite. One writer weighs the small changes:
Only in Psalm 96 do the words "Say among the nations that Jehovah reigns" stand where they take on a more prophetic character. Here the joy of the heavens and the earth comes before this message to the nations. And instead of "His courts," it says "before Him." The words "He shall judge the peoples with righteousness" are left out too. So is the second half of the last verse, which applies this judgment to the world. Apart from these changes, these verses match Psalm 96. To me the changes give this psalm more the character of a present joy.
A second writer explains why those lines were left out:
Compared with 1 Chron. 16:23–33, notice how prominent His reign is in Psalm 96. "He will execute judgment upon the peoples with equity" and "He will judge the world with righteousness, and the peoples in His faithfulness" (vv. 10, 13) are not found in 1 Chron. 16. No one could say this as the direct testimony of David's own day.
Israel had a habit of singing this future while still living in the present:
In the days of Israel's triumphs they remembered the hope of the kingdom. They sang of it at the Red Sea, and looked on to it as the ark entered Jerusalem under David. (Exodus 15; 1 Chron. 16:23-33.)
- Reign — the verse turns on one announcement — the LORD reigns. Everything else in the song follows from it.
- Announced — that word is to travel out through the nations. Zion stands at the centre of it.
- Invited — the nations are not only told. They are called to come up, own the Creator, and worship Him in the beauty of holiness.
- Released — creation joins the gladness. His reign lifts the curse and ends its groaning.
- Already — small changes from Psalm 96 shift the tone from prophecy toward present joy. Israel sang the coming kingdom on the day the ark arrived.
Let the sea roar, and the fulness thereof; Let the field exult, and all that is therein.
David's psalm at the entry of the ark into Zion (1 Chronicles 16) does not stop with Israel. It calls the sea and the open country to join in — but why summon unthinking nature to praise, and when could such a song be answered?
These words were not composed for the occasion. Commentators point out that the whole song is a patchwork of psalms already in use:
The Song recorded here (verses 8-36) is composed of fragments of three psalms. Verses 8-22 correspond to Psalm 105:1-15; verses 23-33 correspond to Psalm 96:1-12; and finally, verses 34-36 correspond to Psalm 106:1, 47-48.
So our verse comes from Psalm 96.
The setting was modest. Yet the song's view stretches far beyond it:
This psalm suits the moment, with the ark still in a tent. Yet it looks forward to the time when the heavens will be glad and the earth will rejoice, and when men will say among the nations, "The LORD reigns." It has a prophetic character. It brings before the eye of faith what did not then appear... All the earth is summoned to sing to the LORD, because Israel's blessings will spread from one centre over the whole world.
Creation has something to be delivered from. One writer ties this call to the present state of the world:
Creation has a deep and personal interest in this. Its condition, made subject to futility, must stay unchanged until we are in glory. Then it "will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God" (Romans 8:21)... Right now the whole creation groans and suffers pain together. When the Lord comes back in power, its keynote will be changed, and created things will give Him a glad welcome.
The sea in Scripture is often a picture of unrest. Here the same noise means something else, and the fields have their own reason to join:
Nature is therefore called to rejoice in harmony: a song begun in heaven is taken up on earth, and the sea too lifts up its waves in gladness, not rebellion. The field is to exult too, and the trees of the wood, for the curse of barrenness is lifted off. Jehovah has come, and come to judge the earth.
Not every writer hears the roar that way. Elsewhere the word has a harder sound:
Under this beautiful imagery is the joy of saints and their sense of security while the sea — the world — is still roaring... "Roaring" does not suggest peaceful rest. In Scripture it is connected with tumult, battle, war, vengeance, and wrath.
Commentators differ over how to read the picture. Some take the images as figures for groups of people:
The earth (or the land), speaking of Israel, will overflow with gladness; the sea (the nations) will roar in worship (Psalm 96:11). "The field" is the world (Matthew 13:38), which will rejoice with all that is in it (Psalm 96:12). Then comes "all the trees of the woods" — a picture of every individual. Nothing is left out of the great celebration of the triumph of the true King.
Others hesitate. When one writer treated the roaring sea as turbulence and applied it to the nations, an editor added a caution in the margin:
Turbulence here may be questioned, as well as the application to the nations. "Roaring" is hardly uniform.
Where Chronicles borrows from Psalm 96, it also edits. The differences are not accidents of copying:
This section leaves out details that belong to the theme of Christ's reign but not to the theme of David's reign... Verse 33 says only, "For He comes to judge the earth." The psalm says more: "He will judge the world in righteousness, and the peoples in His faithfulness" (Psalm 96:13). Such a fullness of government could not match David's reign.
- Borrowed — The verse comes from Psalm 96, sung the day the ark came to rest in Zion — the ark still in a tent.
- Prophetic — The song outruns its own day. It shows faith a time when the nations will say, "The LORD reigns."
- Groaning — Creation groans under futility now, so the song calls it to rejoice in the freedom ahead.
- Gladness — The sea's roar here is joy, not revolt; the field exults because the curse of barrenness is lifted.
- Measured — Chronicles drops the psalm's fullest words about judging the world in righteousness. David's reign could not carry them. Commentators also differ on whether sea and field mean nature or peoples.
Then shall the trees of the forest sing out at the presence of Jehovah, For he cometh to judge the earth.
David's song at the ark's arrival ends by handing the praise over to the forest. Two questions sit inside that line. Why should creation celebrate a coming judgment? And why sing about the far future on a day in David's own reign?
David did not compose this piece from scratch. He picked psalms that already existed and set them for the day the ark reached Jerusalem. One commentator traces which ones he picked, and why.
The king chose three Psalms for that occasion: 105, 96 and 106. All three come from the fourth book of Psalms, and none of them is credited to David. They began with Psalm 105, verses 1-15, and stopped there. David tied that day's ceremony to God's promise to the patriarchs to give their descendants the land. Next they sang Psalm 96, because the ark's entrance into Jerusalem was the pledge of the coming day of glory, when God's supremacy over the nations will be shown and owned.
Compare this verse with Psalm 96:13 and something is missing. Chronicles stops at the coming. The psalm goes on to say how God will judge the world.
Verse 33 says only, "For He comes to judge the earth." These words replace the words of the psalm (v. 13): "For He comes to judge the earth: He will judge the world in righteousness, and the peoples in His faithfulness." Such a fullness of government could not match David's reign.
The ark was still in a tent when Israel sang this. One writer shows the song reaching far past that day.
This psalm suits the time when the ark was still in a tent. Yet it looks on to the day when the heavens will be glad and the earth will rejoice, and when men will say among the nations, "The Lord reigns." It has a prophetic character. It brings before the eye of faith what did not then appear.
One writer traces the joy back to a lesson David had learned the hard way.
David says that no one but the Levites should carry the ark of the Lord. He remembers his fall, learns the lesson, and now sets himself to act as God intended. So the work of man no longer spoils that of God. God is glorified, the people are joyful, and the ark of the Lord has taken its place among them again. The blessing is so great that the psalms they sing are those which will be sung in the millennium, when the Lord returns to Israel.
Trees do not sing about a court verdict. They sing because the coming of the Judge ends the damage done to the ground itself.
So nature is called to rejoice in harmony. A song that began in heaven is taken up on earth. The sea too lifts up its waves in gladness, not rebellion. The field is to be glad, and the trees of the forest, for the curse of barrenness is lifted off. The Lord has come, and come to judge the earth.
Creation does not sound like this today.
Now, the whole creation groans and travails in pain together. When the Lord comes back in power, its key-note will be changed, and created things will give Him a glad welcome.
The verse gives judgment as the reason for joy, which only works if this judgment is not the end of the world.
The whole earth, corrupted as it will be throughout, will pass through the crisis into the glory. God will judge; but His judgment will be purifying, not destructive. The earth outlives it.
Commentators differ on how literally to read the picture. Some hear the created world itself. Another reads the images as a picture of people.
"The field" is the world (Matt. 13:38), which will rejoice with all that is in it (v. 12). Then "all the trees of the forest" are mentioned, picturing every individual, so nothing is left out of the great celebration of the triumph of the true King.
Another writer finds God's people in the same imagery, at rest while the world is still in uproar.
These words have a deeper meaning than the blessedness of the natural world put in pictures. Under this beautiful imagery is the joy and conscious security of saints while the sea — the world — is still roaring.
- Occasion. David set this song to the ark's arrival in Jerusalem. He drew on Psalms 105, 96 and 106, because that day was a pledge of the coming day of glory.
- Restraint. Chronicles stops at "He comes to judge the earth." It drops the psalm's fuller words about judging the world, because that scale of rule did not match David's reign.
- Reach. The song looks past its own moment: the psalms sung that day are the ones to be sung when the Lord returns to Israel.
- Reason. The trees sing because the curse of barrenness lifts. Creation groans today; then it will change its key-note into a welcome.
- Result. This judgment purifies; it does not destroy. The earth outlives it, and that is why the coming brings joy and not dread.
Give thanks unto Jehovah, for he is good; For his loving-kindness [endureth] for ever.
David has just brought the ark of the covenant up to Mount Zion. To mark the day, he hands Asaph and his fellow singers a psalm. Its closing line became the standing song of Israel. Why this line? Why at this moment? And how could a nation with such a record sing it at all? (The writers below say "mercy" where the ESV says "steadfast love.")
The refrain has a birthday. Israel had lost the ark to its enemies. David now set it in the place God chose for the king.
Psalm 136 celebrates a blessed principle tied to Zion, the place of sovereign grace in power. We have our place of praise and thanksgiving because of this: His mercy endures for ever. Ichabod had been written on Israel. The ark was where the blood was to be placed on the day of atonement, so that Israel might have a place with God. And that ark was taken — as far as Israel went, lost. But God's mercy endures for ever, and David, as soon as he sets the ark on Zion, establishes this song there.
David deliberately did not put the ark back where the old order of worship stood. That choice is bound up with the song.
David brings back the ark from Kirjath-Jearim. But he does not put it back in the tabernacle, where the outward form of worship went on. He puts it on Mount Zion, which God had chosen to be the seat of the kingship. Here it was grace, and grace exercised in power. So then, for the first time, David sets up the singing of the hymn: "For His mercy endures for ever."
This is not a sentimental line. Israel's record was one of complete failure, and the song stands against that background.
Next comes this form of words: "His mercy endures for ever." It declares that despite all the faults, all the sins and all the unfaithfulness of Israel, Jehovah's mercy has stood firm. This will be shown in full when the Lamb — the true ark of the covenant and the real David — stands on Mount Zion, even before He takes the character of Solomon.
Verses 34-36 come from Psalm 106 — but only the opening and the ending. One writer explains what is missing and why.
The third section of our chapter (vv. 34-36) is a citation from Psalm 106:1, 47-48. Its first verse suits the character of Chronicles and the moment when David gave his "first" psalm. Our passage deals only with the setting up of the ark in Zion, and leaves out all the rest of the psalm. That is because the psalm tells the history of the people under responsibility, and their complete failure in every situation they passed through — in Egypt, in the wilderness, and in Canaan.
Once given, the refrain reappeared at every major turning point — in glory, and in weakness.
That chorus had been sung in the bright day of David's success: when he brought up the ark of God from the house of Obed-Edom the Gittite to Jerusalem (1 Chron. 16:41). It sounded again in the days of Solomon, when the cloud and glory of His manifest presence filled the house of the Lord at Jerusalem (2 Chron. 5:13). Then the glory and brightness and successes of those days passed away, and the failure and ruin of Israel was complete. Even so, the returned remnant could raise the very same old note of praise… They had been faithless, but He was faithful.
The song also has a future.
This song will be sung during the millennium. But it could already be sung at the dawn of the reign of David and of the reign of Solomon (2 Chron. 5:13). That was the moment when God, in a foreshadowing picture, fulfilled His purposes of grace for the kingship.
The refrain does not stay in Israel's history. Anyone who traces God's dealings with them can take it up.
From first to last, and during all the time between, it is and will be nothing but mercy. Mercy in creation — and we can go further back still, even to God's purposes of grace in Christ before the foundation of the world. Mercy in our redemption, in our guidance through the wilderness, in our deliverance from our enemies, and in God putting us in possession of all that He has secured for us in Christ, whether now or when we are for ever with the Lord. So we may take up Israel's song and cry without ceasing, "O give thanks to the Lord; for He is good, for His mercy endures for ever."
- Ruin. Israel had lost the ark to the enemy. The song begins where human failure ends.
- Grace. David sets the ark on Zion, not back in the old tabernacle. Only then does he start the hymn, for this is grace working through power.
- Endurance. "For ever" means mercy that outlasts every fault, sin and unfaithfulness of the people.
- Reach. David sang these words. Solomon sang them in the filled temple, the weak returned remnant sang them, and the coming kingdom will sing them again.
- Ours. From God's purposes before creation to our being for ever with the Lord, it is all mercy. So the song is ours to sing too.
And say, Save us, O God of our salvation, And gather us, and deliver us from the nations, To give thanks unto thy holy name, To triumph in thy praise.
David's song for the day the ark came to Jerusalem ends with a prayer for rescue. No nation was oppressing Israel that day — so whose prayer is this, and why does a day of triumph close with a plea for help?
The last three verses of the chapter are not new words. David takes them from a psalm about Israel's failure — and leaves the failure out.
The third section of our chapter (vv. 34-36) is a quotation from Psalm 106:1, 47-48. Its first verse says, "Give thanks to Jehovah, for He is good; for His loving-kindness endures for ever." That suits the character of Chronicles, and the moment when David gave his "first" psalm... Our passage deals only with the setting up of the ark in Zion. It leaves out all the rest of the psalm. That is because the psalm holds the history of the people under responsibility. It records their complete failure in every situation they passed through — in Egypt, in the wilderness, and in Canaan.
The day ended with a prayer about a trouble no one there was in. It belongs to a people still to come.
So they closed that day with the first and the two last verses of Psalm 106. Those verses predict a state of things, and a need, that they were strangers to at that time. But we understand it, and the godly remnant of the future will fully enter into it... At that time no nation oppressed them.
In the psalm, this plea comes at the end of a long admission of guilt. The order matters: the people who ask to be gathered have first owned their sin.
They looked back over this history of constant failure. Even there they could trace the love that had acted towards them all through. He could not openly display it as He would; but the one cause of this was unrepented evil. Now, in their confession of their sin, He could return; and if He could, He would. They cry to Him for this: that He would save and gather them from the nations, so that they might give thanks to His holy Name, and triumph in His praise!
The answer to this prayer is still ahead. It waits on the day the throne of Jesus stands in the very city where the ark was placed.
Finally we have the two closing verses of Psalm 106. The first prays that God would gather Israel from among the nations. That gathering will be the result of the throne of Jesus being set up in Zion. The second closes the psalm by blessing for ever Jehovah the God of Israel — as we find at the end of each book of Psalms. This song of praise contains, then, every subject that the presence of Christ in Zion will give occasion to celebrate...
The verse makes four requests. The first one holds up the other three.
I would only draw attention to the last verse. In it we find the four great characteristics of the people of God fully set out... The Church of God is a saved company. Salvation is the basis of everything. We cannot answer to any of the other characteristics in this rich verse. First we must know ourselves as saved by the grace of God, through the death and resurrection of Christ.
The last request — thanks to His holy name — is not a separate item tacked on. It grows out of the three before it.
Finally, we have the spirit of a worshipping people: "That we may give thanks to your holy name." This follows from everything we have been looking at. Salvation, association, separation, and worship are all connected together. The Church breathes the atmosphere of God's salvation. The Spirit leads her into holy and happy fellowship. So, separated to the Lord Jesus, outside the camp, she presents the fruit of her lips to God, giving thanks to His name.
The prayer asks for more than rescue. It asks God to turn a confessing people into a praising one.
The psalmist has confessed the sins of the people. Now he appeals to Jehovah to save His people, gather them from the nations, and make them a praising people. Expecting the answer to his prayer, he calls all the people to praise the Lord God, who is blessed from everlasting to everlasting.
- Saved first. Salvation is the basis of everything. The other requests wait on this one: knowing yourself saved by grace, through the death and resurrection of Christ.
- Gathered next. God gathers His people from the nations when Jesus takes His throne in Zion — the day the whole song looks forward to.
- Separated then. Deliverance from the nations sets a people apart to the Lord Jesus, outside the camp.
- Praising last. The rescue has a stated purpose: to make them a praising people, giving thanks to His holy name.
- Confessed throughout. The words come from a psalm of national failure. People who have owned their sin raise this cry, and God returns to them.
Blessed be Jehovah the God of Israel, from eternity and to eternity! And all the people said, Amen! and praised Jehovah.
David's great song, sung when the ark was carried into Jerusalem, does not end with the king's voice but with the whole nation's. Its last line blesses God for all time, and the people seal it with one word — so where did these words come from, and what does that "Amen" do?
David handed the singers a psalm built out of psalms already written, and he chose the closing lines with care. One writer traces where each part came from and shows that the ending looked past that day.
The king chose three Psalms — 105, 96 and 106 — all from the fourth book of the Psalms, and none of them credited to David. They gave fitting words for everyone on that occasion... So they closed that day with the first and two last verses of Psalm 106. These verses predict a situation and a need that Israel knew nothing of at that time. We understand them, and the godly remnant of Israel in days to come will enter into them fully... At that time no nation oppressed them.
The blessing has no end because the One it blesses never changes. One writer ties the people's Amen to God's unchanging nature.
"Blessed be the LORD, the God of Israel, from everlasting to everlasting" — He does not change, and all the people are called on to say Amen to this solemn truth. What wonderful grace first, and what patience of mercy afterwards! Such is the hope of Israel!
These words are not a one-off. Four sections of the book of Psalms end with a doxology — a short burst of praise — and each one draws the same short response.
The book of Psalms is divided into five books. Each of the first four ends with a doxology, and with it we meet the significant word "Amen." "Blessed be the LORD, the God of Israel, from everlasting to everlasting! Amen and Amen" (Ps. 41:13)... "Blessed be the LORD, the God of Israel, from everlasting to everlasting! And let all the people say, 'Amen!' Praise the LORD!" (Ps. 106:48).
The word the people spoke was already familiar in Israel. Its earlier uses were solemn ones, where a person went on record before God.
A strong statement of agreement and consent. We first read of its use when a woman was suspected of being unfaithful to her husband and had to drink the bitter water. The priest spoke a curse on her if she had been guilty, and the woman had to answer Amen, Amen (Num. 5:22). So when the priest on Mount Ebal read out the various curses, he added it to each one: "And all the people shall answer and say, 'Amen'" (Deut. 27:14-26).
Here the same word turns from agreeing with a curse to agreeing with praise.
Writers read the last two verses as reaching far beyond David's reign.
Verses 35 and 36 look ahead to the final accomplishment of all the blessings listed in our chapter. They will be fully realised only when God delivers Israel from among the nations. That time is still future, and then this praise will ring out: "Blessed be the LORD, the God of Israel, from everlasting to everlasting!" David's people rejoice in this praise ahead of time.
One writer hears an echo of this verse in the New Testament, where Christ Himself leads the praise.
Are we not reminded by this verse of what is written in Psalm 22:22 and Hebrews 2:12: "In the midst of the congregation I will sing Your praise"? Christ is not only the centre of His gathered people, but the leader of their praise to God the Father.
The same thing happens when Christians gather now. One voice speaks, and the rest answer.
One believer expresses it for all the rest, and the gathered church says Amen. There is a worship meeting coming in which the whole church will take part, and will hear an Amen that echoes through creation... I believe that if the heart is right, an Amen will come out — a "so be it." You are putting your seal on what the Spirit of God draws out, and God looks for that.
- Given — David chose the closing lines from Psalm 106, words that spoke of a rescue Israel did not yet need on that day.
- Grounded — "From everlasting to everlasting" holds because God never changes. That is what the people say Amen to.
- Sealed — "Amen" is firm agreement. Israel had used it to accept curses; here they use it to seal praise.
- Shared — One voice gave out the psalm, and the whole nation answered. Christ leads His people's praise in the same way.
- Still ahead — They sang the song ahead of time. Its full sound waits for the day when God gathers Israel from among the nations.